Review: Inhale Exhale bring six full new circular round-trip breaths to the fold, focusing on heartwarming and soulful summer deep house tunes. Intended mostly for outdoor disco BBQs, 'INEX 017' packs a fruitful punch. Opening proceedings on the A come 'Make It Right', 'Understand U' and 'Tears Of The M1', a power-of-three intro tracking a vibeful descension from crystalline waters, synth organs and high string samples down to the chillest of vinyl-crackly, primal mini tech moods. Then there's the unmissable mirror image on the B, podding 'Everytime', 'Clyde' and 'Keep The Stabs', the last of which is an especially delicious, refractive groove.
Review: The Soul in the Horn label is "a movement" with roots in New York City. It is a collaborative project from music curator DProsper and resident DJ Natasha Diggs that is now back with another party-ready 12", this time from Knevrmind. It kicks off with a rugged house cut that chops up some big Kendrick samples to make for something of an anthemic opener. 'Major Hot' then flips the script with more sun-kissed and dusty house loops that are nice and loose and 'Matters Of Time' slows it down again to late-night and loved-up dub house. An instrumental strips it back so the cosmic synths shine brighter.
Review: Eight further sonic spirits are conjured on the seventh edition in Damian Lazarus' annual compilation series. Emphasising deep house and techno grooves with a hypnotic flavour, the procurement here is exemplarily brooding; Dino Lenny's 'I Have Sampled Father' marks a sure turn away from the openers' cleaner-cut mesmerisms with a smoky, funk-inflected haze, bringing rhythm guitar and paternal murmurations to a surreal montage. The monologuing mood continues on the equal highlight that is Upercent's 'Where Are You', whilst Enamour's 'Jackpot' rounds out the show with the record's only brightly-lit minimal triller. The record is marked by sensuous, distant, familiar voices throughout.
Sanderson Dear - "A Place For Totems" (extended version) (6:10)
Review: Sanderson Dear's Stasis Recordings released the original Time Capsule compilation in 2020 - a 20-track exploration of ten different ambient techno artists exploring two ideas each in compact form for a box set of 7"s. Now the label has revisited some of the project's standout moments and offered a chance to enjoy extended versions gathered on a single 12". From Maps Of Hyperspace shaping out atmospheric halls of synth work on 'Beta' to Glo Phase offering some gorgeous, sparkling grooves on 'Fire Flies', there's plenty of ground covered on this release. Of course the mighty John Beltran is a big drawer too, and his typically stellar 'The Descendent' doesn't disappoint in its full extended version.
Review: Sade's 'The Safest Place (NYC Dance Remix)' is a masterful blend of her signature smooth vocals being used for an infectious tribal groove. Originally from her 2010 album Soldier of Love, this remix seamlessly incorporates Sade's enchanting voice into a rhythm that pulses with energy, perfect for dancefloors. The track's production enhances its danceability, showcasing her ability to resonate with the dance community. It's a testament to her timeless appeal and adaptability, proving once again why she remains a beloved figure in both pop and dance music. Sade often finds her way into underground house and techno mixes. This might be one of the best.
Review: 'Solitude' is a perfectly apt title for anything Sistrum label head Patrice Scott does. The US deep house master makes such introverted and introspective sounds that they have you utterly transfixed in the moment, locked into thought and gazing on at his gorgeous synth designs which are cosmic, meaningful and jazzy. The title track here does all that and more with some deft vocals laced in and gentle tambourine sounds. 'Inoffensive Dance' is another meditation of deepness with loose drums and lovely melodies all soothing mind, body and soul.
Finally Ready (Dimitri From Paris TSOP - The Sound Of Paris - remix club dub) (6:35)
Finally Ready (Dimitri From Paris TSOP - The Sound Of Paris - remix part I & II instrumental) (7:33)
Finally Ready (David Penn extended remix) (7:21)
Finally Ready (Catz 'n Dogz extended Pride mix) (6:43)
Finally Ready (Dimitri From Paris TSOP - The Sound Of Paris - remix part I & II) (9:12)
Finally Ready (acappella) (3:57)
Review: The Shapeshifters are bonafide dance music champions with some rare studio skills. Their golden era sound is as rich as they come and their on going relationship with Glitterbox now results in a new future classic, 'Finally Ready.' It follows on from jams like 'Try My Love' and 'Life Is A Dancefloor' and has a strong message that no matter where you come from, on the dance floor there is always acceptance and hope. Grammy, Tony and Emmy Award-winning singer, director, composer, actor and playwright Billy Porter is the co-writer and with all its big strings, live horns and sense of theatre, it's another winner.
Review: Kimochi Sound welcomes back regular artist Shielding for another standout entry into the label's catalogue, this time on wax with a lovely hand-sprayed sleeve. It's a deep exploration of supple rhythm here with 'Ceiling Licker' mix up diffuse ambient arps and organic sounds from the great outdoors with a bubbling bassline. 'Hundred' is a trippy late night cut with a ghostly atmosphere and muted bells and chords drifting into earshot from way off in the distance. 'Kvadrat' is a late-night collaboration with Maeteriet from Sewer Sender Records that overlays a rubbery minimal rhythm with deft synth details and curious hooks to make for dark but ultimately charming listening.
Review: One of the more surprising trends of the early 1990s was the fusion of contemporary club culture - or at least the slow-motion end of it - with what would have once been considered 'church music'. While it was made famous by Enigma's global hit 'Sadness', Sloopey G's 'Domine' EP was reportedly recorded and released first. Certainly 'This Is The Day (Notre Dame Remix)', which naturally heads this THANK YOU reissue, sounds like a prototype of the Enigma sound - think British street soul beats, dreamy ambient pads, sampled monk chants, tactile bass and spoken word vocals. The EP also includes both similarly formed original bonus cuts, 'Victime' and the house-influenced 'Cathederal Dance', as well as previously unheard bonus cut 'Love In Heaven', a deliciously, shuffling and saucer-eyed affair.
Review: Yet another record in our recent deluge of Italian disco rarities, this one comes from the trusted tastemakers over at Disco Segreta. Spazio Vitale, an 8-piece band from Genoa, originally released this space-age split single to flaunt their instrumental and synth chops in the realm of disco, making heavy use of niche gear like th Eminent 210 Unique and Clavinet Hohner D6. This 7" reissue shines a light on the Genoa scene at the time, important as a bastion of experimental disco.
Review: The final edition of Aksel Schaufler's ambitious Golden Ravedays project is finally upon us. For many this series will be remembered as one of the most defining musical aspects of 2017, where each month one tremendous 12' after another would come our way and essentially creating a wonderful soundtrack to a very special year: a zeitgeist, if you will! From balearica to new wave Krautrock and cosmic psychedelica to straight up house bombs: the series encapsulates Schaufler's unerring dedication to his craft which has spanned close to 20 years and his seen him become synonymous with the the famed Kompakt imprint and enduring success with his Hippie Dance label. On the A side is the dreamy spaghetti western feel of "Late Night Skanking" with its mesmerizing orchestral sections and otherworldly instrumentation taking you deep into the exotic. On the flip there's some bold and stylish indie-dance on the low slung tip with "Punky Reggae Party" which really nails that Cologne/Dusseldorf style vibe because after all - that was his former stomping ground, before he relocated to Paris.
Review: Francesca Macri's System Olympia project takes the best bits of Italo, disco, boogie and house and distills them into something fresh and sincere. As her cover art unfailingly spells out, this is sexy music first and foremost, and that intention charges her productions with a heart which positively radiates out of the speakers. Her Okay Nature label has been a reliable conduit for her prolific output, following up on last year's Always On Time record with this new EP which features a surprise appearance from Working Men's Club on the title track 'Sanctified'. It's a melancholic centre point to an EP which maintains Macri's thematic focus on the spiritual dimension of pleasure.
Cyndi Lauper - "Change Of Heart" (12" extended club remix) (7:52)
Pet Shop Boys - "West End Girls" (The Shep Pettibone Mastermix) (8:23)
Alisha - "Baby Talk" (extended dance mix) (6:43)
The B-52's - "Summer Of Love" (Summer party mix) (6:07)
Huey Lewis & The News - "Hip To Be Square" (dance mix) (6:00)
New Order - "Bizarre Love Triangle" (Shep Pettibone 12" remix) (6:43)
Depeche Mode - "Behind The Wheel" (Shep Pettibone mix) (5:56)
Erasure - "Chains Of Love" (Unfettered mix 2009 Remaster) (8:25)
Elton John - "I Don't Wanna Go On With You Like That" (The Shep Pettibone mix) (7:20)
Review: Arthur Baker is the perfect host for this new series from Demon Music which focuses on the famous extended remixes of the 80s. Each series will be a multi-disc, various artist collection that is united by one remixer, and there can be few better to kick it off than the legend that is Shep Pettibone. He was a hugely in demand studio hand who reworked multiple genres and everyone from Pet Shop Boys to Duran Duran, New Order to Level 42, George Michael to Erasure. This ambitious, widescreen collection takes in all manner of golden remixes from the world of soul, pop, synth and more.
Review: Kyle Hall and Steven Julien have been working together on and off for a whole decade now as Funkinevil. To mark the occasion they have pulled together their first two releases - namely 2012's 'Night / Dusk' and 2013's 'Ignorant' - on one new double album that very much sums up their raw house sound. The Detroit-London duo draw on plenty of their hometown's signature aesthetics, from well swung drums to soulful synths, and the results are still fresh sounding and captivatingly deep. Importantly, all these years later, there is still real emotional punch in these tunes as well as damn good grooves. Essential stuff from this vital pair.
Review: Omar S and Shadow Ray hooked up back in 2005 as Oasis and turned out a low key classic with Collaborating. It's an essential double album packed with signature Motor City heat and dishevelled deep house workouts for mind, body and soul. Things open with the slow paced crawler 'Oasis 4' then take in 'Oasis 11' with its pinging percussion and stripped back grooves, the standout 'Oasis 1s-1/2' with its gorgeously melancholic synth bleeps and heart melting chords and the darker energy of 'Oasis 7'.
Review: Oasis Collaborating is the name of two different double albums that Omar S and Shadow Ray put out under their Oasis alias back in 2005. They are both hugely original and essential works of stripped back Motor City house music perfection. This one is packed with gems like the wispy pads and metallic synths of 'Oasis Fifteen', the low slung rawness of 'Oasis Seventeen' and the brightly, optimistic melodies and twanging chords of 'Oasis Twenty Five'. Each of the tracks sounds like they were recorded live, with two masters of their machines just jamming away, tweaking knobs and cooking up pure house magic.
Review: Vienna by way of Manchester talent Salute has very much mastered the art of crafting high impact and emotive house bangers. They are never throwaway though, but instead distill the purest elements of musical joy, melancholy and beauty into snappy groves and effective melodic hooks. Some are harder than others, some come with garage swing, all of them get you on your toes and ready to go. Now he is back with another album full of such sounds on his home label Ninja Tune. It is another triumphant record full of irresistible sounds and great collabs with the likes of Disclosure, Empress Of, Karma Kid, Sam Gellaitry, piri, Lea Sen, LEILAH and Nakamura Minami.
Review: Austrian-born but now UK-based salute has made an art of crafting the perfect house banger. His deceptively simple tracks often are built around a couple of simple ideas that just roll and roll, tweaked only slightly, brought in and out at the right time, and topped with a great melodic or vocal hook. Now after several hit tunes, he debuts with a full-length on Ninja Tune that finds him serving up his most complete body of work yet. It is full of effective, emotive, heartfelt house cuts that bring style and class as well as plenty of good times.
Review: When it comes to gorgeously summery blends of colourful nu-disco and sunset-ready deep house, Tim Berndhardt AKA Satin Jackets is in league of his own. That much is proved by his third album, and first for three years, Reunion. It begins with an immersive dose of sunrise deep house warmth, 'For What We Have', and ends with the piano-spotted, hands-in-the-air audio dopamine of 'Don't Worry'. In between, you'll find a sparkling, sun-bright mixture of Balearic house loveliness ('Little Aeroplanes'), head-bobbing synth-pop lusciousness ('Different Directions', with Ivy Falls), melody-rich cheeriness ('Hundred Fifty Up'), dreamy vocal nu-disco (Tailor hook-up 'Spell'), and smile-inducing, guitar-laden joyousness ('Coffee & Feels').
Review: EXPERIMENTAL/ELECTRONIC: M=Minimal come through with an excellent vinyl accompaniment to their recent CD of reworkings of Conrad Schnitzler's Zug from Ricardo Villalobos and his Fisherman's Friend, Max Loderbauer. At over 19 minutes, the Aktion remix just about fits on this twelve inch and sees Max and Ric adopt a club ready approach with a stripped back, heads down groove driving forward through a slightly unnerving, guttural re-appropriation of Schnitzler's alien synth textures. Adopting a more ominous and wholly experimental tone, the Sorgenkind mix sounds vaguely like a heavy breathing bull pondering the surrounding expanses of shifting dronal textures as you wait in vain for anything approaching a beat to surface. Download codes are included.
Review: Titled after Marvin Gaye's soulful 'After the Dance,' Detroit producer Scott Grooves delved into a realm beyond the dancefloor with his contribution to an exhibition by Elysia Borowy in September last year. It showcased six installations that explore experimental expressionism in visual arts and electronic music. Grooves' work critiques capitalist culture and draws from afrofuturism, creating a captivating dialogue on consumerism and futuristic themes across six thought-provoking installations: Sweet Dreams Anakin, Foot Work, Vinyl, For All-Dee People, Yellow Sun Bricks and Found Sound. These pieces challenge viewers to reflect on modern humanity, bridging the gap between observer and artwork and now the deeply absorbing, cathartic ambient music from the show arrives on CD.
Review: Over Under marks a vital moment in Secondo's artistic evolution as he mixes up the functional with the experimental in-house and techno. Reflecting two decades of exploration, this new album recalls his early production style while incorporating lessons from the years. It opens with the kosmische pulse of 'Occhi Nuovi' and moves through various tempos and moods, from club tracks like 'Unlikely Companions' to deeper, reflective moments such as 'Solar Funk'. The album's progression weaves a carefully crafted narrative, blending alien funk, mid-tempo grooves and jazz-inspired texture that all shine bright.
Review: Dubwise astral travellers Seekersinternational here present their latest self-released album, 'What He Does', another timeless meditation on cosmic dub and house. Phoned-in vocal samples, two-tone ambiences, soothing sub; they all feature on this mega LP from the artist and label, whose aim is clearly to bring an extra, perhaps fourth, dimension to an established sounds. Rough and ready and analogue-centric, it's perfect for the restless jam-seeker.
Mind Over Rhythm - "Kubital Footstorm" (Global Beatmix) (6:14)
Dream Frequency - "Dream The Dream" (5:48)
As One - "Isatai" (5:01)
UVX - "Elevator (Trancefloor Transporter)" (5:11)
Review: Dance Music From Planet Earth is a new sub-label from Ransom Note that kicks off with a heritage compilation, Dream The Dream. It looks back in great detail at UK Techno, House and Breakbeat 1990-1994 with Richard Sen as the man in control. He was a DJ back in those days, playing the most epic raves around Europe and taking some of the photos which now form the artwork for this collection. His obsessive record collecting from those days is reflected here across a series of sometimes obscure but always brilliant UK tunes for the worlds of ambient, techno, tribal house, breakbeat and early trance.
Instant Exposure - "Wanna Be With You" (club mix) (9:41)
Raiana Paige - "You're My Only Man" (TMvs Underground mix) (6:44)
Solution - "Feels So Right" (7:26)
Sixth Sense - "Don't You Feel It" (club mix) (7:11)
Did It All For Love (Victor & Glenn dub) (7:02)
Review: Unknwn kick off a multi-part double pack series here that serves a deserving light on the work of New York artist Victor Simonelli, who is famous for working with Afrika Bambaataa to help mix the epic 'Planet Rock'. As both a DJ and a producer he made a huge mark on the genre back in the 90s and it is that period which is in focus here. This is a real collectors' piece from the Behind The Groove crew that's packed with vital cuts from the rare mixes of Rain Page and EZ-AL to Cloud 9's 'Do You Want Me' via Solution's 'Feel So Right', all of which provide undoubted proof that he was a man on fire back in those golden early days.
Everybody Movin', Pt 1 (K. Maverick And E. Thoneick remix)
Everybody Movin', Pt 2 (Guy Schreiner remix)
Ultimate Funk (Tocadisco remix)
The Beat Goes On (Mousse T remix)
Champs Elysees Theme (Jamie Lewis remix)
Tribute
Together
Give A Lil' Love, Pt 2 (Erik Kupper remix)
Review: First put out back in 2007, Soundz of Freedom is a landmark album in Bob Sinclar's discography. The French man has long been a towering figure in the world of house music with many chart hits and a DJ diary that takes him on endless trips around the globe. This album helped get him there and is now being reissued for the first time as a double vinyl. It has already been certified gold and features collaborations with renowned stars such as Axwell, Tocadisco, Ron Carroll, Jamie Lewis and Mousse T. Between them they explore plenty of accessible house sounds from deep to vocal to Afro-leaning and they have all aged well enough to still do a job to this day.
Lala Song (feat Hendogg, Master Gee & Wonder Mike) (3:31)
Give Me Some More (feat DJ Roland Clark) (3:15)
Love You No More (feat Shabba Ranks) (4:25)
New New New (feat Vybrate & Queen Ifrica & Makedah) (5:27)
Jamaica Avenue (feat Tony Rebel) (5:13)
Peace Song (Fewat Steve Edwards) (6:30)
What A Wonderful World (feat Axwell & Ron Carroll) (7:05)
Mr Tambourine Man (5:01)
Peace Of Tomorrow (feat Steve Edwards) (4:13)
The Way I Feel (feat Adam Joseph) (4:55)
We Are Everything (5:47)
Belly Dances (feat Kevin Lyttle) (4:10)
Looks Like Love (feat Ryan Scott) (2:56)
Review: Bob Sinclar's Born in 69 reissue for 2024 presents an album filled with joyousness and infectious energy, showcasing Sinclar's talent for turning cover songs into dancefloor anthems. Collaborating with reggae crossover artists like Shabba Ranks and Kevin Lyttle, Sinclar infuses Caribbean influences throughout the album, evident in tracks like 'Love You No More' and 'New New New.' From the spirited revamp of the lambada in 'Give Me Some More' to the funky reinterpretation of classics like 'Mr. Tambourine Man' and Adrian Gurvitz's 'The Way I Feel,' Sinclar's creative flair shines through. The inclusion of tribal beats, psychedelic sitar and Middle Eastern flair adds depth and variety to the album's sonic landscape. While some tracks may lean heavily on auto-tuned vocals, the overall vibe of Born in '69 is undeniably upbeat and feel-good. It's an album that prioritizes fun above all else, inviting listeners to let loose and enjoy the infectious rhythms. Bob Sinclar proves once again that sometimes, all you need is music that makes you dance and smile.
Skrillex, Porter Robinson & Bibi Bourelly - "Still Here (With The Ones That I Came With)" (5:16)
Review: It's been a long time since Skrillex (Sonny Moore) pioneered his distinctive complextro sound, characterised by roaring vocal samples, bitcrushed melodies and novelty growls and wobbles. Surprisingly hailing from from an emo background, Moore has leveraged this sound to become an established force of nature, becoming the instigator of an entire tidal sea-change in electronic music. His latest bout of albums, though - one of which is Quest For Fire - hears him exercise his penchant for collaboration more than ever, indulging something of a DJ Khaled-esque streak, but for the EDM-pop crossover world. It's also much less fidgety, erring more on the melodic pop side. Referring to the film of the same name, in which figurative prehistoric cavemen embark on a quest for the discovery of fire, the album is equally a reflection of Skrillex's quest for musical exploration and innovation, as well as his passion for global culture and diversity. We admit: only Skrillex could bring together underground greats like Mr. Oizo, Sleepnet, Joker, Dylan Brady and Flowdan; fresh faces like Starrah, BEAM and Nai Barghouti; and pop-consciousness occupiers like Swae Lee, Aluna, Missy Elliott and Bibi Bourelly.
Review: Norm Talley returns to his Upstairs Asylum label alongside fellow US house pioneer Delano Smith for Straight Up No Chaser, an eight-track opus featuring four solo cuts each. Talley's gritty, dubbed-out, low-rolling house style is present and correct throughout with the loopy chords of 'Blak Bottom' getting things going, 'The Flip' getting more cavernous and aqueous and 'ISO Vision' leaning into dub techno. 'Believe It' is a soulful deep house looper, while Smith gets bubbly with 'The Bassline', lays down thumping kicks on 'Travels 23' and his trademark synth smears on 'The Drive' while 'Remembrance' is a heady dub house cut that locks you into a state of perfect hypnosis.
Review: Dutch industrial techno producer Parrish Smith created Light Cruel & Vain over the course of nearly three years. Each track on the record was originally conceived solo, then further realised with the assistance of contributing musicians Sofiane Brahmi and Javier Vivancos. The collaborative where no studio sessions occurred due to the pandemic - the full collaboration conducted remotely. Notable tracks include the seething post-punk swagger of "Black Scarlet" or the brooding industrial rock of "Sway", to the industrial strength breaks of "Never Break Faith" and a frantic techno banger towards the end "I Wanna Be An Idol".
Review: After being commissioned to produce several 'interlocking' ambient pieces for an art gallery piece in LA, Brian Foote and Sage Caswell decided to take the concept of 'audience crossfading' to the next level, creating an entire ambient album using a particular sonic technique. Over five long pieces from 'Waterwheel' to 'Smiley', their aim was to evoke the feeling of bodies moving in thoroughfares. The tracks are long-exposed movements captured in ambient space, blending rhythms and soundscapes for chillout rooms that exist only in memory now.
Review: If you hadn't heard this one back in '92, where were you? Probably not even born yet, but that's just us showing our age. Undoubtedly one of techno's first forays into the mainstream, Snap! represented a wave of artists alongside the likes of 2 Unlimited, Technotronic, The Shaman and The Grid who provided many an anthem which now a true zeitgeist of this golden era. BMG presents this much welcome vinyl reissue of the German Eurodance outfit's now legendary sophomore effort The Madman's Return; a Michael Munzing & Luca Anzilotti production featuring vocalists Penny Ford, Turbo B and Thea Austin and the hits 'Rhythm Is A Dancer', 'Exterminate' and 'Colour Of Love'.
Through The Windows (feat Francis Harris & Philipp Priebe) (6:48)
Drowning (feat Module One) (3:52)
Dark Portrait (5:30)
Lost In The Fog (6:46)
February Is Not Going To Be Forever (feat Lawrence) (5:36)
Spirits (4:46)
Even If I Ask You To Stay (4:17)
Review: Soela, the DJ and producer alias of Elina Shorokhova, channels her deep musical roots into Dark Portrait, an album that reflects both personal and global turmoil. Transitioning from her classical background into the electronic realm, Soela crafts a sonic journey that resonates with emotional depth and technical precision. The album begins with 'Unsuitable,' a track steeped in melancholic trip-hop vibes, setting an introspective tone. As Soela navigates the complex emotions surrounding her country's invasion of Ukraine, her music becomes a therapeutic outlet. This emotional intensity flows through tracks like 'Through the Windows' (featuring Francis Harris and Philipp Priebe) and 'Drowning' (with Module One), where intricate beats and ambient textures intertwine seamlessly. 'Spirits' and 'Lost In The Fog' offer haunting soundscapes that draw listeners into Soela's world, while 'February Is Not Going To Be Forever,' a collaboration with Lawrence, brings a dancefloor energy laced with a sense of urgency. The title track, 'Dark Portrait,' melds dubby rhythms with poignant melodies while the lead single, 'Even If I Ask You Stay,' showcases Soela's poignant vocal delivery amid a lush arrangement, addressing themes of escape and healing. The album concludes with 'The Darkest Hour Before Sunrise,' a hopeful and ethereal piece, blending subdued keys and strings with a sense of renewal. Dark Portrait is a deeply personal and powerful album, where Soela's rich musicality and emotional insight shine through, offering listeners both solace and inspiration.
Review: Voices In My Head is a time capsule from the house music golden year of 1992. Crafted by the genre-bending trio Some Other People aka Mark Lord, Matt Frost and Steve Jueno, the album is a dynamic blend of deep house, tribal rhythms and breakbeat with bleepy electro and techno that all make it a heady listen as well as a physical one. Each of the eight tracks feels vital and distinct and was born from a studio process that was as spontaneous as it was inspired. Now reissued for the current prog revival after originally being released on their cult UK label Infinite Mass which once rivalled even Warp Records, it features lost gems like 'Ghost House' and 'Orbitality'.
Review: The changing face of nu-jazz is heard mutating once more on this third album by Soulstatejazz, released via the Chapelle XIV label. Band-led by multi-instrumental talent Tom Ellis - who is here heard on drums, percs, bass, guitars, piano and synths - he's backed up by Bugu Pala and Charles Morgan on vocals, Michiel Renger on tenor sax, Dave Elson on electronic percussion and Vicky Flint on trumpet and flute. The result is a rich, hypnotic and swirling journey through the wateriest ends of improv-based electronic jazz, making for a landmark new album.
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