Back catalogue: House

Review: Colkin from Raw Soul and Mauke Club sets the tone on this new FUTUR compilation, which has been curated by Benedikt Meger with a spherical acid house meditation. Peter Seiler's track, a standout from the reissue of his debut album Flying Frames, features Sheryl Hackett's soulful vocals and merges song structure with jazz improvisation. Eoism from Pulse Drift, Undersound, and Inch By Inch delivers low-swung electro flavours perfect for sunset vibes while the B-side opens with Voertuig of Tonal Oceans and Cobra Club who presents a seriously raw acid jam followed by an experimental, jazzy piece, reminiscent of the 90s downtempo era. 'Eoism' closes things with a floating, futuristic banger, going to make a well rounded (in more ways than one) and ultimately very useful piece of vinyl.

Review: Intrallazzi and Dario Piana have been friends and Milanese scene contemporaries since 1981, when they both fell in love with the distinctive Afro-Cosmic sound of local DJ (and later Piana collaborator) Daniel Baldelli. Since then, they have both made records aplenty under a variety of aliases, but this EP on Leng marks their first joint release. The headline attraction is opener (and lead cut) 'Out of Control', a dubbed-out cosmic disco chugger propelled by echo-laden percussion and a deep, low-slung bassline, smothered in psychedelic synth and guitar sounds. Fellow Italian producer LTJ Experience remixes, offering up a stripped-back and acid-flecked interpretation. Elsewhere, 'Lazise' is a TB-303-sporting cosmic shuffler and 'Saocraffen' is a Baldelli-influenced fusion of Afro-cosmic funk and ethereal Balearic sounds.

Review: Neapolis is a brand new label that kick off with some brilliantly seductive Balearic sounds for the warmer days and nights that are fast approaching. The accompanying notes tell us that 'the intoxicating songs of the Sirens found in the bay of Napoli are irresistible to all' and these tunes are no different. 'Boulevard' kicks off with icy drums but balmy synths all rolling smoothly onward to some distant imagined horizon. Delicate vocals add the key hooks while a dubbed out version on the flip is more fleshy and heady.

Review: Since 2013, Brighton & Barcelona duo Payfone have been crafting atmospheric, mid-tempo grooves on respected labels like Golf Channel, Leng and Defected. Their latest track keeps up their quality levels as a synth-driven, drum-machine-powered journey featuring deep Moog bass and striking vocals. On the flip, San Francisco trio 40 Thieves aka Corey Black, Layne Fox and Jay Williams provide a remix that is patient, slow-burning and underpinned by an undulating acid line. It's a moody, sultry production that continues Payfone's knack for sophistication and late-night allure.

Review: Neoclassic acid-from-garage movements from Peter Reilley aka. Persian, a favourite of the UK dance music scene since as long as anyone can remember. For 20 years, Reilly has gone his own way, operating in and on genre after genre, up-peggable as he is adept, blending breaks, digidub, electro, garage, house, and jungle across a repertoire of no less than 50 EPs. Though this release serves as his farewell, as Reilly formally steps back from music production, it beautifully showcases his skill in programming, with 'Questions 2' proving a sleight hand for twinging post-funk leads, and 'Questions 7' bringing unprecedented sci-fi desolations to an erstwhile jam-funky tune collection.

Review: Sometimes we get some wonderfully enigmatic notes with new releases and this is one of them. Rather than share them all, enjoy this one line - "Protecting the past by projecting it into the future, preserving identities, encouraging conversations across generations, and above all, safeguarding the island of Procida's vast intangible cultural heritage from extinction." Now you can ponder the meaning of that while getting lost in a collection of global grooves that span dub, downtempo, ambient jungle, Balearic and more with plenty of humid atmospheres, whimsical melodies and a general sense of mystic aura that will keep you coming back for more.

Review: Luv Shack's compilation style 'Disco Biscuits' series is the very definition of reliable, with each new EP delivering killer cuts aimed at the more cosmic end of nu-diusco dancefloors. Volume five in the series arrives with four more tried-and-tested workouts and little in the way of forgettable filler. Check first Rising Seed's 'Back For More', a driving slab of spacey dub disco/cosmic disco fusion in which intergalactic electronics and samples sitars ride a Prins Thomas-esque bassline and beats, before admiring the chugging and squelchy nu-disco shuffle of 'Suffering of K.P' by B.Visible. Over on the flip, Peletronic's 'Drifting' is a glassy-eyed slab of immersive deep house/nu-disco fusion, while Jon Gravy's 'When U Leave' is a stomping slab of peak-time house headiness rich in bustling beats, memorable melodies and hands-aloft riffs.

Review: Fusion Sequence is a new offshoot from the Mellophonia label that kicks off with a heavyweight release both literally - its 180g vinyl - and metaphorically. It features seven different artists offering up one track each on what is a widescreen exploration of fresh deep house. They are A Vision of Panorama, Eternal Love, Pool Boy, Wolfey, Laseech, Larry Quest and Jay Sound and between them everything from cuddly depths to more moody late-night deepness is covered on an EP that brings plenty of new perspectives. A fine inaugural 12", then.

Review: Theo Parrish is a world-renowned name in the global Detroit house and techno game, and he's thrown a fascinating curveball as the latest entrant for the acclaimed DJ-Kicks series. Mr. Parrish has gone above and beyond the duties of most invitees - rather than just licensing tracks from his favourite artists and big-name-friends, he's asked his own community from Detroit to each produce their own mixable tracks, exclusively for the comp. What's more, these are hardly established names - they're organic connections to Parrish, not occupying the top layer of attention and recognition. Bits from H-Fusion, Jon Dixon, Donald Lee Roland II, Ian Fink and Raybone Jones all dominate this anarchic new deconstruction of the otherwise exclusivist mix series.

Review: Passport is the inter-Atlantic duo of George Btp Dan Piu and Roger K. Versey and their all-new album is a truly global voyage of musical adventure. Wonderful Elixir is all about seeking the deeper grooves in dance music from a range of different genres. It's a seamless fusion of jazz and acid, deep house and street beat with special appearances from DJ Nata, Jesus Gonsev, and Grant. The likes of 'Prelude Turismo 97' is a Balearic beauty, 'Oceans of Emotional Wealth' is a shimmying groove with sensuous vocals and lush keys and 'Dream Delivery' is more prickly for those late-night dances.

Review: In 1991 the UK is in a very different place to the one it occupies today. One thing that hasn't changed in the 30 years between then and now, though, is how incredibly, unbelievably good Primal Scream's Screamadelica was. And still is.

It might have been the studio mastery brought to the mix by the late, great Andrew Weatherall. Perhaps it hit the nail on the head of a year when the country's rock and dance scenes finally met somewhere on the outskirts of Blackburn, or along the M25. Maybe, just maybe, it's because the tracks themselves are just great. Whatever your personal take, this album should be on everyone's shelves. From the hedonism of 'Loaded' to the pseudo-rave euphoria of 'Come Together', and the self love of 'Movin' On Up' always inspires, the record is of its time but resonates through the ages.

Review: Belgian singer and producer Bolis Pupul releases his first solo debut album 'Letter to Yu' following his smash success with fellow DEEWEE artist Charlotte Adigery 'Topical Dancer', a satirical, yet hard-hitting, exploration of spirituality, racism and identity that the two experienced in Ghent as children of immigrant families. If you're a fan of the production of songs like 'Mantra', then this project is for you. Still keeping the witty elements from 'Topical Dancer' the LP, a reference to a great emperor of Chinese history, 'Completely Half' opens up with Pupuls hallmark 80s synthpop style, partnered with the typically Belgian cerebral approach to music and allusions to his mixed-race heritage. Pupul's beats feel pensive, yet danceable and the more deep-in-thought cuts like 'Goodnight Mr Yi' benefit from they dynamic contrast with more in-your-face cuts like the blaring 'Kowloon' and its siren-like supersaws.

Review: The Mellophonia label offshoot Fusion Sequence won us over with its well-presented and great-sounding first EP, and now a quick follow-up does the same. This one is another various artists affair that starts with some nice futuristic robot disco from Vanity Project. There is more organic and lush Balearic from Bobby Bricks and Pacific Coliseum follows that spine-tingling Ibiza sunset vibe. On the flip side, there is everything from late-night electronic house to lazy disco via Sorcerer's blissed out 'Just For Love' which would entrance any dance floor. There's as much quality as there is variation on this one, which makes it a useful EP indeed.

Review: There is a wealth of talent on show on the third EP from the Fusion Sequence label which has put together this six-track deep house sizzler. The Variable Club' 'Biorhythms' is perfectly warm and dynamic for cosy backroom moments and Alpine DJ then brings an old school piano feel to 'Pepe Nony' before A Vision Of Panorama zones you out on lush chords and reverential keys on 'Kissing The Sun.' The flipside offers the more dark and heads-down 'Many Stories' while the blissed-out and feel-good grooves return with Common Mode's 'Bassface.' Body Corp shuts down with the slower, seductive sounds of 'Take It Or Leave It' which rounds out a top-class EP.