Akiko & Masayasu Tzboquchi - "Love Theme From Sparticus" (feat Mbanja Ritchy aka B-Bandj - Clear Day mix) (4:34)
Review: Tom Browne's 1980 single 'Funkin' For Jamaica' has long been something of an anthem - a hybrid funk/boogie classic that remains a staple in sets of hip-hop, disco and soul DJs alike. Given its ubiquity, covering the song is fraught with danger, but remarkably Japanese producer Akiko and guest vocalist Mbanja Richy have successfully put a new spin on it. Their take is subtly tougher and more synth-heavy, with bilingual French/English vocals, nods to Zouk music and a bassline so squelchy it could have been lifted from a P-funk record. Over on the flip, the pair go mellow, deep and laidback on a pleasingly skewed hip-hop soul cover of Terry Callier's legendary vocal interpretation of Alex North's 'Love Theme' from 'Spartacus'. Inspired stuff all told.
Conjunto Media Luna/Mumbia Y Sus Candelosos - "Bogotokio" (feat Hydro As BNJ) (3:20)
Mumbia Y Sus Candelosos/Conjunto Media Luna - "Cumbia Teriyaki" (3:30)
Review: Conjunto Medialuna's latest album on Little Beat More is a direct trip to the heart of Bogota's rich cumbia scene. The record blends traditional rhythms with psychedelic influences driven by the Colombian accordion and ecstatic percussion that is so strongly associated with this style. These are two of the jams from it, but frankly you should also check out the full LP. It's a tribute to the guacharaca and the lively street parrandas where each song explores new interpretations of classic sounds. Featuring collaborations with N. Hardem, Mismo Perro, Son Rompe Pera, MC Hydro and Japanese-Latin percussionist Muupy, Noches de Medialuna, it transcends cultural boundaries and joins the dots between traditional and modern urban Latin music which is now so hugely popular around the world.
Review: This limited edition double 7" vinyl offers up Rob Hardt's hit track 'Weekend,' which you might consider to be the ultimate family barbecue anthem, as well as being the title song of the inaugural 45 Weekender Hamburg festival. The single comes with some on-point remixes by renowned DJs and producers like Rob Hardt, DJ Friction, and EFBNMXMIX who work it into different realms but all of them are still suited to summer gatherings, block parties, and smooth DJ sets. It comes pressed on coloured vinyl after originally being released for the festival's opening party on July 12th 2024 when it was handed out to 30 international 45Soulciety DJs who helped quickly make it a classic.
Review: The Soundbombing II compilation was a pivotal release from the late 90s hip-hop era and the track 'B-Boy Document '99' by The High & Mighty, featuring Mos Def and Skillz, stood out not just for its inclusion on the Tony Hawk Pro Skater 2 soundtrack but also for Mos Def's exceptional verse. His delivery, blending rapid-fire rhymes with intricate wordplay and a distinctive flow, solidified his status as a lyrical heavyweight. Even among a lineup of notable artists, Mos Def's performance on this track remains a standout moment in hip-hop history, showcasing his skill and artistry. Now, available on 7" complete with the instrumental on Side-2.
Review: Canadian hip-hop star Maestro Fresh Wes releases his iconic single 'Drop the Needle' on 7" for the first time here and it comes with the rare remix by The 45 King. This special edition via FLIPNJAY Records brings the classic track from his groundbreaking 1989 album Symphony in Effect back to vinyl. 'Drop the Needle' is a milestone in Canadian rap history known for his smooth flow and infectious beats. With The 45 King's remix included, this release is a must-own for lovers of golden-era hip-hop.
Jorge Ivan Martin - "Yo Tambien" (feat Frank Santiuste - Born74 & Fradinho remix) (4:57)
Fradinho - "Iberica Latina" (4:59)
Review: Eclectic Beats Music is building up a fine head of steam and the sixth outing is a tidy 7" featuring two red-hot Latin broken beat cuts. The opener is a collaborative remix from Born74 and Fradinho who do a superb job of flipping Jorge Ivan Martin's original gem 'Yo Tambien Baile La Conga' into something more contemporary with fresh broken beats, plenty of steamy Latin flavours all finished off in electric fashion with Frank Santiuste's trumpet solos. Flip this one over and you will find Fradinho unearth an easier cut and again update with some compelling broken beats and funk as well as a rich bassline and silky synth solos.
Review: Benji B, Jamz Supernova, Shy One, and Scratcha DVA have all been giving this one mad props and hardcore support, and it's easy to hear why. It is a welcome follow-up from South London's James Massiah who saw big success with his 2019 hit EP Natural Born Killers. It comes again on Jon Rust's Levels imprint and makes some of his most rich work yet. It autobiographically explores the peaks and valleys of 21st-century love, life, and relationships with seamless rap flows and signature neon beats that all take cues from dancehall, dub, acid house, grime, and leftfield pop. Gritty yet shimmering it is a great new addition to the UK's current rap scene.
Review: Of all the titles to choose from, 'Every Line On Point' is a smashing title. Rapper-veteran and producer extraordinaire MC Juice spells out his ultimate lyrical goal in titular form and subsequently delivers on it with a super nine-track album here. After nine long years comes the bombastic 'All Day' and the strutting 'Where You Go', establishing Juice's sophisticated crunk-influenced sound, which at once combines a sense of hip-ennui verbal finesse with still insatiable and easily apprehended lyrics: a hard balance to strike to say the least. 'All Day' marks the album's experimental turn, echoing Danny Brown or Vince Staples, albeit with a much archer, more knowing approach-to-the-game.
Review: Long-time hip-hop heads will be familiar with this particular bit of beat-making history from back in 1998 when it dropped as part of PF Cuttin's 44 Magnum (Tape 44 Side A & B). It was his 44th mixtape back then and one of his most classics with this jam, Medina Green's 'Crosstown Beef', one of the standouts. It is lo-fi, perfectly undercooked, rides on a catchy bass riff with some slick bars and is a great and instant hit of nostalgia that has aged to perfection. An instrumental also appears on the flip.
Review: Merwyn and Inkswel's latest is a refreshing blend of deep house and leftfield flair. The title track, 'Eternal Freedom', kicks off with a broken beat groove and a powerful vocal delivering a message about liberation, fusing deep house with an inventive rhythmic style. 'Cloud Eaters' follows with a soulful vibe that channels early 80s funk, creating an uplifting and nostalgic energy. 'Skyline' rounds out Side-1 with its own unique twist on house, pushing creative boundaries in style. On Side-2, Linkwood's remix of the title track injects a spacey disco vibe, layering a deep house groove with subtle funk elements that feel both classic and fresh. Gb's remix takes the track in a different direction, dialing back the energy with laid-back, 80s-inspired electro textures, offering a relaxed and introspective vibe. Together, these tracks deliver a dynamic and nuanced listening experience, perfect for fans of eclectic, message-driven house music.
Review: Tanya Morgan's 'Move It Or Lose It' brings a fresh yet nostalgic vibe to the hip-hop scene, delivering a track that's rich in both rhythm and style. Released on limited edition purple vinyl, this 7" captures the essence of early 90s rap, with a catchy beat and a memorable guitar riff that echoes the East Coast's golden era. Side-1 features 'Move It Or Lose It' (feat. Mathien), a smooth blend of funk and rhythm and blues, all wrapped up in a b-boy/fly girl flavour that feels effortlessly cool. The track's excellent rap flow and infectious melody make it an instant favourite. This physical edition brings the much-anticipated vinyl release, which has been in high demand since its digital drop late last year.
Review: This debut release marks a reflective and deeply personal chapter for a 22-year-old Los Angeles artist. Drawing from her diverse musical upbringingiranging from The Doors and 2Pac to Salsa and Sambaishe brings a unique blend of influences into her sound. Growing up in Highland Park, her mixed heritage plays a key role in her music, infusing each track with a sense of place and memory. The EP delves into themes of love, loss and growth, capturing the complexity of emotions with both vulnerability and strength. Written in collaboration with her brother, the six songs explore the artist's journey, offering a comforting space to process experiences and emotions. The project's title, meaning "to rest" in Spanish, reflects the artist's belief in the necessity of reflection for personal growth. The albums introspective lyrics and soulful melodies offer a soothing balance of vulnerability and resilience, making it a poignant exploration of love in its many forms, while providing comfort to both the artist and her listeners.
Review: First time released on 7" vinyl, and taken from the critically-acclaimed Non Phixion album The Future Is Now. This reissue of Strange Universe includes the original LP version produced by Necro, plus two new remixes by The Czar-Keys and Marco Polo. The Strange Universe was birthed amongst the numerous blunted, Colt 45 malt liquor-fuelled sessions Non Phixion had with Doom at their Area 51 studio in Canarsie in 1998. Necro provided the beat, which everyone thought sounded like something Doom would have made. It was one of the first songs recorded for The Future Is Now.
The Main Thing Is To Keep The Main Thing The Main Thing
Yonders
Supreme Alchemy
Freequency (with Black Thought)
No Fear Of Time (with Yummy Bingham)
Review: No Fear of Time, the long-awaited sophomore album from the legendary hip-hop duo Black Star, is finally available in physical formats, including a stunning gatefold LP. After a digital-only debut in 2022, this release celebrates the dynamic collaboration between yasiin bey and Talib Kweli, who first captured hearts with their iconic 1998 album. Produced by Madlib, No Fear of Time showcases the duo's evolved artistry, recorded in diverse locations worldwide, including hotel rooms and backstage at Dave Chappelle's shows. The album's unique style flows seamlessly, with tracks like 'So be it' and 'Sweetheart. Sweethard. Sweetodd', igniting old-school vibes while addressing contemporary issues with sharp wit. With their powerful reunion, Black Star reaffirms their influential status in hip-hop, reminding listeners of the genre's rich cultural depth.
Review: Following mesmerising Marseilles mutations from the likes of Syqulone, Kabylie Minogue and Lisa More, Cain ? Muchi return to Gros:Oeuvre with their remarkable debut album. A heady tagine of grime, beats, techno, global bass and contemporary electronica with a title that either refers to famed Moroccan popstar or, far more likely, relates to meaning as 'universe', Dounia is a beguiling clash of western electronics and eastern bars, lyrics, and vocal harmonies. Fractured and macabre throughout from the distorted hardcore bass highs of 'J'wadi' to disarming vocal cries of 'Majdouba' this post grime, pre apocalypse opus is a trip from edge to edge.
Review: Curren$y and MonstaBeatz reunite for their second full-length collaboration here in the wake of years of joint projects. Both are New Orleans natives and the Jet Life rapper and producer duo first made waves with their 2009 debut, This Ain't No Mixtape. New record Radioactive delivers 12 fresh tracks that speak of great chemistry and subtle sonic evolution. The album features guest appearances from Jay Worthy, Fiend and DeeLow Diamond Man all of whom add their own dynamic energy. These tunes have a blend of smooth production and sharp lyricism that once again restarts the artists behind it as some of the most consistent collaborations in modern hip-hop.
Czarwyn's Theory Of People Getting Loose (feat Kendra Morris) (3:19)
Mando Calrissian (2:14)
Doom Unto Others (2:46)
Jason & The Czargonaut (feat Del The Funky Homosapien) (3:50)
Break In The Action (2:31)
A Name To The Face (1:49)
This Is Canon Now (2:06)
So Strange (feat Godforbid Of THD) (2:31)
Young World (3:16)
Review: CZARFACE & MF DOOM's newest team-up record Super What? is an all powerful outing. Doom's famous wordy wizard is unleashed with wicket wordplay tying your mind in lots for the first to the last beat. CZARFACE's production (with help from Wu-Tang Clan's Inspectah Deck and Esoteric) is on point, with golden age beats, cosmic thrills and spills and killer bars all lock-in you in.
Review: When asked in a 2023 interview why he hadn't contributed any production work to long-time collaborator Future's 2022 ninth full-length I Never Liked You, tireless hip-hop producer Metro Boomin revealed that he was aiming to save his beats for a potential collaborative album, which now appears to have been the plan all along. Marrying the aquatic, lysergic production style Boomin has helped to majorly popularise with Future's hazy, xanned out delivery, the duo deliver a trap opus weaving the most accessible and underground facets of the genre into one malleable set of fluid bangers, while the guest feature section boasts a who's-who of modern day hip-hop acts such as The Weeknd, Rick Ross, Playboi Carti, Travis Scott and Kendrick Lamar. The project also would eventually be retconned as part one in their ongoing collaboration series with the follow up to We Still Don't Trust you dropping only three weeks later.
Review: Contemporary American stars rapper Future and record producer Metro Boomin make for a great combination, as they proved with their debut collaboration. We Still Don't Trust You is their second such work and is an even more impressive work with guest appearances from the likes of the Weeknd, Chris Brown, Brownstone, Ty Dolla Sign, J. Cole, Lil Baby, and ASAP Rocky. It's a double album with the first half being r&b-centric while disc two leans more into hip hop- and trap-focused beats with plenty of memorable tracks.
Review: Freddie Gibbs and Madlib's hard hitting sophomore album Bandana has proven a real hit over the last five months. Now though, many fans get what they have been waiting for; an instrumental version that pairs things back to the essential beats. It makes for a record that covers plenty of grind - from sunny day and feel good instrumentals to much rawer, harder hitting beast that arm with attitude even without the explicit vocal deliveries. Plenty of the soulful samples remain in situ to help colour things and make this such a characterful record.
Review: Five years after their collaborative debut, Madlib and Freddie Gibbs reconvene for a follow up that goes even deeper. Madlib is of course a celebrated producer who has worked with some of the best in the game, and Gibbs is a raw street rapper, so it is the differences as much as the similarities between the two that make this such a compelling listen. At times complex and challenging, at others effortless and charming, it's an album stuffed with a myriad of different sounds, styles and references that is hard to categorise but easy to admire.
Review: Madlib and Karriem Riggins are Jahari Massamba Unit. What started out as a friendship became a collaboration between two guides that push the boundaries of modern music. 'Yhwh Is Love' is their latest full length that has many excited about their joining. 'Stomping Gamay' for example, shows off their flare of fusing a new direction by linking the past. We have yet to hear of a Jamaican jazz fusion labeled genre but this would be the bookmark for the example. 'Massamba Afundance' includes a more Latin flare to things including some light Rumba influences. There is certainly a Big Band flavor attack on many of these programs. The result of the union Jahari Massamba Unit is plenty of upbeat measures in taking fusion and urban music to a higher level. This LP is sure to transcend cultural backgrounds.
Next Levels (feat Lil' Sci, ID 4 Winds & Stahhr) (3:50)
No Snakes Alive (feat Jet-Jaguar & Rodan) (3:35)
Anti-Matter (feat MF DOOM & Mr Fantastik) (3:44)
Take Me To Your Leader (1:46)
Lockjaw (feat Trunks) (1:13)
I Wonder (feat Hassan Chop) (3:40)
One Smart Nigger (2:31)
The Fine Print (4:38)
Anti-Matter (feat MF Doom & Mr Fantastik) (3:32)
I Wonder (feat Hassan Chop) (3:43)
Review: Underground hip-hop legend MF Doom passed away in 2020, leaving behind an undeniable legacy as the once-bearer of hip-hop's most-legit shadow crown. He wasn't the the king of anything by popular vote, but he certainly was sovereign over a rare kind of flow quality, especially adored by food lovers. Still few knew of Doom's King Geedorah alias, which served as one of his earliest monikers while part of the underground crew Monsta Island Czars. Geedorah's inspirations from old comic books and giant monster / slasher movies first cropped up on Take Me To Your Leader, a tone which would be set for years to come in later Doom material. The instrumentals are just as jaggedy and experimental, and form the perfect basis for the Ninja Tune reissue we have before us now.
Review: Talib Kweli and Madlib are two of the biggest names in hip-hop, one a mic man with exceptional skills the other a beat maker like no other. They first worked tother in 2006 on a joint project and thankfully they now reunite for the highly-anticipated follow-up, Liberation 2. This is an album that is as expansive lyrically and with its themes as it is musically. As you would expect form this pari of heavyweights, the album is defined by thought-provoking lyricism and raw soundscapes that explore revolution, love, pan-Africanism, music, spirituality, and more with plenty of jazz-tinged instrumentals and guest spots from Q-Tip, Westside Gunn, Roc Marciano, Roy Ayers, Goapele, Wildchild, Pink Siifu and more.
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