Back catalogue: Funk Soul & Jazz

Review: Grand Central Records founder and Manchester mainstay Mark Rae is back with New Town Ghosts, a powerful novel four years in the making that is set during the sweltering summer of 1976. This emotionally rich coming-of-age story is told through the eyes of ten-year-old boys navigating friendship, responsibility, and growing up and is paired with a nostalgic soundtrack of ten original songs performed in four-part harmony with strings, horns, choir and live instrumentation. The music evokes the warmth of a radio playing in a sun-drenched garden with themes of nature, wheels (ie via skateboards, wheelchairs and prams) and youthful rebellion echo throughout.

Review: Marlene Ribeiro's cult status has already guaranteed copies of this will be flying out faster than you can say "first album under own name after years as Negra Branca, a member of GNOD, and collaborations with luminaries from Valentina Magaletti to Thurston Moore". And her first offering as herself, as it were, rockets straight to the pinnacle of career highs to date, a record that's so full of ideas yet consistent and complete.

Produced between Ireland, Portugal, Madeira and Salford, partly inspired by Ribeiro's grandmother, Emilia, introducing her to the concept of "recording things, here and there". The result is this incredible combination of hallucinatory dream pop, found notes and captured moments, resulting in a vivid tapestry of hook-laden songs that are meditative yet catchy, late-night but bright and breezy.

Review: Marc Ribot's latest LP draws on decades of work and reflection, gluing fragments recorded over years back together to form a coherent whole, and finally foregrounding Ribot's own voice in the process. Sparked by a memory of one of his daughter's childhood drawings, Map Of A Blue City perambulates states of disorientation and openness, tracing the emotional topography of loss. Stark truths pivot against tender storytelling, at once producing an intimately distant space. "Recording production is really complicated," he says, "but it all boils down to what kind of room the listener feels they're standing in." Not quite autobiographical, it's a record built on the long, unresolved tension between what changes and what doesn't.

Review: Raphael Roginski's latest album, ealtys, delves into the rich blend of Eastern European mythology and nature, drawing inspiration from the grass snake ealtys, a revered spirit in Lithuanian folklore. This release follows Roginski's critically acclaimed 2023 album Talan and is steeped in personal and cultural significance. Rooted in Roginski's childhood visits to the Suwalki region of Poland, ealtys reflects his early fascination with Lithuanian music and his experiences recording ambient sounds in the forest with a four-track recorder. The album pays homage to Eastern European folk traditions through its track titles, which are derived from Lithuanian plant names. Yet, Roginski's sound is uniquely eclectic, blending jazz, American primitivism, and mysticism. The music evokes a sense of nostalgia and wonder, reminiscent of nights spent on a Lithuanian lake gazing at the stars. Collaborating with Warsaw producer Piotr Zabrodzki, Roginski explores innovative techniques, including "guitar piano" and overdubbing, to create a resonant, wind-like sound. The album features guest appearances by Indre Jurgeleviciute of Merope and pianist Zabrodski, adding depth to the evocative soundscape. This album has the ability to make new fans of a genre many might pass up or not that get that much exposure. This album is worth your time.