Review: Nothing by Louis Cole, a collaboration with the Metropole Orkest conducted by Jules Buckley, blends classical orchestration with dance music, pop, and jazz, showcasing Cole's unique and ultra-flexible production style. The album features 17 tracks, 15 of which are brand new, avoiding orchestral renditions of his hits and instead presenting fresh compositions. The lead single, 'Things Will Fall Apart,' highlights Cole's feather-light vocals over an exciting orchestration of funk percussion, strings, horns and barbershop backup vocals. Recorded during live performances, Nothing captures the energy and emotion of Cole's multi-date sold-out European tour with the Metropole Orkest. The project emphasises Cole's desire to create music with deep emotional impact while remaining straightforward and accessible. Cole meticulously mixed the album himself, ensuring his pure vision was realised.
Review: Seminal funk album from Lyn Collins. Released in 1972 on James Brown's People Records, everything about this is immaculate and of its time. Not just home of one of the most important breakbeats of our time but home to entire collection of immaculately delivered soul and funk gems; from her cover of "Ain't No Sunshine" to the deep yearning reflection of "Never Gonna Give You Up", this is Lyn at her finest. If this album isn't in your collection yet, now is most definitely the time.
Do You Feel Like I Feel (feat Gregory Porter) (3:44)
Love & Revolution (feat Melanie Charles) (3:27)
Here (feat Jose James) (3:54)
I’m The Air (feat Veronika Harcsa) (4:06)
Scarborough Fair (feat Alice Ricciardi) (3:57)
Shiva (feat Melanie Charles) (5:24)
Quiet Dawn (feat Melanie Charles) (4:41)
Ra In Egypt (feat Ghalia Benali) (4:00)
Freedom Day (feat Nailah Porter) (5:11)
Ghana (feat Gregory Porter) (5:10)
Temple Of Far East (feat Jose James) (6:08)
All Praises To Allah (4:29)
The Happiness Tree (feat Veronika Harcsa) (4:28)
Love From The Sun (feat Jose James & Nailah Porter) (4:30)
Black Spirits (feat Nailah Porter) (5:40)
The Black Apostles (4:47)
Forest Flower (5:32)
Review: The opening track on this LP sets the tone perfectly, with Gregory Porter's unmistakable voice bringing a nostalgic groove to the forefront. His rich, soulful delivery is matched by a supporting cast that includes Jose James, whose jazzy flair complements Porter's performance effortlessly. The music takes you on a journey, moving through soulful rhythms, jazz-inspired melodies and r&b hooks, with each track feeling timeless yet current. There's a warmth and ease throughout, as the artists build layers of sound that invite you in and keep you there, making it an album that begs for repeated listens.
Review: This reissued gem from Sam Cooke stands as his most intimate, soulful and authentic recording. Captured in February 1963 with a small group of studio veterans, it was a low-key session that spotlights Cooke's transcendent voice in a setting free from the heavy orchestration of his other solo material. The album features spirituals, bluesy ballads and gospel classics, all imbued with the legendary singer's unique interpretations and buttery smooth vocal deliveries. Tracks like 'Lost and Lookin' highlight his breathtaking vocals with minimal accompaniment, while 'Mean Old World' and his reimagined 'Nobody Knows the Trouble I've Seen' reveal his rare songwriting prowess. This is a treasure that is warm and deeply moving and it remains a pinnacle in Cooke's career.
Review: Smouldering Secrets was released in 1975 by Copeland Davis and his band and it's a great example of his energetic piano performances. The album opens with the melodic 'No Arms Can Ever Hold You' while tracks like 'Perfidy' and 'So in Love' feature lively instrumentals. Highlights include the soulful 'Jet,' where Davis sings, and the mellow 'Morning Spring,' famously sampled by Nujabes. This reissue also includes the vocal version of 'No Arms Can Ever Hold You' which makes its debut release on vinyl. Davis later gained popularity in Japan during the Free Soul and Rare Groove movements which is why this rich record one is being put out by P-Vine.
Universal Language (Revisited - instrumental) (5:33)
Universal Message (4:39)
Review: After reuniting the Cosmic Renaissance project, and following up the release of the album Universal Language in 2022, Gianluca Petrella returns with a new five-track EP, 'Universal Message', again on Schema. Recontextualizing the vision of the album, this follow-up extends its impressive jazzdance and hip-house vision, with Petrella ever-revolving his style towards new Afro-jazz-futurist vortices, abandoning the band concept towards an electronic aesthetic with a profound spiritual concept to boot.
Review: LA-based soul and funk singer Nikka Costa is back with her first new music in six years. She has already teased this new album with the well-received lead and title single 'Dirty Disco' and it very much shows why she has a reputation for powerful vocals and dynamic stage presence. Across the rest of the record on Funky You, Costa's new work showcases a fresh, disco-inspired sound that comes after a career break that has done nothing to talk away from her skills. With plenty of future-forward beats and vibrant rhythms, this is a great return to form and a dazzling disco opus that will be followed up by tour dates later this year.
Review: French label Heavenly Sweetness France delivers a compelling fusion of jazz, funk, and electronic sounds on this new collection, Victoire De La Musique, from French jazz-funk heroes Cotonete. Across the album, the outfit showcases their virtuosity and creativity, blending intricate melodies with infectious rhythms and plenty of rousing horns, cosmic synths and nods to 70s fusion sounds. The compositions are dynamic and engaging, drawing listeners into a world of musical exploration where, soul, innovation and a certain musical playfulness all freely coexist. Victoire De La Musique is well worthy of a top spot in the contemporary jazz-funk landscape.
Review: This time last year, French combo Cotonete joined forces with Brazilian singer Di Melo to deliver what became one of the sleeper hits of last summer - the Latin disco/jazz-funk fusion of "A.E.I.O.U.". Here they continue their partnership with a first collaborative full length. It's a quietly impressive outing, with Di Melo's distinctive vocals rising above cuts that variously doff a cap to sultry Brazilian disco-funk, Azymuth-esque jazz-funk, soundtrack-friendly cinematic soundscapes, Astrud Gilberto style sweetness and humid salsa-funk (standout "Kilario (2019 Version)". It's a warm, loose and hazy set that feels authentically South American despite its Parisian roots.
Review: Robert Cotter originally released Timeless in 1980, capturing the magic of the disco wave while it was still informed by a classic 70s studio approach before synths and drum machines become the dominant medium. The stand out track on the record is ‘Rock Me With Your Love’ - a timeless gem of get-down heat laid down by a crack team of players and captured by Ned Liben at Sundragon Studio in New York. If you’re always on the hunt for the fiercest jams from that era, you won’t be disappointed by what you find on this album of expansive, expressive tracks from an undeniably talented crew that missed out on wider recognition when their magnum opus was originally released more than 40 years ago.
Review: Courtial With Errol Knowles's Don't You Think It's Time album gets a first ever vinyl reissue here, and gets deluxe treatment. The original was recorded in 1976 in San Francisco's Bay Area and soon became a real collector's classic for its vital soul and jazz funk sounds. To be honest, the cover art alone is worth the entry price here, but the sounds sure are sublime, with wiggy synth lines weaving their way in and out of the funky drumming on 'Don't You Think It's Time,' 'Best Of Friends' offering lush string sounds and silky grooves and 'Love Nevermore' having a bit of a samba shuffle next to the acoustic guitars and golden Rhodes chords.
Review: Following a couple of low-key EPs and mini-albums on tiny independent labels, Cousin Kula's debut full-length has been snapped up by Rhythm Section International. It was a shrewd move by boss man Bradley Zero, because Double Dinners is undeniably lovely. Lusciously executed and pleasingly laidback, it sees the Bristol band effortlessly join the dots between horizontal, soft-focus jazz-rock, shuffling downtempo grooves and dewy-eyed soul. It's a far more warming, comforting and meditative affair that some of their more raucous and upbeat output, something that band puts down to composing it during lockdown, when meditative music was a necessity. Even as society begins to open up, it still feels essential - a sign of the album's timeless class.
Review: Having previously impressed with their reissue of Patrick Cowley's brilliant, all-synthesizer soundtrack to obscure '70s gay porn flick School Daze, Dark Entries and Honey Sound System once again join forces to shine a light on the high energy disco pioneer's work for San Francisco's Fox Studios. Unsurprisingly, it's another impressive collection, and features material recorded for a number of different pornographic films. There are naturally more up-tempo moments - see "Somebody To Love Tonight", which would later be re-recorded with Sylvester, and the synth-weirdness-meets-jazz-funk brilliance of "5oz of Funk" - but it's the impressively cosmic and exotic ambient moments, such as the stand-out "Timelink" and "Jungle Magic", that really stand out.
Review: Polish producer Latarnik and American vocalist Anthony Mills collide on this new album for Polish label Astigmatic to explore lo-fi hip-hop, soul, dub and experimental electronics. Mills's falsetto vocal brings great Neo-soul warmth to Crack Rock with emotionally charged tones soaring over the production which ranges from sugary and 80s-tinged disco and boogie on 'Crack' to deep, seductive and gooey on 'Passive Lover' which is a more romantic sound. Latarnik's work is often minimal yet immersive which creates space for Mills' voice to shine and is delivered in equal parts spoken word, chant and soulful croon. The hypnotic, slow-burning soundscapes that result are both intimate and confrontational, ready to make you dance but also often just to feel. Unapologetically raw and deeply human, this one lingers long after the final track ends.
Review: Legendary DJ Guy Cuevas has his own music compiled here by Libreville Records. It's a magnificent showcase of his sounds which range from disco to jazz to afro. The French-Cuban writer, musician, and DJ has one been a mainstay on the Paris scene as resident at the mythical nightclub Le Palace. His ability to take crowds to euphoria knew no bounds and in the 80s he managed to turn out plenty of tracks that also help get you there. His most famous tune 'Obsessions' gets a new remix here amongst loads of other gems.
Review: This is a lovely reissue on pink vinyl of Cymande's Promised Heights album, which is a famously warm blend of funk, soul, and reggae that showcases the band's distinctive sound and social consciousness. Released in 1974, this record continued their tradition of infectious grooves and thought-provoking lyrics. The uplifting rhythms of 'Brothers on the Slide' still resonate to this day while the laid-back vibes of 'Changes,' remain timeless. Each track has intricate instrumentation and soulful vocals that make this one so well-loved by new generations of record diggers and soul fans, all while delivering a powerful message of unity and hope.
Review: To any funk digger worth their salt, Cymande have been a staple since their 70s heyday, but the Brit funk cult legends are enjoying a renewed presence since their triumphant return with reunion shows which cemented their legacy after decades being overlooked. Their story tracks back to this seminal album, a scintillating fusion which could only have occurred in Britain in the 70s as communities and cultures joined together to create one harmonious groove the likes of which had never been heard before. The whole album feels like a run of hits, from the celestial swirl of 'Dove' to the life-affirming horn blasts of 'Bra'. If you don't already have this track in your bloodstream, now's the time to catch up.
Review: A true return to form, Renascence is a standout in the band's iconic discography, serving as a spiritual and sonic successor to their 1974 album Promised Heights. It brings a fresh, modern edge to their foundational sound, which shaped early hip-hop and funk scenes in both the US and UK. Renascence tells the story of a band that never received its full recognition but is now reclaiming the crown by staying true to their rootsipolitically aware, spiritually positive, and delivering infectious grooves that stand the test of time. A jewel in the crown of their legacy.
Review: Cymande are cult favourites amongst funk and soul lovers. The band members were all part of the Afro-Caribbean diaspora community in London who arrived in the UK from the West Indies in the 60s and blended sounds in captivating, heart-aching new ways across several standout albums. One of them is the Second Time Round from 1973. It was their sophomore effort and was produced entirely by John Schroeder. It's a well-rounded listen as a whole but also includes standout singles like 'Fug' which anyone who has played a Tony Hawk skateboarding game might well recognise.
Review: A true return to form, Renascence is a standout in the band's iconic discography, now available on limited edition transparent coral vinyl. Serving as a spiritual and sonic successor to their 1974 album Promised Heights, it brings a fresh, modern edge to their foundational sound, which helped shape early hip-hop and funk scenes in both the US and UK. Renascence tells the story of a band reclaiming the recognition they never fully received, staying true to their rootsipolitically aware, spiritually positive and delivering infectious grooves. This indie exclusive edition is a must-have for any serious collector.
Review: Cymande's Renascence is a serious return to form, reviving the spirit and groove of their 1974 classic Promised Heights but with a fresher bite. Still a cornerstone for early hip-hop heads and funk aficionados on both sides of the Atlantic, they're back with the same politically sharp, soulfully positive vibe that put them on the map. It's an album that reminds us Cymande's sound hasn't aged; they're just here to finally get the flowers they've always deserved.
Hitomi Tohyama - "Sweet Soul Music (Kiss Of Life)" (3:50)
Review: For the latest edition of their essential Wamano A to Z compilation series - the third to date - DJ Yoshiwza Dynamite JP and Chintam have decided to focus on "Japanese light mellow funk, disco and boogie" tracks recorded between 1978 and '88. Like its' predecessors, the eight-track set is heavy on obscurities and little-known cuts, as well as bona fide killer cuts. There's much to savour throughout, from the intergalactic, slap-bass propelled boogie brilliance of Jadoes' 'Friday Night (Extended Mix)' and the laidback funk bliss of Yumi Sato's 'Ame', to the smooth jazz-funk lusciousness of Hitomi Tohyama's 'Rainy Driver' and the Latin-infused, Teena Marie style electrofunk brilliance of Mizuki Koyami's 'Kare Niwa Kanawanai'.
Medley: Pain/Cookies Will Get You/Pleasure/Ecstasy (5:06)
Musical Son (5:48)
Fopp (5:40)
Shakey Ground (4:21)
Surrender (4:45)
Medley: Tight Rope/Super Groupie (4:19)
Super J (8:07)
Granny's Funky Rolls Royce (5:43)
Review: A fresh live album by Walter Morrison aka. Junie Morrison, one of the most outspoken former members of Ohio Players and Parliament-Funkadelic. Recordings from Morrison's solo performance at Dooley's in Lansing, Michigan appear on this opus, in which a medley of tunes first recorded for his then latest solo album, Freeze, come among a rip-roaring sandwich of wholly original live funk jams for the bread, and an array of covers - that of Aretha Franklin's 'Oh Me Oh My (I'm A Fool For You Baby)', Diana Ross's 'Surrender', and The Temptations' 'Shakey Ground' - making up the condiments.
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