Synth modules

Notes: A visit to the Hainbach Studio Complex two years ago, led to a collaboration that would result in what is perhaps Joranalogue's finest design yet. United by a common passion for vintage test gear, the Joranalogue team joined forces with artist and YouTube sensation Hainbach.

Collide 4 builds upon on the lock-in amplifier concept, and brings it into the Eurorack world. These atomic age physics research instruments are known for their raw power when used in musical applications. Soon, any synthesist can experience this for themselves, at a fraction of the size and weight of a vintage unit, and with full voltage control.

The result is a wholly new kind of synth voice and audio processor, unlike any other. It's a perfect union of Hainbach's extensive experience in exploring the deepest musical realms contained within vintage test equipment, and profound knowledge of audio design and production.

'Quadrature spectral computer' is how you could describe this new kind of musical generator and processor. The sound? Quite simply: it's smashing!

Specs

Modern, fully analogue re-imagining of the lock-in amplifier concept, expanded to new heights.
Pingable variable bandwidth filter with self-oscillation capability.
Pre- and post-filter gain stages, for a total of up to 130 dB of amplification!
Through-zero sine/cosine quadrature oscillator.
Hilbert transform network for use as a frequency shifter.
Dual ring modulators with output lowpass filters.
Extensive output section, including magnitude and phase analogue computing outputs.
Unique X/Y quadrature topology, ideal for stereo use.
Handsome (and useful) signal level/overload LED indicator.
CV control over everything, with temperature compensation and excellent volt/octave pitch tracking.
20 HP, 30 mm deep. Over 600 components, yet a fraction of the weight and size of a vintage Model 124A lock-in amplifier unit.

Notes: The WT-QUAD-LFO module consists of four individual, digital, wavetable based low frequency oscillators (LFO) with an easy and intuitive featuring a 1.8" OLED color display. The module can be updated easily by inserting a flash drive with the firmware files in the USB port on the front panel.

The oscillators and their respective controls, inputs and outputs are organized in four channels. The frequency of each oscillator can be linearly or exponentially (1V/Oct.) controlled through the voltage applied to the corresponding CV input.

Each LFO channel can output one of the predefined waveforms (including sawtooth, ramp, square, sine, triangle), morph between two different waveforms or generate a random waveform. It can be externally reset through the sync input.

Each trigger output can be set to output a specific phase of the corresponding waveform.

The module offers cross frequency modulation (FM) and internal sync between LFO channels. It features also phase distortion and phase spreading of the outputs, including a classical quadrature mode (90- phase spread). Frequency relationships between the four LFOs can also be set.

Hardware

4x CV inputs -5 V to +5 V
4x Sync inputs 0 V to 5 V, active low or active high
4x Clock inputs 0 V to 5 V, active low or active high
4x LFO outputs -5 V to +5 V
4x Trigger outputs 0 V to 10 V, active low or active high
1.8" OLED Display with 160 x 128 pixel
4x push encoder
USB port for firmware update
Size: 14HP
WT-QUAD LFO - Features list:

Wavetable based, 4 channel LFO
Default waveforms: SAW, SQUARE, SINE TRIANGLE
Random waveform generation
Custom wavetables can be loaded using USB flash drive
LFO output: offset and attenuation programmable
LFO Frequency range from 0,0032 Hz to 4 kHz
Frequency free (Hz) or quantized (note)
Presets can be selected through CV input
LFO channel can be internally synced and cross modulated
Single shot modus

Notes: Module A-135-5 is a combination of a voltage controlled polyphonic mixer and a polyphonic suboctave generator.

Module A-135-5 is a combination of a voltage controlled polyphonic mixer and a polyphonic suboctave generator. It is made of 12 voltage-controlled amplifiers (VCAs) which are arranged in form of a 4x3 matrix. Herewith up to three four-voice polyphonic signals (e.g. the outputs of three polyphonic VCOs A-111-4) can be mixed. The level of each of the three polyphonic channels (A, B, C) with four voices each can be controlled manually or by means of an external control voltage with associated attenuators.

In addition, the module features four frequency dividers which derive the suboctaves from the four input signals of channel A. The suboctave signals are wired to the switching contacts of the sockets of channel B. As long as the sockets of channel B are not patched the suboctave signals of channel A are used as inputs for channel B. The suboctaves are symmetrical rectangle waves with half the frequency of the corresponding signal A. For example, two polyphonic VCOs A-111-4) can be used and patched to the channels A and C. Channel B then provides the suboctaves of channel A.

The switching contacts of the 12 input sockets and the four outputs are internally connected to pin headers. That way the module can be internally pre-patched to other polyphonic modules (e.g. the four inputs A to an A-111-4, the four inputs C to another A-111-4 and the outputs to the polyphonic filter A-105-4). As the switching contacts of the sockets are used for the internal pre-patching the internal patch can be overridden by using the sockets at the front panel.

Technical notes:

If required two or more modules can be cascaded when more than three polyphonic channels are required.

The max. overall amplification is less than 1 to avoid clipping (can be altered to amplification 1 by replacing resistors, but then clipping may occur)

The max. input levels without distortion are about 16Vpp (or -8V ... +8V for the processing of control signals)

The voltage range for each of the CV inputs is about 0...+5V (with corresponding attenuator control fully CW), higher control voltages (e.g. 0...+10V) can be adjusted by means of the attenuator control

The suboctave levels are about 5Vpp

The module should be used only with DC coupled VCO outputs (e.g. A-111-4, A-111-3). With AC coupled VCO outputs (e.g. A-110-1, A-110-2) a DC offset will occur at the outputs when the suboctave option is installed.

The document A135_5_INTERNAL explains the positions and functions of the internal pin headers and describes the cascading of two A-135-5

Notes: A spectral processing playground.

Bandit is a fun combination of band-pass filters, VCAs, and routing options.

It serves multiple functions including equalizer, crossover, multiband VCA, 4 band spectral mixer, and spectral external FX insert point.

It allows you to:

Cut or emphasise different frequency bands of a signal, acting as a voltage-controlled equalizer/isolator.
Split a sound into four different frequency bands for external processing, and if needed, insert them back
Mix four different signals with predefined tone placement in the mix.
Create four different sounds from one sound source by modulating the volume with four different envelopes.
Create evolving timbres by modulating one or more frequency bands using LFOs or audio-rate modulation.

Specs

Current needs: +12V: 80mA, -12: 70mA, 5v:0
Width: 8 HP
Depth: 30mm (including power connector)

Notes: The uFM is an oscillator module, that is focused on FM synthesis.

It's basically a two-operator FM synthesis, but with extended functionality: The operator waveforms can be either sine waves (classic FM), or four other different combinations of non-sinewave waveforms, that produce a much broader palette of sounds beyond the classic sinewave based FM synthesis.

The MOD DPT knob controls the modulation depth; in combination with a button press also the multiplier of the modulating operator can be defined.

Both parameters can be controlled also by CV and also via IMDI by MIDI controllers. The pitch can be controlled via 1V/octave CV or also via IMDI e.g. from a DAW

(For IMDI, see IMDI HEART for more info).

Additional to the normal audio output a suboctave output with a squarewave is provided, and a third output with the mix of the primary oscillator signal and the suboctave.

Quite a lot for such a tiny module, right?

Please note: These micro module needs a carrier, like the uBASE module. The cannot be mounted directly into an AE case.

Notes: Rings is a resonator, the essential ingredient at the heart of several physical modeling synthesis techniques. The resonator transforms an external, unpitched excitation audio signal into a full-bodied pitched sound. Rings is the bar, the tube or the bunch of strings you cause to vibrate with a bursty external signal.

Any signal can be fed into the resonator, including envelope clicks, trigger signals, noise bursts, even tonal sounds. It also contains a special "polyphonic mode", where four notes can ring together at the same time. Although it is not truly polyphonic, it adds density and chordal characters to the sounds output. For those wanting the functions of Elements without the losing HP real-estate, Rings is exactly the solution.

Three families of vibrating structures are simulated by the module, with CV control over their parameters:

Strings, membranes and tubes as modelled by Elements' resonator section (modal synthesis).

Strings coupled together and vibrating in sympathy, with controllable intervals between them.

Strings with a variable amount of inharmonicity.

Rings can be configured so that each new note is played on its own virtual string, while the previously played note(s) still decay. This unique take on polyphony allows the module to play strummed chords.

Controls

Number of strings/structures (1, 2 or 4).
Synthesis model (modal, sympathetic strings, string).
Main frequency (quantized in semitones).
Structure. With the modal and string models, controls the inharmonicity of the spectrum (which directly impacts the perceived "material"). With the sympathetic strings model, controls the intervals between strings.
Brightness. Specifies the brightness and richness of the spectrum.
Damping. Controls the damping rate of the sound, from 100ms to 10s.
Position. Specifies at which point the structure is excited.

Inputs and Outputs

Frequency, structure, brightness, damping and position modulation CV inputs with attenuverter (-8V to +8V).

"Strum" trigger input to indicate when a new polyphony voice needs to be allocated. Normalized to an edge detector detecting changes on the main V/Oct input, or sharp transients on the audio input. Detection threshold at 0.6V.

1 V/Oct frequency input (-1V to +5V).

Resonator audio input, normalized to a filtered pulse/noise burst triggered by the "Strum" input (for stand-alone use). Modular level, up to 16Vpp.

Two audio outputs, splitting the signal into even/odd partials in monophonic operation, or even/odd notes in polyphonic operation.

Specifications

Module width: 14HP
Module depth: 25mm
Current draw: 120mA @ +12V, 5mA @ -12V

Notes: Vinia is a new powerful 8-channel audio generator and processor for Eurorack. Each channel is independent and has its own signal chain. This can be a multi-engine instrument, an FX processor, a combination of both, or a chain of several FX.

The sound generator section offers 2 sample players (one plays from the 16 MB internal flash memory and the other directly from the microSD card), various VCOs (VCO, multi-VCO, harmonic VCO), Karplus, a Chord generator, noise, a drum synth and modulation generators (LFO, envelope follower, envelope).

Each of these generators has a rich set of parameters for setting up your sounds. Then, there is a powerful multi-FX processor.

Tesseract Modular has added 20 different algorithms in Vinia: FM operator, filters (multimode, ladder, rubber, bandpass), a wave folder, tube saturation, delays (filter delay, delay, long delay), reverb, metallizer, grain pitch shift, and more.

These can be flexibly set in a chain per channel and offer many customization possibilities. The module also hosts a mixer. You can also save your channels in presets and work with macro parameters.

Each of the 8 channels can be independently configured as a multi effect processor, VCO, sample player...

Audio outputs are DC coupled so it can be used to generate complex CV modulation sources too.

There are 2 types of modulation in Vinia, the first is stepped (occurs every 1,4 milliseconds approx.) and very flexible, any modulation source can modify any parameter of any track. The second is the 'audio rate' one (44,1 KHz), only a few parameters admit this type and both sources and destinations will be within the same track.

Audio sources: Audio Input, Flash Sample Player, MicroSD Sample Player, VCO, Multi VCO, Harmonic Oscillator, Karplus, Chords, LFO, Envelope Follower, Envelope, Noise, Drum Synth

Audio processors: FM Operator, Multimode Filter, Ladder Filter, Rubber Filter, Bandpass Filter, VCA / Polarizer, Folder, Tube Saturation, Exponential Envelope, Delay, Filter Delay, Long Delay, Long Filter Delay, Reverb, Metalizer, Chorus, Modulator, Vocoder 16, Vocoder 32, Bit Crusher, Rectifier, Grain Pitch Shift, Ring Modulator

Notes: The ComPair is a versatile yet compact and affordable tool to expand your sonic arsenal. Voltage comparison is used to trigger events, reshape and mangle waveforms and realize level-dependent logic functions.

Two sections can be used independently as voltage against manual setting comparison. Additionally, the first section allows voltage against voltage comparison with offset adjustment.

When used globally, the module offers a powerful window comparator with CV-controlled top setting.

The outputs benefit from three triple-position switches, allowing independently settable polarity and muting.

Three LEDs indicate the output logic to keep track of what's happening.

Notes: The IMDI HEART module is the central module for using IMDI (the "internal MIDI" transmision) within AE modular.

It receives MIDI, either by a TRS adapter, or via USB-C (the module appears as Class-compliant MIDI device on a computer); the incoming data is splitted up to 16 outputs carrying IMDI data. Each output contains the information of one (or more) MIDI channel(s) and a freely assignable note range, in the standard MIDI data rate or at a much higher data rate. Realtime data, like MIDI start/stop/clock is provided as gate/trigger outputs; the 1/96th clock can be divided to other, slower clock rates.

The outputs can drive then modules that can receive IMDI, like the micro oscillators (uOSC, uFM, uPOLY) and other upcoming IMDI capable modules.

The 16 chains of IMDI controlled modules you get with IMDI HEART is enough for quite complex setups, so in most cases, one IMDI HEART will be enough.

Notes: Enter a galaxy of rich and vibrant delays. The Dreadbox Nostalgia 3 Stage Delay is a superb effect module that can give you amazing results in moments. Delay is a true staple in the effects world and it can take your modular music to the next level via just a few cables.

The Dreadbox Nostalgia 3 Stage Delay is ideal for a range of modular music styles, from ambient to acid house. This 10HP module fits snugly in your system and has enough CV control to keep even the most avid patcher satisfied.

117 mA +12V
25 mA -12V
35 mm deep
10HP

Notes: ***B-STOCK: Item refurbished, repaired and in perfect working order.***


Loquelic Iteritas Percido is an extension of the original Loquelic Iteritas. Like Loquelic Iteritas, it is a digital VCO with interpretations of three classic synthesis algorithms involving dual pitch control parameterized by four tone controls. LIP adds an envelope that can be shaped, modulated, and routed to pitches and tone controls, making it into a stand-alone voice.

Notes: ***B-STOCK: Item refurbished, repaired and in perfect working order.***


Nicely creative sequencer module based around controlled randomness. Build patterns and then morph them in real time. Great for live performance as well as studio use.

Supplier notes:
The Eloquencer is a powerful and versatile eurorack sequencer that can be used both as a performance and a composition tool. It's designed to be intuitive, easy to use, and quick to edit. It has been built around the "controlled chance" concept. This means you can decide when and where there will be randomness and how much this randomness will affect your sequences. It features 8 tracks of CVs and Gates in a 16 step disposition, but with the ability to define larger bar counts or chaining patterns to build multiple song parts of 256 steps each.

INPUTS AND OUTPUTS
8 V/oct CV Output
8 Trigger / Gate Output
Reset Input
External Clock Input (configurable. i.e: can be used as a clock divider / multiplier)
Accent Output (configurable)
Clock Output (configurable. i.e: can be used as a clock divider / multiplier)
2 CV Input (assignable to different parameters)

Notes: Tiptop's reissues of iconic Buchla modules continue with the 285 frequency shifter. Edgy, twangy harmonic modulation with ring mod options and stereo operation via sum and difference outputs.

Supplier's Notes:
The 285t combines two sets of functions: the top section features a frequency shifter, while the lower section includes both balanced modulation and classic ring modulation, all with voltage control. The frequency shifter can shift incoming audio using either its internal oscillator or external audio. Both SUM and Difference outputs are available simultaneously for analogue stereo widening effects and more.

As Tiptop Audio continues its aural odyssey of preserving and transforming the hallmark engineering prowess of Don Buchla's namesake synthesizer modules, the 285t brings a constellation of blistering sonic-contouring tools to your Eurorack array. Like its predecessor, the Tiptop Audio Buchla 285t is a menagerie of modulation madness, offering variable degrees of ring, frequency, and amplitude styles of modulation. Plus, its dyad of modulation sub-modules operates independently, with dedicated audio and CV I/O for each, functionally giving you the sum of performance possibilities you'd get with two modules, all in one instrument. Suffice it to say: Sweetwater's synthesists commend Tiptop Audio on capturing the electric magic of Don Buchla's imaginative engineering while transposing it for the world of Eurorack to experience. For a constellation of timbral sculpting and summitting heretofore unknown peaks of daring synthesis exploration, the Tiptop Audio Buchla 285t Frequency Shifter module is your key. Discover what awaits at the fringes of Eurorack possibility!

Note: This module is not compatible with Buchla system voltages. CV signals require a distinct connectivity configurations. Please contact your Sweetwater Sales Engineer with any questions or concerns regarding compatibility or use in your Eurorack case.

Type: Frequency Shifter
Depth: 1.77" (45mm)
HP Size: 18HP
Power Usage: +12V/70mA, -12V/40mA
Power Supply: Requires Eurorack Case and Power Supply
Manufacturer Part Number: 285t

Notes: The Futureretro Transfer is a 12hp analogue filter featuring 16 different types of fully controllable filters with CV inputs, a voltage controlled amplifier, and an input overdrive. While the included 4 types of commonly used low pass filters, and the 12 specially crafted unique filters were specifically engineered to be the perfect sonic pairing with our Trax and Transient models, the Transfer also functions perfectly with any modular setup.

3 larger control pots give immediate and easy access to cutoff, input drive, and resonance control with the three smaller attenuators/attenuverters control input from the type CV, cutoff CV, and resonance CV input jacks. A VCA (voltage controlled amplifier) jack is conveniently placed at the bottom row along with standard input and output jacks.

Notes: Meet Stardust, a cosmic tape looper.

The foundation of Stardust is a stereo looper with all the essential controls to record and manipulate sound, while supporting click-less looping transitions, an ultra-low noise floor, and high-fidelity audio hardware. However, getting the perfect loop is only half of the equation, Stardust also focuses on the texture and vibe of your recordings. Dial in a classic tape machine style warmth with wow & flutter/tape hiss controls, or take Stardust to new horizons with DSP effects. And, much like the tape-machines it takes it's inspiration from, Stardust can splice and rearrange its loops at the twist of a knob.

With an impressive set of front panel controls, the ability to save, recall, or export recordings, load samples via an included USB flash drive, and a host of configurable settings via our web editor Narwhal, Stardust is a comprehensive looper device.

Power Consumption: +12V=201mA, -12V=13mA, +5V=0mA

Notes: The Flame FM Kosmos is a full-featured 4-voice polyphonic FM synthesizer with integrated multi-effects unit. With 6 operators per voice and 32 selectable FM algorithms, it offers a wide range of sounds from classic FM tones to complex modulations. Each operator has a loopable ADSR envelope for detailed sound shaping.

It also allows morphing between two sound variations (A and B) and real-time control of effects. The integrated multi-effects processor includes stereo chorus, MIDI-syncable delay and reverb. Intuitive operation is paramount, with 8 knobs and easily accessible menus for all key parameters.

The module supports both analogue CV signals and MIDI control, making it extremely versatile. With 128 preset sounds and 128 memory slots, there is plenty of room to store and recall your own sounds.

Power consumption: 120-140mA at +12V and 60-70mA at -12V
Depth: 30mm
22 HP

Notes: Great value from Xaoc's pingable dual VCA, capable of creating organic, acoustic-style decay curves which replicate the dynamics of real-life instruments. Ideal for processing audio as well as CV.

Supplier's Notes:
Xaoc Devices Lublin is a high-quality dual VCA module with exponential CV inputs. On top of that, its two identical channels feature additional inputs for pinging. These inputs use an elaborate analogue circuit to model the dynamic behaviour of vactrols, allowing you to trigger a carefully crafted gain response that mimics the natural decay of plucked and struck acoustic instruments. Unlike lowpass gate modules though, Lublin reduces gain while retaining the full frequency bandwidth, so it is perfect for harmonically rich signals, like our Odessa additive VCO. The vactrol-like behaviour is just a starting point as the envelope may be varied within a wide range using a switch (natural, shortened and prolonged response) and a potentiometer, so you are not stuck with one decay characteristic. Therefore, you can use it not only to create bongos, but also for fat compressed kicks! The built-in gain control circuit (saturating CV instead of the audio signal) prevents distortion from excessive amplification. Lublin is DC-coupled, so you can use it to process CV as well as audio signals.

Width 6HP, Depth 33mm (including cable bracket)
40mA/-20mA

Notes: The Dystopia is ideal for complex patches where sound can be used to thicken the sound or filter out frequencies. It features a noise generator which can provide white, white to pink, white to blue, scatter, digital, pitch types of noise. The digital noise is brilliant as it can be used as a random gate generator. The bit crusher stage can range from one second up to 8kHz - meaning you can obtain really thick distortions - ideal for a range of styles of music. You can reference all the signals through the four LEDs too - which help you determine the level at which the module is pumping out the noise sources.

Noise Generator (white, white to pink, white to blue, scatter, digital, pitch)
Bit Crusher with range from 1sec up to 8kHz
Digital Noise can also be used as a Random Gate Generator
Dual Filter (parallel) 12dB Low Pass and High Pass Filter
When you insert a signal to the External In, the Internal Noise generator is cancelled and the External Signal is in process
LED indicator for all controls to illustrate the current CV Sum

56 mA +12V
67 mA -12V
35 mm deep
10HP

Notes: DASSBRUM is a powerful kick module capable of producing a wide variety of sounds, ranging from classic kick tones to complex folded timbres. It features an analogue core processed through a digitally controlled matrix of analogue wave folders and envelopes, offering deep sonic flexibility in a compact 8HP form factor. A built-in sweet spot mode ensures optimal pitch envelope relationships for consistently punchy and dynamic kicks.

Consumption: 120mA +12V /30mA -12V
Width: 8HP
Depth: 29mm

Inputs maximum ratings
Fold type (rear switch): 0/5V
Trigger IN: 5V (>0.5V)
Other inputs: -5/10V

Notes: Bring your Eurorack modules to life with our groundbreaking 2HP wide Switchable Logic Gate, an essential tool for anyone looking to enrich their modular synthesis with complex rhythmic patterns and sequences. This compact but powerful module offers intuitive operation and innovative features that make it a must-have for creative sound tinkerers.

The module offers a separate inverter stage, which is normalized to the output of the first stage. Not only does this allow you to reverse the original logic operations, but it also gives you the ability to create even more complex and creative waveforms.

An LED is provided for each stage, which indicates the current initial state. This direct visual feedback makes it easy to see and understand the impact of your settings in real-time, which is invaluable, especially during live performances.

Dimensions: 2 HP, 39 mm deep

Current Draw
30 mA +12V
15 mA -12V
0 mA 5V

Notes: Tap into the world of precise signal processing with the 2HP Eurorack-compatible Precision Rectifier. This compact but powerful module is a must-have for anyone who wants to modify their audio signals with the utmost precision. Not only does it provide rectified solid wave, but it also provides dedicated outputs for the positive half-wave as well as the inverted negative half-wave of the input signal. Perfect for experimental sound designers and creative synth users.

Compact format

At just 2HP, this Precision Rectifier offers a powerful feature extension for your Eurorack system without taking up a lot of space.

Versatile signal processing

Get access to rectified full wave to fully modify your input signal, ideal for dynamic effects and creative signal paths.

Dedicated Half-Wave Outputs

In addition to full-wave rectification, the module offers separate outputs for the positive half-wave and the inverted negative half-wave. This special feature allows you to play with the original character of the input signal and create unique sound textures.

Precise signal processing

The Precision Rectifier is designed for the highest level of accuracy, so you can count on clear and precise signal processing, no matter how complex your requirements are.

Notes: Dive into the world of subtle tone modulation with the revolutionary 2HP Eurorack compatible Slew Limiter. This compact but powerful module is the secret weapon in your synth setup to create smooth transitions between your sounds, giving you the opportunity to expand your musical expression in a unique way.

With its slim design of only 2HP, the Slew Limiter fits seamlessly into any Eurorack system without taking up valuable space.

Create smooth transitions between notes or modulate CV signals to create organic, vibrant effects such as portamento/glide, or complex modulated patches.

Adjustable rise and fall times give you complete control over the speed of signal changes, from instant jumps to smooth, slow transitions. Versatile uses: Whether for smoothing control voltages, creating legato effects for monophonic melodies or for creative sound design - this slew limiter is a true all-rounder.

Thanks to its clean layout and simple controls, you can make the settings you want instantly, making it ideal for live performances and studio sessions.

CV control via rise/fall

A unique feature is the ability to control rise and fall times via external CV signals, allowing you to dynamically react to your performance or patch.

Shape Control

The Shape slider allows you to fine-tune transitions over a wide area. Whether it's a slow exponential increase, linear transitions, or a subtle adjustment through the logarithmic characteristic, it's all at the service of the music

Notes: Sibilla is a DSP digital stereo oscillator that aims to translate into music the beauty and harshness of a semi-barren mountain. Its sound is sculpted by various saw and sine waves running through intricate delay networks, altered by LFOs, white noises and creating constructive and destructive interferences.

Both stereo channels are the output stages of two feedback audio loops.

Each loop is made up by a main sub sinusoidal wave oscillator and two saw and sine waves with frequencies affected by the generation of harmonics (right channel) and subharmonics (left channel). All waves have different phases whose offset is constantly affected by minor variations created by two pairs of grains randomly fluctuating within the waves amplitude spectrum and being sampled at a certain speed.

Waves then meet to each other to a common point, together with two white noise sources, creating constructive and destructive interferences constantly affected by two LFOs movements.

Interferences are then run into a resonant low pass filter and then distributed to four different delay lines from which they are fed back into the audio loops at different time intervals depending on the grain's movements.

Width: 10HP
Max depth: 29.6mm
Current draw: +12V: 125mA, -12V: 30mA, +5V: 0mA;
Material: 2mm anodised brushed aluminium

Notes: Expand the connectivity options in your Eurorack system with the versatile 2HP Eurorack compatible Passive Multiple. This compact module is an indispensable helper when it comes to efficiently distributing signals within your modular setup. With its intelligent design and two normalized channels, it offers a flexible solution for a wide range of patch requirements.

Space-saving design

With its slim design of only 2HP, the Passive Multiple fits seamlessly into any Eurorack system without taking up much space.

Flexible Signal Distribution

Thanks to the two normalised channels, this module can be used either as a 2x 1->3 multiple for distributing a signal to up to three targets, or as a 1x 1->6 multiple to send a signal to up to six targets. This flexibility makes it a true all-rounder for your patch environment.

Optimized for gate and trigger

The module is specially designed for the distribution of gates and triggers. It allows you to route a signal unchanged to multiple outputs, which is ideal for complex signal paths.

Limited CV signal suitability

Although the passive multiple can also be used for CV signals, it is only suitable to a limited extent due to its passive design. For precise voltage distribution, especially with pitch CV, we recommend using a buffered multiple to avoid signal loss and inaccuracies.

Dimensions
2 HP
14 mm deep

Current Draw
Module does not draw current

Notes: A rock-solid all-rounder of a VCO, the Cycle 5 is a triangle-core oscillator with morphable wave shapes as well as conventional sine, triangle, saw and pulse outputs. Switchable octaves and 5th transposition make the module even more user friendly.

Supplier's Notes:
A small Eurorack oscillator that packs a punch: that's the best way to summarise Cycle 5.

At its heart lies a refined high-stability triangle core voltage controlled oscillator (VCO), with performance matching or exceeding that of much bigger and costly oscillator modules.

Instead of a coarse frequency knob, a 7-position octave switch is provided. This in combination with a perfect fifth transposition switch and factory pitch tuning, makes Cycle 5 an exceptionally straightforward and musical VCO to use: simply centre the fine tune knob, and the module will be instantly tuned to reference C.

Meanwhile, its dual precision volt per octave inputs add a great deal of versatility. For example, one could be used for pitch sequencing and the other as a generic exponential FM input, or both sequenced together for transposition effectsithe dual inputs serving as a built-in precision adder.

Sporting all the classic waveforms, ranging from sine wave, triangle, saw and square/saw, as well as a hard sync input and low frequency oscillator (LFO) mode, Cycle 5 makes for a real workhorse VCO. The novel trigonometric waveshaper results in a very clean sine wave, ideal for sub bass duty.

Cycle 5's highlight however, is its vari-wave feature. By adjusting the vari-wave knob, the waveform on the matching output will smoothly morph from sine, to triangle, saw, square and finally a very narrow pulse. The vari-wave parameter can be CV controlled, up to audio frequencies for some intense timbres.

Equally at home as a modest modulation companion to big VCOs, as being in the spotlight in miniature or polyphonic systems, Cycle 5 might just be the most multi-talented tiny analogue oscillator yet.

6 HP | +12: 75 mA, -12: 70 mA

Notes: The Slimline Passive Fader Eurorack module is the perfect addition to your modular system. With a width of only 2HP, it offers a passive attenuation feature that allows you to precisely control and adjust the audio signal. Whether you're looking for subtle nuances or strong interventions, this module gives you the flexibility you need. Thanks to its slim design, it easily fits into any Eurorack setup and ensures efficient use of available space. Get the Slimline Passive Fader Module now and take your sound experience to the next level.

Notes: The MCO MK II is a highly versatile digital VCO and voice module inspired by 90s/00s digital synths shrunk into just 6HP.

It offers a broad collection of unique, high-quality synth voices, each with extensive, customizable parameters. These parameters can be directly controlled or modulated through assignable internal and external sources. Certain per-voice parameters support audio-rate modulation, including FM, sync, and DSP. Each voice also supports up to four-voice chords, external-triggered envelopes, multiple LFOs, and dual audio outputs for comprehensive desktop like synth functionality.

Voices include a multi dimensional wavetable oscillator based on the original MCO, a complex additive synthesis engine, a multi mode 'JP' type digi-synth, a lush virtual analog implementation, a fully featured vocoder, a bass synth for both kicks and sub sonic tones and finally arebirth and porting of our discontinued SID GUTs chip voice.

Each voice includes factory presets as well as the ability to store and recall user presets. All state is preserved across power cycles.

The MCO is designed to be familiar, quick and easy to use with a high resolution colour display and a rich visual user interface.

A USB-C connection allows for easy firmware updates, user wavetables upload and device config backup and restore. Axon expander modules are also supported to increase CV control options.

Notes: Discover the new dimension of your sound design with the ultra-compact 2HP wide ADSR Envelope Generator in Eurorack format. This precise tool is specially designed for synth enthusiasts who don't want to miss out on professional dynamic control in their Eurorack system. Despite its small size, this ADSR generator offers a plethora of features that will take your soundscapes to the next level.

Compact design

With a width of only 2HP, this envelope generator fits seamlessly into any Eurorack setup without wasting valuable space.

Customise your sounds with full ADSR control - Attack, Decay, Sustain and Release can be intuitively adjusted to bring your sounds to life

There is also a built-in LED display that gives you real-time visual feedback on the current phase of the envelope. This way, you always have an overview of the dynamic progression of your sounds.

With the ability to choose between three timebase settings (S, M, and L), you can flexibly adjust the envelope time base to suit your musical needs. From fast, crisp pulses to long-drawn-out, atmospheric evolutions, expand your expressive possibilities.

Manual Trigger

A special highlight is the manual trigger button. This allows you to trigger the envelope independently of external signal sources, ideal for spontaneous performances or experimenting with new sound ideas.

Dimensions
2 HP
42 mm deep

Current Draw
15 mA +12V
5 mA -12V
0 mA 5V

Notes: Tap into the fascinating world of random modulation and creative signal processing with our innovative 2HP Eurorack compatible Dual Sample and Hold module. This compact but powerful tool is a must-have for anyone who wants to enrich their soundscapes with unique, unpredictable textures and sequences. Perfect for experimental musicians, modular synth enthusiasts, and creative sound designers.

Space-saving design

With its narrow 2HP width, the Dual Sample and Hold module fits seamlessly into any Eurorack system without compromising on functionality.

Dual operation

Two independent sample and hold channels give you double the creativity. Use them for stereo effects, parallel modulation sources, or complementary CV sequences to add a new dimension to your sounds.

Standardized inputs

A special feature of this module is the normalization of the "in" and "trigger" inputs of the second channel to the first. This means that the second channel will automatically pick up the signals from the first channel if no separate inputs are connected. This intelligent linkage allows you to create complex, interconnected modulations with just one input signal.

Flexibility of use

Whether you want to create random melodies, rhythmic variations, or dynamic soundscapes, this module gives you the flexibility you need. Experiment with different input signals and triggers to achieve surprising and inspiring results.

Intuitive operation

Despite its sophisticated functionality, the Dual Sample and Hold module is intuitive to use. It is therefore suitable for beginners in the world of modular synthesizers as well as for experienced users who want to expand their sound palette.

Dimensions
2 HP
39 mm deep

Current Draw
15 mA +12V
15 mA -12V
0 mA 5V

Notes: Expand the capabilities of your Eurorack system with the 2HP Eurorack compatible Single Buffered Multiple. This compact but powerful module is the perfect solution to multiply and distribute your signals without losing quality. It is specially designed for synth lovers who want to optimize their signal chain and shape their soundscapes with precision.

Ultra-compact design

With a width of only 2HP, this module fits seamlessly into any Eurorack setup, maximizing the space available for further creative expansion.

Seven outputs

Equipped with seven outputs, our Single Buffered Multiple allows simultaneous signal distribution to multiple modules. Perfect for complex patches where you want to send a signal to different destinations.

Buffered Outputs

The buffered outputs ensure that signal integrity is maintained even when distributed across multiple modules. Enjoy precise control and stability in your signal chain without sacrificing signal quality.

LED indicator for positive input signals

A special feature is the integrated LED, which lights up as soon as a positive input signal is detected. This visual feedback is not only convenient, but also makes it easier to troubleshoot complex patches and improve the user experience.

Optimal flexibility

Whether you want to route audio signals, control voltages or triggers, our Single Buffered Multiple offers the flexibility you need to meet your creative needs.

Notes: A simple and compact 1U module for hands-free control, the Kommander generates CV and gate signals based on your hand's proximity to the infrared sensors. Cheap, fun and effective.

Supplier's Notes
An infrared motion controller that makes controlling your modules intuitive and fun. The KMNDR measures the distance to other objects (e.g. your hand) and sends a CV and gate signal.

This will allow you to interact with your modular system in a fun and intuitive way, create complex synth sounds, trigger a drum machine and "play" your modules.

Just plug the KMNDR into your synthesizer and create! The KMNDR ships with a 10-pin power connector.

Meet the KMNDR: our new compact sibling of the renowned KOMMANDER. This infrared X-Y motion controller is about to revolutionize the way you interact with your modular synthesizer.

Designed to make module control both intuitive and enjoyable, the KMNDR transforms physical gestures into musical magic. By simply measuring the distance to objects like your hand, it sends out CV signals ranging from 0 to 10 volts, alongside a 10V gate output, enabling a tactile and expressive approach to music creation.

Whether you're looking to craft complex synth landscapes, trigger rhythms on a drum machine, or "play" your modules as if they were traditional instruments, the KMNDR is your gateway to a new realm of musical expression. Its plug-and-play functionality means you can seamlessly integrate it into your setup, opening up endless possibilities for innovation and performance.

The KMNDR is not just about functionality; it's about bringing fun back into music production. It ships ready-to-use with a 10-pin power connector, ensuring you can dive straight into creating the moment it arrives. Prepare to engage with your modular system like never before. With the KMNDR, your hands are not just making music; they're creating an experience. BOOM!

Dimensions: 8 HP, 23 mm deep
Module is a 1U tile in Intellijel format

Current Draw: 56 mA +12V, 2 mA -12V, 0 mA 5V

Notes: A typically well thought-out approach to matrix mixing from ADDAC, the 814 is a stereo, expandable 6x6 design with separate control and in/out modules. Suitable for line/synth level audio or CV.

Supplier's Notes:
Introducing ADDAC's take on matrix mixers, a 6x6 stereo matrix easily expandable to larger configurations.

Matrix mixers may need some time to get used to, but they are very much self-explanatory, each knob controls the volume of a matrix point routing the respective input to the desired output. The flexibility of a matrix mixer is far superior to a standard mixer, the possibility to route any input to any single or multiple outputs allow for very complex chains, combining parallel and series processing while easily reconfigurable without any extra patching.

All Inputs Left channels are normalled to the Right Inputs.

Blank areas on the left and bottom edges of the panel allow for the user to write all the inputs and outputs sources that each channel is connected to.

Different coloured knobs for faster visual recalling: Black for A,C,E Outputs Dark Red for B,D,F Outputs Cream knobs for potential feedback diagonal: 1A, 2B, 3C, 4D, 5E, 6F.

DC coupled circuitry, can be used to mix both audio or cv signals.

Jumpers on the back of both modules allow the user to set each channel independently to Line or Synth Level, making it easier to integrate with external sources, sound processors or guitar pedals.

Internal connections

The control and input modules are connected via a large 34 wire ribbon cable, only the control module needs to be connected to the Busboard.
Extra IDC sockets are used for connecting larger configurations like 12x12 or 18x18.
Other configurations are also possible: 6x12, 12x6, 12x12, etc...
Up to 12x12 all ribbon cables are provided, for larger matrixes custom ones will be necessary, contact us directly if planning to go BIG.

Potentiometers

Although ADDAC System are using Thonk's Tall Trimmer Topper for Knobs all potentiometers used have metal shaft and are not plastic trimmer potentiometers.

Tech Specs: 25HP + 8HP (33HP total, 4.5cm deep, 140mA +12V, 140mA -12V

Notes: Flame Black Filterbank is an analogue moving resonance filter bank.

The module is based on the Flame Curves and combines its most important functions in a more compact format. As a result, the individual outputs for the filter channels no longer found a place on the front panel.

The filterbank includes twelve-channel and a pattern player programmable via a software editor. You can use a freeware "Curves editor software" (Win/Mac) for setup and user pattern editing. The module needs a clock to run in pattern-mode. It also features a reset input to set the sequence back to the first step. The memory in the module can save up to 99 patterns. The active pattern can be seen on the display and selected thanks to two buttons.

When the Black Filterbank is in sequencer mode, the Envelope potentiometer controls the AR envelope, the Variation knob adds random velocity and release, and the Fill potentiometer controls the level of all the channels.

In manual mode, when the sequencer is off, you can select different filter-types with the Variation potentiometer: allpass, lowpass, bandpass 1-3 and highpass. Thanks to the Fill knob it is possible to sweep through the twelve filter bands. The Envelope knob smooths the sweep by activating a second band next to the selected filter band. Thus, the change from one band to another is not so abrupt.

It is also possible to play the twelve filters via MIDI like a drum module, thanks to the supplied MIDI to minijack cable. It even reacts to velocity.

There are several CV inputs for controlling Envelope, Variation and Fill parameters as well as the pattern number.

Power consumption: 250mA at +12V and 180mA at -12V
Depth: 42mm
22 HP

Notes: ADDAC219IN was designed to replace bulky 1/4 inch jacks when plugging external stereo gear into the modular realm.

Using a 3.5mm TRS stereo jack input, the module splits the TRS stereo signal into 2 mono outputs (Left + Right) while also converting the line input to synth level.

There are 2 independent sections allowing for two stereo sources to be connected.

Tech Specs: 3HP, 4 cm deep, 20mA +12V, 20mA -12V

Notes: FM Radio in 1U format.

Use it as a crazy oscillator, infinite sample generator or just listen to the news during your office break.

Use the Chaos Input (CV) to automate to scan the FM band for radio signals and use the radio as a creative tool.

Width: 8HP
Height: 1U
Depth: 23mm
Current Draw: -12V: 2mA +12V: 56mA

Notes: Simple Envelope Follower in 1U format.

Insert an audio signal and extract a corresponding CV from it.

Additionally you get a gate output. Try using it with any type of signal!

Dimensions: 8 HP, 23 mm deep, module is a 1U tile

Current Draw: 56 mA +12V, 2 mA -12V

Notes: LFO utility in 1U format, small and straight forward.

Select between 3 different wave forms, chose a frequency between 0.03Hz to 36Hz and start modulating!

A Jumper in the back allow you to change the range.

WAVE >>> Chose a waveform for the oscillator. Select between square, triangle or a mixture of both.

SPEED >>> Set the frequency of the oscillator.

OUTPUT >>> The LFO output

Dimensions: 8 HP, 23 mm deep, module is a 1U tile in Intellijel format

Current Draw: 56 mA +12V, 2 mA -12V

Notes: ADDAC219OUT was designed to replace bulky 1/4-inch cables when plugging external stereo gear to the modular realm.

It merges 2 TS mono signals (Left + Right) into a TRS stereo output while also converts the synth inputs to line level.

There are 3 independent sections allowing for three stereo sources to be connected.

Tech Specs: 3HP, 1.5 cm deep, Passive module

Notes: ***B-STOCK: Without original box, product in perfect working order***


Basimilus Iteritas Alter is a parameterized digital drum synthesizer with its roots in the analog world. At its heart, it is a simple six-oscillator additive synthesizer with adjustable waveform, harmonic spread and decay. Adjustable attack including a noise oscillator is also included. dLese are summed and fed into an in..nifolder for crunch and variety.

Basimilus Iteritas Alter is an improved version of Basimilus Iteritas. It is 2HP smaller, includes CV of switches, adds an third mode, and pitch range and knobs know offset rather than attenuate.

Size: 10HP Eurorack
Depth: 1.5 Inches
Power: 2x8 Eurorack
Draw +12V: 150 / 80
Draw -12: 5 / 5
Draw +5v: 0 / 90

Notes: Operation of the Astra is both simple and straightforward - the large touch panel on the front will respond gradually to soft and firm touches, making it easy to inject some human feeling into your compositions.

Being fully analogue, the controller uses an internal vactrol and slew rate limiter to make it easy for you to create smooth transitions - when used without an input, the MMI Astra uses an internal 5v source as the basis of its signal, allowing you to easily generate complex CV to control other modules, in order to create intermittent filter sweeps, resonance peaks and much more.

By using the input, you can route in both CV and audio to destinations of your choosing, attenuating and amplifying by varying pressure and position on the touch plate. Easily introduce LFOs, create huge reverb or volume swells, or intermittently introduce fading soundscapes as you play.

The front facing LED gives you immediate visual feedback on the status of the module as you play, making it easy to control the MMI Astra. It's the MMI you've wanted for years, finally made real.

Sixe: 4HP

Notes: The Pivot is a simple module, dedicated to doing one thing really well: panning and balancing.

The long and smoothly controlled fader makes it easy to strike the right balance between the input and the two outputs, which continuously share each their portion of the input signal. With input buffering and a dual-gang potentiometer, the signal for one channel will fully close at either extreme end and perform with perfect consistency when you need it most.

Use it for panning, wet/dry control, transitioning between different audio or CV destinations - or even just as an attenuator in a pinch. The Pivot isn't the most complicated panner and balance mixer on the market, but rock solid build quality, design and component choices make it a reliable companion in any performance setup.

Notes: For once, there isn't much to say - what you see is exactly what you get. Four passive attenuators, in 4hp. Perhaps the most useful utility in any system, and here, you get four of them! Fully open, fully closed, or somewhere in between, Qatt will put your signal exactly where you want it to be.

Notes: The First Aid Kit is here to be your first choice, regardless of whether you're picking out your first utility module, building a minimal system or expanding a large system, by offering a powerhouse toolbox built on the principle of "everything you need, nothing you don't."

Offering ten functions in just 8hp, you can feel assured that you are no longer likely to run into dead ends while patching, because you need just one more utility - no need to buy lots of specialized utility units either, which can be both costly and space ineffecient, as you get all in one with the First Aid Kit.

Functions include:

5v DC source
Buffered multiple
LED voltage indicator
Summing 3-to-1 mixer
Signal inverter
Half-wave rectifier
Full-wave rectifier
Gate-to-trigger generator
Attenuverter
Bipolar and unipolar 8v offset generator
Functions can be used independently of each other, and the unit can be patched with itself for even more functions. Enjoy a toolbox that will solve nearly any problem you're facing, all in a compact-yet-comfortable 8hp.

The First Aid Kit replaces lots of other individual modules, and gives both newcomers an excellent starting point for what can feel like boring but necessary purchases, while also offering excellent utility to both large and small systems.

The First Aid Kit: don't get caught without one when you need it most.

Notes: Solist is not your average performance mixer and mute combination - far from it. Designed in collaboration with Bries, Solist contains four channels of soft vactrol muting, controlled by tactile and pleasantly clicky mechanical switches. Solist will help make your performances shine - but most importantly, the red solo switches allow you to override the current state of the mute switches, allowing for creative transitions between solo and mute states during your performance.

While the audio circuit is fully analogue, it is also entirely isolated from the digital circuit that controls the mutes. Running on a fast and reliable Raspberry Pi RP2040, you get all the benefits of digital control without the downsides of digital audio processing. Best of all, the mechanical state of the switches determine the state of the module, so even if you power cycle, you will return to your previous state.

The analogue mixer section can be used simultaneously with the individual outputs of the Solist, so for those who already have a mixer solution, the buffered individual outputs will bypass the mixer entirely. You may of course also use both simultaneously for exciting parallel processing opportunities.

Solist brings a whole new aspect of muting and soloing to your Eurorack performances, and with soft opening and closing vactrols, you'll never have to worry about clicks, truncated transients or actuation noise.

Notes: Introducing the Cortisol Legend: a spiritual successor to one of my early designs, the Steroid Legend, it presents as 4hp of white hot saturation and hairy distortion, and features manual control over two op-amp driven gain stages, with a diode saturation control in the middle, giving you precise control over distortion ranging from smoldering saturation all the way into utter rail-to-rail fuzzification.

As for the diodes, the Cortisol Legend has two flavors on tap: Steroid Legend-inspired diodes and genuine, Cold War-era USSR-made Germanium diodes from the far reaches of Europe. These diodes are getting increasingly hard to find, but have been known for their warm and fuzzy characteristics by guitar pedal enthusiasts for years. Here, you get the genuine article, for as long as they can be reliably sourced.

In addition to having control over the saturation depth, the Cortisol Legend offers an additional control parameter: Eustress and Distress. Roll off the edge and noise a bit with a Styroflex-capacitor filter which varies with saturation depth, or leave no edge unjagged with this setting.

Speaking of noise, this thing is LOUD, so you may want to have an attenuator such as the psATT on hand, unless of course the loudness is exactly what you want. Hand in hand with the overdrive and distortion comes, of course, beautiful new harmonics added to anything from single waveforms to samples, sounds and entire mixes.

Various diodes will be available at different times, but all variants are ultimately limited - all Germanium diodes used in these are new old stock from the Cold War, and one day they will run out.. Expect individual modules to have a bit of their own character.

Notes: Multi-operator phase-modulation platform oscillator ideal for lovers of drone

Toros Iteritas Alia is a multi-operator, three-algorithm phase-modulation oscillator. Taking inspiration from Nosie Engineering's favourite things about FM synthesizers and doing away with complicated interfaces and mysterious controls, Toros prioritizes immediacy and, of course, epic sounds.

The unique Blendex controls allow the user to route each oscillator to be a PM for the next oscillator in the algorithm or direct to the output. Fine-tune the output for your needs with the frequency controls that constrain the range to span a minor third, an octave, or two octaves. Dial in and morph between anything from dark and noisy to tonal to sub-shaking sounds with ease with the completely CV-able interface.

Designed with drones in mind, Toros is the perfect tool for long, evolving textures and dark drones - or big, clangorous tones if that suits your patch better.

Toros Iteritas Alia is available on Noise Engineering's 10HP Alia oscillator platform. Buy an Alia module and use the included USB cable to connect to the Firmware Swap app and check out any other Alia firmware, free of charge, any time. More info can be found on the World of Alia page here.

Hotswappable overlays are coming in January, so you can easily panel your module to match your firmware, no assembly required.

Size and Power
10HP Eurorack
+12v:100mA
-12v: 15mA
Toros - perforated lizard - from Latin Torosaurus "foundation" with suffix -lus "small"

Iteritas - repetitiousness - from Latin itero "repeat" with suffix -tas "state of being"

Alia - supreme, from Latin alia

"Lizards reign supreme, as always"

What's in the box?

Module
Power cable
Micro USB cable

Noise Engineering no longer include screws with newly packaged modules, but Bulk screws are available for purchase.

Notes: Multi-operator phase-modulation platform oscillator ideal for lovers of drone

Toros Iteritas Alia is a multi-operator, three-algorithm phase-modulation oscillator. Taking inspiration from Nosie Engineering's favourite things about FM synthesizers and doing away with complicated interfaces and mysterious controls, Toros prioritizes immediacy and, of course, epic sounds.

The unique Blendex controls allow the user to route each oscillator to be a PM for the next oscillator in the algorithm or direct to the output. Fine-tune the output for your needs with the frequency controls that constrain the range to span a minor third, an octave, or two octaves. Dial in and morph between anything from dark and noisy to tonal to sub-shaking sounds with ease with the completely CV-able interface.

Designed with drones in mind, Toros is the perfect tool for long, evolving textures and dark drones - or big, clangorous tones if that suits your patch better.

Toros Iteritas Alia is available on Noise Engineering's 10HP Alia oscillator platform. Buy an Alia module and use the included USB cable to connect to the Firmware Swap app and check out any other Alia firmware, free of charge, any time. More info can be found on the World of Alia page here.

Hotswappable overlays are coming in January, so you can easily panel your module to match your firmware, no assembly required.

Size and Power
10HP Eurorack
+12v:100mA
-12v: 15mA
Toros - perforated lizard - from Latin Torosaurus "foundation" with suffix -lus "small"

Iteritas - repetitiousness - from Latin itero "repeat" with suffix -tas "state of being"

Alia - supreme, from Latin alia

"Lizards reign supreme, as always"

What's in the box?

Module
Power cable
Micro USB cable

Noise Engineering no longer include screws with newly packaged modules, but Bulk screws are available for purchase.

Notes: Stereo formant filter with wavefolding, saturation, and a tap-tempo LFO

Fala Versio is a stereo formant filter designed with pure musicality in mind. Rather than creating classic vowel shapes, Fala gives the sounds it shapes a vocal quality while retaining the musicality of the sound. Fala's signal chain features up to 24 bandpass filters, post-filter saturators, three allpass filters, a pre-filter wavefolder, and a suite of dynamics-control utilities. Fala makes it fun to make nice or gnarly tones, and easy to morph between them.

Fala also features a built-in clockable stereo LFO with sine or noise oscillators to modulate the filters and to bring some panning animation into your patches.

Whether you want resonant, vocal tones or uniquely modulated filth, Fala Versio is the perfect tool to take your patches to new timbral spaces.

Already own a Versio? Try Fala and all the Versio firmwares now at the Firmware Swap app for free. Overlays will be available in January 2025.

Size and power:
10 HP
+12v 125 mA
-12v 10 mA
Fala - from Portuguese falar: "to speak"

Versio - from Latin: "versatile"

"Versatile speech"

What's in the box?

Module
Power cable
Micro USB cable

Noise Engineering no longer include screws with newly packaged modules, but Bulk screws are available for purchase separately.

Notes: The Stereo I/O 1U is an all-in-one audio input/output module designed to bridge the gap between your Eurorack system and line-level devices. Whether you want to process external audio with your modules, monitor your patch with headphones, or connect your system to mixers or interfaces with line level - Stereo I/O 1U has got you covered.

Audio I/O allows you to effectively interface your Eurorack modular system to the balanced line-level world (+4 dBu). You can send and return to rack mount/desktop fx units, patch to external line-level instruments like synths and drum machines, interface to a DAW and much more.

The rear-mounted 3-pin CHAIN IN connector allows you to sum (in parallel) other audio sources to go from Eurorack level to the BAL LINE OUTPUTS. This could be from modules like the Mixup 3U, Xfade 1U, Stereo Mix 1U, and XY I/O 1U. You could also use this to connect with the 3-pin headers on the Palette and 7U cases audio i/o boards.

The rear-mounted 3-pin CHAIN OUT connector allows you to directly connect the level-shifted BAL LINE IN to the inputs of other compatible devices such as the Mixup 3U, Outs 3U, Stereo Mix 1U, XY IO 1U, and Headphones v2 1U. You could also connect the to the TRS jacks of the Palette and 7U cases audio i/o boards.

Dual Balanced ins and outs for the studio or the road. Interface your rack with the balanced line level world; send and return to pedals or desktop FX units; patch in and out of your DAW, external synths, drum machines and other line-level instruments.

A space-friendly, feature-rich, highly flexible solution for all your stereo line level input and output needs. Includes a dedicated headphone jack/volume and a clever cue bus for monitoring signals outside of the main output or to add a 2nd source to the main outputs.

Notes: The aux mix 1U is a 3-channel stereo mixer module with a stereo auxiliary send bus. The routing options on this mixer module make using aux mix 1U for send FX, parallel processing, feedback mixing, and more possible. It is designed for audio signals only (not for mixing CV). It is AC-coupled, and uses audio-grade, logarithmic attenuators for a smooth, even response across the entire volume range.

Each channel has a dedicated pair of inputs for stereo audio sources. The left channel inputs are normalled to the right for mono audio sources. All three channels feature a precise level attenuator, a mute switch, and an LED input activity level indicator. The three stereo channels are mixed and summed to the main outputs, where they can be patched out to a wider Eurorack system or external pro-audio equipment. The output stage features soft-clipping diodes for smoother saturation when signal levels are very high.

In addition to the main mix controls, channels 1 & 2 also feature an aux level attenuator with a pre/post switch. These can be used to create an independent aux mix which is routed to another pair of outputs, separate from the main mix. The aux output stage also features the same soft-clipping diodes as the main output. aux mix 1U has four 3-pin connectors on the rear side for directly routing audio between other Intellijel cases & modules - without the need for patching cables. Connections include aux in, aux out, chain in & chain out. This also allows you to chain multiple aux mix 1U modules together to form even bigger mix chains.