Review: For the latest edition in their ongoing series of golden-era hip-hop seven-inch reissues, Mr Bongo is taking us back to 1992 and Positive K's biggest hit - the 500,000-selling ode to unrequited love, "I Got A Man". Lyrically impressive, with the Bronx mic man delivering both male and "female" rap parts (the latter via voice-changing studio trickery), the song owes its success in part to a beat that makes great use of a funky loop from A Taste of Honey's "Rescue Me", which famously also formed the backbone of Funky Four + 1's early hip-hop classic "That's The Joint". Over on the flip you'll find the hazier and jazzier "SHakin", whose killer beat boasts judicious lifts from tracks by Wade Marcus and the D.O.C. In a word: essential.
Review: Amsterdam legends Rush Hour look to the other side of the earth for some irresistible summer sounds here. Precious Bloom is an Indonesian group that offer up a delightful two tracker with the opening track 'Flashlight' inspired by Euro disco coupled with a hint of the city pop sounds of their homeland. It's awash with great arps and quick, funky disco drumming and sparing vocals. The 'Mojo' jam on the B-side "explores a rhyme of witchery" over fat-bottomed drums, tropical percussion and wavy bass undertones, all topped off with bright and breezy xylophone style melodies. Scorching to say the least.
Review: Two of James "Gem" Prewitt's two early 80s disco-funk tracks, 'My Love Box' (1981) and 'Juicy' (1983), come courteously reissued via AOTN, raring a snapshot of his exceptional talents and entrepreneurial funk fastenings. Recorded in St. Louis, Missouri, 'My Love Box' marked the beginning of Prewitt's journey, with the 27-year-old attending Forrest Park Community College at the same time as establishing his own label, Keyes Production. Not only did he write, produce, and perform all these tracks, but local success with 'My Love Box' inspired him to team up with Loretta Mathison for the creation of 'Juicy', which ensues here as the orally honeyed slow jam of choice, and which picks up the pace at the midpoint through gospel operatics and wooing coos. This collaboration led to a two-year singing tour, firelighting them from beneath and propelling them from the Philippines to Germany.
Fall In Love In Outer Space (Turbotito rework) (5:21)
Fall In Love In Outer Space (Blank & Jones Ride A Sunbeam rework) (5:00)
Fall In Love In Outer Space (Chuggin edits rework) (4:25)
Fall In Love In Outer Space (Those Guys From Athens rework) (4:32)
Fall In Love In Outer Space (Vibes4YourSoul rework) (4:37)
Fall In Love In Outer Space (HOLDTight rework) (5:19)
Review: Prime Time Band's 'Fall In Love In Outer Space' is one of the undoubted highlights of the latest Too Slow To Disco compilation - a quirky, 1985 curiosity that blends AOR, soft rock and spacey, synth-laden disco. Here the track is dragged into the 21st century by a sextet of remixers, most of whom treat the original with due reverence. Turbitto kicks things off by adding layers of tactile electronics and echoing effects to the obscure outfit's sumptuous, soft-touch vocals and instrumentation, before Blank & Jones re-imagine it as a dreamy Balearic disco chugger. The Chuggin' Edits tweak is tactile, groovy and super-slow, while Those Guys From Athens beef up the beats and add a touch of low-slung dub disco haziness. Meanwhile, 'Vibes4YourSoul' drop a warming, Rhodes-heavy interpretation and HOLDTight deliver slo-mo disco-funk vibes aplenty.
Review: Proh Mic delivers his best work with this new single which sets the stage for an upcoming album that is sure to once more invite us deep into his unique disco-funk world. 'Special Request' is a dance floor anthem but also a tribute to the DJ that is sure to become a Modern funk classic. Produced by Liquid Pegasus, it's a party starter with funky-ass drums and big, irresistible claps under a retro-future vocal. The B-side, 'Free To Be', features Proh Mic singing and rapping about staying authentic in a world that tries to dull our shine. With soulful production by Vitamin D, the track blends fun with deep, life-affirming lyrics and has a truly timeless edge.
Review: Psychemagik's Undercover Lovers Vol 3 delivers a masterful reinterpretation of dance classics with a twist. On the A-side-, their rendition of Donna Summer's 'I Feel Love' transforms the high-energy anthem into a mesmerizing slow burner. With a low-slung groove and heavy synthesisers, Psychemagik crafts an epic version that wow's listeners with its depth and intensity. On Side-2, their take on Hall and Oates' 'I Can't Go For That' is equally exciting. Retaining the legendary groove while infusing it with melodic nuances, Psychemagik creates a unique jam that feels both familiar and fresh. The addition of Spanish lyrics adds an unexpected dimension, further enhancing the track's appeal. Undercover Lovers Vol 3 is a great example to Psychemagik's talent for reinventing classics into new gems for a new generation.
Review: Psychemagik return with their signature knack for transforming pop classics into deep, genre-blending journeys of electronic music. Their latest offering showcases their ability to take familiar tracks and reimagine them in a way that feels fresh and immersive. The first track is a vibrant, calypso-infused rework of a classic pop song, effortlessly blending disco, house and island instrumentation. The result is a classy instrumental version that radiates warmth and groove, making it perfect for both dancefloors and laid-back listening. On the flip side, the duo takes another beloved 80s hit and takes it into new sonic territories. This remix is deep and atmospheric, turning the original into a trippy, spacious experience that feels futuristic yet timeless. Psychemagik's remix elevates the track, adding layers of psychedelic textures and a subtle sense of grandeur, while maintaining the emotional core of the original. With this release, Psychemagik continue to demonstrate their mastery of pushing boundaries, seamlessly blending retro influences with modern, forward-thinking production.
Review: Having come to the fore with a pair of boogie slammers on the Cosmic Chronic label, Mickey De Grand IV's Psychic Mirrors outfit ascend to parent operation People's Potential Unlimited with the excellent Charlene. Allegedly recorded with the help of a ten piece live band, both the title track and "Midnight Mirrors" are evocative of the sort of modern lo-fi funk that PPU corners the market in these days. Bringing the Miami heat, "Charlene" is a veritable dancefloor bomb, with a rugged boogie bassline the sort of flirtatious element that hips can't say no to. B Side cut "Midnight Mirrors" is more of a late night number with some exquisite synth work. Props to PPU!
Review: Purple Disco Machine's 'Dopamine' came out last year in a blissful burst of singalong vocal house goodness, with Eyelar up front on the mix creating a fully fledged anthem which was a deserved hit for the German producer. Now comes a remix 12" which casts 'Dopamine' under the watchful eye of John Summit, a young producer with serious pop nous to his beats. It's a shoe-in for big rooms and big stages where you want to enrapture the masses, and if the A side isn't enough you've also got the Daft Punk-tinged disco delights of 'I Remember (Club Dub Mix)' on the flip. Purple Disco Machine's name is a byword for catchy club classics in the making, and so it goes on this new 12".
Review: When it comes to blurring the boundaries between Defected style accessible house and revivalist disco, Purple Disco Machine is arguably in a league of his own. The German producer has certainly ticked all the right boxes with his latest 12", which features two club-length extended versions of two excitable, festival-friendly workouts. A-side 'At The Disko' is a perfectly pitched chunk of bouncy nu-disco/house/p-funk fusion rich in vibrant synth sounds, spacey synth-strings, Nile Rodgers style guitar licks, energetic piano stabs and autotune-heavy vocals, while flipside 'Don't Stop' joins the dots between K.I.D's thrusting disco classic of the same name, the Munich Machine hedonism of Giorgio Moroder and breakdown-heavy classic house.
In The Dark (Oliver Heldens extended remix) (5:47)
In The Dark (Aeroplane remix) (3:49)
Review: Purple Disco Machine continues to offer up fresh, club-ready remixes of recent singles. Here, Sophie & The Giants hook-up 'In The Dark' - a radio-friendly nu-disco sing-along in its original form - is given the re-rub treatment. Crazy P's Jim Baron delivers two A-side revisions under his Ron Basejam alias: a squelchy, bleeping, electro-not-electro full vocal take that will get plenty of plays for the rest of the year, and a deeper, hazier 'Dub Remix' for the heads. Over on the flip, Oliver Heldens joins the dots between Italo-disco, grandiose 21st century synth-pop and driving house on a certified hands-aloft take, while Belgium's Aeroplane drops a pleasingly bouncy, synth-rich nu-disco spin.
Wanna Feel Like A Lover (feat Ed Mac - Poolside remix) (4:15)
Review: The latest 12-inch from Tino Piontek under his now familiar Purple Disco Machine outing features two fresh remixes of tracks from his popular 2021 album Exotica. First up, Alex Virgo reworks 'Playboox', delivering a mid-to-late-'80s Hi-NRG and Euro-dance inspired take full of starry synth breakdowns, hard-wired sequenced bass, spiralling melodies and bustling beats. It's good, but arguably even better is yacht disco-loving outfit Poolside's languid Balearic disco revision of Ed Mac collaboration 'Wanna Feel Like a Lover'. It's warm, dreamy and luscious, with strings and soulful vocal snippets combining wonderfully with the band's bass and guitars - basically the sort of jam you want to hear as the sun goes down on a steaming hot day.
Review: Given that it's currently Pride month around the world, it seems fitting that Purple Disco Machine has chosen this moment to unveil 'Plaxbox', a typically cheery and synth-heavy excursion built around (replayed) samples from LGBT icon Sylvester's 'Rock The Box'. The popular German producer's done a good job in joining the dots between colourful nu-disco, electrofunk and Moroder-style, arpeggio-driven Euro-disco, with a swathe of vocal samples (borrowed, under license, from a First Choice disco jam) swirling around the mix to add even more energy. It also includes a proper hands-in-the-air breakdown, too, suggesting that 'Playbox' could well be one of the most-played nu-disco records of the summer.
Review: In honour of Record Store Day 2019, Sweat It Out has pressed up this vibrantly coloured 12" featuring reworks of tracks from Purple Disco Machine's 2017 debut album, "Soulmatic". It's a formidably floor-friendly affair all told. David Penn kicks things off with an unflinchingly heavy version of "Music In You" - all sweeping orchestral breakdowns, mesmerizing vocoder vocals, short piano loops and thunderous house beats - while funky house pioneer Mousse T offers up a suitably elastic and rubbery disco-house version of "Encore". Over on the flipside, Superlover goes all "French touch" on a Cassius/early Daft Punk style version of "Play" (itself a cover of Planet Patrol's electro-era classic "Play At Your Own Risk) before Carl Cox offers up a bouncy, electrofunk-meets-techno take on "Body Funk" that's propelled forwards by restless drum machine cowbells.
Review: Established by the late DJ Ajax, Australian label Sweat It Out is back with a new release this week by label staple Tino Piontek aka Purple Disco Machine. Originally releasing under the aliases Stereofreak and Stereofunk, Piontek debuted on the Sydney-based label with his acclaimed Soulmatic LP back in 2017. The Dresden-based producer serves up some typically neon-lit night moves on the scorching disco inferno of 'Dopamine' that's sure to set the dancefloor alight on the A side. Over on the flip, Piontek streamlines the groove into a more functional and bass-driven affair for DJ use on the handy club dub.
Review: Built around a central Stax Records gem from the late 1960s, Purple Disco Machine's 'Devil In Me' is an emotional disco-house burster that reappropriates the staunch voices of Judy Clay and William Bell's 'Private Number'. But the function of this track isn't to evoke mournful blues 'motion more than it is to get you up and dancing; truly, the hard edges and funk bounces of this track will 'bring out the devil' in you too. Fittingly, it comes to a blood red vinyl 12" edition.
Review: For years, Purple Disco Machine has been igniting dancefloors worldwide and his momentum shows no signs of waning here. His latest single, 'Higher Ground,' is a collaboration with German artist Roosevelt and is a track that channels the vibrant energy of the 80s to deliver a club banger with an infectious synth loop that keeps dancers sweating on the dance floor. With its retro-inspired sound and undeniable groove, 'Higher Ground' is poised to become another standout hit for Purple Disco Machine and Roosevelt.
Review: Few people make music as glossy, accessible, yet quality as Purple Disco Machine right now. The hit maker has done it again here, this time with Sophie & The Giants serving up the big, sing along vocals. This is the sort of tune that will be used all over TV, at festivals and in clubs all summer long. It's glossy, warm, and full of heart thanks to the twinkling pads, sentimental beats and universally recognisable feelings of being reunited with a loved one. An acoustic versions also included on this special, translucent purple 7".
Review: Given the serious disco-house credentials of '90s survivor Boris Dlugosch and contemporary nu-disco chops of hyped outfit Purple Disco Machine, you'd expect "Love For Days" to be pretty darn hot. It is, of course, with Purple Disco Machine's extended mix - nestled on the B-side - offering the perfect mixture of strong diva vocals (provided by Karen Harding), sweeping disco orchestration and modern disco-house trickery. Arguably the best version, though, comes from Masters at Work legend Kenny Dope, whose fluid rework utilizes looser, live-sounding percussion, far more orchestration and all manner of original disco-era references. Motez completely flips the script on B2, serving up a skipping, Champagne sipping version that brilliantly joins the dots between disco and two-step UK garage.
Review: For those who like kaleidoscopic synth sounds, nu-disco and 80s electrofunk nostalgia, the announcement of a collaborative single from modern disco maestro Purple Disco Machine and Canadian boogie revivalists Chromeo will be big news. Happily, 'Heartbreaker' is tons of fun, providing a perfect fusion of Purple Disco Machine's throbbing, cheery and uplifting take on nu-disco and the authentic synths, talkbox flourishes and eyes-closed vocals that have always marked out Chromeo's work. The A-side extended mix is particularly potent, but we're also massive fans of the alternate instrumental take, in which the uniqueness of the fusiuon - Moroder-ish bass, elongated mid-80s soft rock synth solos and glossy FM synth stabs - comes to the fore. To quote Alan Partridge, it's a copper-bottomed hit!
B-STOCK: Sleeve damaged but otherwise in excellent condition
Heartbreaker (extended mix) (6:19)
Heartbreaker (3:51)
Heartbreaker (instrumental mix) (3:51)
Review: ***B-STOCK: Sleeve damaged but otherwise in excellent condition***
For those who like kaleidoscopic synth sounds, nu-disco and 80s electrofunk nostalgia, the announcement of a collaborative single from modern disco maestro Purple Disco Machine and Canadian boogie revivalists Chromeo will be big news. Happily, 'Heartbreaker' is tons of fun, providing a perfect fusion of Purple Disco Machine's throbbing, cheery and uplifting take on nu-disco and the authentic synths, talkbox flourishes and eyes-closed vocals that have always marked out Chromeo's work. The A-side extended mix is particularly potent, but we're also massive fans of the alternate instrumental take, in which the uniqueness of the fusiuon - Moroder-ish bass, elongated mid-80s soft rock synth solos and glossy FM synth stabs - comes to the fore. To quote Alan Partridge, it's a copper-bottomed hit!
Something On My Mind (extended instrumental) (6:54)
Something On My Mind (Solomun remix) (7:36)
Something On My Mind (Solomun remix instrumental) (4:50)
Review: Purple Disco Machine makes the sort of warm, colourful and feel-good sounds that have united festival crowds all over the world since he first broke through. For his latest tune he has worked with UK chart-topper Duke Dumont on a single, 'Something On My Mind' which melts nostalgic disco goodness with fresh and contemporary production. It is jin indie-tinged cut with vintage synths and groove-driven basslines with vocals from rising band Nothing But Thieves, whom Purple Disco Machine remixed not so long ago. This is another crossover hit in the making for disco-revivalists Purple Disco Machine and it comes on a 12" that is limited to 300 copies.
Review: Second time around for Purple Disco Machine's memorable collaboration with Pink Flamingo Rhythm Review, 'Money Money', a fine slab of nu-disco/P-funk fusion that first appeared on his mega-selling 2022 album Exotica. This time round it reappears in remixed form, with the original mix ignored in favour of three fresh takes. Long-serving London nu-disco don Yam Who handles side A, re-inventing the cut as a slightly darker, chunkier and moodier slab of gritty nu-disco excellence with added synthesiser colour and celebratory vocal snippets. Over on the flipside we get vocal and instrumental deep house mixes - albeit at a techno tempo - from Robert PM. His 'Money' mixes are energetic and peak-time ready, with plenty of twisted P-funk flourishes and hazy, minor-key chords.
Review: German nu-disco don Purple Disco Machine has been phenomenally successful in recent years, and there's every chance that this single - a collaboration with little-known British indie band Sophie & The Giants - will raise his profile even more. "Hypnotized" certainly sounds like it has serious crossover potential. In its original "Extended Mix Form", the track is an attractive chunk of radio-friendly mid-tempo nu-disco/80s AM radio synth-pop fusion that comes complete with a catchy, sing-along chorus. Roosevelt smartly gives the track a little more organic disco warmth whilst retaining the prettiness of Purple Disco Machine's original synths, while Loods aims for hands-in-the-air peak-time bliss on a cheery retro-futurist big room house take.
Space Talk (2023 mix - mixed By Filip Nikolic & Raghav Mani) (5:30)
Space Talk (Dimitri From Paris Spacer dub) (6:38)
Space Talk (extended mix - mixed By Filip Nikolic & Raghav Mani) (6:41)
Review: Asha Puthli's 'Space Talk' is one of those quintessential diggers delights, hardly a secret weapon any more but widely recognised as a magical slice of misfit cosmic disco from the genre's golden era, fronted by Puthli's ethereal vocal. Now the track gets a remix package courtesy of Naya Beat, and the versions aren't to be trifled with. First up comes the mighty Dimitri From Paris, who ladles the funk on thick, trips out the atmosphere and sends the track even further away from terra firma. Flip the record over for Dimitri's even trippier dub when you really want to juice the dance up. There's also a neat and tidy 2023 mix of the track and the original extended mix, making this an essential purchase for those craving the beauty of the OG version as well as those hungry for a classy-as-hell new twist on a dead cert classic.
Review: Intime Anthem is a new label that makes a suitable impressive debut here with a various artists offering that explores a leftfield disco sound. Ramozel's 'Nomentum' has deadpan indie vocals and stark mechanical drums with cold wave synths. Parker Bjoske wars monads with twisted synth modulations and slow, purposeful kicks on 'Tempo.' Naimer then switches the mood with a more playful and 80s-inspired sound, bright retro synths and euro-dance grooves on 'Wildejoe.' There is a supple acid-laced majesty to Ivaj Odnode's closer 'Atillol,' which makes this as vital as it as varied.
Review: Luv Shack's compilation style 'Disco Biscuits' series is the very definition of reliable, with each new EP delivering killer cuts aimed at the more cosmic end of nu-diusco dancefloors. Volume five in the series arrives with four more tried-and-tested workouts and little in the way of forgettable filler. Check first Rising Seed's 'Back For More', a driving slab of spacey dub disco/cosmic disco fusion in which intergalactic electronics and samples sitars ride a Prins Thomas-esque bassline and beats, before admiring the chugging and squelchy nu-disco shuffle of 'Suffering of K.P' by B.Visible. Over on the flip, Peletronic's 'Drifting' is a glassy-eyed slab of immersive deep house/nu-disco fusion, while Jon Gravy's 'When U Leave' is a stomping slab of peak-time house headiness rich in bustling beats, memorable melodies and hands-aloft riffs.
The Sunburst Band - "He Is" (Jimpster remix) (7:21)
Joey Negro - "I Recognise" (feat Sacha Williamson - Andres remix) (6:27)
Prospect Park - "The Kinda Love" (Jkriv remix) (8:06)
Jakatta - "My Vision" (feat Seal - The Vision remix) (7:03)
Review: Dave Lee aka Joey Negro has pulled together a fine team of remixers here to serve up their own versions of tunes by him, Jakarta, The Sunburst Band and Prospect Park, all for his own Z Records. Freerange boss and deep house Don Jimspter goes first and brings real sunshine to his take on 'He Is.' Detroit badman Andres then does what he does best to 'I Recognise', that is layering in hip hop slanted beats and nice rolling baselines under lush chords. On the flip are two more positive house vibrations to make this a handy EP.
Pat Thomas - "Enye Woa" (LeonxLeon Keyed Up mix) (7:20)
Ebo Taylor - "Atwer Abroba" (8:14)
Ebo Taylor - "Atwer Abroba" (Leo Nanjo remix) (5:03)
Review: Comet's "Disco Highlife" re-edit series continues with an EP that draws together original tracks and reworks from two of the Highlife scene's biggest stars: Ebo Taylor and Pat Thomas. The latter can be found on side A, with the tipsy, synth-driven highlife-boogie fusion of "Enye Woa". This is in turn re-edited by LeonxLeon, who has not only extended the original track but also added some superb new spacey synth solos. Turn to the flip for Ebo Taylor's richly percussive, Hammond-laden disco-highlife bubbler "Atwer Abroba" and Leo Nanjo's brilliant remix, which re-imagines the track as a rubbery chunk of Highlife-house drenched in dub delays.
Prof Jah Pinpin 4tet - "The Final Bird (Le Temps D'une Vie)" (3:18)
Review: There is scant little information out there about Yoanson & Karamie. What we do know is that they were young artists from the French African diaspora who met with Nessim Saroussi and his label Ness Music in the late 80s and were encouraged to record the music presented here. It is their only official EP and it is a brilliant mix of Afro-tropical percussions, disco, electro and vocals that call to mind the likes of Arthur Russell. Philippe de Lacroix-Herpin is the man festered here as Prof Jah Pinpin and he brings some of his signature saxophone brilliance to flipside jaunt 'The Final Bird (Le Temps D'une Vie)'.
Review: Is there a more iconic modern disco duo that Lindstom and Prins Thomas? The superb Scandic-pair link up here to great effect on a six track record for Smalltown Supersound. As ever the references are far and wide, from world music to deep house, cosmic ambience to synth music. The tracks are stuffed with subtle details and a rich overarching musicality that makes them as good for focussed headphone listening as it does an early evening dance. 'Oranges' is achingly gorgeous, 'Harmonia' is awash in lush arps and 'Small Stream' is dreamy bliss. Once again these maestros have come through with the goods.
Review: Having thrilled dusty-fingered crate diggers with a reissue of Denis Mpunga and Paul K's impossible-to-find mid-'80s cassette album Criola - an unusual but rather fine combination of post-punk and traditional Congolese music - Music from Memory has decided to give some of the tracks the remix treatment. As you'd expect, there's many more hits than misses. Dutch rising star Dazion delivers a wonderfully cosmic revision of "Intermezzo B" full of fluttering new age synth lines and drum machine polyrhythms, while Tolouse Low Trax turns "Veronika" into a woozy and dreamy chunk of dub-flecked, loved-up downtempo bliss. Late night dancefloor thrills are provided by Interstellar Funk's intergalactic tribal techno take on "Intermezzo 2" and Prins Emmanuel's tactile take on "KWEI!", which sits somewhere between dub disco, boogie and proto-house.
Review: In most cases, a World Of Hassle is certainly not something you want, but we're sure you'll make an exception for this debut solo album by Alan Palomo, best known as the leader of the synth-pop band Neon Indian. Thoroughly on-brand for Palomo, this surprise LP flaunts just ten swanky, funky vocal disco cuts, tinged with the legacy of glam and jazz, and glimmering with the overzealous egoism of history's most volcaninc rockstars. Alan's versatile voice and neon-strobed production skills remaining present as ever, though despite the throughlines, the album marks a departure from his previous work with Neon Indian, which was more experimental and lo-fi.
Review: Since 2019, Nairo "Papik" Poggi has served up a trio of Cocktail Italy albums, all of which make use of an impressive variety of (mostly) Italian musicians and vocalists. Volume Four sticks to the same script as its predecessors, serving up sun-flecked, often soulful treats that variously mix and match elements of classic string-laden jazz, soul-jazz, jazz-funk, P-funk, bossa-nova and Latin jazz. Basically, it's music to enjoy while sat somewhere hot (either in the sunshine or by a roaring fire) with a glass of something tasty and refreshing in hand. Highlights include the revivalist disco-soul of 'Primavera (featuring Nadyne Rush)', synth-laden Danny Losito hook-up 'Prima di Andare Via', mid-80s Italo-disco-goes-jazz number 'Notti (featuring Anna Fondi) and superbly summery dancefloor workout 'Ti Sento (featuring Vittoria Siggillino)'.
Programming/Unauthorized Procedure/Criminal Drug Evasion
Soul Control/Quarter Run (feat Alena Waters)
Synthetic Flemm
Galactic Ancestors
Flotation Device/Fear Or Laziness?
Laziness (feat Amp Fiddler)
Fear
Usually Suspected/The Quest (feat Amp Fiddler)
Second Chances (feat Monica Blaire)
Space Cowboys & The Interplanetary Gangster Edit
Review: Theo Parrish's masterful Sound Sculptures Vol 1 on triple LP format gets a timely repressing!! In total here there are 9 of the 27 tracks from the full double CD version but these still run the gamut of Theo's inimitable talents, from rough and tumble disco edits to saccharine soul, raw beatdown and leftfield esoterica. Be sure to check the Omar S- featuring "Synthetic Flemm" and long time Juno favourite "Flotation Device". If ever there was a selection of tracks that fully showcased the incredible breadth of production talent this man has, this is it. Not to be missed!
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