Nick Bike - "Scratch Sentence / 98 Beat / Skipless / 101 Beat" (6:19)
Review: Private Stock Records serves up a treat for DJs and turntablists with a new 12" packed with beats, scratches, and skipless tracks. Four skilled DJsiBig Once, Cutso, Double A, and Nick Bikeicontribute their skills to this collection, offering a diverse range of flavours for scratching and beat juggling. Each DJ delivers a 'Scratch Sentence' and a selection of beats at various tempos, providing a versatile toolkit for creative routines. The inclusion of skipless tracks adds another dimension, allowing for seamless blends and extended mixes. With its focus on functionality and quality, this release is a must-have for any serious turntablist or DJ looking to expand their arsenal of sounds.
Review: Kiss Klassics have been producing some high-quality promo double singles for a while now, this double headliner of Nelly and Fat Joe being the eighth instalment in their archival series. Side A was the runaway standout from New York rap legend Fat Joe's 2001 titanic-sized album 'Jealous Ones Still Envy (J.O.S.E.)', 'Whats Luv' with the one and only Ashanti. This marked Ashanti's debut year as an artist, the Tina Turner sample hook becoming the soundtrack of the block party and becoming one of the biggest songs of 2002. Side B needs no introduction. "It's getting hot in here, so take off all your clothes". No matter what you think of Nelly, 'Hot in Herre' continues to have the world in a chokehold over 20 years later.
Jay Z - "Brooklyn's Finest" (feat Notorious BIG) (4:21)
Notorious BIG - "Sky's The Limit" (feat 112) (4:11)
Review: A one-off reissue on Brooklyn's Finest - whose name in turn takes after one of B.I.G.'s many nicknames - Biggie Smalls' 'Sky's The Limit' set out Christopher Wallace's verbal message in piercing tones: go big or go home. The third and final single from B.I.G.'s second album Life After Death, this is the kind of song that obsessive fans might conclude portended his sticky end: not only was it the flagship song from the album, it also contained ominous sound design and sample work, and the music video features children dressed up as and imitating B.I.G., P. Diddy, Busta Rhymes, Faith Evans, and more, in a farcical pantomime of the rap game.
Review: US rap royalty Nas's 'Ultra Black' features producer Hit-Boy and was released in mid-summer 2020 as the lead single from his thirteenth album, King's Disease. Lyrically, Nas pays homage to all things Black as he draws on his black heritage and African-American culture while the beats remain deeply laidback with jazzy chords up top. In an interview at the time with NME, the rapper said the song "represents love" although some interpreted the lyrics as a diss towards singer and rapper Doja Cat. This 7" features the vocal version and an instrumental.
Life Is Like A Dice Game (feat Cordae & Freddie Gibbs) (4:45)
Life Is Like A Dice Game (instrumental) (4:44)
Review: A whole bunch of Nas singles are being reissued on 7" courtesy of Mass Appeal at the moment, and each one is as essential now as it was when it first arrived. This one is slightly different as 'Life is like a Dice Game' was a demo and one of the firm fan favourites from the legendary New York mic man, taken from his undeniably best period - the Illmatic era. Now 30 years old, it gets revisited and completed properly with Freddie Gibbs and Cordae, who were 11 years old and not born when the track was initially recorded in 1993. The unfinished original version leaked in 1995 so to finally have it officially completed is epic.
Review: First featured on Nas' peerless 1994 album "Illmatic" - a classic that really should be in your collection - "The World Is Yours" is a classic Pete Rock production that has never appeared on a seven-inch single before. Mr Bongo has decided to set the record straight, pairing the album version, which includes some of Nas' most potent lyrics, delivered in fine style as you'd expect, with an instrumental take that showcases Pete Rock's brilliant beat and tight, on-point scratches. It's a deliciously baggy beat all told, with sampled pianos and subtle jazz lifts combining cannily to create a suitably laidback, golden-era groove.
Review: There are not many songs in the history of hip-hop that are more important than 'Hip-Hop Hooray'. The track single handedly helped catapult underground rap sounds into mainstream success. The song was a massive hit moving into the top ten on the Billboard and #1 on the hip-hop chart and with a memorable video directed by Spike Lee, it was in heavy rotation on every music and video platform. Naughty By Nature became household names and the single went on to sell platinum status. You could not escape this anthem of the streets. Now, the groundbreaking song is reissued on 7" for the first time in over 30 years.
Review: 'O.P.P.' by Naughty By Nature is an iconic hip-hop song that not only achieved commercial success, reaching the top ten on the Billboard Hot 100 and earning platinum status, but broke barriers and became a cultural phenomenon in the 1990s. The song's success helped Naughty By Nature establish themselves as a major force in hip-hop and contributed to their longevity in the industry. 'O.P.P.' continues to be celebrated and remembered, showing the group's ability to blend rough subject matter with catchy pop hooks, making it a timeless classic in the genre. The Hip-Hop movement was arguably the most important cultural movement in the 80s and 90s. Here you have one of its most important soundtracks.
Review: NEMS, the "Mayor of Coney Island," joins forces with DJ Skizz and SkyAsia to drop 'Christmas Spectacular' on 7" vinylia physical release after its digital debut. This one is a proper holiday banger backed by High Water Music, FYL and DWMG and featuring eye-catching artwork with Kith's photography and a layout by Sieteson. Known for his gritty style and wit, NEMS puts his own twist on festive vibes, making this bit of vinyl a must-have for hip-hop fans wanting a fresh spin on holiday cheer.
Review: The Nextmen team up once more with Kiko Bun here and he is proving himself to really be one of the UK's standout vocal talents right now. Together they to deliver a big anthem bursting with feel-good vibes. Perfect for sunny days, this track begs for windows down and volume up. The vocals are packed with soul and flow freely over instrumental beats with a cool sense of funk. The tune has another robust groove doused in club culture and a love of hip-hop, as is often the case with Dom Search and Brad Baloo aka The Nextmen who are renowned UK DJs and producers celebrated for their eclectic mixes, albums and podcasts.
Review: Few labels are better at saving up big cut-and-paste tunes from the world of hip-hop, r&b, funk and breaks than Heat Rock. Here they come again with more of the goodness, firstly with Nick Nack. His 'And Ya Say' roll deep, with smooth bars flowing freely over the leggy drums. On the reverse, Chicago's Altered Tapes crew offer up their own unique take of hip hop classic 'Still Running' in the form of a shuffling Bossa B-boy flip which has Latin percussion and ass-wigging drums. Both of these are floor-friendly cuts that pack in plenty of heritage.
Review: First time released on 7" vinyl, and taken from the critically-acclaimed Non Phixion album The Future Is Now. This reissue of Strange Universe includes the original LP version produced by Necro, plus two new remixes by The Czar-Keys and Marco Polo. The Strange Universe was birthed amongst the numerous blunted, Colt 45 malt liquor-fuelled sessions Non Phixion had with Doom at their Area 51 studio in Canarsie in 1998. Necro provided the beat, which everyone thought sounded like something Doom would have made. It was one of the first songs recorded for The Future Is Now.
Review: Baltimore's gothic synthpop golden child Nourished By Time (Marcus Brown) has made a wonderful name for himself so far, flaunting a blithe, nigh ghostly vocal talent, usually paired with a lo-fi alt-pop aesthetic. The 'Catching Chickens' EP, his debut record for XL Recordings, continues this trend with a brand new five-track EP, following up 2023's equally great LP Erotic Probiotic 2. Written between 2022 - 2023 in his home studio in Baltimore and along his world travels this past year, Catching Chickens is derived from the film Rocky, and the iconic scene in which Rocky's trainer makes him chase and catch a flock of chickens as a test of agility. Channelling Brown's per usual contemplation of late stage capitalism and post-pandemic loneliness, every song here is indicative of a well-earned artistic progression.
Review: Neibiss and Pasokon Ongaku Club's collaborative single 'Flow Ya Mind' is a superb new single from an Osaka-based label themed around "baths." This marks their second release following 2022's On Rei/Froject A by EVISBEATS and Nagipan. The track combines a solid bassline with an ambient backdrop, snappy Amen breakbeats and Neibiss' relaxed, bath-themed rap. The song's calming composition is said to suit any hot spring setting and we can't disagree. Mastered by Naoya Tokuno and with artwork by Neibiss' rafitt, the is a fine new 7".
Luniz - "I Got 5 On It" (feat Michael Marshall) (4:17)
Review: The Street Knowledge "45 series" appears to have been set up to educate heads on original 1990s hip-hop jams, or at the very least deliver fresh pressings of some seriously classic cuts. This inaugural release begins with Warren G and Nate Dogg's 1994 heater "Regulate", a deep and seductive number that makes great use of samples from Michael McDonald's teary blue-eyed soul classic "I Keep Forgetting". Flip to the B-side and you'll find Luniz 1995 hit "I Got 5 On It", a cut that's been bitten, reworked and re-made umpteen times in the 24 years that have passed since it was first released. As this reissue proves, the Oakland duo's original version is still streets ahead of the rest.
Heartbreak Of A Broken Stitch (feat Harriet Morley) (2:37)
SM_FID (2:26)
Everything Ends With An Inhale (1:29)
Cement Skin (2:42)
Pixel Petals (2:52)
Slammd (interlude) (1:42)
Closer (3:12)
Terrence's Time Bomb (2:05)
Fragmentary (Eraser) (3:03)
Inside My Head (interlude) (2:12)
Still (feat Dawuna) (2:06)
Fawning (interlude) (2:02)
Kiss Me Again (6am In Helsinki) (feat Bennettiscoming) (2:39)
Review: Spanish producer Nueen and Manchester vocalist and rapper Iceboy Violet, who you might well recognised from appearing on Hyperdub releases by the likes of aya and Loraine James, come together for a collaborative work that follows the story of a four-year-long relationship. As you can imagine, therefore, it takes in peaks and troughs, emotional highs, depressive lows, and plenty in between that will all feel all too familiar to anyone who has ever fallen in and out of love. Drill-laced beats are laced with intimate melodies, and excitable chords spiral out of control while a menacing ambience percolates up from below. It's a powerful listen with a relatable narrative.
Review: Mike Flips and Seize join forces here for an album that draws on the magic of classic boom bap. Life Cycles is brought to life with the dexterous rhymes of the talented Outsiders Syndicate MC Nord1kone and makes for an introspective trip that both looks to the past, but also the future. There are some cultured guest spots along the way too from El Da Sensei of the Artifacts crew as well as another Outsiders Syndicate MC in The I.M.F. Arriving on translucent blue vinyl this is a perfect record for those with a love of the old school but who like a little new school freshness with their beats.
Review: Belgian producer Sim Nagai is back to take you on a worldly trip with ore of his well designed sounds on this new album for Cold Busted. It will be no surprise to learn once you hear this album that he loves to travel and manages to ably capture that in his work. Equator Hotline is packed with exotica-fuelled beatscapes and transportive vibes. On 'Animal Lithographs' there are lush harp sounds and subtle eastern melodies, 'Floating Through The Delta' is a humid and steamy trip down the river with the gentle patter of hand drums and swooning strings and 'Catching Waves' then carries you away on more gently broken beat loops and sun kissed melodies. This is super warm music for super warm days.
Review: Jupiter is a radiant return for Noa that signals a new quality to her artistry. Following her 2021 album, And Then Life Was Beautiful, which was shaped by personal challenges and a diagnosis of Chronic Fatigue Syndrome, Nao embraces joy and healing on this fourth outing. Tracks like 'Elevate' and 'Wildflowers' express optimism with others like 'Better Days' and 'Happy People' underscoring the theme of growth. The album blends funky guitar solos, delicious drum patterns and nostalgic sounds throughout and manages to show up great musical versatility across a rich, emotionally powerful album.
Review: Mass Appeal are busy putting on a mix of Nas reissues and newly finished versions of demos that have reminded us just how great the legendary New York rapper really has been over his storied career. This time out they are reissuing a full instrumental version of his 15th studio album Magic. It arrives on highlighter yellow coloured vinyl and even without all the brilliant bars from Nas, the beats here are top drawer from 'Wu For The Children' to 'Meet Joe Black' via 'Wave Gods.' Another crucial one for the collection of any hip-hop head.
Review: By this point Nas doesn't have anything prove in terms of East Coast hip-hop, but here he is after all this time delivering some of the most vital work of his career. With Hit-Boy on the buttons, the Illmatic man cuts through with razor sharp invective as he weaves stories and standpoints with frankly mind-bending dexterity. Whatever got him fired up, this is the sound of an artist driven to set the mic on fire, but equally there's a sense of maturity in his lyrics and delivery which shows how much he's learned on his long and winding journey. Stepping up to the mighty MC, the beats are no joke either, hitting a sweet spot between true-skool ethics and fresh approaches so it doesn't feel like a throwback exercise. All hail the return of the king.
Review: Many years after its release, Illmatic still remains a gold standard hip hop album and one of the most accomplished debuts ever recorded. It's the multi-syllabic internal rhymes of Nas, the tales he tells of life in the Queensbrudge suburbs of New York and the lexicon he uses which makes it resonate through the ages. Of course, the production (taken care fo by Bas as well as DJ Premier, Large Professor, Pete Rock and Q-Tip) and wealth of samples also elevates each tune to a higher plane that few have ever matched since. Including Nas himself, frankly. The album is widely regarded as one of greatest and most influential hip hop albums of all time, so don't sleep on this latest vinyl issue.
Review: New Yorker Has is a hip-hop behemoth who will always be associated with his untouchable Illmatic album, but he has also penned plenty of other words that are almost as good. One of them is I Am: The Autobiography, which they say might be the greatest album never released. It is a connect double album that was originally meant to follow up Illmatic and It Was Written and it follows a superb plot line from the moment he is born during the intro to his death in the outro. The second half of the album then sees him reincarnated but before any of this saw the light of day in an official capacity it was leaked and bootlegged back when the internet was still young and infamous for these things. Now after all these years it finally gets the proper vinyl drop it needs.
One Mic, One Gun (feat 21 Savage - bonus track) (2:49)
Review: Nas is riding high on a renewed wave of recognition and relevance in the rap game through these collaborations with Hit-Boy, which have been flying out at a rate of knots since King's Disease in 2020. If the pair sometimes revert to classic boom-bap in the style Was originally found fame with, on Magic 2 they're also testing limits with some Atlanta and Memphis-inspired rhythms that show the NYC veteran to be hungry for new challenges and more than able to step up to them. Just sit for a minute with 'Abracadabra' and you'll hear everything you need to know about the new tricks Nas can fold into his inimitable flow.
Review: 2021's 'Magic' is the fifteenth studio album from undisputed East Coast hip-hop icon Nas. Written entirely by him and producer Hit-Boy, these nine brisk, retro hip-hop uppercuts contain the same grit and immediacy that made Nas's 'Illmatic' one of the most beloved hip-hop records of all time. Featuring DJ Premier and A$AP Rocky on 'Wave Gods', a definite highlight on the record of front-to-back bangers, as Hot-Boy and Nas are going at it like they have something to prove - and whatever it is they proved it.
Review: Nate Dogg's G-Funk Classics is a landmark double album that showcases his smooth vocals and signature G-funk sound across a series of cult classics and much loved hit favourites. Released in two volumes, the album blends laid-back beats, soulful melodies, and West Coast rap influences that all serve to underline the Dogg's role as a pioneer of the genre. With features from artists like Snoop Dogg, Warren G, and Tupac, the album includes standout tracks like 'Never Leave Me Alone' and "These Days,' which explore Nate's unique ability to mix r&b with gangster rap, which is what made this album such a defining moment in G-funk and cemented his legacy as the "King of Hooks" in hip-hop.
Review: As part of the ongoing anniversary celebrations around the classic album from Naughty By Nature it is getting reissued on several formats. This is the double CD version for ultimate old school appeal. The group's third album sees them dabbling in gangster rap imagery - see chainsaw on the front cover. Their 19 Naughty III was first released in 1993, in the fallout of their earliest breakout single 'O.P.P'. To mark its 30th birthday, this reissue from Tommy Boy urges us to cast our minds back to early 1990s New Jersey, when Treach, Kay Gee and Vin Rock were at peak naughty, extorting Spike Lee into directing some of their music videos, not to mention laying down menacing, wicked and rousing verses on the likes of 'Uptown Anthem', '19 Naughty III' and 'Sleepin' On Jersey'.
Review: Naughty By Nature's third album sees the pop-laced act dabbling in gangster rap/horrorcore imagery - one of its members is quite literally holding a chainsaw on the front cover - Naughty By Nature's 'Naughty III' was first released in 1993, in the fallout of their earliest breakout single 'O.P.P'. Now approaching its 30th Annversary, this reissue from Tommy Boy urges us to cast our minds back to early 1990s New Jersey, when Treach, Kay Gee and Vin Rock were at peak naughty, extorting Spike Lee into directing some of their music videos, not to mention laying down menacing, wicked and rousing verses on the likes of 'Uptown Anthem', '19 Naughty III' and 'Sleepin' On Jersey'.
Review: Naughty By Nature's greatest hits compilations number in the many. In contrast to their two former collections of the same sort, Naughty's Nicest and Nature's Finest, this third Greatest Hits record doesn't sport a subtitle like the other two, yet continues to spread the legacy of this nefarious triad. Released with trueness on the group's breakout catalyst Queen Latifah's label Tommy Boy Records, we're once again met with the ingenious East Coast stylings of early hits like 'O.P.P.' and 'Everything's Gonna Be All Right'. A common theme is rags-to-riches and the achievement of glory through hardship, though the tracks' optimistic tone overall tends to jut through this originally bleak subject matter. Later hits like 'Feel Me Flow' and remixes from Crazy C and QD III also feature.
Review: American rapper, producer, skateboarder and model Navy Blue (Sage Elsesser) drops his third album Ways Of Knowing, channelling a crisp, soul-and-gospel-intoned sound that leans heavily on the wisdom of his ancestors and relatives. Recalling a filial crossbreed of D'Angelo and J Cole, the LP is a sophisticated, spiritual modern hip-hop project, whereupon we hear Elsesser pay homage to his grandmother, his Yoruba ancestry and his chosen loved ones in the present day, bringing them all together under an equal but critical aegis. Though it isn't also unaware of the darker, structural forces that have polluted his knowledge of the many Ways Of Knowing he's now enlightened to - indeed, 'Freehold' is a gloomy one - it's an overall beautiful record, reflecting Navy Blue's deep awareness of what conspired to make him spectacular.
Review: Nazar, the nom-de-guerre of an anonymous Manchester-based producer, presents their sophomore album Demilitarize, following his acclaimed 2020 debut Guerrilla, released amid the pandemic. Nazar's first album securely firmed the artist's name within and beyond the Hyperdub diaspora, thanks to its unique melding of Angolan kuduro music with rough textures, field recordings, and media clips, retelling the story of his family's exile from the Angolan Civil War. Nazar is the son of Jonas Savimbi, a former general of the Angolan independence movement; after Angola's emancipation from Portuguese colonial rule, Nazar relocated to suburban Brussels. More recently, he fell seriously ill with tuberculosis contracted in Angola; battling mortality, the new album reflects a mix of introspection and blossoming love, which contrasts the warring rawness of his debut. Demilitarize is dreamier, with Nazar's submerged, mantra-like vocals at the forefront, evoking artists far-removed from the crumby, unedifyingly rough kuduro that characterised his first EP 'Enclave'. Nazar explains, "I wanted to create something almost metaphysical, inspired by the cyberpunk anime Ghost In The Shell." The sound is delicate, with relatively sculpted rhythms enveloping his own recorded voice throughout.
Clear Water (feat Deantoni Parks, Jeff Parker, Sanford Biggers) (4:31)
ASR (feat Jeff Parker) (7:33)
Gatsby (feat Cory Henry, Joan As Police Woman) (4:18)
Towers (feat Joel Ross) (3:34)
Perceptions (feat Jason Moran) (2:16)
THA KING (feat Thandiswa) (6:17)
Virgo (feat Brandee Younger, Julius Rodriguez) (2:41)
Burn Progression (feat Hanna Benn, Ambrose Akinmusire) (4:02)
Onelevensixteen (2:41)
Vuma (feat Thandiswa, Joel Ross) (3:20)
The 5th Dimension (feat The Hawtplates) (5:29)
Hole In The Bucket (feat The Hawtplates) (5:31)
Virgo 3 (feat Oliver Lake (Arr), Mark Guiliana, Brandee Younger, Josh Johnson) (6:52)
Review: "It's a little bit of all of me, my travels, my life," says Meshell Ndgeocello, speaking of her latest album The Omnichord Real Book. Referring to the 'first real book' she ever read - the experience of life after her father's passing - the album is a testament to free-flowing, lived sensoriality in time. An antistatic rip-roar through memory and decay in blue, this is a stunning two-sided jazz-esque album packed with features and far-flung stylisms. In the artist's words, the LP slippily rails against the confines of the word 'jazz' itself. And if you can pull that off, well...
Review: After years spent working alongside a talented pool of jazz musicians as the Neue Grafik Ensemble, Fred N'Thepe has decided to go solo for the first time this decade. Dalston Tapes Vol 1 is, according to Rhythm Section International, a conscious attempt by the artists to return to his beat-making roots. It's an album, then, rooted in hip-hop mixtape culture, where vocal numbers featuring guest MCs sit side by side with rap-free "beats" - lusciously and impeccably crafted instrumentals in which warming bass guitar lines, deep electronic sub-bass, sparkling electronic motifs and choice samples cluster around loosely swung, MPC-driven beat patterns. It's a great collection all told, with nods towards club-ready broken beat and deep house sitting side by side with Dilla-esque workouts and references towards London's vibrant hip-hop and grime underground.
Review: Jakarta-born, LA-based singer-songwriter NIKI has announced her third studio album, Buzz, set for release on August 9th via 88rising. Alongside this exciting news, she has unveiled the lead single, 'Too Much Of A Good Thing.' Co-produced with Ethan Gruska, known for his work with Phoebe Bridgers and Bon Iver, the flirty track features sardonic lyrics and a sinewy bass guitar, speaking about the excitement of a new crush. NIKI describes the song as a fun, tongue-in-cheek exploration of desire and imagination, with a groove inspired by classic rock from the 60s and 70s. Emerging from a profound inner journey, this album delivers warm folk-rock songs that crackle with intimacy and introspection. Reflecting on an identity crisis, NIKI blends influences from Joni Mitchell to Liz Phair, crafting a personal narrative through elastic guitar melodies. Collaborating with seasoned producers, she captures a wandering spirit that resonates with hard-earned wisdom and resilience.
Livin' The Life (feat Steph Pockets - remix) (3:18)
Weather Overtone (3:08)
Beautiful Things (feat Amanda Diva) (4:29)
Now I Know (feat Pismo) (3:57)
Mind Tourism (1:10)
Brazilinan Daydream (3:42)
Waltz For Jazz Things (feat Gregg Green) (3:47)
Moon Child (feat Nina Vidal) (3:41)
Dawn (3:17)
Life (feat Kissey Asplund) (3:50)
Review: Now available in long-awaited LP form, Kenichiro Nishihara's second LP Life is issued via Urban Discos. Aiming to capture the essence of life in 12 tracks, the record, originally released in January 2010, fuses the blissed-out, piano-drenched Tokyo hip-hop sound with an advanced jazztronica palette and deals in themes of blessings, personal philosophy and stoical musings on everyday hardship but ultimate satisfaction. The rap features from Substantial, Steph Pockets, Amanda Diva, Pismo, Nina Vidal, Kissey Asplund and Gregg Green occur alternately between solo instrumentals from Nishihara himself; all tracks in the first category almost all deal in themes of flourishing and authenticity in day-to-day life, while those in the latter box serve as felicitous personal soundtracks for those cathartic revelations that can only arise through experience and dialogue.
Review: Japanese jazzist Kenichiro Nishihara drew much acclaim for his second LP Humming Jazz in 2008, which came a full five years after his debut in 2003, and heralded a stabler career thereafter. With its harmonious, benignant piano melodies and oblique drum palette - which hears the artist secure both live bossa nova performances and original hip house beats - Nishihara knew the inherent entertainment value in tender modal jazz, and sought to enmesh sophistication with pop breeziness. 'Rain Falls' is an especially round-bodied track, with glycemic vocal flavours from Kissey Asplund and richly EQ-ed drums, setting a soulful precedent for two key hip-hop gems to come: 'From Time To Time' and 'Consider My Love', featuring rappers Gregg Green and Pismo. 'Step Out' signals the record's close with bopping triplet gaiety.
Review: Nigerian singer, songwriter and actress Nneka takes it independent for the release of her new album Love Supreme. It is a response to majors refusing to allow her the artistic and creative autonomy she wants. The record is packed with emotive ballads like the opener, impassioned tunes like 'God's Love' and the empowering 'Yansh'. Written during lockdown, the record "became about self-reflection, and seeing how connected our inner world is to the outer world." It's a poignant work with rich creativity throughout, infectious gospel energy in places and moody synth jams.
Suicide Bomb (feat The Beatnuts, Al Tariq, Marly Metal & Moonshine) (4:02)
Where You Wanna Go (3:47)
We Are The Future (4:27)
The CIA Is Still Trying To Kill Me (feat Steph of The Deftones & Christian & Raymond of Fear Factory) (4:43)
Review: Following their NYC Halloween reunion, indie rap legends Non Phixion reissued The Future Is Now for its 20th anniversary and now do so again a couple more years later. Originally released in 2003, the album's raw energy and sharp lyricism remain as impactful as ever and so is likely to appeal to both longtime fans and newcomers. Packed with hard-hitting tracks, the project delivers relentless beats and razor-sharp bars and a standout is 'Suicide Bomb' featuring The Beatnuts, Al Tariq, Marly Metal and Moonshin as it perfectly exemplifies the group's signature intensity and lyrical prowess.
Review: Yikes, it's the 30th anniversary of The Notorious B.I.G.'s iconic album Ready to Die already. To mark the occasion it gets a special double gatefold and coloured vinyl repress and what hip-hop album is more deserving? Its initial release marked a pivotal moment in hip-hop history and introduced the world to Biggie's gritty storytelling, unique flow, and larger-than-life persona. Tracks like 'Juicy' and 'Big Poppa' became timeless classics that influenced generations of artists. The anniversary is not just a celebration of the album's success, but a tribute to Biggie's enduring legacy and listening back now to him, capturing the raw essence of struggle, fame, and survival in urban America is still as fantastic as ever.
Review: Decades after he died, pioneering rapper Christopher Wallace aka Biggie aka B.I.G remains a hip hop giant, not least for us here at Juno HQ. He had the flow, the character, the lyrics, and showed all of it on his masterclass album The Notorious BIG. It is now getting a well deserved reissue on double vinyl, with all the original tunes included. There are uber-hits like the ubiquitous 'Juicy', tracks that make astute social commentaries about the black experience such as 'Everyday Struggle' and then some darn right killer grooves like 'One More Chance' and 'Big Poppa.' RIP to the greatest to ever do it.
Review: The 30th Anniversary Edition of The Notorious B.I.G.'s seminal debut album Ready to Die arrives with a desirable vinyl release that celebrates the milestone of this iconic record. Released initially in 1994, the album is a cornerstone of East Coast hip-hop and cemented Biggie Smalls as a pivotal figure in the genre. This special edition breathes new life into classic tracks like 'Juicy,' 'Big Poppa,' and 'One More Chance,' thanks to meticulous remastering that enhances the raw energy and lyrical brilliance of Biggie's original recording. This album leads the way with the gritty sound of 90s hip-hop. The packaging is equally impressive, featuring updated artwork and liner notes that provide fresh insights into the making of the album and its impact on music culture. This 30th Anniversary Edition is more than just a reissueiit's a celebration of an album that continues to influence and resonate.
Mary J Blige & Dolly My Baby By Super Cat - "Real Love" (remix) (2:00)
Warning (4:11)
Gimmie The Loot (2:22)
Me & My Bitch (2:31)
Juicy (2:44)
Unbelieveable (4:20)
Machine Gun Funk (3:22)
Big Poppa (4:32)
Respect (2:34)
Party & Bullshit (3:54)
Flava In Ya Ear (2:19)
Craig Mack (Freestyle) (3:14)
Biggie (feat Real Niggaz - Freestyle) (3:53)
Review: Now here's a real slice of East Coast hip-hop history, packaged for those Londonites who - even as far back as the early to mid 90s - felt the genre's magnanimous influence deeply, despite the transatlantic journey required of its promotion outside the USA. Existing only so far perhaps on bootlegged white label vinyl marked "Import" in big block lettering, this mythical live recording of The Notorious B.I.G.'s 1995 performance at the Hammersmith Palais in London (as part of Tim Westwood's 1FM Rap Show Launch Party) otherwise floats the interwebs either in casual YouTube video or cassette rip format. Clocking in at just over 50 minutes, Big Poppa's tragic ghost sounds to haunt the record, masterfully moving through his most hard-boiled, ironed songs in quick sixteen-track succession, chopping and changing between them through the adeptest of DJ scratchups; the hypiest, airhorn-blariest transitions. All Biggie's greatest hits feature (he'd released most of his chart-toppers by 1995; this recording was made two years before he died) and the heavy douse of reverb, supplied by the venue, lends an extra historic gravitas to Smalls' not-so-small voice. The acapella at the end is an especially grave, hushed moment; it's as if the lack of instrumental backing portends the many moments of silence that would follow two years later.
Review: Nourished by Time's latest work blends lo-fi r&b, freestyle, and bedroom pop with a confident ease that feels fresh and alive. The album, created in a Baltimore basement, is a snapshot of raw creativity, with a sound that's deeply personal yet accessible. Tracks like 'In the Quiet' and 'Tides' experiment with layers of rhythm and texture, pulling you into a world that feels uniquely his. It's an album that doesn't play by any rulesistriking a balance between introspection and broad appeal, while challenging what we expect from contemporary music.
Review: If you don't own this album already, now's the time to make amends and get hold of one of the great totems of hip-hop culture. They don't come more classic than this - Eazy E, Ice Cube, MC Ren and Dre created the blueprint for gangsta rap in 1988 and blew the game wide open. More than 30 years on, Dre's beats still sound insanely fresh, matching the MCs blow for blow in style, funk and humour. The picture they paint of America still holds weight today, and the 10 perfectly formed tracks will be lodged in your brain after just one listen. What more do you need to know? NWA - none tougher.
Review: The implied sequel to their first and only album Yes Lawd!, the ingenious production and vocal duo of wonky hip-hop producer Knxwledge, and esteemed multi-talent Anderson .Paak - together known as NxWorries - comes in full force, a full eight years after said debut. A seeming reversal of the mood of the first record, Why Lawd? submits a plea of desperation rather than confidence to the heavens, though nonetheless sports features from the likes of Dave Chappelle, Thundercat, H.E.R., Snoop Dogg and Earl Sweatshirt, in what still amounts to an endlessly enjoyable, bumpy ride in the modes of smoked-out neo-soul and challenging lo-fi.
FromHere (feat Snoop Dogg & October London) (1:35)
FallThru
Battlefield
HereIAm
OutTheWay (feat Rae Khalil)
SheUsed
MoreOfIt
NVR RMX (feat Charlie Wilson)
DistantSpace (0:56)
WalkOnBy (feat Earl Sweatshirt & Rae Khalil) (1:44)
EvnMore (2:24)
Review: Yes Lawd! by NxWorries, the collaborative project between Anderson .Paak and Knxwledge, is a stunning achievement in contemporary hip-hop and r&b. Released on Stones Throw Records in 2016, this album showcases .Paak's raw talent and Knxwledge's masterful production skills. The album delves into .Paak's personal journey, from overcoming adversity to achieving success in the music industry. Tracks like 'Livvin' embody triumph and resilience, with .Paak's emotive vocals soaring over soulful beats. Knxwledge's production is a standout feature, paying homage to classic Stones Throw duos like Dilla and Madlib while infusing the sound with his own unique style. Paak's lyrical prowess shines throughout the album, with poignant reflections on his past and candid insights into his relationships. Yes Lawd! is an excellent listen from start to finish, with standout tracks like 'What More Can I Say' and 'Link Up' showing the duo's chemistry and creativity. Yes Lawd! solidifies .Paak's position as a rising star in the music industry and cements Knxwledge's reputation as a visionary producer.
FromHere (feat Snoop Dogg & October London) (3:52)
FallThru (2:13)
Battlefield (2:23)
HereIAm (2:47)
OutTheWay (feat Rae Khalil) (2:06)
SheUsed (2:59)
MoreOfIt (1:56)
NVR RMX (feat Charlie Wilson) (2:38)
DistantSpace (2:25)
WalkOnBy (feat Earl Sweatshirt & Rae Khalil) (1:23)
EvnMore (0:22)
Review: Yes Lawd! marks another triumph in Anderson .Paak's ascendant career, showing his evolution from Breezy Lovejoy to a prominent figure in California rap. Teaming up with Knxwledge, .Paak delivers a beautiful beat tape that pays homage to classic Stones Throw duos. Tracks like 'Livvin' embody triumph and success, echoing the tradition of rags-to-riches narratives in rap. Knxwledge's production shines throughout the album, drawing inspiration from church music, hip-hop, and J Dilla, creating rich instrumentals that serve as the soul of the record. Paak's emotive delivery and vocal flexibility are standout features, as seen on tracks like 'Best One' and 'Lyk Dis,' where he channels urgency and empathy reminiscent of DMX and Young Thug. Yes Lawd! stands as a significant achievement in .Paak's career, showcasing his growth as a vocalist and songwriter. While Knxwledge's production balances.Paak's contributions, the album overall offers a compelling glimpse into .Paak's evolving artistry.
Review: Nicholas Craven & Ransom assemble together once more for Deleted Scenes 2. Amongst those who know, Craven is said to be something of a super producer with the ability to really speak through his machines, while Ransom has also been hailed as a true modern king of lyricism. All five of the tracks here hit hard both musically and in terms of the lyrics with evocative bars and smart use of samples from the world of funk and soul to elevate each cut. Let's hope they keep on this collaboration and have more for us in the not-too-distant future.
… Read more
in stock$45.11
Artikel 1 bis 48 von 48 auf Seite 1 von 1 anzeigen
We use cookies to personalise content and ads, to provide social media features and to analyse our traffic. We also share information about your use of our site with our social media, advertising and analytics partners who may combine it with other information that you've provided to them or that they've collected from your use of their services.