Back catalogue: All genres

Review: Sol Power Sound's latest must-check EP takes us back to the discotheques of Trinidad in the late 1970s and early 80s, where the productions of local legend Richard 'Nappy' Myers dominated dancefloors. The label has managed to license two killer - and extremely hard to find - Myers' productions. Side A is all about Nadie La Fond's Myers-produced Caribbean disco delight 'Three Way Situation', with the low-slung, deliciously swing original mix (A2) being joined by an extended and subtly tooled up 'Disco Special' re-edit by Bosq. Turn to the B-side for Myers' own celebrated sing-along 'Let Yourself Go', a synth-splattered, horn-heavy slab of hot-stepping tropical disco joy that's given a spellbinding club makeover by Sol Power All Stars. In a word: essential!

Review: This four-tracker from newcomer Nackley has been described by Bordello a Parigi, the label releasing it, as a "bold debut declaration from a rising talent". It's certainly a strong first offering, with opener 'Return of the Gecko' delivering a sparkling, life-affirming blend of thrusting, throbbing Italo-disco bass, drum machine beats, excitable acid motifs and picturesque melodies. Nackley dusts down his TB-303 once more on the all-action, mind-mangling throb of 'Sublime Desolation' - a track that manages to sound both brooding and over-excited - before reaching for breakbeats, memorable piano riffs and spacey electronics on 'Been a Long Time'. To draw down the curtain on a rock-solid EP, Athara and Child Of lend a hand on cheery revivalist Italo-disco/synth-pop jam 'Heartbreaker'.

Review: Kiko Navarro is back on the Canopy label to head up its tenth vinyl outing and once again brings global influences to his brand of disco. The rousing vocals come from Kaleta while Kiko lays down Afro-tinged and hefty kick drum patterns and runs them through with cosmic synth lines that are taught and nebulous. The electro-afro-beat rhythms come even more to the fore on the flipside when weighty bass oscillations bring the instrumental to life. Both cuts are potent, powerful jams with muscular rhythms but no lack of soul - and both of these are primed and ready for full on late-night dancefloor action.

Review: For his next outing, Nebraska has curated a mini best-of EP that serves up a quartet of tunes that have been digital only until now. Side A opens with 'Senza Parole,' featuring a weird and wonderful vocal sound and some loose hand claps under Italo-infused disco-funk drums. 'Let Me Be The One' is a nice tripped out and slow motion 90s downtempo jam and 'Funkbraska' is an homage to French Touch with filtered synth loops fizzing with sugar goodness over a characterful bassline, and last of all is 'Love + Hate', another low slung hose groove that oozes cool and has a fantastic bassline propping it up.

Review: Originally released in 1979 as a B-side to The Neville Brother's "Sweet Honey Dipper", "Dance Your Blues Away" saw Ivan go solo for the first time on this sultry modern soul jam. Laced with a plucky bass and just the right smattering of sleaze, it set the foundations for Ivan's extensive solo career. It also provides the perfect groove tools for The Mighty Zaf to work his editor craft and beef up the vibe with subtlety. Keep on dancing!

Review: Nightlife Unlimited was a Canadian disco project active from the late 1970s to the mid-1980s, spearheaded by key members Tony Bentivegna and Johnny D'Orazio; their curious sound blent lo-fi and hi-fi, carefully construed for maximal-minimal dance floor confounding. 'Peaches & Prunes' first surfaced as a B-side on the Uniwave 'Just Be Yourself' release in 1980, and it would seem that licensing loopholes lay behind its continued bootlegging and reissuing over the years, not to mention its auspiciously magic sequencing and sound design - DJs have snaffled it up over the years for its prophesied 4x4 mixability, achieved far before "quantisation" was even thought a thing. Ron Hardy lays down a tribute, evidencing his awareness of the record's lo-fi vocal charm, though boxing and springing out the mix to lend the record a further reaching, lowly textured agape.

Review: Domenico Niki is the man charged with the curation of the Echoes From Disco label and it will all be with a focus on rediscovering and re-editing disco, boogie and jazz from across the world. The inaugural outing features four re-edits that cover a wide array of styles. 'Through That Door' is jazz-funk with twanging guitars and sunny piano keys while 'African Horns' is a deep Afro-funk cut with fluid rhythms soon getting under your skin. 'Copacabana' is a busy, relentless and sax-laced funk banger and 'Follow Me' then slows things down with a more 80s-sounding downtempo soul vibe perfect for early evening sessions.

Review: Tom Noble is renowned for his vinyl digging prowess as well as being the head of the Superior Elevation Records. Now he unveils his House Of Spirits alias with the debut single from an upcoming album on Razor-N-Tape. 'Times Are Changing' previews an album spanning nearly 15 years of work and one that blends modern-retro soul with nods to the Mizell Brothers and Patrick Adams. Recorded with live instrumentation and tailored for the dance floor, the limited 12" features an extended original and instrumental on side A, and a dynamic remix by Australian synth maestro Harvey Sutherland on side B. Infectious vocals and rich instrumentation, what's not to love?

Review: This 7" vinyl marks the inauguration of the new Konbini Klassics label and it features expertly curated city pop and funk gems from Japan's golden era. The A-side offers 1983's 'Do What You Do' which is a relaxed synth-driven track with irresistibly catchy vocals. On the B-side you can enjoy the sounds of Cosmos, the all-female supergroup who deliver their slap-funk classic 'Midnight Shuffle' with its big horns, funky bass and twinkling synth melodies. A perfect 45 rpm gem, this release brings Japan's iconic sounds back to life and then some.

Review: Dan Tyler and Nick The Record's third installment in the Mr Bongo Edits series brings a bold twist to Cuban classics with three tracks that are equal parts cosmic and dancefloor-ready. On the A-side, Tyler extends two Juan Pablo Torres tracks from his reissued 1978 'Algo Nuevo' and 1977's 'Super Son.' First, Tyler reimagines 'Cacao,' a standout track from Torres' LP, giving it room to breathe and intensifying the percussive climax with swirling synths and spacey dub effects. It's a track that thrives on a big system, building tension as it goes, and works wonders in the right environmentijust ask anyone who caught it at La Paloma in Barcelona. Next, Tyler dials into 'Pastel En Descarga,' turning the Latin-funk fusion into a punchy, trippy dub with delay and drama, keeping the track's energy while taking it further into spacey, cosmic territory. On the flip, Nick The Record tackles Grupo Los Yoyi's 1977 'Paco La Calle,' taking a 2009 edit and expanding it into a longer, more hypnotic piece. The percussion pushes and pulls as the psychedelic synths swirl, creating a dynamic and ever-building groove. The 2025 version is elevated with new synth lines courtesy of Tyler, deepening the track's psychedelic richness. A cosmic whirlwind of reworks that bridges the gap between '70s Cuban innovation and modern dancefloor sensibilities.

Review: It's been two years since the 2022 release of Young Pulse & Natalie Nova's multi-mix single 'Free', across the digital version of which we were graced with five exclusive mixes. With the 'original' itself and in turn being a cover of the Ultra Nate song from 1997, Pulse and Nova's version is a jubilant, disco-strung version, abandoning Nate's garage house proclivity for an upped sense of swing. This new vinyl edition also brings a fresh mix to the table, totting up the versions to six; first, there's the OG aforementioned 'Disco Tribute mix', as well as a 'Disco Dub' version, the new and never-heard-before highlight.

Review: Volume 4 of the Make Up series is another doozy and this one brings together accomplished house heads Camille, Chez Damier, and Nico Lahs in a celebration of underground disco classic "through the lens of 60's and 70's underground comix." Similar to these rebellious reads, the tracks on this release carved their niche with purists seeking distinct and thrilling sounds. Across the double album, Camille's contributions include Mystic Pleasure's 'Back Door (Getting Down)' and Cold Fire's 'Badder Than Bad' which both bring soulful melodies and infectious rhythms, Chez Damier adds Fascination's 'Shine My Love' and Bileo's 'You Can Win' with shimmering vocals and funky basslines and together, they make for an exhilarating mix of disco brilliance.

Review: To celebrate ten years of one of London's most loved underground club nights, Tangent, Mr Bongo are thrilled to launch this new compilation series. Crafted by its two residents, John Gomez and Nick the Record, it aims to transmit a taste of Tangent's spirit: a party rooted in inclusivity and open-mindedness, whose name captures the spontaneous switches in musical direction that are a defining element of their nights. For the compilation, the pair have cherry-picked a selection of their prized, rare and dancefloor-ready tracks from around the globe, that have soundtracked the past decade of parties. Spanning live-recorded disco, Brazilian boogie and weighty lovers' rock, this selection of rare sonic meats is a prized procuring, the consistent quality of which you likely won't be able to track down in many other contexts.

Review: For the last decade, John Gomez and Nick The Record's freewheeling Tangent parties have proved popular in London, offering dancers the chance to shake their stuff to a wide selection of superb (and normally insanely rare) records over a high quality soundsystem. The pair's first Tangent compilation, which arrives via Mr Bongo, naturally offers a superb reflection of their approach and is packed with must-have cuts. For proof, check the proto-house era dubbed-out boogie of King B's 'Love Is Crazy', the sun-splashed Brazilian gorgeousness of 'Laberinto' by PERIKAS, the spaced-out headiness of Hidrogenese's 'La Carta Era Muy Larga (Dub)', the heavy batacuda business of 'Nira Gongo' by Conjuto Baluartes' and the dub disco-flecked, deep house brilliance of LTA's 'What Comes To Ya'.

Review: Al most ten years in the making, Tom Noble's debut album is that most rare of beasts: a decidedly dusty and loose-limbed revivalist disco album that genuinely sounds like a long-lost 'private press' set from the turn of the 1980s. Noble is a renowned crate-digger, DJ and disco-boogie specialist, so it's no surprised to find that the songs and instrumentals on show, which also offer nods to jazz-funk and dancefloor soul, is exceptionally well observed and painstakingly crafted via the contributions of many guest musicians and vocalists. For proof of the set's majesty, get your ears around the celebratory and synth-speckled 'Times Are Changin', deep disco treat 'Holding On', head-nodding soul slow jam 'Diamond Eyes' and warm, heady closing cut 'Moving Away'.