Review: Kai Alce's faultless NDATL label brings us more goodies direct from his base in Atlanta, which might be best known for its rap but also packs a punch when it comes to house music. This one is from Rasheeda Ali, a new name that might be familiar to anyone who heard Kai's 'Sheed's Move' tune from a previous EP. She has also been on stage with none other than Jeff Mills and here her flute skills come to the fore with production from Kai. 'Libra Ascending' has a snappy bounce, then 'Sheed's Rising' showcases Rasheeda's gymnastic flautist abilities. A fine debut.
Nathan Haines - "U See That" (feat Vanessa Freeman & Marcus Begg - Atjazz Love Soul mix) (5:12)
The Realm x Atjazz x Kelli Sae - "On The Road" (vocal mix) (7:58)
Review: Back ion 2021, the relaunched Foliage Records imprint offered up a killer mix from NYC house legends Mood II Swing, the must-check Deep Rooted. Soon, the revitalised label will release a sequel, with long-serving British deep house don Atjazz at the helm. This sampler EP boasts six of the highlights from that set - all remixed and reworked by Atjazz himself. There's much to enjoy throughout, from the tense, slowly building deep-tech shuffle of Halo''s 'Glorty (Atjazz Galaxy Art Remix)'and the sun-splashed 6am bounce of Atjazz's remix of Dominique Fils-Aime's gorgeous 'Sun Rise', to the dreamy dancefloor wooziness of Ralf GUM's 'AWA' (re-imagined by Atjazz as an Osunlade-esque spiritual house workout) and the jazzy, bass-guitar-propelled broken house excellence of 'On The Road (Vocal Mix)', a three-way collab between Atjazz, Kelli Sae and The Realm.
Review: B2 Recordings rolls out more of its quality-assured deep house here with Label head Bengoa stepping up next for a new three-tracker that comes with featured guests Kristina Berger and Brothers' Vibe. 'Idyot' kicks off with deep and pulsing synths and clacking hits that bring an early Chicago vibe next to the libidinous and erotic vocals which really tease. 'Meet Me Halfway' sinks into a super silky groove that is deep as you like and driven by stylish drum hits under a muttered vocal. 'Come On Now' then sinks into a more acid-laced atmosphere with sustained chords keeping you on edge next to loose and jumbled percussion. It's a stylistically diverse EP, this one.
Review: Rebirth kicks off its 2024 with a remix EP that serves as "a tribute to the Brescian music scene in its many facets and declinations." The full original project is a complete 12-track album that brings together many different sounds, scenes and generations, with the best bits now assembled on this new 12". The revered deep house master Fred P opens up with some texture spiritual synth depths, K-Lone brings some nice house swing to his version of 'Paline' and edit maestro Rahsaan also keeps it paired back and late night on his soulful take on 'Scent Of An Old Life'. A great reimagining of some moving musical adventures, then.
Review: Kiko Navarro kicks off 2024 with his Afroterraneo label's first release, presenting a fresh rendition of 'Mama Calling', his enduring collaboration with Buika. Originally released in 2004, the track was revitalised during preparations for a November 2023 live show, becoming a standout performance. Retaining its signature horn stabs, this updated version injects new energy into the vibrant, life-affirming anthem. With a remix by Tedd Patterson included, the release promises to ignite dancefloors well into the New Year, offering a perfect blend of nostalgia and contemporary flair.
Alex Burkat - "Take It Away" (Kalyptra remix) (6:14)
Kalyptra - "Young Indigo Theme" (5:44)
Alex Burkat & Matt Cif - "Magneta" (4:53)
Review: For their second 12" release - which comes on the heels of a great debut - the Only Child label presents a fresh soundscape for a fictional Manhattan neighbourhood. It takes the form of a split EP on which Alex Burkat offers his interpretation of modern deep house on 'Take It Away', while Kalyptra brings a distinctive Ecuador-meets-Philly influence with his remix. The label hopes that the fusion of these styles creates an ethereal, body-moving soundtrack that captures the essence of walking through the streets of New York City in 2024, while 'Kalyptra' adds his own heady and dreamy tech house sounds and Matt Cid steps up to collaborate on closer 'Magenta' which glistens with melodic radiance.
Review: Burnski and Kepler, two names synonymous with the deeper shades of house music, converge on Chris Stussy's Up The Stuss imprint for a collaborative EP that showcases their shared passion for dancefloor-focused soundscapes. 'Solstice', the title track, sets the tone with a hypnotic swing, its subtle rhythmic shifts and infectious bassline weaving a mesmerizing tapestry of sound. 'Contemplate', the second collaborative effort, offers a more introspective vibe, its bumping rhythms and melancholic melodies suggesting a moment of reflection amidst the dancefloor euphoria. The flip side sees the duo explore their individual artistry. Burnski's 'Give' is a late-night gem, its shimmering textures and hypnotic rhythms conjuring a sense of blissful introspection. Kepler's 'Transcend', on the other hand, lives up to its name, its vibrant energy and captivating melodies transporting the listener to a higher plane of dancefloor consciousness. It's a confident opening salvo for 2025 from Up The Stuss, a label that continues to champion the most vital strains of contemporary house music.
Shining Of Life Flutemental (unreleased version) (11:01)
Shining Of Life Flutemental (Lambros Jahmans remix) (5:15)
UNDUB (Space Ritual dub) (10:40)
Shining Of Life Flutemental (Space Ritual dub) (11:15)
Review: Some 20 years ago, Japanese producer donned the K.F alias (the initials of his given name, Kiyotaka Fukagawa) and delivered the astonishingly good 'Shining of Life', a sun-soaked Balearic house treat shot through with Japanese nu-jazz musicality, gospel-influenced vocals and expansive, life-affirming piano solos. This EP offers up previously unheard 'Shining of Light Flutemental' takes. Calm's own 'unreleased mix' retains some of the key elements of the 2004 original while adding morning-fresh flute solos and starry sounds seemingly inspired by Detroit techno. The 'Lambros Jahmans Sunset Mix' is a dreamy and immersive interpretation underpinned by an Afro-house style beat, while the 'Space Ritual Dub' is an almost entirely beat-free soundscape. On 'Undub (Space Ritual Dub)', the same producer wraps echoing flute and piano motifs around a tactile, hand percussion-driven rhythm track.
B-STOCK: Creasing to corner of outer sleeve but otherwise in excellent condition
Shining Of Life Flutemental (unreleased version) (11:01)
Shining Of Life Flutemental (Lambros Jahmans remix) (5:15)
UNDUB (Space Ritual dub) (10:40)
Shining Of Life Flutemental (Space Ritual dub) (11:15)
Review: ***B-STOCK: Creasing to corner of outer sleeve but otherwise in excellent condition***
Some 20 years ago, Japanese producer donned the K.F alias (the initials of his given name, Kiyotaka Fukagawa) and delivered the astonishingly good 'Shining of Life', a sun-soaked Balearic house treat shot through with Japanese nu-jazz musicality, gospel-influenced vocals and expansive, life-affirming piano solos. This EP offers up previously unheard 'Shining of Light Flutemental' takes. Calm's own 'unreleased mix' retains some of the key elements of the 2004 original while adding morning-fresh flute solos and starry sounds seemingly inspired by Detroit techno. The 'Lambros Jahmans Sunset Mix' is a dreamy and immersive interpretation underpinned by an Afro-house style beat, while the 'Space Ritual Dub' is an almost entirely beat-free soundscape. On 'Undub (Space Ritual Dub)', the same producer wraps echoing flute and piano motifs around a tactile, hand percussion-driven rhythm track.
Review: Beatnik Collective's second release is a nostalgia-soaked trip back to the golden age of tech house, a time when chunky basslines and infectious grooves ruled the dancefloor. This four-track EP is a DJ's dream, packed with weapons-grade cuts that are guaranteed to get the party started. Charleze's 'Spartan Groove' sets the tone, its driving bassline and relentless energy recalling the heyday of labels like Strictly Rhythm and Relief. Robin Graham's 'Que?' adds a touch of playful mischief, its quirky samples and hypnotic rhythms conjuring images of sweaty warehouse raves and euphoric crowds. On the flipside, Rob Pearson's 'Goldfish On Tv' takes a deeper, more atmospheric approach, its lush pads and intricate percussion creating a mesmerising soundscape that's perfect for those hazy after-hours moments. Kerouac's '4 Da Haters' closes out the EP with a raw and energetic groove, its distorted bassline and infectious vocal samples a nod to the golden age of hip-house. All round greatness,
Review: For the latest volume in their Foundations series on BBE, Kai Alce and DJ Spinna have decided to reissue one of the finest records from the earliest days of Chicago house, Chip-E's spellbinding 1985 anthem "Like This". This seven-inch edition features a fresh edit of Chip-E's original cub mix on the A-side. This version is essential largely because of the quality of K-Joy's impeccable vocal, though the re-mastered sound also makes Chip-E's crunchy Roland drum machine hits, bold synth-bass and spacey lead lines sound better than ever. Turn to the flip for the heavy and stripped-back "DDD Dub" version, which makes more use of the short "Like This" vocal, which was originally provided by the Godfather of House himself, Frankie Knuckles.
Review: Sweat It Out Records kicks off their tasty Sweat Sampler series with their first volume, cutting niftily across four exceptionally sweaty bops, spanning tongue-in-cheek deep tech reworks and downtempo disco delights. First off is the dream team of Cid and Havoc & Lawn, whom together deliver a hilariously effective house version of America's 'A Horse With No Name'; this is shortly followed by Saturday Love, Kon and Furious's 'Come Out', a rejigged nu-disco samosa packed with some rare vocal spices; then there's 'Give It To Me' by Marco Lys and Ben Miller, a bass-driven bouncer unafraid of lasershot winddowns, injunctive vocals and risers; and finally, there's Set Mo's 'Could I Be', the anthem of the bunch, whose buildup and drop is alarming, affecting, cumulatively awe-striking.
JKriv - "Better Than Her" (feat Saucy Lady & Tortured Soul) (4:39)
Kim Anh - "In The Stars" (5:06)
Cody Currie - "Ghost" (4:48)
Review: Razor-N-Tape's Family Affair series makes a welcome return here with a third great instalment. This series is something of an annual end-of-year tradition by now (OK, it's arriving a touch late) and this one hits as hard as any with five tracks taken from the full and standout compilation. It is two great remixes of classic RNT material that gets things underway with Ezel offering a dub of Cor.ece and Bruce Leroys sublime deep hose mix of Guinu, then JKriv's 'Better Than Her' is a fat bottomed bit of deep cut electro funk and elsewhere Kim Anh gets raw and cosmic, and Cody Currie's 'Ghost' is broken beat perfection.
Br Beta - "Man Of The World" (feat Luke Eargoggle) (3:01)
Guttan - "Bambakaos" (6:28)
Kenneth X - "Mixed Emotions" (4:02)
Kan3da - "GBG Electro CIty" (5:45)
Singularity Club - "Intercon" (2:28)
Review: Gothenburg Electro City 3 is a third episode in this superb new various artists series. Stilleben label head Luke Eargoggle says that three generations of Scandinavian electro sounds feature on the six track record. It comes from producers based only in Gothenburg which is the capital of electro in Sweden as well as being the capital of the Vastra Gotaland county. From the high energy and hard-hitting electro-funk of Dataintrang's opener to Guttan's more cinematic but no less caustic 'Bambakaos', all shades are explored here with compelling results.
Review: UK legend Dego and killer keys-man Kaidi Tatham have been in a rich vein of form of late, dropping brilliant EPs on Eglo, Sound Signature and Rush Hour (the latter under their 2000Black alias). Here, they return to Eglo with four more slices of warm, rich, soul-flecked fluidity. As with previous outings, much of the material has a laidback jazz-funk feel, particularly "Orbiting Uhara" and the delicious "The Vault Descends" (think bustling bruk rhythms and darting boogie synths). They also offer up some tougher, synth-laden bruk-funk in the shape of "Man Made", while "Black Is Key" sees them unfurl a head-nodding vocal roller.
Listen Love (original Funkhut instrumental) (6:44)
Listen Love (Funkhut dub) (5:02)
Review: Funkhut Records is proud to bring to you the anticipated release by DjPope & The Funkhut All Stars Feat. Kenny Wesley "Listen Love". With all the live instrumentation along side Kenny's extraordinary interpretation of the great Jon Lucien's original, "Listen Love' makes this release a must have for any music connoisseur. Produced, Mixed and Arranged by DjPope. Additional Mixing by David Sussman, Mastered by Joey Hernandez, Bass : Irv Madden Guitar: Karlos Brickhouse Drums: PJ Spraggins Congas: Kevin Pinder Keyboards: Charles Dockins.
Review: Part one of Refuge's new La Decima V/A 12" series hears select tunes from select artists, all of whom have made significant contributions to the label's catalogue over the years. Spanning everything from firmly driven nu-disco to scratch n' sniff garage house to Chi-style stompers, we're more than enthralled by this well-rounded resonator. The best of the bunch has to be Demuir's 'Vibez High', which moves unabashed and stringy, its clawing claps, freeze-locked funk licks and scraping open hats painting a vivid street scene set outside the house.
I Got That Feelin' (Demuir's Playboi dub edit) (7:09)
I Got That Feelin' (Deep mix - Kerri Chandler Remaster) (6:56)
I Got That Feelin' (Kerri's dub re-edit) (6:36)
Review: Dreamer G's original on Madhouse Records was the kind of underground gem that defined a momentia track that slotted itself into the DNA of deep house in the 90s. Now, it's back, reimagined by Demuir with a fresh remix that injects a whole new energy without losing the original's soulful core. Demuir handles it with finesse, keeping things punchy yet faithful, delivering a rework that feels both modern and timeless. Kerri Chandler, the man behind it all, steps in with his own re-edit, reminding everyone why this track became such a sought-after piece of vinyl gold. His re-edit is all about refinementihe doesn't strip it down; he polishes it, making it gleam just that little bit brighter. For those still holding on to their original copy, this re-release is as much a nod to the track's legacy as it is an opportunity to hear it in a way that's never sounded better. Then there's the deep mix, which has been meticulously remastered by Chandler himself. It's not just a token touch-up; it's a love letter to a track that's stood the test of time. With the sound quality elevated to new heights, the deep mix captures the essence of Dreamer G's original vision, while making sure it feels right at home on today's systems. Ultimately, this rework package doesn't just revive Dreamer G; it affirms its place in house music's enduring historyiproof that great tracks don't fade, they just evolve.
Klima Project - "Velvet Moon" (Patrice Scott Reshape) (7:48)
Review: Sole Aspect takes us around the world and to the studios of artists based across Madrid, Switzerland, Los Angeles and Detroit on The Mystic Embrace EP. Opening it up is Ernes Joey & Robbin Hauz with 'U Should Know' (feat Shea Doll - Age Of Rage remix) which is a version by Dubbyman alongside Dan Piu with some delightfully jazzy keeps, seductive deep house drums and aching vocals full of heart. The original is a stripped-back sound with less melodic luxuriousness but the still superb vocal front and centre. Dubbyman then mixes Klima Project's 'Sweetback' into a mid-tempo, cuddly back room deep house sound and Patrice Scott Reshapes it with some crystal-cut synth lines that bring cosmic charm.
Review: It's coming home, it's coming home - house music is coming home! A second instalment of the Groove Access: series Chicago Is Home offers us five fresh tracks from the windy city landing in a glorious cavalcade of razor edged snares and hypnotic jack house. Ed Nine & Kid Enigma's 'Bandleaders' opens side one in spectacular fashion with spoken mantras lying deep in the mix, distinctive phasing arpeggios, poking keyboard riffs and ringing cymbals. JSquare's 'Get Wicked' kicks with even more power, tribal rhythms bouncing of bleepy melodies, before 'Move' by Geto Mark rounds off the side with the strutting, beautifully brutal 'Move', a proper 3AM peak time pleaser. Steve Noah's 'The Hater' opens side two, a wily acid line worming its way across a raw, stripped down backing before exploding into serious gnarliness when you least expect it. AFTR's 'Undercover' rounds things off with another knuckle duster of a tune, leaving no doubt that Chicago is still the place to be when it comes to house.
Review: What would it take to universalise disco so that every brain sandwiched between two ears could hear and take to the sound like glue? Eddie C and Keita Sano continue a protracted research study in the pursuit of an answer, bringing three new dream-heaters to contrast to their original two in the series' debut, 'Disko Universal' and 'Joy Joy Joy'. Here, 'Not This Time' stands out among a trifecta of well-doused house rousers, steeped in the attenuated, bubblier deep end of a soulful disco-garage-house tradition.
Rhano Burrell - "When Can I Call You" (feat Lisa Lee - Honey Dijon & Luke Solomon edit) (5:21)
Review: The second volume of edits of classic outings on Nu Groove records, assembling modern house heroes such as Dam Swindle, Phil Weeks, and Honey Dijon to re-fix tunes by the legendary Equation and The Burrell Brothers among others. Highlights include Dam Swindle's misty eyed extension of Equation's 'I'll Say A Prayer 4 U'- a perfect rainy day house anthem, and the paranoid phonk of Rhano Burrell's 'When Can I Call You' as remapped by Honey Dijon & Luke Solomon. Surefire party starters all round.
Review: There's a certain brand of 4x4 deep house that utterly slapssss. And that's exactly the business Toolroom Records are in - they're simultaneous experts at throwing us back to the sprawling garage paradises, while still lending modern, buildup-drop flairs to their productions. This V/A 12" sampler from a wider comp shows off choice buts from label mainstays, Essel, Guz, Qubiko, et al., showing off the best of what Italy's poppy deep house scene has to offer.
Dennis Ferrer - "How Do I Let Go" (feat TK Brooks)
Rain: A Lil Louis Painting - "Give It Up" (Masters At Work club mix)
Mood II Swing - "Sunlight In My Eyes"
Kimara Lovelace - "Misery" (Lil Louis club mix)
Review: Now under new ownership (international dance music powerhouse Armada Music, fact fans), long-serving New York house imprint King Street Sounds is doing a good job in showcasing gems from its vast archives. This second label sampler contains four more genuine must-have cuts. First up, there's a chance to admire the deep, soulful house wonder that is Dennis Ferrer's 2008 hook-up with honeyed vocalist K.T. Brooks, 'How Do I Let Go'. It's followed by Masters at Work's deliciously loose, disco-influenced deep house revision of 'Give It Up' by Lil' Louis' Rain project (first released in 2000), Mood II Swing's DIY Soundsystem favourite 'Sunlight In My Eyes' (easily one of the greatest deep house jams of all time) and Lil' Louis's swinging garage-house rub of Kimra Lovelace's 'Misery'.
Review: Aaron Siegel's Fit moniker links up with the considerable talents of Gunnar Wendel (better known as Kassem Mosse) for this killer two-tracker on FXHE, and even Omar S gets in on the action with some mixdown assistance. "Track 1" works around sizzling drums, emotive bass and a diverse spread of melodic sources for a simple and direct slice of analogue house. "Track 2" is a real carpet-burn of a track, taking the quality up to a new level with a gorgeous line in lead synths moulded into a thoroughly sexy concoction while the drums stay pert and primed for all manner of sultry floor action.
Review: It's ten up for the FrescoEdits Iabel with this latest entry into their esteemed series and as always there are plenty of irresistible beats on offer. The in-house FrescoEdits add their touch to the glorious, string-laced and funky disco of 'Little Love' and bring bumping beats and funky guitar riffs to 'Philadelphia'. Rogue D's 'Pensi A Me' is a super smooth heart melter for dancing in the open air as the sun begins to fade, while Kings Of Groove's 'You Got The Funk' is a soulful, slapping house cut with cosmic synth energy and hooky vocals that will always bring the good times.
Kai Noob & Volodymyr Gnatenko - "Noppera-Bo" (6:15)
Volodymyr Gnatenko - "Umibozu" (7:02)
Kai Noob & Volodymyr Gnatenko - "Zashiki-warashi" (5:41)
Review: Carl Hardy's Animals On Psychedelics label doesn't rush things. It has taken several years to get to release number seven, but you won't find us comparing. It is a prime example of quality over quantity and here again with have another timeless, mind-melting release designed for whacked out dance floors at 5am. Vladimir Gnatenko is back once again after previous impressive outings and both his cuts are molten affairs with liquid synths and neon colours over supple drums. He also collaborates twice with Kai Noob on a pair of similarly tripped out techno wormholes.
Review: First unveiled on his fine 2023 album Bruno & The Birds, 'Let Me Go' is one of rising star Jullian Gomes' most sumptuous and effortlessly soulful tracks to date - a gorgeous blend of shuffling deep house drums, star-lit chords, gentle melodies and eyes-closed vocals made in collaboration with Japanese legend Kuniyuki Takahashi and singer Sio. On this EP, Gomes' superb original mix is backed by a trio of remixes. Gomes' mentor Atjazz provides two rubs: a breezy, full vocal, broken deep house take in his trademark style (the 'Astro Art Remix') and the more bass-heavy and infectiously percussive 'Astro Rmix'. Osunlade dons the Yoruba Soul guise and delivers a fine, EP-ending rework full of bouncy Afro-house beats, deep sub bass and spacey electronics.
Review: Having already caused a stir with their various solo releases, old friends Klein Zage (real name Sage Redman) and Joey G (Joe Gillick) have decided to join forces on an EP inspired by their time living together in South London. While the EP is musically varied, there's a sonic coherence to the three original tracks thanks to the presence of Redman's spoken word vocals throughout. We're particularly enjoying the deep, emotive beauty of 'A Little Dissonance', though punchy, shuffling and spacey opener 'Folks Not Guys' pushes it close. Over on the flip we're treated to a trio of remixes: Ariel Zetina's intense, trippy and high-tempo take on 'Folks Not Guys', Local Artist's warming and rolling, Rhodes-sporting 'Disco Dub' of the same track, and DJ Python's pleasingly weird, mind-mangling version of 'A Little Dissonance'.
Review: The prolific Kieron Ifill continues to gift us with truly expressive, elevated house music drawing from the well of soul music and Black innovation that birthed the genre in the first place. After a recent 7" drop on Sounds Familiar, he's back on his own Esencia label with Rituals, a four-track meditation on sweet, synth-led grooves with melodious expression, harmonic interplay and a certain melancholy magic in its bones. The 12" is bookended by mellow, beatless reveries, with 'Ritual IV' in particular closing the record out in a beautiful flourish of piano and trickling water, but the jams at the heart of the EP have more than enough presence to get a floor moving in unison.
Review: London-based beat smith K15 is a UK answer to the likes of Kyle Hall - his house music is steeped in jazz, soul and funk. His drums are dusty and loose - and louche - and his moods are deeply meaningful. His latest EP is another case in point with three more sublime and seductive sounds. 'Still Devoted' is a downtempo cut with analogue drums and gorgeous female vocals soaring up top with the elegance of a church choir. 'State Of Play' has a fantastically cosmic outlook and a nimble bassline that rides its own ride as the synths soar and 'Time Reveals' then closes down with a more melancholic but no less beautiful vibe.
Review: Many years after the first instalment we are now treated to a second volume of the Culross Close project from K15, a one time Wild Oats graduate, artist, DJ, producer and deep thinker who mixes up house, hip hop and jazz. He assumes his usual alias for the opener 'Pulse' which dances on dusty drums with nagging melodies in the middle and plenty of swing. On the flip he becomes Culross Close for 'Dawn' which his less club ready and more expressive, with heart melting pianos and a real jumble of drums and perc that is brilliantly loose.
Review: Mathias Kaden's Circulate EP takes its time, but in the best possible way. Freedom opens with a lean, rhythmic pulse, all stripped-back beats and delicate stabs, before a gospel vocal drops in, adding a moment of unexpected brilliance. It's a track that operates with precisioniKaden makes every element count without overcrowding the sound. The low-end groove moves with a quiet confidence, refusing to show off yet impossible to ignore. Circulate, the title track, leans into a hypnotic, classy mood. Synth hits crackle through like electricity, giving the track an infectious tension without ever needing to go over the top. It's all about subtle control, making it the kind of track that commands attention without ever asking for it. William Kiss steps in on remix duties for Freedom, pushing it into full peak-time mode. There's an extra layer of percussion and a heavier swing that gives the track a new edge, transforming it into something bigger without losing the original's sharp focus. To close, Kaden's Twisting Shadows brings in an acidic bassline and warped vocals, shifting the energy into something more unpredictableiperfect for those moments where the night starts to take on a life of its own.
Review: Radio Slave's Rekids label welcomes Berlin mainstay Mathias Kaden for a new single that features Zoe Xenia and remixes from label regular Ian Pooley. 'Blackbird' is a big tech house cut that is defined by its scintillating synth work which dances a busy dance over metallic, synthetic drum sounds. The vocals are the fiery finish that will make this a real club anthem. It also comes as an instrumental while the Ian Pooley Pooley main remix brings a little more funk and nuance to his well swung house drums. His basic dub then ups the bas weight and drum intensity to make for a fine finish.
Nordhouse (Luke Hess & Brian Kage Reference remix) (5:51)
Galaxian (Max Watts remix) (6:02)
Review: Detroit's Brian Kage is back with more Motor City goodness, this time as a remixer alongside a fine selection of peers. It is his Timeless Times album that gets reworked here and for his remix of 'Nordhouse' he works with fellow Detroiter and dub techno don Luke Hess to cook up a warm, shuffling sound. Elsewhere Delano Smith brings his signature smoky loops and plaintive keys to 'Detroit Techno City', Milton Jackson steps up with a buddy deep house roller and 'Galaxian' gets an electro remix from Max Watts to make this a classy, quality collection.
Review: A White Bear's Heaven... Is A Black Bear's Hell is something of a departure from the smooth, deep and undulating sound we've come to expect from Omar-S's FXHE label. It signals experienced producer Brian Kage's first outing for four years. While that release for Beretta Red paid tribute to atmospheric techno, this outing is far more inspired by late '80s Chicago house and acid. The standout is undoubtedly "Shut Your Eyes", a co-production with Omar-S that wraps James Garcia's soulful, heartfelt vocals around classic synth-strings, tactile stabs and pared-down, '80s style drum machine hits. He switches off the lights and signals more of a heads-down mood on the First Choice-sampling "It's Not Over" - a thrillingly tactile, synth-laden jacker - while "Bear Gonna Getcha" sounds like a warehouse anthem in waiting.
Review: With releases already clocked up on Carl Craig's Planet-E, the Omar S-run stable FXHE and Rob Modell's Echospace, Detroit house/techno fans with a keen eye (and ear) will already know Brian Kage. Michigander is his own label and this EP - that kicks off with Taho and Kage joining forces again on its A-side - was a success when it first emerged on marbled vinyl in March 2023. So much so, in fact, that's it been given a repress. With traces of acid and uplifting piano notes undewrwritten by deep chords on the opener '909 Nights', 'Warehouse Vibes' then brings driving kicks and dubby techno bliss before the closer 'JAX' goes in the style with its fist pumping rhythms. Motor City musical magic at its best.
Review: Six releases in and Michigander label head Brian Kage teams up with the legendary French Techno producer, Taho, aka David Jacopin. The electronic music world knows to put respect on the Motor City, but the "Detroit EP" represents a fusion, emphasizing l'accent aigu - not a typo or spec on your screen that needs cleaning. Between Kage and Taho, their production pedigree includes releases for labels like FXHE, Planet-E, Delsin, F.Comm, and more, so it's no surprise the pairing makes for a masterfully produced EP covering the spectrum of Detroit house and techno sounds, with an added deft touch from its French connection.
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