Review: The Avidya label arrives with a bold new concept that sees it push itself to "step out of comfort zones to release a series of EPs of broad, challenging and deep music." The first affair is a fine one from four artists, the first of which is Lyon based procure A Strange Wedding from the Worst label. His slow trance locks you in and then Gothenburg trio Datasal come through with a prog rock and post funk and dance fusion. 84PC's contribution is peak time gold and Barcelona's Iro Aka arrive with another debut to round out this fine offering.
Review: Many Hands is a fresh label helmed by Jona Jefferies and Kava that here kicks out an eclectic EP with four tracks from various members of its musical family. Dan Aikido opens with '0800 TXT4 Herb,' a smooth fusion piece that builds a laid-back groove, blending fretless bass, jazzy keys and soulful vocals all reminiscent of Rare Silk's 'Storm.' Ernie Ruso's 'Stroke It' offers slow, sensual r&b infused with P-funky wah-wah effects while DJ Nomad's 'African Boy' brings upbeat pop house next to funky organ and a female reggae MC.Jefferies' closer 'A Change Will Come' samples Dr. Martin Luther King Jr with a rave-inspired beat and soulful piano. Cracking stuff.
Review: Following up the first release quickly with Detroit native Paul Alan, who now resides on the sunny west coast. Paul Alan aka DTCHPLNES, delivers the smooth latin driven car cruiser "Provider" and the sun blissed slow skate vibes of "Charlevoix", which also sounds great on 45. The two track 7 inch is wrapped in a treasure map jacket with a compass foil stamp and includes a postcard.
A Soft Mist Production - "Upside Down Rainbows" (5:01)
Dr Sud - "Zaffiro" (Jazz cut) (3:59)
DatSIM - "Influx" (4:40)
The Rabbit Hole - "Tail Groove" (4:27)
Review: No matter your particular preference in the deep house world, this various artists' outing from Q1E2 Recordings is sure to have something for you. Mike Riveria & Marco Ohboy, for example, tap into an early sound on 'Euphoria' with its big, brash piano stabs and whistles, while A Soft Mist Production keeps it all cuddly and deep with languid chords draped over gentle drums on 'Upside Down Rainbows.' DatSIM brings in some space-tech vibes for a deft rhythm and neon infused sound on 'Influx' and The Rabbit Hole's 'Tail Groove' has a mad double bass sound jumping about beneath frantic jungle breaks.
The Mechanical Man - "Uncle Swing" (feat Bob Vito) (4:31)
DJ Rocca - "The Box Above" (6:03)
Lex & Locke - "Soul Escape" (6:56)
Review: Musica Solida sampler 1 marks a thrilling celebration of 40 years of Flexi, the venerable record emporium that has stood the test of time in the ever-evolving music industry landscape. As the label weathered storms and celebrated triumphs, it has remained a beacon for vinyl enthusiasts, and this compilation embodies its enduring spirit. Curated by Flexi Cuts, Musica Solida promises a series of carefully selected singles spread across multiple 12-inch samplers, showcasing the talents of cherished Flexi-affiliated artists and producers. With a vision to cultivate a movement of sublime tunes, the compilation aims to uphold the commitment to quality that Flexi has exemplified within the Italian music scene and beyond. Musica Solida sampler one sets the stage with an eclectic lineup of artists, each bringing their unique flair to the table. DJ Rocca stands as a stalwart of the clubbing scene, while Club Soda delivers live electronic ensembles brimming with house-flavored jams. Lex & Locke bring a touch of Greek sophistication to the mix, showcasing their groovy sound destined for future acclaim. Hiroyuki Kato emerges as a Japan-based multi-instrumentalist with a punchy debut track, and The Mechanical Man (feat. Bob Vito) adds a raw, gritty energy to the compilation. For those that are adventurous in finding unique music, you will want to check out this great release.
Review: Best dig out a bona fide gem from the early days of Italian house music - a one-shot hit from the masterful minds of Alex Neri and Marco Baroni that originally surfaced in 1992 on Adriatic Club. This sunkissed classic has everything a deep house cut should - smooth piano, a splash of diva vocals, and feel-good vibes oozing from every pore. For our money the "Deep Jungle Mix" is the one - a smouldering swinger that will draw you in and keep you warm at night, but whichever twist on the '90s styles you prefer this record has got you covered.
Review: Hot'N'Spicy's self-titled series of flame hot disco and funk gems returns with a sizzling sixth instalment here and it has some big names on board. Delfonic opens up with the low slung and seductive loopy disco-house fun of 'Everything Is Love' while HOLDTight up the funk and energy with more loose and percussive grooves on 'Disco Power.' Franck Roger brings his classy French house styling to a deep and slinky number in 'Pinguino Blumo' and DJ Steef shuts down with some big camp disco flourishes and dubbed-out vocal echoes on 'Warp Odyssey.'
Review: Athens-based label Ethos is looking to build on the good start it made with its first two outings with a third raw and direct EP. DimDJ is a legend in Greece and has been since the 90s when he first began making his mark. His sound is not all about nostalgia though - he opens his Welcome To This World EP with 'This Little Face' which is a deep house reverie with painterly pads smeared over dusty drums. Nice analogue textures make it all the more lived in and a Beatless version strips away everything but the suspensory synths. 'Welcome To This World is another lo-fi and crackly deep house meditation and 'Hyper Tonic' flips the script with some undulating acid lines, more light synth work and hissing hi-hats.
David Dingess - "Hyper Love" (Toni Rossano edit) (4:17)
Jaegerossa - "The Buzz" (6:07)
Cruisic - "Inspector Norse" (Slowly remix) (4:47)
FSQ - "This Is Carribean Disco" (A Tom Moulton mix) (6:28)
Review: Midnight Riot help the listener carve out their own personal Balearic headspaces with their new compilation Balearic Headspace, likening the "experience" of Balearic not just to a sound, but an affect, one that cannot be experienced without specific records or specific times and places. Do we believe it to be true? We may or may not, but that doesn't distract from the whopping curation job here, with most tunes on offer consisting of both total newness and reworks/revisions by the Midnight Riot crew; this 12" is a four-track selection of a wider 19-track digital comp. Our highlight has to be the ultra-smeary Tom Moulton mix of 'This Is Caribbean Disco' by Fsq, which floats atop a serious floe of stretched-out axe bubble and echoing crosstick, as its lyrics deal in word-painted themes of being held underwater. As mindfully, cognitively Balearic as it gets!
Review: Whoever is behind the Discotecas series has certainly got access to some seriously good re-edits. As with its predecessors, volume six in the series lands with no info about the identity of the editor (or editors) involved. Whoever it is, they've done a bang-up job - as inspired opener 'Perceptive', a deliciously dubby and spaced-out take on a hybrid electro/proto-house gem from the mid 1980s, proves. The retro-futurist fun continues on 'Kazbah', a fine revision of a brilliantly odd, breakbeat-fuelled Arabic acid record, while flip-side opener 'Bass Instinct' sits somewhere between bleep & breaks and early speed garage. Closing cut 'Ask a Dream' is arguably the best cut of all: a sublime slab of saucer-eyed early deep house of the kind that should probably be listened to as the sun comes up.
Santa Eularia Des Riu (Jovonn Forest remix) (5:06)
Santa Eularia Des Riu (Atmospheric Sunset version) (6:37)
Review: DJ Fede has our minds turning to warmer climates, longer days and sun-kissed parties not only with the artwork but also the sounds of his new 12" on Balearia. 'Santa Eularia Des Riu' is the one original single and is a delightfully deep, dreamy sound with muted sax lines up top, chords that ripple and melt away and organic percussion that brings that 70s hint of Ibiza hedonism. A Midnight dub mix ups the pace only slightly, then the Jovonn Forest remix brings a subtle deep house dynamism to proceedings before the Atmospheric Sunset version cuts utterly loose and lays back gazing up at the flame-red sky.
Review: DJ Fede's 'Sant Josep De Sa Talaia' is a deep house tribute to the village and municipality of Sant Josep de sa Talaia in Ibiza. This new 12" includes an 'essential dub' mix by Alex Neri, a co-founder of the legendary Italian label Planet Funk; a remix by Rahaan, a Chicago-based disco and house DJ and one by genre institution Francesco Farfa. All are increasingly affective facets of the Balearic style, cycling through its every angle from sinister builds to light-hearted disco jaunts.
Review: DJ Mitsu The Beats summons up a mellow, jazz-tinged spin on Norah Jones' early classic 'Sunrise', following a plucky piano-studio sesh shared with Takumi Kaneko of Cro-Magnon. After a cannonballing digital release, the "instrumental chill" track now takes shape as a 7" single, suturing Mitsu's laidback bop to Kaneko's smooth, sunspot piano lines. With cover photography by surf documentarian Atsushi Kumano, the single was in turn singled out for the surf music compilation Salt Meets Island Cafe: Sea of Love 2, curated by new lifestyle magazine Salt. Balancing beachside ease and unsurpassable musicianship, this track hankers at the title for next best surf-chill anthem.
Review: Blank Mind continues to showcase fresh and innovative talent with the release of Coiled Up, the debut release by Londoner DJ Ojo. This four-track EP showcases his impressive production skills, with each track taking the listener on a unique sonic journey. The title track, is a deeply meditative space dub that envelops the listener with its atmospheric pads and hypnotic polyrhythms, followed by A2 cut 'Precise Device' with its knackered style of tribal entrancement that keeps the energy level remaining firmly in the chill zone. On the flip, 'Sprung Out' takes things in a different direction, with its particularly atmospheric vibe that feels like a journey through the clouds, and the EP ends on a desolate note with 'Skip Top' which oozes minimalism with its stripped-down beat and eerie soundscape.
Review: Double Geography drops heavyweight 7" on IIB. Beautiful synth patterns and melodies drifting over a shuffling drum pattern. Like a long lost Maxi 12 dub mix from the 80s. Just lovely.Flip it over for the boss that is Ruf Dug's rework. Buzzing flies and slight de tuned stabs create a slightly moody eastern super dub chug bomb.Do not miss this
Review: More quality grooves from Washington DC label specializing in reissuing obscure and unknown 70s and 80s dance music. This time around is Dreamcast who are Davon Bryant in conjunction with Swedish guy Sasac aka King Al. "Liquid Deep" is sexy late night deep funk the way it was always intended and Bryant's smooth as silk vocals are just like... Wow! So with Dreamcast on the vocals and Sasac on the beat, we are hoping there's more things on the way from this trans coastal duo in 2017.
Review: Dreamlogicc and SW are two standouts in the outlier world of leftfield house music, and they find a perfect home on the equally out-there label that is Kimochi. This is the first time they have been on the same bit of wax (though both have been here many times as solo artists) and hopefully, it won't be the last. There is plenty of unusual rhythm work here with wonky grooves that are enriched with a world of superbly futuristic sound designs. All of these hard to define cuts are serious curveballs that bring a great element of WTF to any set, so do not sleep and add them to your arsenal ASAP.
Review: Italy's foremost investigator of 60s and 70s library music and jazz fusion sounds can do no wrong if you ask us. Everything they put out is sumptuous whether it's an old reissue or a new outing. Here we have the pair of bassist Federico Amorosi and keys, synth and programming wizard Valerio Lombardozzi cooking up some brilliant blends of cosmic funk and Italo disco, all with fresh flavours from soundtracks and synthporn from days gone. The A-side is an instrumental with a lush mid-tempo groove and the flip has a more infectious dance sound.
Review: Senking and DYL reunite after their notable collaboration back on 2020's EP Uniformity Of Nature, this time going long on their first full-length, Diving Saucer Attack. This new work spans a total of six tracks, two of which have been produced individually and so highlight their shared passion for dub-heavy and adventurous electronic music while also bringing out the subtle differences in their styles. The album opens with 'Six Doors Down', a track featuring throbbing bass and haunting synths while subsequent cuts like 'A7r380R' explore intricate soundscapes before culminating in the sombre closing piece, 'Not Just Numbers.'
Review: Neptune Discs specialise in progressive downbeat, upbeat and acid convections, and as a label theme themselves after forgotten marine kingdoms. Though Poseidon has thrusted his trident at us here, there's actually a fourth track/prong on this tenth edition in the Dutch label's V/A catalogue, adding extra implosive impact to an already power-packed depth charge. Standouts here, in our estimation, have to be the faster currents of the bunch, taking shape as Tifra's 'Headspace' - whose breath-of-life melodic sequencings and CPAP pads allow us mammals a moment to come up for air - and DJ Life's 'Carapax' - whose gnatty lead buzz is like a desiccant for contaminant waters.
Lex, Dennis Liber, Rosa - "Una Sera D'Estate" (feat Max Giovara) (7:02)
Lex, Dennis Liber - "End Of The Line" (5:56)
Dennis Liber - "Playa Eden" (feat Sariela Camargo) (8:32)
Dennis Liber - "Hidden Island" (feat Ricardo Benitez) (4:17)
Review: Rocksteady Disco welcomes Dennis Liber & Lex for a standout debut here. Their four-tracker captures the magic of musical nights spent down in Mexican hotspot Tulum with organic and airy grooves aplenty. 'Una Sera D'Estate' (feat Max Giovara) exodus late-night warmth and loved-up vibes with its melodic bassline and disco-tinged house drums. 'End Of The Line' is more lively but is no less direct with its big drums and pointed bass phrasings. Liber then goes solo for the dreamy, Italo-tinged yet tropical 'Playa Eden' and wonderfully escapist closer 'Hidden Island' complete with Balearic beats and the sound of singing dolphins.
Sundown (Chris Coco Sueno Mediterraneo remix) (7:08)
Sundown (Chris Coco To The Bone dub) (7:08)
Sundown (SIRS remix) (8:39)
Review: If you've ever wondered how much Balearic you can get on one 12" then this one might answer the question. Arriving on Cala Tarida Musica, it finds Residentes Balearicos pair up with bonafide Ibizan legend DJ Alfredo for a sizzling summer anthem. 'Sundown' is pure Ibiza house bliss with wavy grooves and majestic jazzy keys that bring the joyful good times. Balearic boss man Chris Coco then steps up with his wavy and elegant Sueno Mediterraneo remix as well as a To The Bone dub that is even deeper and more smooth and last of all is a SIRS mix with a more raw edge and urban atmosphere.
Review: Doo crew's latest 12", Smoke Barometer, brings together label regulars DJ Spence and Sentena with local acts Kozz and Sweets of the Night from Tension Nurse and Drainolith. The Doo label's eclectic approach, evident in its willingness to explore different tempos and styles within a single release, has garnered attention from discerning listeners. With a tagline emphasising music designed for any time of day, Doo's releases balance trippy, freewheeling downtempo vibes with certified dancefloor hits. 'Smoke Barometer' continues this tradition with six tracks ranging from beat-down cosmic leanings to inward-looking machine funk and musically playful, balearic cuts. The standout track, 'The McGurk Effect' by Ancient, offers a weird, dubbed-out house tool reminiscent of Maurice Fulton's Syclops project. Overall, Smoke Barometer is a diverse and engaging collection that rewards repeated listens, perfect for a range of settings from radio shows to after parties.
Review: We're not quite sure about the story behind this EP - Bathurst have not made clear whether it's the first in a series, or whether there's a theme - but the music on show is well-worth checking. Zoe Leonard dons the Simmerdown guise on excellent opener 'Legitimacy', a slowly unfurling affair that craftily combines sun-kissed ambient electronics with cut-up, club-ready beats, gargantuan bass and 140 style vocal cut-ups. David Hanke delivers two contrasting cuts: the shuffling, bass-heavy, spacey-but-sleazy excellence of 'Deep Shit Part 3' as Black Soyls, and the cheerier and bouncier 'Mirrorsides' under his given name. Our favourite though is ITO's 'Citylights', a jazzy, slipped instrumental number full of beautiful piano flourishes and languid bass.
Review: In the late summer of 2019, DJ Rocca and Chris Coco spent time together at the intimate La Casella festival in Umbria, Italy, where they chatted about Italo disco, the Rimini/Riccione riviera in the 90s and classic Italian clubs. Inspired by their conversations and imagined memories of scenes they weren't part of, they set out to make the music which over time, evolved into CocoRocca DiscoTeca, an imaginary retro-futuristic club blending past influences with future possibilities. It draws on dub, house and disco and is now resented on this wonderfully escapist full length which starts slow and dreamy, raises the pulse then slows down to a nice emotive finish. A fine reimagine of some classic sounds.
Review: In April 2023, Swiss label Subject To Restrictions Discs offered up a fine debut EP from Zurich electronic wave duo Dadalus & Bikarus. This follow-up EP presents the same tracks in freshly remixed form, with a variety of underground heroes and rising stars providing the revisions. Saeko Killy kicks things off with a minimalistic, subtly funky new wave rework of 'Voran', before Cage & Aviary man Jamie Paton drops versions of two tracks: a moody, slap bass-sporting dark-wave re-wire of 'Youri Gagarine', and a chugging, A Love From Out of Space style tweak of 'Gone'. Over on side B, Andrei Rusu re-imagines 'Tous Les Mesonges' as a dense, discordant slab of rolling acid-electro, while Anastasia Zems turns 'Voran' into a brain-melting acid jacker.
Review: Back in 2011, Nicolas Jaar joined forces with fellow Clown & Sunset contributor Dave Harrington for the Darkside EP, an impressive trio of untitled tracks that pitted the formers scratchy, near-paranoid production style against the latter's penchant for lo-fi indie-rock inspired fuzziness. Here, the duo dusts down the Darkside alias once more for a first collaborative album. Predictably, it's an impressive set, offering a collection of downtempo tracks that shuffle between crackly, out-there atmospherics ("Sitra", reminiscent of much of Jaar's Space is Only Noise album), echo-laden alt-rock experimentalism ("Heart") and heart-aching fragility (the James Blake-ish "Greek Light").
Review: When Marie Davidson announced last year that she would be, "retiring from club music", many wondered what she'd do next. Renegade Breakdown, her first album recorded with a full band (L'Oeil Nu), answers that question. It sees the Canadian artist and her new collaborators deliver suitably arresting, personal and ear-catching songs built on mixing and matching a surprisingly wide variety of musical inspirations, from Blondie, classic disco and mutilated heavy metal guitars, to Kraftwerk, Billie Holiday, Fleetwood Mac and Daft Punk. It's a big shift for the previously highly experimental artist, but thanks to her skill as both a a producer and performer, one that works magnificently well.
Review: DDWY appeared on Public Possession label earlier in the year when they put out their Chill Pill compilation and their contribution was the perfectly balearic dance gem 'Orchard'. Now the pair is back with a limited edition album, Sprig Songs. It lays out their distinctive take on dance music which is dubbed out and trippy, often slow paced, doused in proggy melodies and all flavoured with unique Nangis chants. The spell binding selection includes the warped rhythms and FX of 'Green Villa' and otherworldly depths of 'Do Deers Dream?' while 'Hair Spiders' is a more dancefloor ready and dubbed out beatdown.
Review: Belgian jazz singer Melanie Di Biasio first came to light around 2007 on Igloo, but she's since fostered a steady relationship with indie giants [PIAS] which has resulted in two subsequent albums, No Deal and Lilies. After a six-year gap, she returns with a new set which finds her edging into intriguing new territory. Il Viaggio is framed as 'a quest for musical, physical, and spiritual renewal, born from an emotional memory awakened'. Make of that what you will, but the music contained within finds her voice framed by a broad spectrum of sonics as she leads us through two distinct halves across two discs - Lay Your Ear To The Rail and The Chaos Azure.
Review: German-Brazilian artist Gloria de Olivera and David Lynch associate Dean Hugely come together for an album that cerebrates the joy and escapism of dream pop. It is an album on Sacred Bones awash with eerie synth strings that are offset by De Olivera's German vocals. Drums echo the sounds of the early Cocteau Twins and the shimmering synths take you higher. It is a low key work with plenty of lo-fi aesthetics but one that makes a grand emotional impact. 'Hanging Gardens' is a real favourite with its moody backdrop of wooly synths.
Review: Dead Sound is collaborative project featuring Marco Sterk (aka Young Marco) and Berlin-based pop-auteur John Moods, two artists with existing links to the Music From Memory label, Sterk being part of the trio Gaussian Curve and Moods released the 2022 album Hidden Gem with The Zenmenn. The eight tracks here are delicate and atmosphere-laden, drawing on everything from reverb-soaked, harmonic folk - 'Eye In Disguise' - to the Geiger counter rhythm and low-in-the-mix mutters of 'Force of Nature', like an understated Throbbing Gristle if such a thing could be imagined. If you enjoyed Trentemoller's recent reinvention of shoegaze, Scandi synthpop and post-punk on Dreamweaver, then this will be well up your street.
Review: It could have all been so different when Death In Vegas first formed. Richard Fearless and Steve Hellier spawned the project in 1994 and got signed under the name Dead Elvis, but legal wrangling got in the way and they used the name for their debut album instead. Now Music On Vinyl have repressed the 1997 classic so we can revel in the grizzled take on big beat and trip hop the pair cooked up. It's very much of its time, but there's a snarl to the production which sets Death In Vegas apart from their peers at the time, opting for the dive bar ambience over the festival main stage you'd hear when playing The Chemical Brothers or Leftfield. For that reason Dead Elvis has aged very well indeed.
The Seraphims - "Conciousness Of Happening" (2:13)
Gary Davenport - "Sarra" (5:00)
Some Of My Best Friends Are Canadians - "Feeling Sheepish" (4:09)
The Rising Storm - "Frozen Laughter" (3:12)
Warfield Spillers - "Daddy's Little Girl" (4:50)
Joyce Heath - "I Wouldn't Dream Of It" (2:17)
Joe Tossini & Friends - "Wild Dream" (4:29)
Scott Seskind - "I Remember" (2:52)
Angel - "Driving (Down)" (4:28)
Nini Raviolette & Hugo Weris - "Slow" (1:05)
Nora Guthrie - "Home Before Dark" (2:38)
Once - "Joanna" (3:17)
Review: Sky Girl is the work of two noted (but arguably under-appreciated) crate diggers, DJ Sundae and Julien Dechery, and gathers together a veritable treasure trove of obscure material loosely connected by (in the label's own words) "the same longing sentiment". Its' fifteen tracks touch on a variety of hazy, down-tempo styles, and were recorded at various points between 1961 and '91. There's much to admire throughout, from the folksy psychedelic pop of The Rising Storm's "Frozen Laughter", and spoken word eccentricity of Scott Seskind's "I Remember", to the dreamy, eyes-closed ambience of Nini Raviolette & Hugo Weris' "Slow" and string-laden samba-folk of Nora Guthrie's "Home Before Dark".
Review: Emotional Rescue go hunting in the reeds for forgotten projects, and come up trumps once again. Delay Tactics formed at the beginning of the 80s as a tape looping project from Carl Weingarten and Reed Nesbit before expanding their palette with Walter Whitney's synth vamping. They didn't last past their second album, 1984's Any Questions?, but now the finest of the band's catalogue has been documented here. The sound is prime inquisitive 80s, teetering between the traditional band dynamic and the experimental pastures of technology-powered music. At times infectiously playful ('Oyster') and at others compellingly beautiful ('Kites'), Delay Tactics are exactly the kind of band that deserve another moment in the sunshine.
Review: Andrew PM Hunt returns once again as Dialect with Atlas Of Green, determinedly expanding the artist's idea-oeuvre with a brand new concept album. The album imagines a young musician named Green, working in a "dawning future era where lost signals and enduring impulses are unearthed from the sediments of technology and time." Its description sounds at once illusive yet still rings out as meaningful, recalling the collective post-apocalyptic utopia outlined in Ursula Le Guin's Always Coming Home; both works deal in themes of recovery, of unearthing old technologies from sedimented layers of workable soil. Green's dozen tracks weave through malfunctioning but still usable scrap metals or "vaporware" of sampled sound, its chirrupy latent folkishness, its sound effects-laden lollops, making up the confluent, but still contingent, cochlear canards of lost - but non-linear and thus still salvageable - time.
Review: The Dining Rooms' tenth studio album, Songs to Make Love To, marks a milestone in their 25-year artistic journey. Stefano Ghittoni and Cesare Malfatti, the Milanese duo behind the project, continue to push boundaries with their signature blend of psychedelic folk, cinematic atmospheres and hip-hop-inspired downtempo rhythms. Divided into instrumental and vocal tracks, the album shines with the duo's mastery of their craft, with guest appearances by Chiara Castello, Egeeno and Toco adding layers of depth and diversity to the sonic landscape. The artwork, featuring pieces by Tatjana Zonca, sets the stage for an exploration of love in its myriad forms - from the explicit act of loving to the intricacies of relationships and the concept of liberated love beyond possession. What sets Songs to Make Love To apart is its incorporation of anthropological and ethnomusicological themes, drawing inspiration from field recordings of urban sounds from around the world. This fusion of classic TDR sound with sounds from Genoese carruggi, Milanese dockyards and global cities like Istanbul and Sao Paulo adds a rich texture to the album, elevating it to a truly excellent listening experience.
Review: Malmo, Sweden-based Bolero Record store boss Dip Shim comes correct on his debut album with a sublime series of personal and storytelling cuts that find him digging deep into his reserves. The music is said to draw on his childhood in Spain and mixes up elements of downtempo, electro, techno and house. Across the 12 tracks there is plenty to explore with pensive electro opener 'Enter The Maragrillo' twitchy downbeat acid jam 'One For Regen' and deep space ambient soundtrack 'Bases Didacticas' all making an indelible impact.
Ich Schreib' Dir Ein Buch 2013 (feat Hildegard Knef) (5:20)
NooOoo (4:59)
Auroville (2:33)
Review: DJ Koze is a master of his craft, and without even so much as lifting a finger, it's proven yet again with his 10th Anniversary Edition of 'Amygdala.' Known for its experimental yet minimal style - which has since trailblazed in his home country of Germany - Koze's knife-edge productions for the LP were far ahead of their time in 2013, breathing fresh life into an often exhausted genre, while also enlisting the help of fellow titans such as Caribou, Apparat, Dirt Von Lowtzow, Milosh and Matthew Dear. It's a classic album of restless detail and domestic lowercasery. Much-aped, but never outmatched.
Review: 11 years on from DJ Koze's one and only commercial mix, 2004's All People Is My Friends for Kompakt, the Pampa boss lines the 50th DJ Kicks mix, following high profile contributions from Nina Kraviz and Actress. This vinyl edition offers the best of both worlds really, featuring some 17 highlights of Kozalla's selection in their original form spread across two slabs of vinyl whilst !K7 have also thrown in a CD copy of the mix so you can hear how it's all done Koze-style. As you'd expect Koze presents one of the more far-reaching selections in the series, with Madlib-produced Freddie Gibbs nestling up alongside William Shatner, Boards of Canada remixes, Broadcast whilst the likes of Marcel Fengler, Session Victim and Frank & Tony offer some deepness.
Review: Krush's eighth - and last - album Jaku is up there with Endtroducing and Donuts in terms of seminal, influential and forward-thinking beat longer players. 10 years since its release and it still sounds as timeless, unique and exciting as it did in 2004. The slick licks of a young Mr Lif on "Nosferatu", the post-apocalyptic tension of "Univearth" the sludgy, swampy cosmic hip-hop of the Aesop Rock-featured "Kill Switch" and the unashamed sax sex of "Slit Of Cloud"..... Do we need to go on? Limited edition, 180g transparent vinyl; even if you already have this in your collection this is a very, very appealing investment.
Review: DJ Motive hails from he charming city of Gifu, Japan, and has spent 20 years crafting a signature blend of Latin, jazz and hip-hop both solo and with DeadBundy. His latest release draws on all that experience to cook up a tasteful soundtrack that will transport you from dawn to dusk. Tracks like 'Sunrise' offer dreamy broken beats and nostalgic samples, while 'Chill On A Lotus' melts vocals and chords into an ambient haze. Jazz drums meet Balearic vibes in 'Howling 2 You' while 'Walker grooves with squelchy synths. This reflective, escapist trip rewards deep listening and is another high class album from sophisticated Italian label Hell Yeah.
Review: DJ Panthr is the "shadow self" (or, as we'd put it, alternative alias) of Hunter P Thompson, better known for his genre-bending ambient house and ambient techno releases as Akasha System. 100% Silk describes 'Jade District' as a 'technoid night ride inspired by the fern-shoruded neon streets' of South Tabor in his home city of Portland. It's an atmospheric and fairly accurate description all told, with Thompson combining his usual dreamy chords and colourful sonics with grooves and musical motifs more often associated with electro, acid, sci-fi techno, 'Artificial Intelligence' style IDM and hypnotic dub techno. What unites it all, aside from the colourful stylishness of the whole thing, is a pervasive sense of loved-up, wide-eyed tactility.
Review: TrioRox is a new project uniting three prominent Italian music figures namely pianist Giovanni Guidi, bassist Joe Rehmer, and electronic musician DJ Rocca aka Luca Roccatagliati. Guidi, a jazz piano prodigy, has recorded for ECM and collaborated with Enrico Rava and Ricardo Villalobos before now while Rehmer, an American bass player based in Italy, has worked with jazz greats like Bob Mintzer. Here they combine their skills with Rocca on a record that is a mix of electronic, dance, jazz and pop styles, all with some sleek underlying grooves and hints of electro, classical and minimalism that add up to a real melting pot.
Review: DJ Shadow has done it all in his career, from groundbreaking debut album Entroducing.... to high-profile collabs with Nas and Run the Jewels and adventurous and alternative explorations of rhythm on more recent albums. His seventh full-length finds him going totally solo once more, looking back at his long relationship with music and 60,000-strong record collection. He explores all sorts of moods and glovers from drum & bass to breakbeat to juke and hip hop, all with a polished digital aesthetic and bright sense of melody. The best tunes for us though, are the more tender and introspective ones like 'Forever Changed'.
Single Cell Orchestra - "Transmit Liberation" (9:39)
DJ Prince Ice - "Freestyle" (5:22)
Trip Ta Funk - "Ruby's Flute" (Fresh Mex mix) (7:36)
Triple M - "Prisoner Of Passion" (Funky dub mix) (4:33)
MC 900 - "Killer Inside Me (Meat Beat Manifestation #2)" (feat Jesus) (4:05)
Unkown Artist - "B1" (8:25)
DJ Emma - "Based" (Not So Free mix) (8:00)
Seven - "Ease" (Seven 1 mix) (5:20)
ETI & Graeme - "Blue Dreamers" (edit) (5:11)
Spins Inc - "The New Frontier" (club mix) (5:18)
Review: Given that he cut his teeth as a DJ and producer in San Francisco during the early 90s, DJ Spun is in a perfect position to educate us on the city's breakbeat-driven 'rave' sound - a hybrid and hyper-local affair that blended the Bay Area's psychedelic sounds and loved-up ethos with elements of acid, hip-hop, hip-house, deep house and British breakbeat hardcore. The Beat By DJ Spun Volume 1 does a great job of highlighting largely lesser-known, breakbeat-powered cuts produced in the city between 1988 and '94. For proof, check out the dreamy, mid-tempo wonder of Single Cell Orchestra's 'Transmit Liberation', the funk-fuelled hedonism of Triple M's 'Prisoner of Passion (Funky Dub Mix)', the deep and dubby breaks of 'Based (Not So Free Mix)' by DJ Emma, and the sparse-and-squelchy post hip-house shuffle of Spins Inc's 'The New Frontier'.
Review: Vienna's Johannes Auvinen, aka Tin Man, and Mexico City's Gabo Barranco, aka AAAA, make up DOVS. Their second album together moves in the direction of retro aesthetics, harking back to a time where charting the "out-there" psychogeographic terrains of life might have been simpler. Billed as a "strictly ambient" affair - contrasting to their last collaborative record Silent Cities, and its dance focus - this quaint synth-driven LP is demonstrates how one might use melody and gear-born timbre to flesh out an open, point-blank theme. From allusions to architectural design to nature to the Islamic philosopher Rumi, this record is a soft-spoken yet eloquent dalliance with simplicity, inviting us listeners to step out into the open.
Review: Leya Touch and soFa elsewhere, known as Dream Baby Dream, merge their unconventional musical styles in their self-titled album, out now on the wonderful Hell Yeah . Their sound weaves occult synths and processed vocals over dubbed-out, mid-tempo rhythms to create a retro-futurist blend of cold wave, cosmic disco, dub, and trance. The duo, who see themselves as "two children who refused to grow up," offer a dreamlike journey through playful yet melancholic soundscapes from seductive melodies in 'Love Zone' to the eerie dub of 'Carpenter On The Beach, the album is a captivating mix of past, present, and future musical elements.
Tour 5 Modern Blue Asia Soundscapes For Ocean Therapy (Like A Music Therapy) (5:07)
Healing Moon - Tsuki No Iyashi Umi No Mahou (4:10)
The Genesis: Yoga (New Age Ambience) (6:49)
Voyage (Dive To The Future Sight) (8:18)
Iruka Tachi To Asonda Kioku/Under Water (8:05)
Rain (5:50)
LEA (Mirror Coordinate mix) (6:06)
The Rebirth/(Jinsei Nante Konnamono) Sou Omotta Shunkan Ni Jinsei Wa Owaru (4:37)
Cosmic Blue (5:47)
Image-Respect-Love Anata Ga Jiyu Ni Naru Toki/Into The Blue (Haha Naru Umi Ga Rhythm De Oshiete Kureru Koto) (5:05)
Love Ate Alien (3:37)
Daichi No Uta (7:13)
Island Humming (6:48)
Review: A fantastic introduction to a Japanese electronic artist who has simultaneously influenced many while flying well under the radar, Gaia: Selected Ambient & Downtempo Works presents a deep dive into the world of Dream Dolphin, a producer who began releasing music under this moniker at the age of 16 and was brought up on classic Italian songs before discovering the likes of PIL, Yellow Magic Orchestra and The KLF. Amazingly, even thought there's a good chance you'd never heard of her before now, Dream Dolphin, also known as Noriko, released a staggering 20 albums in just eight years, and 18 of the tracks from that catalogue are here now. The vast majority never available on vinyl before, they span IDM, ambient, downbeat, trance, organic experimental and more, making this a real trove.
Review: For the fifth volume of The Encyclopedia of Civilizations, Abstrakce's collection of split LPs - in which selected artists offer insight into fascinating ancient cultures - hears them focus this time on the enigmatic Babylon, visited by two of the label's favourite electronic bands currently active. Berlin-based duo Driftmachine take us on a journey between the ancient cities of Akkad, Uruk and Ashur. Bringing together astonishing electronics with a superb and precise sound - floating somewhere between modular ambient, leftfield, abstract dub - every detail has been carefully crafted to produce a complex architecture. Unconventional tribal rhythms recall obscure rituals, while warm, dynamic pulses contract and expand, interacting on their journey along the sandy roads of the Mesopotamian basin. Afterwards, Glasgow-based project Komodo Kolektif delves into the Babylonian vision of magic through the figures of the Kassaptu (witches and wizards), and the use of Mandragora. A blend of both tribal primitivism and a futuristic vision is provided by their vast arsenal of vintage synths and effects units, Eastern metallophones and traditional hand percussion. This is deep, psychedelic electronics that capture the spirit of ancient Babylonian sacred ceremonies and their vision of the cosmos.
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