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Back catalogue: All genres
Juno's full catalogue of All genres
Singles
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in stock $9.80
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Review: For their latest exploration of the darker and rougher end of the electro spectrum, Dutch imprint Freedom Club has turned to pitch-black urban electronics explorer RTRA, a Russian artist whose tracks tend towards the paranoid, industrial-tinged and claustrophobic. He's certainly delivered on Liberation, a five-track EP appearing on CD in highly limited numbers. He sets the tone with 'Transition', which sounds like Nitzer Ebb and early 80s Cabaret Voltaire making angular electro, before doffing a cap to DAF on the dark, noisy and apocalyptic 'Liberation'. Elsewhere, modular and analogue sounds power the mutant electro of 'Rage' and 'When Soft Voices Die', while 'Illusion' is creepy, intoxicating and unsettling in equal measure.
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Review: The 40th Anniversary Edition of Wham!'s iconic Christmas hit is a nostalgic trip through the beloved holiday classic. The first track, the original version remains as timeless as ever with its catchy melody and emotional lyrics, capturing the spirit of both love and heartbreak. The 'Pudding Mix' adds a playful, slightly altered twist, giving a fresh take on the classic while maintaining its festive charm. The live version recorded at Wembley Arena in 2006 showcases the energy and warmth of Wham!'s performance, adding an exciting, crowd-fueled vibe. Finally, the instrumental version strips down the vocals, letting the lush production and catchy synths shine in a new light. A Christmas classic!
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Alben
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Cat: FTH 534CD. Rel: 07 Nov 24
Psych/Garage Rock
in stock $8.86
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Cat: 060349 7826612. Rel: 18 Jul 24
Jazz
Review: Benson's first album since rejoining Warner Music Group earlier this year, it was originally recorded in 1989 but was never released. It features the celebrated composer-arranger Robert Farnon and his orchestra and Farnon's lush arrangements beautifully complement Benson's soulful vocals and fluid guitar work on American standards like 'Autumn Leaves,' 'At Last,' and 'My Romance', as well as reimagined pop classics such as the Beatles' 'Yesterday' and Leon Russell's 'A Song For You.' The album was delayed and subsequently lost until recently rediscovered in Benson's archive and with the help of pianist, composer and arranger Randy Waldman, Benson has revived and remastered the recordings, adding new overdubs and choral arrangements. This release adds a new chapter to Benson's illustrious career, following his tenure with Warner Records from 1976 to 1993, during which he released 12 studio albums, including the triple-platinum Breezin'. Recognised as a jazz master by the National Endowment of the Arts (NEA) in 2009, Benson continues to be a giant in both jazz and contemporary music.
… Read moreGespielt von: Juno Recommends Jazz
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Review: The Blessed Madonna, aka US DJ and producer Marea Stamper is back with the release of her debut album proper after an album of remixes with Dua Lipa in previous years. Godspeed is a great embodiment of her sound which covers a wide range of house and disco styles, always served up with big energy and lots of love So far, fans have heard the bonus single 'Happier' featuring Clementine Douglas and it is a bittersweet bubblegum dance track blending melancholy vocals with triumphant production. The rest of the album promises the same infectious energy, with catchy basslines, sharp breakbeat breakdowns and a nostalgic feel. Godspeed captures Stamper's emotional depth and big time grooves in style.
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Disco To Go
Warship Touchante
Nappy
Birdie
Just Like You
When You're Gone
Amorous
Review: Funkadelic superstar George Clinton knew many a side project as a producer; one was the ingenious, part-cyborg duo, The Brides Of Funkenstein. It was Clinton's idea that two other backing singers, Lynn Mabry and Dawn Silva, become the Brides Of Funkenstein, a character he invented for the 1976 Parliament LP, The Clones Of Dr Funkenstein. So popular were the brides that Clinton wasted no time in signing them to Atlantic Records; their debut album here followed the rip-roaring fan feedback that ensued from their debut single 'Disco To Go' / 'When You're Gone' in the US. The decision to break the male-fronted P-funk mould was intentional: simply *that many* Clinton instrumentals could not be credited to the man alone. "He's got thousands of tracks. He's got a whole cupboard full of them. He's got enough tracks to keep him in albums for two years," once chimed Mabry. Enchanting each jam with mecha-augmented femme flair, we're urged to be taken to the limit, across a blistering seven, smackout tracks. Mark 'Warship Touchante', the star tune by far: a wonky hi-NRG nutter, splattered with surreal, performative electronic vocal effects.
… Read moreGespielt von: Juno Recommends Funk
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Review: While there was once a time Nottingham's Bring Me The Horizon were known as the knife-edged fringe sporting MySpace era deathcore easy target, it's highly unlikely anyone ever had it on their bingo cards that within the span of a decade the band would become the torch bearers for mainstream metal, following in the footsteps of Linkin Park and 30 Seconds To Mars. Serving as the long-awaited sequel to 2020's nu-metal indebted Post Human: Survival Horror EP, their seventh full-length (and first since 2018's Amo) Post Human: Nex Gen doesn't simply follow suit, but creatively clusters essentially every sonic guise the group have adorned throughout their tenure into one singular sonic headfuck. Touching on everything from metalcore, post-hardcore, pop-punk, hyperpop, trap, nightcore and Anime music; the album is a testament to ADHD maximalism, and while it may come off as messy, obnoxious or utterly overwhelming, it's nigh impossible to not be impressed by the sleek effortlessness in which they appropriate vastly differing soundscapes like they were always theirs to begin. Marking their final effort with longtime keyboardist/programmer/producer Jordan Fish and boasting equally dichotomous features from the likes of Aurora, Lil Uzi Vert, Underoath and Daryl Palumbo (Glassjaw, Head Automatica), the second instalment of the Post Human saga simultaneously serves as the end of one era for Bring Me The Horizon, and the dawn of an equally promising new age. Report back for Post Human 3 in due course.
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Review: Caribou shares his latest record, this time for City Slang, Honey. The timely follow-up to 2020's Suddenly, Honey comes preceded by the forerunning singles 'Broke My Heart', 'Volume' and 'Honey'. Caribou aka Dan Snaith has more than proven his mettle as a multifarious artist, with the toweringly popular Odessa album only scratching the surface of what could otherwise be described as a much more experimental, tricky and salubriously varied discography. Honey plays up the pop-oriented capabilities of Snaith's many-tentacled sound, circling the intentionally mystified identity of the artist himself; 'Come Find Me' asks the listener to come find Snaith, while its corresponding music video features a childlike figure in a Brave New World-style jumpsuit, dancing to the song, as if to suggest a coquettish playfulness, poking through the swellingly progressive, end-of-summer house track. Adding to the pangram of bright and hopeful post-folktronica hits, Honey is sure to attract all the late-summer dance bees.
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Review: Sabrina Carpenter has very quickly become a new school pop sensation. She has the look, the sound, the songs, and was also given a huge boost by being the support act on the recent and epic Taylor Swift tour. Short n’ Sweet is her new albumi and one that captures the vibrant energy of Carpenter with plenty of sugary hooks, catchy grovers and dazzling produciton flourishes. With a gold album and multiple platinum singles to her name, it’s no surprise that 'Espresso,' the lead single from her upcoming album, has it all—witty lyrics that make you smile and songwriting so clever you’ll wish you’d written it yourself. The rest of the tracks are not far different.
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Review: "There's no fucking around with this record," says Nick Cave of his new album alongside the Bad Seeds. "When it hits, it hits. It lifts you. It moves you. I love that about it." And we do too. It makes a great return after a five-year break for the band and across its ten tunes it plays with ideas of both convention and experimentation. It is full of surprises an of course rich in emotion and the sort of mental imagery Cave has always excelled at next to offering up plenty of heartfelt narratives. Guests such as Colin Greenwood on bass and Luis Almau on nylon string guitar and acoustic guitar add extra layers to what is a fine return.
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Cat: 007567 8606137. Rel: 10 Oct 24
Pop
Review: Charli XCX's Brat And It's The Same But There's Three More Songs So It's Not is the deluxe edition of her genre-defying album Brat. Here her avant-pop brilliance and ability to blur the lines between underground innovation and mainstream appeal is on full display and the deluxe edition arrives just as Charli celebrates her first UK #1 single, 'Guess,' featured on this release. Charli XCX has consistently pushed the boundaries of pop, fusing experimental electronic elements with infectious hooks, and this deluxe edition is no exception. Each track brims with the creative energy and rebellious spirit that have become her trademarks. From its bold production to its daring lyrics, this album offers fans an even richer experience of Charli's trailblazing sound, ensuring her influence on pop culture continues to grow.
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Review: Washed-out gothic dream-popstars Cigarettes After Sex deliver their latest album, X's, building on the now prolific body of work that has so far propelled the band's lead brain Greg Gonzalez to fame. Whereas prior projects under the CAS ambit have revolved around only isolated vignettes of a hazy and monochrome - but decidedly sexual - nature, X's is the band's first record concerning a single relationship: the pain of losing an LTR, in stark contrast the string of sonic flings that came before. Led by the careful straddling of romantic fantasy and grimmer, nicotine-stained realities on 'Dark Vacay', such is the overarching mood; of sex amounting to a futile attempt to overcome the end of loving communication, and cigarettes plugging the hole that arises from this.
… Read moreGespielt von: Juno Recommends Rock/Indie
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Review: Under the Clairo alias, Claire Cottrill has achieved cult status in recent times, with her lo-fi take on indie, alternative and dream-pop finding on audience on both sides of the Atlantic. The Boston-based singer-songwriter continues her ascent from the musical margins on Charm, her first album for three years. It's a hugely atmospheric and emotive affair, with Cottrill languidly shuffling between subtly country-tinged lo-fi indie-pop (the semi-acoustic warmth of 'Nomad'), late '60s-inspired dream pop, gentle psychedelia and loose-limbed, surprisingly funky haziness smothered in rubbery bass guitar, vintage synth sounds and heady horns ('Sexy To Someone'). And yes, it's an undeniably charming affair.
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Cat: HM 18. Rel: 13 Jan 25
Metal
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Cat: BPJ 021STC. Rel: 14 Nov 24
Jazz
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Cat: PTKF 30492. Rel: 26 Sep 24
Broken Beat/Nu Jazz/Nu Soul
Review: Dance, No One's Watching is a vibrant tribute to the joyous act of dancing and a night out from the anticipation of evening to the early morning hours. Written during Ezra Collective's whirlwind 2023 world tour, which saw them become the first jazz act to win the Mercury Prize, the album reflects the global dancefloors they experienced, from London to Chicago, Lagos to Sydney. Dance and rhythm unite us all, a spirit celebrated in these tracks. Recorded at Abbey Road studios, the sessions transformed into a live celebration with friends and family, adding a communal warmth to the music. The album features collaborations with Olivia Dean, M.anifest, Moonchild Sanelly, and Yazmin Lacey, who sings on the lead single 'God Gave Me Feet for Dancing.' This new album follows their acclaimed Where I'm Meant to Be, and continues to showcase Ezra Collective's innovative contributions to contemporary British music.
… Read moreGespielt von: Juno Recommends Broken Beat Nu Jazz
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