Back catalogue: Soundtracks

Review: One of legendary filmmaker John Carpenter's few forays into electro-disco proper, 'Die Klapperschlange' is an instant throwback, the title theme from the 1981 sci-fi film Escape From New York. Everyone knows this melody, yet few could point to its origin, and that's likely due to the German release of the John Carpenter film being titled 'Die Klapperschlange' ('The Rattlesnake'). And yes, you heard us right: John Carpenter himself made this piece of music. A multi-talented man indeed, though he did work with fellow composer and sound designer Alan Howarth to add the finishing touches here. It's as if this track were made for the anarcho-discos of the future, its inherent darkness rendering it seemingly unassailable by the crumbling of society or public breakouts of violence depicted in the film. Plus, there's *that* unmistakable four-bar extension, in which a three-note hook has permanently wedged itself in our minds - wowee. And on this new release via ZYX, we've got two new alt-mixes and an outrun techno remix from Nomoo. Sweet!

Review: The reissue of Cagnet's Love Generation soundtrack is a nostalgic treasure for fans of 90s Japanese drama music. Originally composed for the hit series Love Generation (1997), starring Takuya Kimura and Takako Matsu, this soundtrack beautifully captures the show's emotional depth. Cagnet. led by Daisuke Hinata, crafted a unique blend of smooth jazz, pop, and wistful melodies that perfectly mirror the highs and lows of the drama's love story. Ahead of the time for then, now fits well with the Japanese reissue focus on smooth City Pop sounds. What sets this soundtrack apart is its balance between atmospheric background music and catchy, memorable tunes, which play an integral role in heightening the emotional resonance of key scenes. These tracks show Cagnet's ability to weave together soulful rhythms with melodic sophistication, making this reissue a perfect trip down memory lane. Now available on clear red double vinyl, Love Generation is an ideal piece to fit in with the classic Japanese drama soundtracks.

Review: From the moment you hit play on 'A New Threat Is Born', the first few minutes on this soundtrack to the acclaimed video game, Resident Evil 3, you could easily close your eyes and feel like you're back sat in front of a TV playing the story through. If you're unfamiliar with the franchise, let's just say it (re)wrote the book on survival horror, and a big part of this was in the scores used to accompany the on-screen tension. Less focused on specific theme tunes and tracks, over time the emphasis has increasingly fallen on building atmosphere and setting up jump scares for unassuming players. On a record, that sounds like a combination of fast moving and quickly developing instrumental movements and intimidating sound effects. Perhaps not the dinner party soundtrack you were looking for, nevertheless it makes a big impact.

Review: ***B-STOCK: Creasing to corner of outer sleeve but otherwise in excellent condition***


From the moment you hit play on 'A New Threat Is Born', the first few minutes on this soundtrack to the acclaimed video game, Resident Evil 3, you could easily close your eyes and feel like you're back sat in front of a TV playing the story through. If you're unfamiliar with the franchise, let's just say it (re)wrote the book on survival horror, and a big part of this was in the scores used to accompany the on-screen tension. Less focused on specific theme tunes and tracks, over time the emphasis has increasingly fallen on building atmosphere and setting up jump scares for unassuming players. On a record, that sounds like a combination of fast moving and quickly developing instrumental movements and intimidating sound effects. Perhaps not the dinner party soundtrack you were looking for, nevertheless it makes a big impact.

Review: This is a delightful celebration of classic cartoon scores that arrives for a special Black Friday 2024 release. The collection showcases the genius of composers like Carl Stalling and Milt Franklyn, whose music defined the Looney Tunes and Merrie Melodies era. Orchestral brilliance and playful synchronisation bring timeless characters like Bugs Bunny and Daffy Duck to life. With all new remastered tracks, the album highlights intricate arrangements and whimsical motifs that revolutionised animation scoring. Perfect for collectors and nostalgia enthusiasts alike, this one honours the artistry behind some of the most iconic and enduring cartoon soundtracks in entertainment history.

Review: Robin Carolan's latest score for Robert Eggers' Nosferatu is a darkly atmospheric work that fuses gothic elements with a broad range of instruments and sounds. Following their successful collaboration on The Northman, Carolan once again teams up with Eggers to craft a haunting, meticulously composed score that complements the eerie 19th-century setting. British musician Daniel Pioro leads the orchestration, which features 60 string players, a full choir, horns, woodwinds, a harpist and two percussionists. Despite this grandeur, one of the trickiest pieces to perfect was the opening music box which really shows Carolan and Eggers' meticulous attention to detail. Carolan sought to avoid modern influences in the score while embracing contemporary instruments, a balance enhanced by Letty Stott's use of ancient horns and pipes. Carolan's inspirations were diverse, from Bartok and Coil to films like The Innocents and Eyes Wide Shut. He also drew from the Ukrainian film The Eve of Ivan Kupalo to shape the otherworldly tone of the score. Rather than focusing on horror cliches, Carolan emphasised the melancholic and tragic aspects of the story, adding a layer of warped romanticism. The result is an evocative soundtrack that, while perfectly aligned with the film, also stands as a powerful work of art on its own.

Review: Is John Carpenter the best soundtrack composer of all time? The jury will always be out on that one, but chances are if you're reading this you'd prefer to tuck into the score to Assault On Precinct 13 than the pomp and pageantry of, say, John Williams or Hans Zimmer. Not that we don't have a huge amount of time for both those maestros, too. Lost Themes IV: Noir isn't really a soundtrack, of course, and goes some way to positioning Carpenter as a true musical genius well beyond any connection with the silver screen. Like listening to midnight blue descend over the endless sprawl of an unnamed city in soft focus, the album is packed with after dark overtures steeped in the kind of atmosphere you can cut with a knife.

Review: A decade ago, legendary horror movie composer/director John Carpenter joined forces with son Cody and godson Daniel Davies to make Lost Themes, a collection of new musical compositions to "soundtrack the movies in your mind". It kick-started a prolific period of musical activity which included both real soundtracks and music made for imaginary ones. Lost Themes IV sits in the latter camp, with the trio delivering music inspired by the aesthetic of "noir" movies. While Carpenter senior's suspenseful, paired-down drum machine rhythms and clandestine synthesiser sounds are still present, they work in harmony with creepy effects, immersive sound effects and additional instrumentation. For proof, see the growling guitars on 'My name IS Death' and the exotic classical guitars and sitars of 'He Walks. By Night'.

Review: A decade after John Carpenter's groundbreaking Lost Themes debut, his collaboration with son Cody Carpenter and godson Daniel Davies, the pioneering composer and director has revitalised his career. Lost Themes IV: Noir explores the essence of film noir, infusing Carpenter's signature synth-driven sound with dark, atmospheric motifs. Described as "soundtracks for the movies in your mind," these compositions evoke the mysterious allure of classic noir films. While traditional noir scores relied on orchestral arrangements, Carpenter, Carpenter, and Davies craft their distinctive sound with synths and guitars, capturing the essence of the genre. With this latest installment, they continue to redefine Carpenter's musical legacy, transcending mere homage to create immersive sonic experiences.

Review: A decade since his groundbreaking Lost Themes debut, John Carpenter, along with son Cody Carpenter and godson Daniel Davies, has revitalised his career. Lost Themes IV: Noir delves into the essence of film noir, infusing Carpenter's iconic synth-driven style with dark, atmospheric elements. Termed "soundtracks for the movies in your mind," these compositions summon the enigmatic charm of classic noir films. Departing from traditional orchestral scores, the trio crafts a distinct sound with synths and guitars, capturing the genre's essence. With this latest release, they redefine Carpenter's musical legacy, moving beyond homage to create immersive sonic experiences that transcend expectations.

Review: Nick Cave and Warren Ellis's soundtrack for the National Geographic documentary about an imagined 2033 manned mission to Mars feels like a sketch for the atmospheric soundscapes of Nick Cave and the Bad Seeds' 2016 album Skeleton Tree. Both works inhabit the same dark-hued, super-charged sonic atmosphere. Cave's cinematic music, enriched by Ellis's imaginative contributions, explores a wide range of sounds: distorted guitars in 'Space X,' sibylline keyboard arpeggios in 'Space Station,' and vast synthesized swathes evoking space's void. 'Planetarium' features soulful drones and synthesized strings, creating anticipation and stillness. With few vocals, this ambient soundtrack is perfect for chilling out and daydreaming. It's a departure from the intense emotions of the Bad Seeds, reflecting Cave's inward focus after personal tragedy. Unlike many soundtracks, this one stands apart, integral to Cave and Ellis's collaboration, and can be savored without thinking about Mars. Now available on vinyl for the first time!

Review: This soundtrack was originally released in 2006 and is a great reflection of the Disney Channel movie's rich and candied musical journey. Featuring songs that blend pop, r&b and dance beats, the album showcases the talents of the Cheetah Girls themselves aka Adrienne Bailon, Sabrina Bryan and Kiely Williams as they take on new challenges in Barcelona. Highlights include the upbeat 'Strut' the empowering 'Cheetah-licious Christmas' and the catchy 'The Party's Just Begun'" The soundtrack perfectly mirrors the film's themes of friendship, self-expression and following dreams as well as being full of infectious tunes.

Review: Four Rooms reflects a very fun time in Hollywood, or at least the annals of American cinema. Co-directed by Allison Anders, Alexandre Rockwell, Robert Rodriguez and Quentin Tarantino, the story of the fictional Los Angeles-set Hotel Mon Signor, and the strange, demanding, off-putting, and straight up intimidating guests that stay there on New Year's Eve - just as Tim Roth starts his first shift on the job as bellhop - is full of energy and a carefree, playful attitude. It's the kind of movie which, if it were made today, would no doubt be rushed straight to the bottom of the New Releases section on whatever streaming service you've given in to because it would feel cheap rather than charismatic. But in 1994, catching a quintet of fresh filmmakers on the rise, at a time when positivity reigned and the silver screen still had an ounce of class, means the whole thing worked well. As for the soundtrack, we veer between Americana and a reworking of the theme from 1960s US TV series Bewitched, weird, meditative vocal drone and lounge music.

Review: The music from Apocalypse Now is a compelling piece of the film's unique atmosphere, composed by Carmine Coppola and his son, Francis Ford Coppola. This remastered gatefold 2xLP presents a score that is anything but conventional. Featuring bold electronic experimentation, the music complements the film's depiction of chaos and inner turmoil. Tracks like 'The Delta' and 'The Dossier' create a meditative, eerie backdrop, while 'Orange Light' and 'Voyage' highlight the hallucinatory journey of its protagonist, with the latter infusing a touch of psychedelic guitar. While it's not a traditional, action-driven score, the pulsating synths of 'Nung River' and dissonance of 'Chef's Head' bring tension to the forefront. Its final moments with 'Finale' bring reflection to a movie that explores the boundaries of duty and sanity. Although challenging at times, the music's blend of synthetic and natural elements provides a fascinating listen, especially for those open to a bold 1970s electronic sound.

Review: Divisive in a big way - with outcry in Mexico over national stereotypes and concern from the LGBTQIA+ community due to its portrayal of gender transition - nevertheless Emelia Perez made a massive impact in the movie world when it landed in August 2024. Now the second most nominated movie in Golden Globe history, it tells the story of a cartel boss who enlists a lawyer to help him disappear and transition into a woman. All of which is told in a musical style, with as many tongues in cheek on screen as there are dramatic moments. The soundtrack, then, is a combination of original score composed by Clement Ducol with French singer Camille, and numbers and speeches performed by the cast, which includes Selena Gomez, Mark Ivan, Zoe SaldaNa and Karla Sofia Gascon.

Review: The full 83 track suite from the original Halo trilogy of video games is here, bringing you an exemplary score befitting of one of the most acclaimed Arcadian future combat shooter game series in the world. Now you can figuratively "don" your very own sonic Spartan supersoldier suit, as the game's trademark musical motifs - mystical Gregorian choral chants, missionary orchestral movements, gloried verging-on-prog upswells and downturns - are laid in pristine electronica-augmented fashion, by composers Martin O'Donnell, Michael Salvatori and C Paul Johnson. The midpoint of the record marks a highlight, where the Halo 2 soundtrack heard a long list of A-list musician collaborators, marking a heavy metal and nu-metal sojourn.

Review: Laced Records and Halo Studios partner up to bring the epic soundtracks of the original Halo trilogy to vinyl for the first time, remastering and revamping 83 original scores from Halo: Combat Evolved, Halo 2, and Halo 3. the music that defined a franchise is thus ethered in perpetuity. Weaving orchestral elements, prog rock, drum corps marches, and heavy metal, Halo presents a perfect bottling of angst and militancy; owing to its popularity with a certain teen gamer cohort, Halo 2's score especially made history as the first video game OST to chart on the Billboard 200. Now, each soundtrack is presented in its own sleeve with custom artwork, and comes in a collector's box adorned with a debossed Halo logo and silver laminate finish.