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Back catalogue: Funk Soul & Jazz
Juno's full catalogue of Funk Soul & Jazz
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Review: Wherever You Are is the sonic result, expressed through solo piano, of a bright burst of introspection experienced at home by John Foxx of Ultravox fame. Made up of compositions he created in the quiet hours following a rare performance at Kings Place, London, during the BBC Radio 3 Night Tracks event in October 2023, the majority of Wherever You Are was recorded at home, with Foxx noting that the matutinal hours are the best for minimising self-criticism, and letting creative freedom flow. Morning, on Foxx's watch, is the ideal time to play: and in stark contrast to his oblique solo LP Metamatic, Foxx's latest is a mono-instrumental monument to personal tranquility and contentment. It reiterates the importance of quietude and temperance as crucial start-points for navigating the complex world we face today.
… Read more in stock $13.28
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Review: Following a pair of well-received albums on Juicebox Recordings (not to be confused with A Guy Called Gerald's 1990s label of the same name), self-styled "nu-funk" duo Franc Moody have transferred to Night Time Stories for the release of new album Chewing The Fat. Like its predecessors, it blends a left-of-centre, Hot Chip style sensibility with colourful and nostalgic synth sounds, disco strings, good grooves and nods aplenty to both 21st century electronica and the Halcyon days of synth-funk in the 1980s. The results are frequently superb, with highlights including the throbbing-but-sparse 'Square Pegs In Round Holes', jaunty opener 'Driving On The Wrong Side of the Road' and the blissful, tactile and string-laden nu-disco bounce of 'Bloodlines'.
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Review: Galliano's return with Halfway Somewhere marks a significant moment in the resurgence of acid jazz. Led by founder Rob Gallagher, the band delve into the essence of club culture with their first single, 'Circles Going Round The Sun,' exploring the transformative power of dance. Referencing cultural icons like Andrew Weatherall and David Mancuso, Galliano capture the spirit of London's underground scene from the late 80s, blending music, dance, fashion, and art. With their debut on Gilles Peterson's Talkin' Loud label in 1990, Galliano epitomized reinvention, embracing a fusion of influences from Jamaican style to spoken word records. Now, more than three decades later, they return with a refreshed lineup, drawing inspiration from the global jazz scene. Halfway Somewhere reflects Galliano's evolution, responding to the dynamic landscape of contemporary jazz while retaining their signature sound. With contributions from longtime members and guest artists, the album embodies the band's enduring spirit of experimentation and joy. As they navigate this new chapter, Galliano proves they're still on a journey, but one filled with excitement and creativity.
… Read moreGespielt von: Juno Recommends Broken Beat Nu Jazz
in stock $12.15
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Review: Some 13 years have now passed since Mississippi Records started reissuing private press albums by Emahoy Tsege Mariam Gebru, an Ethiopian Orthodox nun, pianist and composer whose naturally religious-inspired works frequently took spiritual music to fascinating new places. Here the label turns its attention to 1972's Church of Kidane Mehret, notable not only for being recorded live in various churches across Jerusalem, but also for the use of harmonium and pipe organ as well as Emehoy's beloved piano. The original album, which in line with her other album features intricate and mood-enhancing solo translations of orthodox liturgies, has here been expanded via the inclusion of two further piano pieces from 1963's ultra-rare Der Sang Des Reeres - a set of which only 50 copies were ever produced.
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Review: Immerse yourself in the world of Ginger Root, where Cameron Lew's meticulous craftsmanship shines through. Since 2017, this Southern California multi-instrumentalist, producer, songwriter, and visual artist has drawn a dedicated following with his remarkable albums, films, and global tours. Ginger Root's soundia polished blend of synth-pop, alt-disco, boogie, and soulireflects Lew's Asian-American heritage and love for 1970s and '80s music, including Japanese City Pop and its Western counterparts like French Pop and Philly Soul. Lew's third LP, Shinbangumi, marks his debut on Ghostly International and is set for a 2024 release with an accompanying visual album. This album represents a new chapter for Lew, showcasing his confidence and intention in presenting Ginger Root's definitive sound. Tracks like 'No Problems' and 'Better Than Monday' highlight Lew's signature style, blending diverse genres into cohesive songs. With Shinbangumi, Lew masterfully weaves his influences into a modern and refreshing sound, creating an album that serves as both a nostalgic homage and a bold step forward.
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Review: On her third full-length release, Brooklyn-based bassoonist, composer and producer Joy Guidry showcases the full range of her 21st century jazz repertoire. While her frequently haunting and emotionally resonant bassoon parts are naturally a focal point throughout, these distinctive and intoxicating musical movements come wrapped in deep-set ambient soundscapes (see sublime opener 'Psalm:138:7'), waves of special effects (the equally meditative 'It's Okay To Let Me Go'), the righteous release of gospel ('Members Don't Get Weary', 'Angels') and the cosmic, higher-level intent of spiritual jazz ('I Will Always Love You'). In other words, it's an impeccable ambient jazz album that deserves wider recognition.
… Read more in stock $11.03
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Review: Guts is a renowned French producer, DJ and vinyl connoisseur known for curating impeccable selections of global sounds. He has done so three times before for this series on Heavenly Sweetness and now returns with a fourth volume that arrives just in time for party season. This essential compilation traverses vibrant Latin rhythms, dynamic Afrobeat, soulful grooves and infectious tropical rhythms to make for a far-travelling listen. Again it shows off Guts' unmatched ability to uncover hidden gems and present them with fresh energy in an eclectic yet cohesive celebration of music's global spirit.
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Review: Soul legend Isaac Hayes' enduring legacy as a soul visionary echoes through this second volume of his singles, which picks up from where the first left off. The collection spans 1972 to 1976, a time when Hayes transitioned from Stax to his own Hot Buttered Soul label. Tracks like 'Hung Up On My Baby' and the relentlessly funky 'Chocolate Chip' showcase his blend of lush orchestration with raw, gritty grooves, a style deeply rooted in the soul-rich streets of Memphis, where Hayes' early musical foundations were laid. As he moved away from Stax's structure, Hayes embraced a new sense of creative freedom, merging cinematic soul with the emerging sounds of disco, perfectly captured in 'Disco Connection'. The production, unpolished and alive, channels the intensity of Hayes' sound from the early 70s, pushing boundaries while remaining deeply personal. This release is a reflection of the man's profound influence on soul music, one that continues to reverberate through generations.
… Read moreGespielt von: Juno Recommends Soul
in stock $14.69
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Review: Hailing from Norway, Hedvig Mollestad is renowned for her ability to bridge the worlds of jazz and heavy rock with a fierce, improvisational spirit. The trio, which has been at the heart of her sound since its inception, is back with their latest offering after a four-year hiatus, following the release of Ding Dong. This time, there's a palpable sense of urgency and creative freedom. Tracks like 'Bees In The Bonnet' and 'Under The Velvet Sky' highlight their complex interplay, weaving intricate structures with fiery, riff-heavy moments. The trio's chemistry, cultivated over years of touring and writing together, has only deepened, with an infectious energy that resonates throughout the release. Mollestad's sharp, commanding guitar work remains a focal point, as she effortlessly fuses influences from jazz legends to the weighty riffs of metal pioneers.
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Review: London-based DJ and producer Steven Julien's music blends contrasts and has done so across more than a decade on labels like Eglo and his own Apron Records. In that time he has explored various styles, from house and techno to soul and boogie, often drawing on his own life experiences for inspiration. His eclecticism extends to his contribution to !K7's wonderful DJ-Kicks series in a mix that features artists like Ryuichi Sakamoto and Todd Edwards along with Julien's own tracks. The mix takes you on a proper ride from a peaceful afternoon to a euphoric night on the dancefloor, with plenty of big moments and killer jams along the way.
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Review: Always keen to break new ground, Strut's latest compilation comes not from a well-known European or American crate-digger, but rather Kenyan-born, Uganda-based DJ Kampire. A Dancefloor in Ndola sees her look back to her time growing up in Zambia and specifically the music she heard and loved during these formative years. It's a great idea, executed brilliantly, with Kampire showcasing an enticing and highly entertaining mix of East and South African music from the 70s and 80s, including Congolese rumba and soukous, bubblegum, and kalindula, a guitar-led style native to Zambia. It's a joyous an eye-opening collection all told and notable for - aside from the high quality throughout - Kampire's decision to showcase a high number of tracks from legendary and little-known female artists. A genuinely essential collection all told.
… Read moreGespielt von: Juno Recommends International
in stock $12.42
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Review: In the late 1970s Japanese jazz guitarist Ryo Kawasaki recorded a string of great albums - many of which were originally only released in his home country - before embracing the potential of drum machines and synthesisers in the early 1980s. Amongst his most potent sets of the 70s was Prism, an inventive and wildly freewheeling fusion and jazz-funk excursion. As this reissue proves, it remains a genuine gem, with Kawasaki showcasing his incredible versatility across a range of tracks that variously doff a cap to slow-motion blues ('Bridge Sun'), Blaxploitation soundtrack funk ('Nogi'), high-tempo free-jazz ('Agana'), synth-laden jazz-funk ('Phil'), laidback fusion jams ('Sweet Tears'), and solo experiments ('Bridge Star').
… Read more in stock $10.16
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Review: The latest album from Michael Kiwanuka continues his exploration of soul, folk and jazz, with production from Danger Mouse and Inflo. Following the path set by his previous work, the album offers a familiar yet comforting sound, blending rich soul vibes with subtle jazz influences. The opening track, 'Floating Parade', sets the tone with its dreamy, nostalgic atmosphere, while 'Lowdown' - a two-part track - channels 70s Afro-rock with a laid-back vibe. Kiwanuka's introspective lyrics reflect themes of self-reflection and gratitude, with tracks like 'One and Only' and 'Stay By My Side' offering heartfelt messages to his family. Musically minimalist, the album emphasises warmth and simplicity, as seen in 'Live For Your Love', where Kiwanuka expresses regret and appreciation for his wife's patience. The album's standout moments draw from 70s soul and afro-rock influences, bringing a fresh twist to Kiwanuka's signature sound. Overall, this album provides a comforting, soulful experience, showcasing Kiwanuka's growth both musically and personally, offering listeners an intimate and reassuring journey through his life and musical evolution.
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Review: Journey Through Life witnesses Afrobeat pioneer, pallbearer and powerhouse Femi Kuti's very latest transformation in sound, as we witness the artist turn vividly, self-reflectively inward. The LP proposes a rare self-produced window into Femi's personal evolution, spanning childhood memories to fatherhood and, of course, the unshakable presence of family. As he puts it: "At the end of the day for me family is all that matters. The essence is to manage such events and let love prevail." Long celebrated for his uncompromising political voice, Femi leans evermore into an already evident vulnerability, revisiting earlier material through several, pylonic stylistic anchors: his signature horn-laced grooves, not to mention themes of personal legacy and posterity.
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Review: Slang Spirituals is soul singer and producer Lady Blackbird's latest full-length album, following up the EP of the same name released earlier in 2024. A collaborative wall of sound, scaled in collaboration with producer and guitarist Chris Seefried - as well as her very own, devoted session musical retinue, consisting of Kenneth Crouch (Keys), Tamar Barzilay (drums) and Johnny Flaughers (bass) - this bright, yet equally, extimately melancholic record is a twin paean to two superficially opposed themes: soul-purgation and soul-complication. 'Let Not' and 'Purify' make up the former front face, heliolatrically facing up to the brighter sides of life with yellowed guitar fuzzes and boundless vocals, while B-siders 'Whatever His Name' and 'When The Game Is Played On You' prefer to explore the darker side of the moon, deploying various mellotrons, pump organs and cross-sticks to acoustically muse on the inverse pains that are betrayal, longing, and graft.
… Read moreGespielt von: Craig Charles Funk And Soul
in stock $13.55
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Review: Berlin-based Sydneysider LOGIC1000 (real name Samantha Poulter) enjoyed a prolific and productive 2024, becoming something of an in-demand DJ, producer and remixer on the back of her acclaimed debut album Mother, a typically distinctive affair that pulled deep house in a variety of woozy, melodious and inventive new directions. Her inclusion in K7's long-running DJ Kicks series is therefore well-earned. It offers a home listening-ready distillation of her sound that's notably 'calmer' (in the label's words) than her club sets. But that's no bad thing, as it allows greater exploration of experimental, downtempo and hyper-pop, alongside a string of exclusives (including the obligatory track created for the series) and some heady, mid-tempo dancefloor grooves.
… Read more in stock $13.55
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Review: On their first album, 2023's Legacy, French trio Emile Londonien (a name chosen to reflect their love of British musical culture) explored contemporary jazz of the sort you might hear played by locals at London's Total Refreshment Centre. They take a slightly different tack on Inwards, combining the breeziness and musical positivity of their previous work with added nods to jazz-funk, dub, fusion, spaced-out soundscapes, soul-jazz and broken beat. Highlights are plentiful, from the smoky sweetness of 'Easy' (featuring guest vocalist Cherise) and the loose-limbed organic dancefloor rhythms of 'Catch The Light' (a definite nod to UK legend Kaidi Tatham), to the intergalactic jazz-soul of 'Another Galaxy' (with Ashley Henry) and the live tech-jazz masterpiece 'The Vibe Is'.
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Cat: AJXCD 816. Rel: 13 Feb 25
Review: Initially inspired by a request by long-term supporters Jazz FM to perform a live remake of one of their favourite albums, Herbie Hancock's peerless Headhunters, Chameleons sees rising British jazz-funk and contemporary jazz combo Mama Terra dive deeper into the great man's catalogue on a set recorded live at a gig in Glasgow. In keeping with their own style, they made a conscious decision to replace the formative synth sounds and future-funk influences prevalent on Hancock's work of the 70s and 80s with acoustic instrumentation. It's a bold move but, thanks to their undoubted quality and deft touch, works well. For proof, check the languid and laidback breeze through 'Butterfly', a wonderfully gritty and low-slung jazz-funk re-make of 'Chameleon' and the triumphant takes on earlier Hancock works 'Cantaloupe Island' and 'Watermelon Man'.
… Read more in stock $12.72
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Review: Lazaro Pla AKA Manteca is undoubtedly a Cuban musical legend - even if the bongo maestro only recorded a handful of albums as featured artist and bandleader. 1978's Rito Y Sabor, a percussive masterpiece made up almost entirely of drums, timbales and bass, is the most celebrated of these - and in general, one of the hardest to find. Created by Pla and a handful of musicians, it delivers an enticing mix of infectious Afro-Cuban grooves, sweat-soaked percussion solos, bold basslines and occasional (and often mixed-down) piano motifs. Highlights include Latin jazz dancefloor bombs 'Casas De Manteca' and 'Afro Funky', and the Incredible Bongo Band style brilliance of 'Abacua'.
… Read moreGespielt von: Juno Recommends International
in stock $14.97
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Calm Vol 1 (B-STOCK) (LP)
Cat: MFCV 002 (B-STOCK). Rel: 01 Jan 90
B-STOCK: Sleeve split at the top but otherwise in great condition
Review: ***B-STOCK: Sleeve split at the top but otherwise in great condition***
Zoltan Nagy AKA P60 has spent the last four years slowly building up his Midnight Fashion label and its dedicated downtempo offshoot, Midnight Fashion Chill. Following a handful of solo EPs on the latter imprint, Nagy has now decided to offer up a first imprint compilation - one that not only showcases his work, but also that of Marcel (AKA sometime Cookin' Records artist Marcell Dudas) and Plastic City regular Forteba (AKA Hungarian stalwart Krisztian Dobrocsi). Musically, the set lives up to its' title, offering an enticing and undeniably blazed mix of DJ Calm style trip-hop, warming 1990s style downtempo grooves, slow-burn Baleric soundscapes, Onra-esque neo-boogie beats and warm, deep and languid, jazz-flecked mid-tempo house.
… Read moreZoltan Nagy AKA P60 has spent the last four years slowly building up his Midnight Fashion label and its dedicated downtempo offshoot, Midnight Fashion Chill. Following a handful of solo EPs on the latter imprint, Nagy has now decided to offer up a first imprint compilation - one that not only showcases his work, but also that of Marcel (AKA sometime Cookin' Records artist Marcell Dudas) and Plastic City regular Forteba (AKA Hungarian stalwart Krisztian Dobrocsi). Musically, the set lives up to its' title, offering an enticing and undeniably blazed mix of DJ Calm style trip-hop, warming 1990s style downtempo grooves, slow-burn Baleric soundscapes, Onra-esque neo-boogie beats and warm, deep and languid, jazz-flecked mid-tempo house.
in stock $12.42
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Review: It may be almost a decade since the last - and previously only - album by Mark Ernestus' Ndagga Rhythm Force outfit, but in the time the expansive, percussion-led collective has toured extensively and subtly developed their African rhythms-meets-dub trademark style. Khadim, which features extensive contributions from vocalist Mbene Diatta Seck, is not only a welcome return to the studio, but also a genuinely impressive affair. For proof, check the percussion-rich Afro-dub science of 'Lamp Fall', where Seck's effects-laden vocals spar with dub techno synth motifs and deep sub-bass over a hand percussion-heavy rhythm track, or the more dub techno-focused early morning hypnotism of the inspired title track.
… Read more in stock $12.99
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Cat: 652150 4. Rel: 01 Aug 24
Review: Meshell Ndegeocello's second Blue Note album, No More Water: The Gospel of James Baldwin, pays tribute to the esteemed writer and activist James Baldwin. This transformative, genre-blending work serves as a musical experience, church service, celebration, testimonial, and call to action. Set for release on Baldwin's Centennial, August 2, 2024, the album is co-produced by Ndegeocello and guitarist Chris Bruce. It features frequent collaborators Justin Hicks, Kenita Miller, Abe Rounds, Jake Sherman, Jebin Bruni, and Julius Rodriguez, along with powerful spoken word performances by Jamaican poet and activist Staceyann Chin.
… Read more in stock $14.69
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Review: Frank Noviello's debut album is a diverse collection of jazz standards and inventive originals. Randy Weston's 'High Fly' features a grooving arrangement, while the original 'Tribal Dance' features a vocal bebop, but the real standout track is the Gary Bartz/Langston Hughes spiritual jazz piece 'I've Known Rivers.' Gilles Peterson played a part in its reissue, encouraging his listeners to contact the label and demand a reissue - and now this fairly unknown but excellent album is taking off through word of mouth.
… Read more in stock $11.03
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Review: Jeff Parker and his ETA IVtet are back with their first new music since 2022's Mondays at Enfield Tennis Academy. The album delves into improvised jazz grooves and features longtime collaborators Anna Butterss on upright bass, sax from Josh Johnson and Jay Bellerose on drums. The compositions are carefully crafted to capture the essence of a single night's setlist and reflect the unique atmosphere of the now-defunct Enfield Tennis Academy. Parker channels this space into a beautifully layered and dynamic piece that builds intricate, shifting textures from simple musical ideas that evoke a rich, immersive listen.
… Read more in stock $13.28
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Review: Will Holland's first official mix release under his most familiar alias is a snapshot of a global career spent building communities across Bogota, Brooklyn and Brighton. Opening with the warm introspection of JJ Whitefield's 'The Mind Is A Palace' and the hazy psych-funk of The Heliocentrics, the selection soon tilts into submerged electronics via Dialect and Alfa Mist's brushed jazz motifs on 'In My Defence'. JKriv's 'Pifeiro Malandro' and Quantic's own 'Twang' bring syncopated bounce, setting up cumbia futurists Frente Cumbiero and a percussive remix of 'Theme From Selva'. Later, 'Eko Eko' and a live version of 'Motivic Retrograde' thread together low-slung breaks and synth-rich ambience, before Meridian Brothers' 'Un Grande Nubarron Se Alza En El Cielo' and The Maghreban's 'Covent Garden' ramp up the oddball charm. Anna Morgan and Ehua lock in high-BPM club energy on 'Throw Dat Azz' and 'Scintille', while Turbo Sonidero's 'Kumbia ESSJ' and Sobredosis's 'No Llores Por Mi' land like final toasts to dusk before the sun vanishes entirely. The journey ends, naturally, with a continuous mix of it all.
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Review: Curyman II, set for release via Diamond West Records, is the highly anticipated follow-up to Roge's US debut album. This album honors the roots of Brazilian music while pushing its boundaries, showcasing Roge's evolution as an artist. Collaborating with legendary figures such as Seu Jorge and Arthur Verocai, who arranged strings for both Curyman albums, Roge creates a vibrant tapestry of sound that bridges the past and future of Brazilian music. With a career spanning over two decades and multiple accolades, including a Latin Grammy nomination, Roge is a pivotal figure in the resurgence of Musica Popular Brasileira (MPB). His previous release, Curyman, produced by Thomas Brenneck of the Budos Band, celebrated samba infused with messages of resilience and hope. Curyman II promises to build on this success, delivering even more infectious samba rhythms and thought-provoking lyrics. As Roge continues to evolve, he remains dedicated to sharing Brazil's rich cultural heritage with audiences worldwide, making this album an exciting invitation to immerse in his soulful musical world once again.
… Read moreGespielt von: Juno Recommends International
in stock $14.13
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Cat: QROBIN 80CDD. Rel: 13 Mar 25
Review: Rufus and Chaka Khan's final stretch balances the unfiltered funk of their live performances with the studio polish of their later work. Their live recordings deliver an electrifying set, reworking classics like 'Tell Me Something Good' and 'Sweet Thing' into extended, groove-heavy jams. 'Ain't Nobody' stands outinot just as the lead single but as a masterclass in electro-funk, pairing airtight drum programming with Chaka's soaring vocal for a career-defining moment. Their studio material shifts towards sleek 80s production, offering a more restrained but still soulful contrast. A dynamic farewell from an era-defining partnership.
… Read more in stock $12.72
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Review: Satellites' self-titled 2020 debut album won plenty of plaudits, with critics the world over hailing the Tel Aviv-based band's blend of vintage, Turkish style psychedelic folk-rock and dancefloor adjacent grooves indebted to funk, soul and disco. Aylar, the six-piece's belated sequel, continues in this vein, with the band arguably being bolder with their musical choices. For proof, check the cosmic strut of opener 'Tisaldi Mehmet Elmi', a psych-funk transformation of a traditional Turkish folk song, the low-slung grooves and sweet retro-organ melodies of 'Midnight Sweat', the gritty, thrusting and hallucinatory 'Yok Yok' and the future dancefloor anthem that is psychedelic Turkish disco gem 'Zuluf Dokolmus Yuze'.
… Read more in stock $14.97
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Review: Nala Sinephro's latest full-length record, Endlessness, hears the London-based jazz and electronica musician dive deep into the fundaments of nature and existence. Via a decalogue of 'Continuums' - which begin slowly on a note of muted brass and serenely laggard drumming, the first of which rarely stoops to settle on any particular rhythm, more than indulging the not infrequent metric detour - the album swells into a slow but sure expansion in cosmic jazz, which not explicitly but implicitly elicits cosmic thoughts, universal ponderings that exceed the limits of single lifetimes.
… Read moreGespielt von: Juno Recommends Broken Beat Nu Jazz
in stock $14.97
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Review: 11 years into their career, Wakefield's Skinny Living feel like they're on the verge of a breakthrough. Their trademark sound has always been joyous and celebratory, with a nostalgic and accessible sound that relies more on classic soul and expansive 1960s Mod more than moody indie-rock or rough lo-fi posturing. Now signed to a major label, they've pushed that sound to the max - think heady horns and strings - on debut album Day By Day, a set recorded in Muscle Shoals, Alabama (where many classic soul sets were laid to tape). The resulting songs, which were written and demoed over the course of a decade, simply soar, suggesting that the Yorkshire outfit could genuinely be 'the next big thing'.
… Read more in stock $13.55
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Cat: 602465 250893. Rel: 26 Sep 24
Review: Following years of notable collaborations with some of jazz's leading voices, saxophonist and band leader Walter Smith III finally broke through in 2023 via a first headlining album for Blue Note. On his return to the label, Three of Us Are From Houston and Reuben is Not, Smith pays tribute to the Texan city of his birth in the company of Jason Moran (piano), Eric Harland (drums) and Reuben Smith (bass). It's a pleasingly breezy, positive and expertly crafted affair, with the quartet running through a series of ear-catching Smith compositions and a radical (and rather good) interpretation of an old Sam Rivers number. A wholehearted tribute to the rarely discussed cultural richness and diversity of Smith's home city.
… Read more in stock $13.85
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Review: SML is the quintet of bassist Anna Butterss, synthesist Jeremiah Chiu, saxophonist Josh Johnson, percussionist Booker Stardrum, and guitarist Gregory Uhlmann. Together they present their debut album Small Medium Large, a collection of long-form improvisations recorded during two separate two-night stands at the beloved Los Angeles venue ETA. Forming the perfect locale in which to boost their initial rise, ETA is perhaps no longer a fitting name - with SML, we're no longer pondering this band's estimated time of arrival. Small Medium Large is a sublime assemblage of circulatory grooves and textural anomalies, at different moments recalling the synth-laced improvisations of Herbie Hancock's Sextant, the jagged dance punk of Essential Logic, the rhythmic revelry of Fela Kuti, the low-end elasticity of Parliament/Funkadelic, or the glitchy dub techno of Pole.
… Read moreGespielt von: Juno Recommends Broken Beat Nu Jazz
in stock $14.69
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Review: Canterbury scene stalwarts Soft Machine were well established by the time they headed out on a European tour in 1970 to promote their third album. Their performances in Paris and Rotterdam were recorded for radio broadcast and it's those live recordings that make up this two-disc set. It shows the jazz-rock fusionists at their mercurial best, with disc one featuring a performance of the Third LP in full, alongside fan favourites from its two predecessors. Disc two, meanwhile, features a handful of extended takes on tracks from all three albums they'd released up to that point, as well as a fine version of 'Teeth' - a track that would eventually surface in studio form on 1971 LP Fourth.
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Review: International Anthem continues to serve up inspired debuts from some of the more intriguing members of Chicago's jazz and experimental music communities. The latest comes from multi-instrumentalist, composer and improviser Macie Stewart, who has delivered what's being dubbed "a companion piece for moving through life". At the heart of the album is Stewart's use of both piano and 'prepared piano' (a technique where various items such as coins and pieces of felt are attached to the instrument's strings). These picturesque and occasionally melancholic musical motifs come wrapped in atmospheric field recordings and sensitive string quartet arrangements. The results are rarely less than memorable, mesmerising and magnificent.
… Read more in stock $14.13
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Jazz Is Dead 22 (CD)
Cat: JID 022CD. Rel: 24 Jan 25
Review: Ebo Taylor, a towering figure in highlife and afrobeat, recorded his latest album during his debut US touria milestone that came at the remarkable age of 88. Teaming up with Adrian Younge and Ali Shaheed Muhammad, Taylor crafted a psychedelic journey steeped in 70s-inspired rhythms. Tracks like 'Beye Bu, Beye Ba' and 'Kusi Na Sibo' reflect his spiritual depth and lyrical wisdom, exploring themes of gratitude and divine guidance. Recorded at Linear Labs, the album pulses with fuzzed-out guitars, polyrhythmic percussion, and Taylor's signature vocal style, standing as both a testament to his enduring brilliance and a crown jewel in the Jazz Is Dead series.
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Review: Thee Marloes bring a fresh and unique sound to the soul music scene, blending elements of soul, jazz, and pop with their Indonesian roots. Hailing from Surabaya, the trio consists of Natassya Sianturi on vocals and keys, Sinatrya ("Raka") Dharaka on guitar, and Tommy Satwick on drums. Their debut album, Perak, harnesses their ability to craft deeply emotional and rhythmically engaging tracks. Opening with 'Midnight Hotline,' a vibrant dancefloor hit with jazzy guitar riffs and infectious piano, Thee Marloes immediately capture attention. The B-side, 'Beri Cinta Waktu,' is a soulful ballad sung in Indonesian, demonstrating their linguistic versatility and heartfelt delivery. Tracks like 'I Know' explore themes of deception in love with a mid-tempo groove, while 'Not Today' offers an uplifting, feel-good vibe perfect for any laid-back setting. 'True Love' dives into soulful jazz, creating a cinematic atmosphere reminiscent of a Tarantino film. The album closes with 'Over,' starting with a powerful drum break and evolving into a beautifully layered melody that encapsulates the intensity of a sudden breakup. Perak is a beacon of Thee Marloes' passion and creativity. Their music transcends cultural and language barriers, leaving a lasting impression.
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Review: Thee Sacred Souls return with Got A Story To Tell, the highly anticipated follow-up to their 2022 self-titled debut. This new album, featuring 12 original tracks, showcases the band's growing artistry, recorded and produced by Gabriel Roth at Daptone's Penrose Recorders in Riverside, CA. Drawing from a deep well of soul music, Got A Story To Tell weaves a timeless yet contemporary tapestry. The album kicks off with 'Lucid Girl,' a celebration of independence set against powerful drums and bass, while 'Waiting On The Right Time' brings a hint of slow-burning psychedelia. In 'One and the Same,' vocalist Lane delivers a heartfelt plea for unity through her passionate lyrics. With lush orchestration, including strings, congas, and horns, the album is rich and textured, making each listen a rewarding experience. Got A Story To Tell marks a stunning evolution in Thee Sacred Souls' sound.
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Review: World music and downtempo pioneers Thievery Corporation dropped their seminal It Takes A Thief album back in 2010 and it instantly became another one of their many classics. Drawing on sounds from across the globe from Indian tablas drums to Lebanese funk via Far Eastern strings, it's a cultured and laid-back listen rich in instrumentation and escapist grooves. The beachy bliss and gentle horns of 'All That We Perceive' and dubby swagger of 'The Richest Man In Babylon' are just two standouts among many.
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Cat: IARC 95CD. Rel: 13 Mar 25
Review: In classic jazz style, this collaborative three-way debut album brings together three musicians at the top of their game: SML members Gregory Uhlman (guitar and effects) and Josh Johnson (saxophone and effects), and sometime Louis Cole, Sam Gendel and Chaka Khan collaborator Sam Wilkes (bass and effects). Musically, what the trio offers is undeniably unique, with International Anthem describing the album as "a jazz-informed take on progressive electro-acoustic chamber music". Certainly, there's much to enjoy, from the tracked bass, guitar and sax loops and subtle changes of 'Mavis' and the dreamlike ambient jazz of 'Arpy', to the bubbling cosmic jazz of 'Frica' and a stunning, off-kilter instrumental cover of Magical Mystery Tour-era Beatles number 'The Fool On The Hill'.
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Review: This five-disc CD set has an impressively broad and satisfying journey through one of the most dynamic decades in popular music. From glam to disco, punk to singer-songwriter balladry, soul to soft rock, each disc brings together an eclectic mix of tracks that still feels essential. The opening tracks boast undeniable energy: Queen's 'Don't Stop Me Now' and ELO's 'Mr Blue Sky' remain joyful anthems, while Blondie's 'Heart of Glass' and Gary Numan's 'Cars' introduce a touch of post-punk and synth-pop futurism. As the compilation moves into moodier and more socially charged fare, the inclusion of The Clash's 'London Calling' and Marvin Gaye's 'What's Going On' add depth and urgency, but there are moments of sheer beauty like Joan Armatrading's 'Love and Affection' and Justin Hayward's 'Forever Autumn' too. The disco era gets a full-bodied celebration with staples like Gloria Gaynor's 'I Will Survive', Chic's 'Good Times' and Earth Wind and Fire's 'September', each one carrying the rhythm and flair that defined dancefloors at the time. Meanwhile, soft rock and radio-friendly hits like 10cc's 'I'm Not In Love' and Bread's 'Make It With You' provide smoother, introspective tones. Nostalgic singalongs such as 'Sweet Caroline', 'Mull of Kintyre' and 'Tie a Yellow Ribbon' add a glimpse of warmth that remains from the 60s. Each track is a classic in its own right, but together they form a kaleidoscope of 70s culture.
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Cat: STRUT 190CD. Rel: 13 Mar 25
Review: Strut continues to explore the vast archives of Disque Debs, a long-running, Guadalupe-based label that, over the course of half a century, released a wealth of music from the Caribbean. In the process, Henri Debs imprint helped launch the careers of countless French-speaking artists while not only showcasing stylistic movements such as zouk, bouyon and merengue, but also bold, colourful and tropical takes on existing Caribbean, Amercian and European sounds. Highlights include - but are in no way limited to - the slowly unfurling, synth-heavy shuffle of Sadi Lancreot's club-ready 'Dou Se Vou Ki Siwo' and the horn-heavy tropical disco brilliance of Dominuque Parol's 'Come On Baby'.
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Cat: MRBCD 302. Rel: 21 Mar 25
Review: International favourites on the boogie-and-beyond selection circuit, Horse Meat Disco deliver the first edition in a brand new compilation tracking yet more heat disco of a Brazilian flavour. Some 13 years in the making, much love and attention has been poured into this compendium, which unearths tracks from the seemingly endless urban goldmines of Brasilia and Rio, twin obsessive loci, nurtured by founding member Luke Eagle amid an extended exploration of the South American nation's dance music culture. Having learned to dance samba and paraded the Rio Carnival, this is a compilation rooted in worldly experience, made up largely of 7" finds. Chief among the brilliants are Ze Carlos' Italoesque wonder 'Venha' and the well-spiced 'Sol De Verao' by Lafayette, spanning years' worth of digging.
… Read moreGespielt von: Pete Haigh
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Review: By now, we should know exactly what to expect from Mr Bongo's superb Record Club series of compilations: inspired selections, across a range of complimentary styles, from the esteemed label's staff and roster of in-house DJs. Predictably, volume seven is another must-check treat, with the plentiful highlights including the sun-soaked samba shuffle of Yvette's 'Upa Neghuino', the jazzy MPB excellence of 'O Espaco' by Os Panteras, the joyous and spiritual dancefloor soul-jazz of Roman Andren's 'Captain's Sword', the gritty funk-rock of Truth & Devotion ('Bless My Soul'), the heavy disco of 'Come Inside' by The Shades of Love, the self-explanatory (but hard to pigeonhole) brilliance of Tony Wilson's 'Hangin' Out In Space (dub mix)' and the hard-to-find excellence of JC Lodge's 'In Between The Sheets', a far-sighted Jamaican street soul jam from 1993.
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Review: Studio One Soul 2, the highly anticipated second volume of Soul Jazz Records' acclaimed Studio One series, dives deep into Jamaica's enduring love affair with American Soul and Funk. This special 18th anniversary edition features a vibrant array of legendary reggae artists like Horace Andy, The Heptones, Cornell Campbell, and Ken Boothe, all of whom got their start at Studio One before achieving global success. The album features a unique blend of classic and obscure American Soul and Funk tracks, reimagined with a distinct Jamaican flavour. Standout tracks include Cornell Campbell's stunning recut of The Mad Lads' Curtis Mayfield-penned 'Ten to One,' Winston Francis' soulful interpretation of The Five Stairsteps' 'Don't Change,' and Devon Russell's powerful take on 'Make Me Believe in You,' which arguably rivals Mayfield's original. This collection, featuring a mix of classics, rare gems, and previously unreleased tracks, has been meticulously remastered. Perfect for a serious reggae enthusiast, this compilation embodying the Studio One ethos of reworking influential soul records into a Jamaican soundscape.
… Read moreGespielt von: Juno Recommends Reggae
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Cat: TRCD 9125. Rel: 06 Feb 25
Review: Tramp Records celebrate a whopper milestone, with the label's 125th record taking shape as a reconnaissant celebration of 1970s soul jazz and funk, forming part of the Praise Poems series. Launched to fare an interminable journey through the many privately pressed, furtively released and/or criminally undersung jazz-funk-soul records of yore, and with an international focus, this is a rather special case of one such compilation series making it to its tenth edition, and still retaining the kind of quality control and assiduity most comp-curators may only dream of. From the opening, ultra-headsy 'Fields Of Laughter' by the chartless American band Color Me Blu, to instrumental AOR from pianist George Melvin's short-lived Quintet, you can expect to hear super-rarities here, with some originals only having heard but two acetates to their names at first press.
… Read moreGespielt von: Juno Recommends Funk
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Review: Tramp Records' Movements Vol. 12 offers an excellent trip through rare rhythm & blues, mod-jazz and mid-70s funk. This latest installment in their acclaimed series is a treasure trove of obscure gems and infectious grooves, each track a testament to the label's dedication to uncovering hidden musical gems. Opening with Johnny April's 'She Had A Pikanese,' featuring the Mat Matthews Quartet, the compilation sets a tone of rich, soulful rhythms. Lu Elliott's 'Common Sense' and Lloyd Fatman's 'No Big Thing' follow, with a variety of underappreciated r&b delights. Billy J's 'Teacher Teach Me' and Wayne Johnson's 'Scram Gravy Ain't Wavy' continue the vibe, offering distinctive flavors of classic soul. The compilation dives into deep funk with 'Hipper Snapper' by 4 Dimensions, reminiscent of Charles Wright's 'Express Yourself.' Other tracks like Gus Brendel's 'Sax On The Rocks' and The Hornets' 'Seven Days To Tahiti,' perfect for dance floors. Bret Breitinger's 'Jive Samba' and Downtown Trio's smooth 'Summertime' add to the eclectic mix. Overall, Movements Vol. 12 is a triumph, delighting with its rare finds and impeccable curation, solidifying the series' reputation as a flagship of musical discovery.
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Review: This two-disc set captures groundbreaking band at the peak of their live performance powers. Known for their genre-blending mix of funk, jazz, soul and rock, the band shines in this energetic recording, showcasing their tight musicianship and dynamic stage presence. The collection includes extended versions of fan favorites, with grooves that stretch and evolve in ways only possible in a live setting. Tracks like 'Slippin' Into Darkness' and 'The World Is a Ghetto' come alive with improvisational flair, while the interplay between the band members highlights their cohesive chemistry. The recording quality is excellent, preserving the raw energy of the performance while offering clarity that allows each instrument to shine. This live album serves as a time capsule of the era's musical innovation. Those who appreciate soulful, groove-laden live music, this is an essential band to have in your collection.
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Cat: JMANCD 144. Rel: 27 Jun 24
Review: German guitarist and bandleader JJ Whitefield, known for his authentic, timeless sound, delves into 'spiritual jazz' on his latest album, The Infinity Of Nothingness. With a career spanning over three decades, Whitefield's journey began in the early 90s with Poets Of Rhythm, pioneers of the Deep Funk scene. Since then, he has explored various musical styles, including funk with Karl Hector and Ethiopian Jazz, West African highlife, Kraut-rock, and ambient music under his Rodinia moniker. The Infinity Of Nothingness is a set of mature, meditative orchestrations, drawing inspiration from Sun Ra and Pharoah Sanders without becoming mere tributes. The album weaves subtle elements of hip-hop, library music, and avant-garde into its sound, creating a unified, trance-like feel. From the sparse opener 'Nothingness' to the three-part 'Infinity Suite' - 'Time', 'Space' and 'Energy' - the album reflects Whitefield's exceptional ability to craft music that resonates deeply with its influences while standing the test of time. As with his early work, Whitefield's latest project continues to set a high standard in musical exploration.
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Review: This enchanting album from Welsh jazz harpist Amanda Whiting is a heartwarming celebration of the festive season. Combining her deep love for Welsh culture, jazz, classical music and Christmas, it radiates warmth and charm throughout. Whiting's virtuosity on the harp shines as she reimagines seasonal classics by Vince Guaraldi, Bill Evans, Holst and Tchaikovsky, offering original arrangements that breathe fresh life into these beloved pieces. The 14-track collection exudes joy and nostalgia, with standout moments like the recent singles 'Peace Piece' and 'Skating'. Whiting's arrangements are both intricate and inviting, with a sound that's cozy and uplifting. Inspired by legendary artists like Dorothy Ashby and Alice Coltrane, her music is a perfect blend of jazz sophistication and classical elegance, creating a timeless atmosphere. Supported by her accomplished trio, the album is a fitting soundtrack for the holidays, bringing the spirit of Christmas to life with every note. Whether you're curled up by the fire or enjoying festive gatherings, this release offers a musical embrace that's truly comforting. A stunning work that showcases Whiting's exceptional talent and her ability to craft an unforgettable seasonal experience.
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What Have They Done To My Funk (feat Bootsy Collins/Michael Moon Reuben/Ouiwey Collins/Buckethead) (5:00)
Review: Bernie Worrell's posthumous release Wave from the Wooniverse emerges as a brilliant example to his enduring influence and creativity. Hailing from Asheville, NC, Worrell, known for his groundbreaking work with Moog synthesizers and his tenure with Parliament-Funkadelic and Talking Heads, left behind quite a bit of unreleased material upon his passing in 2016. Curated and completed by a stellar lineup including Sean Lennon, Bootsy Collins, and Buckethead among others, this CD collection breathes new life into Worrell's compositions. From funk-infused grooves to ethereal synth landscapes, each track showcases Worrell's lyrical keyboard prowess and musical versatility. The album's diversity reflects Worrell's eclectic career, blending genres seamlessly while maintaining a cohesive sonic narrative. With contributions from original P-Funk members and contemporary collaborators, Wave from the Wooniverse resonates as a fitting tribute to a visionary musician. Whether you're drawn to deep-fried funk or introspective instrumentals, this release is a stunning CD for aficionados of innovative and soul-stirring music.
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