Disco Baby (Floating Points & Red Greg edit) (3:55)
Review: If online chatter is to be believed, this tasty 7" from Floating Points' Melodies label is one of the most keenly anticipated disco releases of the year. For starters, the A-side boasts an obscure (but in demand) solo production from Manhattan Transfer keyboardist Yaron Gershovsky. "Disco Baby" is a prime chunk of jaunty, jazz-funk influenced disco-funk, the keyboardist's own jammed-out riffs and solos taking pride of place in the mix alongside punchy horns and a lolloping groove. Arguably even better, though, is Floating Points and Red Greg's flipside re-edit, which plays around with the original version's all-too-short drum break before letting the synths, keys and horns really sparkle.
Review: Hozan Yamamoto is a widely revered figure in Japan, and a true icon of the seventies jazz scene. This album from 1971 is one of this best and a seminal work that effortlessly floats through fusion, soul and big band styles and has been basically impossible to buy in original format. Trust Mr Bongo to come correct with this fully licensed version which features his trademark flute playing and finds the maestro in a soaring, uplifting mood here. Big brass adds weight to his leads while well formed grooves drive the album along. Add in subtle Japanese stylings and it all adds up to a J jazz classic.
Review: Back in 1976, Retta Young - previously a member of 60s soul group The Superbs - recorded and released her sole debut album, Young & Restless. For some time, that set has been in-demand amongst soul and disco collectors, with pristine copies changing hands for hundreds online. Happily, Expansions have put together this licensed reissue. There's much to enjoy throughout, from the simmering strings and heart-aching vocals of slow jam "Now or Never", to the ultra-sweet bliss of "We're So in Love", via the Philadelphia International style brilliance of "My Love is on His Way" and emotion-rich "Let's Make Up For Lost Time".