Back catalogue: Funk

Review: Super Spicy celebrates getting to five years old in the best way it knows how - with a new release, of course. This one comes on translucent re wax and brings together a blend of seasoned and fresh talent including Hotmood, Shalvoy, Diana Swan, Musta, Adam Nova and Uptown Funk. These tracks do a fine job of reflecting the label's dedication to innovation right from the off. Musta's 'Fresco' is a nice jumbled percussive disco funker, Hotmood's 'Ayaaa' rides on some electric synth waves and Shalvo's 'Dancin' is a smooth cruise for the midnight hours. On the flip side are three more vibrant and vivacious disco dancers for good times only.

Review: The shadowy Edit & Dub crew don't talk about their releases, so it can be difficult to ascertain whether the tracks they're showcasing are long-lost originals, or new edits of ridiculously rare records. Either way, the label's latest EP features versions of some seriously hard to find treats, starting with a fine 'extended disco instrumental' of Sanctuary's 'Disconnect', a fine disco-boogie jam from 1980. They then deliver a (we think) previously unreleased 'extended disco' mix of Willie J & Co's killer 1976 disco-funk gem 'Boogie With Your Baby'. On the B-side we're treated to two takes on the mysterious 'Familiar Time and Place' by Uknown Tapes: a 'Chicago Mix' which sounds like late 80s Windy City acid house smothered in spacey deep house chords and intergalactic electronics and the mid-80s techno-tinged 'Detroit Mix'.

Review: Nubian Crackers member The Undercover Brother (AKA veteran Queens, New York-based beat-maker Victor Piagneri) fires up his U.B.'s project and delivers another taster for the forthcoming "Ultimate Covers w/Breaks" LP. On the A-side you'll find his instrumental interpretation of Frederick Knight cut "Uphill Peace Of Mind", a heavy, stripped-back revision rich in killer drum breaks, Red Hot Chili Peppers style funk-rock guitars and life-affirming piano solos. Turn to the flip for Piagneri's vocal-free version of The Honey Drippers' 1973 anti-Nixon anthem "Impeach The President". He allows the track's much-sampled opening drum break a little more room to breathe, before carefully layering up Hammond organ riffs and a snaking saxophone solo that effectively replaces the original vocals.

Review: French-Haitian saxophone player Ulysse laid this cult gem down in 1983. After its release, he became an underground sensation within the niche French boogie scene, Both of the tunes which now get reissued manage to successfully mix political statements with dance-floor fire. First up is 'Naima' which is about the resilience of a woman who has grown up in war. On the flip is 'Tiers Monde' which is a much more heavy digital reggae tune that offers a reminder that we must not forget about abandoned children of the Third World. This was big in Paris in the 80s and will be just as big now.

Review: The crucial Original Gravity label is busy this month with three red hot new 7"s all dropping in quick succession. The top-notch funk crew has this spilt 7" from Umoza Music Project and The Woodfield Road Allstars up here on limited wax. The a-side is a sunny bit of original rousing 70s reggae direct from the islands. Backing vocalists provide plenty of butter while the lead laments a love lost and the rhythm rolls on. On the back side is a much more stoner-paced and funk drenched laidback instrumental with Balearic guitar licks that look to the stars as organ chords warm you through and the rocksteady rhythm gently sways to and fro. Two gems for sure.

Review: After much work, Berlin-based reissue label Matasuna Records is finally able to fully and officially reissue these funk classics. After so many bootlegged versions of these it is great to have a high-quality vinyl pressing on nice loud 7". Both of these legendary funk tunes come from the vast vaults of Atlantic Records and have never had their own standalone releases before. On 'Getting Uptown (To Get Down)' United 8 cook up infectious sounds and mix up horns, guitars, drums and bass while on the flip 'Sexy Coffee Pot' from 'Tony Alvon & The Belairs' is an explosion of raw funk energy.

Review: United Disco Organisation have been tapped up by the ATA label for its first voyage into the world of disco. The band is made up of producer and bassist Neil Innes and guitarist and singer Chris Dawkins and here they head off to the cosmos with a classically inclined sound that comes with lashings of Philly soul influences. 'Send The Rain' opens things up and features a fine flute lead from label-mate Tony Burkill. Dawkins's vocals then take the lead over a nice woody, organic groove and an instrumental is also featured. 'Funky Thing' is a glossy, vibes-heavy tune with big melodies and chunky drum funk.

Review: Mega-chromatic soul-jazz with a dash of weirdness from The Universal Togetherness Band. 'I Want You' and 'Call For Love' were recorded between 1979 and 1982, and were subsequently shelved until one of the duo's members began doling out cassette versions, which led to an unearthing in 2014. Subdued and laid-back drums, clack-guitar and toothy bass all poke through this release's sexy soul snark.

Review: Universe City's 1976 12" promotional release, showcasing 'Can You Get Down' and 'Serious,' achieved legendary status in the disco realm. Produced and arranged by John Davis, its limited availability and enduring demand, amplified by spins from influencers like Sean P and Dave Lee, underscore its lasting impact in the disco community. Davis, a pivotal figure in 1970s disco, significantly shaped its sonic landscape as a composer, arranger, and producer. Now, officially reintroduced after 48 years, this exclusive Record Store Day reissue is a must-have for disco aficionados that won't break the bank like an original would.

Review: PPU is one of your favourite labels when it comes to dusty and lo-fi soul and related sounds. Now the DC-based crew delivers another gem with Grand Hotel, a collection of ten rare tracks from Estonian funk legend Uku Kuut, who they have released several times before now. The instrumental album traces Kuut's journey through the Soviet Union, Sweden, Los Angeles, and Estonia and is a window into his excellently eclectic style. Highlights include his first home recording from 1982 and a track produced in Herbie Hancock's studio. After more than 30 years of travelling across borders, these precious masters have found a permanent home and means that Grand Hotel is a fine tribute to Kuut's international influences.

Review: In 1981, Unity, a new South African band, were making waves with their album Erube Jambo. Produced by the team of Van Blerk/Roos & Greg Cutler, it features succulent voices and melodies, psychedelic Moog, Hohner clavinet and Fender Rhodes, all surrounded by Afro-folky guitars. Unity's journey began between 1972 and 1973 when Poy-Poy Makhubela appeared on four singles with The Young Movers, produced by David Thekwane. In 1975, Poy-Poy, as a lead guitarist, formed Unity with Jeff Radine (Fender Rhodes, Moog), George Legobye (bass), Edward Modiselle (percussion), and Robert Moema (drums). Most members came from The Sound Jaws, except Radine, who played with Rugare, Harari, Chicco, The Black Five, and Prince Nico. In 1978, after hearing Unity in a club, Mike Tswai joined as their manager. Poy-Poy's career has flourished, touring globally and collaborating with South African legends like Brenda Fassie, Don Laka, Blondie & Pappa, Dorothy Masuka, and Kwaito bands such as Alaska, Boom Shaka, and Trompies. Iinnovative spirit and enduring talent ahoy.