Review: Both of these funk gems are taken from a cult compilation Trans Groove Express, which explored the sounds of Express Records and was assembled by MURO. Fourth Wave now serve them up on a superb 7", starting with Maki Asakawa. 'Hohi Hitotsu' is a delightfully gentle and subtle dub with funky guitars adding movement while the sultry vocal soars. Yasuhiro Abe's 'Night Fish' is a brighter and more retro 80s soul and boogie sound with glowing chords and snappy hits. The Japanese language vocal is emotive enough to mean plenty without understanding the meaning of the words.
Young Pulse & Fleur De Mur - "Smooth Sweet Talker" (6:53)
Review: Get yourself geared up for festival season with some fierce party starters certified with the Glitterbox stamp. Melvo Baptiste leads the charge with 'Sweat', a sizzling disco house stomper with Dames Brown giving the biggest diva energy on her show-stopping vocal. Lovebirds bring unbridled joy on the Philly string swoon and slinky b-line funk of 'Burn It Down', while Art Of Tones & Inaya Day keep it peak time on the sassy strutter 'Give My Love'. Young Pulse & Fleur De Mur complete the set with 'Smooth Sweet Talker', another bright and bold vocal cut par excellence.
Review: Inell Young was a New Orleans-based singer who recorded with Eddie Bo and also had a small clutch of solo singles in the late 60s-early 70s. Soul Jazz picked up on one of Young's rarest offerings, a beautiful single which came out some time in the 60s. They first reissued it in 2014 and it keeps getting repressed for very good reason - it's just a perfect slice of southern soul. 'The Next Ball Game' is a fiery, funky number with a clattering beat and plenty of overdriven energy, raw like the best music should be but oh so sweet thanks to Young's angelic voice. 'Part Of The Game' is a swooning heartbreak ballad that makes the perfect inversion to the firecracker of an A-side.
Review: Inell Young's What Do You See In Her is often said to be one of the most powerful soul songs to have ever come from the great New Orleans scene. Eddie Bo is of course the great man behind it - as he was so many of these great tunes from this place and this ear - with the voice of Inell adding the spice. Finding an original is hard as, and will also cost you very close to four figures, so snap this one up while you can. Both sides are pure gold.
Review: Those interested in Japanese cartoons should know Space Adventure Cobra. First broadcast in 1982, it is now considered one of the country's finest animated TV series. This triple-vinyl box set celebrates Kentano Haneda and Yuji Ono's music from the series, combining compositions featured on the show with unheard extended versions and tracks that never made the cut first time round. Musically, it's a mix of Japanese disco, sax-sporting lounge jazz, jazz-funk, neo-classical movements and eccentric interludes, all doused in layers of cosmic dust and stargazing colour. The release also comes packaged with a 12-page booklet telling the story of the series and the making of the appealing, endlessly entertaining soundtrack.
Review: In 2002, the Japanese government recognized bamboo flute maestro Hozan Yamamoto as a "living national treasure". It was in honor of his lengthy career in music, and in particular the way he championed a traditional Japanese instrument even when he was turning his hand to Western music. "Beautiful Bamboo Flute", an album first released in 1971 and almost impossible to find since, is a superb example of this. It sees him deliver haunting, emotional and life-affirming solos over funky jazz, big band and fusion backing tracks that tend towards the fresh and funky. It's an unusual blend, but also an invigorating and exciting one.
Review: Unlike previous instalments in the 180g label's Wamono series, this isn't a compilation in the strictest sense of the term, but rather a retrospective. It showcases a range of killer jazz-funk and rare groove tunes recorded at Nippon Columbia studios in the mid 1970s by arranger Kiyoshi Yamaya, koto legend Toshiko Yonekawa and shakahuchi master Kifu Mitsuhashi. Highlights come thick and fast throughout, from the mellow, slow-burn lusciousness of 'Nanbu Ushioi-Uta' and the up-beat, guitar solo-laden brilliance of 'Hohai-Bushi', to the all-time Japanese jazz-funk classic that is 'Saitaro-Bushi' and the solo-laden brilliance of 'Asadoya Yunti', whose dazzling Fender Rhodes solos are reminiscent of the early '70s work of the late, great Billy Preston.
Review: The EP Lagos Paris London by Yannis & The Yaw, featuring the late Tony Allen, is a testament to the powerful creative synergy between two musical luminaries. Initially envisioned as a nostalgic Afrobeat project, the collaboration took on a life of its own, weaving together elements of rock, funk, jazz, and dub in a dynamic fusion. Recorded over a series of sessions in a Paris studio, the music emerged organically from jams and loops, guided by the intuitive telepathy between Yannis Philippakis and Tony Allen. Joined by Allen's regular collaborators, the result is a collection of near-complete songs imbued with high-spirited, loose-grooved exuberance. Despite facing challenges such as scheduling issues and Covid restrictions, Yannis felt a deep obligation to complete the project in honor of Allen's memory and his desire to share the music with the world. Lagos Paris London serves as both a celebration of their friendship and a timeless testament to the enduring influence of Tony Allen's rhythmic talent.
Review: Released in the wake of Tony Allen's death, Lagos Paris London is the latest full-length record by Foals' Yannis Philippakis in collaboration with the late great drumming legend. The Yannis And the Yaw project finally emerges after years of fan-teasers revealing Philippakis to have been working with the acclaimed Fela Kuti bandmate and Afrobeat pioneer in the studio; after Allen's death in 2023, the likes of 'Walk Through Fire' and 'Lagos Paris London' effortlessly blend the sounds of Afrobeat and post-punk, bridging the spirits of each while unexpectedly swerving from the duo's initial impulse to produce a nostalgic record.
Review: 'Sayonara Ha Syuppatsu No Kotoba' roughly translates as "Goodbye is the Word for Departure" and is a striking blend of Japanese indie and folk music. The album combines rich acoustic melodies with introspective lyrics to make for often poignant and nostalgic atmospheres with Yasuda's emotive voice at the heart of the sounds. The band's intricate instrumentation reveals more with each listen and the record explores themes of departure, self-reflection and the bittersweet nature of transitions. They might sound heavy but the delicate soundscapes also capture both moods of vulnerability and resilience which adds to the tender, affecting nature of the record.
Review: Although born and raised in Holland, the duo behind the Yin Yin project "make music for an imaginary tropical Island" based "somewhere between the Netherlands and South East Asia". It's an apt description of their undeniably humid, wide-eyed style, which variously combines elements of surf-rock, dub, psychedelia, ambient, electronica, spaced-out synth-pop and various traditional South East Asian musical tropes. It's a style that makes this long promised debut album a unique, distinctive and hugely vibrant listening experience. While inventive and colourful, their music is also largely dancefloor friendly and highly addictive. In other words, this is one debut album that's well worth picking up.
Review: Although born and raised in Holland, the duo behind the Yin Yin project "make music for an imaginary tropical Island" based "somewhere between the Netherlands and South East Asia". It's an apt description of their undeniably humid, wide-eyed style, which variously combines elements of surf-rock, dub, psychedelia, ambient, electronica, spaced-out synth-pop and various traditional South East Asian musical tropes. It's a style that makes this long promised debut album a unique, distinctive and hugely vibrant listening experience. While inventive and colourful, their music is also largely dancefloor friendly and highly addictive. In other words, this is one debut album that's well worth picking up.
Review: Three years after Ticket to Shangri-La, Young Gun Silver Fox return with a polished showcase of contemporary AOR and blue-eyed soul that could be a long-lost gem, but it isn't, it's all new. The duo of Andy Platts of Mama's Gun and multi-instrumentalist Shawn Lee really deliver here with achingly lush melodies, breezy harmonies and effortlessly smooth vocals that embody their signature mellow sound and tap into all the classics of this genre. From start to finish, Pleasure is steeped in warmth and nostalgia yet feels refreshingly modern and it's a must-have if you like soulful, feel-good pop and yacht rock. With a major European tour ahead, this duo continue to prove they're at the heart of today's AOR revival.
Review: This release sees Adrian Younge diving deep into the funky, soulful sounds of the 70s, crafting a soundtrack that perfectly captures the Blaxploitation era. The music is a vibrant blend of wah-wah guitars, heavy drums, and soaring strings, creating a cinematic soundscape that's both gritty and exhilarating. 'Black Dynamite Theme' sets the tone with its driving rhythm and powerful horns, while 'Man With The Heat (Superbad)' and 'Shine' showcase Younge's mastery of funk grooves. The soundtrack also features soulful moments like 'Gloria (Zodiac Lovers)' and 'Tears I Cry', adding depth and emotion to the overall experience. With its impeccable production and authentic vintage sound, this is a must-have for fans of classic funk and soul, as well as anyone who appreciates a well-crafted soundtrack.
Review: 'Linear Labs: Sao Paulo' on vinyl offers a deep dive into Adrian Younge's masterful blend of analog textures and global influences. Featuring unreleased gems from projects like 'Something About April III' and Snoop Dogg's 'Don't Cry for the Devil', this LP brings together a rich array of soundsifrom Brazilian samba with Samantha Schmutz to ALA.NI's Parisian jazz and Bilal's soul-infused tracks. The album resonates with Younge's signature analog warmth and forward-thinking production. Pressed on vinyl, this release is an essential piece for collectors and fans of psychedelic soul and genre-defying music.
Review: 'Linear Labs: Sao Paulo' marks Adrian Younge's next chapter, bringing together unreleased tracks from his global collaborations. Known for blending analog warmth with modern sound, Younge delivers an exciting mix of psychedelic soul and hip-hop. The album includes highlights like 'Something About April III' and 'Don't Cry for the Devil' with Snoop Dogg, alongside contributions from artists like ALA.NI, Bilal, and Stereolab's Laetitia Sadier. Each track taps into different influences, from Brazilian samba to Middle-Eastern psych, creating a dynamic sonic experience. This CD release presents Younge's curated vision of musical innovation, a must-have for fans of his boundary-pushing sound.
Verao Na California (Summertime In California) (3:21)
Um Lugar Legal (2:41)
Nhanderuvucu (The Creator God) (3:03)
Review: Brazilian vocalist, musician and producer Hyldon De Souza Silva teams up with Adrian Younge on a brand new psychedelic Latin soul album, infused with the golden spirit of jazz, honouring both Hyldon's 60s and 70s opuses and Younge's trademark analog productions. With late drummer Ivan "Mamao" Conti on percussion, this is yet another tribute to the "Black Rio" movement in Brazil, an intoxicating infusion of Brazilian MPB and Black American rhythm & blues. The effect is major yet seductive, riffing on insporations from Marvin Gaye to Tim Maya to flatten the embossed edges of bossa nova and erotic funk, with remarkably paced and measured drumming and swirling vocal lines.
Verao Na California (Summertime In California) (3:21)
Um Lugar Legal (2:41)
Nhanderuvucu (The Creator God) (3:03)
Review: Brazilian music legend Hyldon teams up with producer Adrian Younge for the 23rd edition of Jazz Is Dead. A psychedelic soul album reimagining the magic of Hyldon's 60s and 70s work through a modern lens, Hyldon's vivant vocals and poetic storytelling are paired with the rich analogue production that made Younge's name, honouring the past and yet still keeping things afresh. It also stands as one of the final recordings of the late Ivan "Mamao" Conti, the iconic Azymuth drummer and Hyldon's longtime collaborator. Fusing MPB, tropicalia, and Black American r&b, we're slack-jawed with awe at this spiritual, which elutes from the ethereal 'Olhos Castanhos' to the cosmo-funk of 'Viajante do Planeta Azul'.
Review: This unique album is a bold reimagining of the iconic sweet-soul group, spearheaded by Delfonics' lead vocalist William Hart and infused with Adrian Younge's unique, hip-hop-informed perspective. While the album features elements familiar to Delfonics fans, such as the electric sitar, french horn and lush string arrangements, Younge's approach departs from traditional production, offering a more experimental and idiosyncratic take on the genre. Drawing influence from the eccentric strains of soul and r&b adored by crate diggers, Younge's arrangementsiincorporating harpsichord, glockenspiel and electric sitariimbue the album with a sense of campy psychedelia, yet manage to avoid veering into kitsch. Hart's crystal-clear falsetto remains a cornerstone of the album, with his voice serving as a bridge between the past and Younge's modern vision. Though much of the album sees Hart performing solo, a departure from the layered harmonies of classic Delfonics, it feels organic and fitting for the material. The pairing of Hart's legendary voice with Younge's analog-driven production creates a sound that feels both nostalgic and fresh. Tracks like 'True Love' and 'Stand Up' show how much care has been given to allow the original beauty to the focal point. A genius blend of old-school soul and modern sensibilities.
… Read more
in stock$28.83
Artikel 1 bis 34 von 34 auf Seite 1 von 1 anzeigen
We use cookies to personalise content and ads, to provide social media features and to analyse our traffic. We also share information about your use of our site with our social media, advertising and analytics partners who may combine it with other information that you've provided to them or that they've collected from your use of their services.