Back catalogue: Disco/Nu-Disco

Review: Sounds like it came out of Lagos in 1971, actually written and recorded in Lyon in 2015: Voilaaa is the brainchild of Bruno Hovart whose long relationship with Favorite goes way back to his days as Patchworks, Mr President and The Dynamics. Recording on a whole host of vintage machines and calling upon local African singers both cuts have a real authentic sense of realness; "Spies Are Watching Me" drives with big horns and swooning strings which isn't dissimilar to the work of The Movers, while the TY Boys-esque "Le Disco Des Capitales" is a heavier, more concentrated slab of floor-minded disco where the groove takes more of a forefront role. Apparently there's a whole album of this cooking... We can't wait to hear it.

Review: It's a while since we last heard from Bruno 'Patchworks' Hovart's Afro-disco focused Violaaa project, so this surprise set of remixes of back catalogue tracks is more than welcome. Fittingly, three of the versions come from Hovart himself under different aliases. There's a fine, tropical-tinged, sun-splashed Violaaa revision of 'Tu Mens Divant Moi' that doffs a cap to zouk music, and two deep house-tinged Patchworks versions of classic cuts. The mix of the outfit's underground hit 'Spies Are Watching Me' is a brilliant alternative take on a familiar favourite (it certainly breathes new life into the track), while the samba-house-in-Ghana revision of 'Ben Bene La' is brilliant. Throw in a quality J Kriv deep nu-disco version of 'Ku La Foon' and you have an excellent EP of tasteful, club-ready cuts.

Review: Last year, Patchworks man Bruno Havart indulged his long-held love of Afro-disco via a fine album under the Violaa alias. Here, Africaine 808 and Dimitri From Paris take it in turn to remix tracks from that set. The latter serves up two epic interpretations of album title track "On Te L'avait Dit". There's a full Disco Blend, in which he carefully teases out the track by layering up the original production before unleashing the catchy vocal, and a pleasingly percussive, groove-driven Dub. Interestingly, Africaine 808's mix of previous single "Spies Are Watching Me" sticks fairly close to the original, craftily emphasizing Havart's percussion, punchy horns and rich, Afro-disco bass.

Review: A warm welcome back to Bruno Hovart's Voilaaa project, traditionally a revivalist Afro-disco vehicle best known for 2015 dancefloor smash 'Spies Are Watching Me'. 'Fache', featuring Pat Kalla, explores similar sonic territory, with punchy Afrobeat horns, woozy chords and crunchy clavinet licks rising above a low-slung, hypnotic, dub disco-meets-Afro-boogie groove. It comes accompanied by a fine, effects-laden instrumental dub and a trio of similarly tasty bonus cuts: the warming, early garage-house and deep house influenced 'Trouble Travel' (featuring Jai-Nah), the languid, soulful and Latin-influenced 'Too Young To Die (featuring Olivia)' and the Afro-speckled disco-goes-jazz-funk loveliness of 'Trop Jeune Pour Sa'.

Review: For those intrigued by the distinctively Gallic but authentically American-sounding world of French disco-boogie, Charles Maurice's ongoing compilation series should be essential listening. Here he serves up a third instalment that's every bit as good as its' acclaimed predecessors. Highlights naturally come thick and fast throughout, from the mid-80s dreaminess of Maya's undeniably Balearic "Lait De Coco (Dub)" and the Brenda Taylor-ish bounce of Judy Carter's brilliant "Listen to the Music", to the Leroy Burgess style piano stabs and Patrick Adams-ish disco production of Caramel's "L'Amour Toujours L'Amour". Oh, and the late night radio warmth of NST Cophies' "Segregation", a sweet, undulating workout that will no doubt find favour with Balearic selectors.

Review: Charles Maurice shows off his digging skills once again with a collection of tunes that does exactly what it says on the tin. He delves into the album oriented rock archives of countries as far and wide as France, the United Kingdom and Venezuela to come up eight rare and hidden gems. The series started back in 2015 and still makes for essential listening now with gems like 'Don't Take It Away' by Westside - a love song about a new relationship, recorded in Minnesota and mastered on Sunset Bld. Sugar Cane's 'What You Do To Me' is another loved up gem with real romance in the chords.

Review: As he has done three times before, Gallic crate digger Charles Maurice has dipped into his vast record collection and offered up a killer selection of French disco-boogie sounds. The 13 assembled tracks are mostly obscure and uniformly superb, making picking individual highlights an infuriatingly tricky task. Our favourites change daily, but we're currently enjoying the tropical disco brilliance of Dwight Druick's cover of "Georgy Peorgy (Disco Version)", the synth-sporting electrofunk cheeriness of Serge Delisle's "Germaine (Remix)", the thrusting P-funk hustle of Acayouman's "Funk Around" and the near Balearic warmth of "Braziliana" by Aries. As the old expression (sort of) goes, Maurice has once again delivered all killer and no filler.

Review: Favorite Recordings' superb Disco Boogie Sounds series continues. Following Waxist's recent exploration of French productions from the period, they've decided to drop a second collection of high-grade Brazilian material. Renowned crate-digger Charles Maurice has done a terrific job of gathering together dusty, obscure cuts that perfectly encapsulate Brazilian musicians' sun-kissed, soulful approach to disco and boogie. Highlights are naturally plentiful, and include the starry, jazz-funk tinged warmth of Christina Camargo's "Minas Do Rei Salomao", the Chic style brilliance of Almir Ricardi's "To Parado Na Tua", and the cosmic, horn-heavy leftfield disco thrills of Kaito's "Cara Feia".

Review: Favorite Recordings founder Charles Maurice - initially better-known by his production alias Pascal Rioux - has long been regarded as a dusty-fingered crate digger, so his new compilation series, Fusion Global Sounds, is hotly anticipated. He says it will be an outlet for jazz-funk and fusion tracks of the 1970s and early '80s, mostly made by artists in different parts of the world whose fame never spread further than their own local scenes. You'll find numerous highlights on the series' debut, from the breezy, morning-fresh loveliness of Renato Anselmi's 'Hello Mr Acuvis' and the sun-soaked, afternoon shuffle of The 1960 Band's 'Keep That Same Old Feeling', to the dream pop-influenced sparkle of Otoshakers' 'Simpere Tu' and the righteous dancefloor hedonism of Sundance's 'Buster'.

Review: Favorite Recordings returns with the second edition of its compilation series: Fusion Global Sounds. Comprising eight rare and hidden tracks produced between 1976 and 1984 in various parts of the world, this hot-off-the-plate comp delivers a mighty-fine array of dynamic, soul-feeding jazz, soul, disco, jazz and funk delicacies. As a fine collector of jazz-funk and fusion for many years, curator Charles Maurice can be credited for sourcing the ingredients for and cooking up this fine spread of forgotten entrees, this time brought together by a common Brazilian influence.

Review: Favorite Recordings presents Voiciii, the third album by Voilaaa - the nom de plume of Bruno 'Patchworks' Hovart. It features guest vocalists such as Pat Kalla and Lass who he has worked with previously, but also new ones such as David Walters, Rama Traore and Ayuune Suule. There's also the addition of saxophonist Boris Pokora. The LP is a tribute to major artists of influential African sounds, such as Fela Kuti and Manu Dibango: from the empowering groove of 'Women Can Do', the late night boogie-down antics with a message on 'Water Get No Enemy' to the spiritual life music of LYMYE-A' - a delightful album from start to finish.

Review: For nearly a decade and three albums, Voilaaa has carved out a distinct niche, blending African rhythms with Disco dancefloor vibes and funky arrangements. Their Afro-Tropical journey, led by producer Bruno "Patchworks" Hovart, has produced hits like 'On te l'avait dit', 'Spies Are Watching Me', and 'Ben Bene La', along with global tours and festival appearances. Collaborations with artists such as Lass, Pat Kalla, Sir Jean, Ayuune Sule, Rama Traore, and Fouley Badiaga have been a hallmark, with Badiaga making a notable return on two tracks of their latest album. With C'est tout, Voilaaa sticks to their winning formula while infusing Latin and Caribbean elements, inspired by Hovart's travels in South America. Introduced with the spring release of a maxi single, this album delivers one hit after another. Tracks like 'Fache' featuring Pat Kalla showcase their signature sound: energetic Afrobeat horns, woozy chords, and funky clavinet licks over a dub disco-meets-Afro-boogie groove. The album's 14 tracks are largely composed by Hovart, with standout covers like Ebo Taylor's 'Love and Death' featuring Joao Selva's vocals and a unique rendition of Jamiroquai's 'Too Young to Die' with Olivya (Dowdelin).