Back catalogue: Disco/Nu-Disco

Review: Intrallazzi and Dario Piana have been friends and Milanese scene contemporaries since 1981, when they both fell in love with the distinctive Afro-Cosmic sound of local DJ (and later Piana collaborator) Daniel Baldelli. Since then, they have both made records aplenty under a variety of aliases, but this EP on Leng marks their first joint release. The headline attraction is opener (and lead cut) 'Out of Control', a dubbed-out cosmic disco chugger propelled by echo-laden percussion and a deep, low-slung bassline, smothered in psychedelic synth and guitar sounds. Fellow Italian producer LTJ Experience remixes, offering up a stripped-back and acid-flecked interpretation. Elsewhere, 'Lazise' is a TB-303-sporting cosmic shuffler and 'Saocraffen' is a Baldelli-influenced fusion of Afro-cosmic funk and ethereal Balearic sounds.

Review: Ravanelli Disco Club has assembled a selection of remixes of Palavas and this first instalment of them comes from the likes of deep house master Jimspter, disco king DJ Rocca and the melodious Musumeci. It is the Freerange boss Jimpster who goes first with his version of 'One Night Is Not Enough', a lithe and soul drenched sound with horns, chords and vocals that all melt the heart. Musumeci brings a more direct and soulful techno sound, and the DJ Rocca remix is a sparkly one full of cosmic energy. 'Chevauchee Fantastique' (JKriv remix) brings some classic string-laced Philly sounds and Dicky Trisco shuts down with Metro Area style nu-disco.

Review: The joyously catchy Italo disco gem 'Scusa Ma Ti Amo' is the third single by celebrated Italian showgirl, actress, presenter, and singer Patrizia Pellegrino. It was originally released in 1983 when she was at the height of her powers and success and is a cult classic for those who know. Now, for the first time, it's being reissued in this new edition on limited edition, numbered black vinyl 7" records, with only 300 copies available, so do not sleep on this steamy disco dazzler.

Review: Star Creature is very much leading from the front right now if you like cosmic disco. Tim Zawada's label is back with another delicious dose of the stuff here as Plastic Bamboo heads out on a crime jazz exploration of the outer reaches of our galaxy. His lithe beats and rugged drums are laced up with marvellous synths that are ever on the move. They shine bright and bring real sugary rushes of joy as curious narratives and intergalactic intrigue come thick and fast. Amongst the big bright cuts are some more mellow moments like the wonderful 'A Scene At The Sea' with its hints of Afro percussion. Delightful.

Review: Psychemagik's Undercover Lovers Vol 3 delivers a masterful reinterpretation of dance classics with a twist. On the A-side-, their rendition of Donna Summer's 'I Feel Love' transforms the high-energy anthem into a mesmerizing slow burner. With a low-slung groove and heavy synthesisers, Psychemagik crafts an epic version that wow's listeners with its depth and intensity. On Side-2, their take on Hall and Oates' 'I Can't Go For That' is equally exciting. Retaining the legendary groove while infusing it with melodic nuances, Psychemagik creates a unique jam that feels both familiar and fresh. The addition of Spanish lyrics adds an unexpected dimension, further enhancing the track's appeal. Undercover Lovers Vol 3 is a great example to Psychemagik's talent for reinventing classics into new gems for a new generation.

Review: Intime Anthem is a new label that makes a suitable impressive debut here with a various artists offering that explores a leftfield disco sound. Ramozel's 'Nomentum' has deadpan indie vocals and stark mechanical drums with cold wave synths. Parker Bjoske wars monads with twisted synth modulations and slow, purposeful kicks on 'Tempo.' Naimer then switches the mood with a more playful and 80s-inspired sound, bright retro synths and euro-dance grooves on 'Wildejoe.' There is a supple acid-laced majesty to Ivaj Odnode's closer 'Atillol,' which makes this as vital as it as varied.

Review: Luv Shack's compilation style 'Disco Biscuits' series is the very definition of reliable, with each new EP delivering killer cuts aimed at the more cosmic end of nu-diusco dancefloors. Volume five in the series arrives with four more tried-and-tested workouts and little in the way of forgettable filler. Check first Rising Seed's 'Back For More', a driving slab of spacey dub disco/cosmic disco fusion in which intergalactic electronics and samples sitars ride a Prins Thomas-esque bassline and beats, before admiring the chugging and squelchy nu-disco shuffle of 'Suffering of K.P' by B.Visible. Over on the flip, Peletronic's 'Drifting' is a glassy-eyed slab of immersive deep house/nu-disco fusion, while Jon Gravy's 'When U Leave' is a stomping slab of peak-time house headiness rich in bustling beats, memorable melodies and hands-aloft riffs.

Review: Asha Puthli's triumphant return to the stage after 44 years is marked by tour dates across the US, Australia, and Europe, including iconic performances at Glastonbury and We Out Here. To celebrate this milestone, Mr Bongo has repressed her legendary 1976 album, The Devil Is Loose, on gold vinyl. This album, featuring the psychedelic disco-funk classic 'Space Talk,' exemplifies Puthli's eclectic career spanning 60s psyche, free-jazz, pop, rock and disco. Each track on The Devil Is Loose highlights Puthli's celestial style and sumptuous vocal range, supported by orchestral-infused, disco-enhanced instrumentation. The album transitions seamlessly from the infectious funk of 'Flying Fish' to the cosmic transcendence of the title track, and the choir-channelling 'Say Yes.' Puthli's majestic vocals cast a unique spell, making the album cinematic and captivating throughout. Whether replacing a worn-out original copy or discovering Asha Puthli for the first time, this quintessential slice of her world promises to enchant and inspire.