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JHS Pedals 3 Series Reverb Effects Pedal (time effects pedal)
Cat: 1076214
Reverb pedal combining affordabilty and simplicity with high quality effects.
Pre-orders at Juno
This product is available for pre-order at Juno, for shipping on the release date. You won’t be charged until the order is despatched.
We'll keep you informed of your order at every stage, and let you know if the release date changes.
If the price of the item drops before it's released, you will pay the lower price, but if it increases, you'll only pay the price you see today.
If you also include in-stock items on your order, they’ll be charged and shipped within 24 hours as usual.coming soon $107.34
(No payment required now - pay when released)
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JHS Pedals 3 Series Tape Delay Effects Pedal (time effects pedal)
Cat: 1076251
Tape delay pedal combining affordability and simplicity with high quality effects
Notes: The JHS Pedals 3 Series is a collection of pedals designed to give you affordability and simplicity without compromising quality. Each 3 Series pedal is made by JHS using high-quality parts, quality control, and attention to every detail. Each pedal has three simple controls and one toggle that offer a wide range of sounds, perfect for beginners and professionals alike. The JHS Pedals 3 Series will inspire your playing and help you explore new sounds at a totally approachable price point.
Tape delay was invented in the late 40s when Les Paul strung two Ampex Model 200A reel-to-reel tape recorders together. A little later, in 1953, Ray Butts invented the Echosonic, the first actual tape delay unit. This would be followed up by the Echoplex EP-1 in 1961 from Mike Battle and the Space Echo from Roland in 1974. The JHS Pedals 3 Series Tape Delay is a simplified and faithful throwback to these classic units. The Mix control lets you control how much clean signal is blended in with the wet (delayed) signal (on the original unit, this was called Echo Volume). Tape Speed acts as a simulation of the RE-201's tape motor speeding up and slowing down and determines how short or long the delay effect is. The Repeats control goes from a single repeat to many, reminiscent of a sound being written onto the tape loop with loss of fidelity each time. Finally, when the Flutter toggle is turned on (up position), it replicates the wear & tear to the mechanical parts of a tape machine that happens over time. This causes mild modulation, warble, and flutter sounds in the echo path of the delay that so many players desire.
… Read moreTape delay was invented in the late 40s when Les Paul strung two Ampex Model 200A reel-to-reel tape recorders together. A little later, in 1953, Ray Butts invented the Echosonic, the first actual tape delay unit. This would be followed up by the Echoplex EP-1 in 1961 from Mike Battle and the Space Echo from Roland in 1974. The JHS Pedals 3 Series Tape Delay is a simplified and faithful throwback to these classic units. The Mix control lets you control how much clean signal is blended in with the wet (delayed) signal (on the original unit, this was called Echo Volume). Tape Speed acts as a simulation of the RE-201's tape motor speeding up and slowing down and determines how short or long the delay effect is. The Repeats control goes from a single repeat to many, reminiscent of a sound being written onto the tape loop with loss of fidelity each time. Finally, when the Flutter toggle is turned on (up position), it replicates the wear & tear to the mechanical parts of a tape machine that happens over time. This causes mild modulation, warble, and flutter sounds in the echo path of the delay that so many players desire.
Pre-orders at Juno
This product is available for pre-order at Juno, for shipping on the release date. You won’t be charged until the order is despatched.
We'll keep you informed of your order at every stage, and let you know if the release date changes.
If the price of the item drops before it's released, you will pay the lower price, but if it increases, you'll only pay the price you see today.
If you also include in-stock items on your order, they’ll be charged and shipped within 24 hours as usual.coming soon $107.34
(No payment required now - pay when released)
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JHS Pedals 3 Series Distortion Effects Pedal (distortion effects pedal)
Cat: 1076215
Distortion pedal combining affordabilty and simplicity with a wide range of high quality distorted tones.
Notes: The JHS Pedals 3 Series is a collection of pedals designed to give you affordability and simplicity without compromising quality. Each 3 Series pedal is made by JHS using high-quality parts, quality control, and attention to every detail. Each pedal has three simple controls and one toggle that offer a wide range of sounds, perfect for beginners and professionals alike. The JHS Pedals 3 Series will inspire your playing and help you explore new sounds at a totally approachable price point.
The JHS Pedals 3 Series Distortion is a massively versatile distortion pedal with the ability to achieve medium gain crunch, heavy overdrive, distortion, and even fuzz tones. The controls on the Distortion are Volume, Filter (or Tone), and Distort knobs that give you a wide range of usable sounds in any position. The Gain toggle gives you a choice between more saturated and compressed or a more open and crunchy distortion. This switch plays a big part in how the pedal responds to your playing and touch dynamics. The JHS Pedals 3 Series Distortion runs on 9V DC Negative Center power and consumes 9mA.
… Read moreThe JHS Pedals 3 Series Distortion is a massively versatile distortion pedal with the ability to achieve medium gain crunch, heavy overdrive, distortion, and even fuzz tones. The controls on the Distortion are Volume, Filter (or Tone), and Distort knobs that give you a wide range of usable sounds in any position. The Gain toggle gives you a choice between more saturated and compressed or a more open and crunchy distortion. This switch plays a big part in how the pedal responds to your playing and touch dynamics. The JHS Pedals 3 Series Distortion runs on 9V DC Negative Center power and consumes 9mA.
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This product is available for pre-order at Juno, for shipping on the release date. You won’t be charged until the order is despatched.
We'll keep you informed of your order at every stage, and let you know if the release date changes.
If the price of the item drops before it's released, you will pay the lower price, but if it increases, you'll only pay the price you see today.
If you also include in-stock items on your order, they’ll be charged and shipped within 24 hours as usual.coming soon $107.34
(No payment required now - pay when released)
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JHS Pedals 3 Series Oil Can Delay Effects Pedal (delay pedal)
Cat: 1076220
Delay pedal combining affordabilty and simplicity with high quality effects.
Notes: The JHS Pedals 3 Series is a collection of pedals designed to give you affordability and simplicity without compromising quality. Each 3 Series pedal is made by us JHS using high-quality parts, quality control, and attention to every detail. Each pedal has three simple controls and one toggle that offer a wide range of sounds, perfect for beginners and professionals alike. The JHS Pedals 3 Series will inspire your playing and help you explore new sounds at a totally approachable price point.
After being discharged from the army in 1946, Ray and Marv Lubow formed Tel-Ray Electronics, specializing in Television and Radio repair. As the company grew, Ray also began dabbling in audio inventions specifically, delay. Les Paul had already pioneered an effect called tape echo, but folks were trying to figure out how to make a smaller, more practical version of this oversized effect. Inspired to do just that, on June 30, 1959, Ray submitted the patent for an electro-static delay apparatus known today as the oil can delay.
These delay units contained oil in a tuna-can shaped drum that was moved by a belt mechanism that turned the drum while a special disk apparatus on which the audio signal charge was written and read through rubber wiper heads. The playback speed was directly related to the drum's rotation speed. The oil acted as a protective layer to keep the audio signal "charge" electrons in place, creating a truly unique echo effect with elements of vibrato and slapback delay. Ray Lubow began licensing the oil can delay technology to amplifier companies, including Fender, Gibson, and Rickenbacker. In the late 1960s, Ray and Marv decided they wanted to start selling their devices under their own brand name and launched the now legendary effects company, Morley. Ray chose the name as a none-to-subtle jab at their competitor Leslie: Why settle for less with a Leslie when you can get more with Morley? Morley manufactured oil can delays up until 1989.
At Wilco's Solid Sound Festival in 2022, JHS founder Josh Scott found himself in a discussion with legendary guitarist Nels Cline. Nels brought up the subject of weird delays, leading to an in-depth discussion of the strangest pedals they'd ever played. Josh received a message from Nels a few days later asking if JHS made an oil can style delay and began explaining the particular sound he wanted from this type of echo. Though JHS didn't have one in the official lineup, Josh and team developed a one-off oil can delay pedal. When they presented it to Nels as a gift, he liked it so much that he used it through the recording and touring process for Wilco's Cruel Country and now their latest release, Cousin.
Though the JHS Oil Can Delay isn't a signature artist pedal, we're still grateful to Nels Cline for inspiring it. We're proud to offer you this unique pedal for your own collection.
… Read moreAfter being discharged from the army in 1946, Ray and Marv Lubow formed Tel-Ray Electronics, specializing in Television and Radio repair. As the company grew, Ray also began dabbling in audio inventions specifically, delay. Les Paul had already pioneered an effect called tape echo, but folks were trying to figure out how to make a smaller, more practical version of this oversized effect. Inspired to do just that, on June 30, 1959, Ray submitted the patent for an electro-static delay apparatus known today as the oil can delay.
These delay units contained oil in a tuna-can shaped drum that was moved by a belt mechanism that turned the drum while a special disk apparatus on which the audio signal charge was written and read through rubber wiper heads. The playback speed was directly related to the drum's rotation speed. The oil acted as a protective layer to keep the audio signal "charge" electrons in place, creating a truly unique echo effect with elements of vibrato and slapback delay. Ray Lubow began licensing the oil can delay technology to amplifier companies, including Fender, Gibson, and Rickenbacker. In the late 1960s, Ray and Marv decided they wanted to start selling their devices under their own brand name and launched the now legendary effects company, Morley. Ray chose the name as a none-to-subtle jab at their competitor Leslie: Why settle for less with a Leslie when you can get more with Morley? Morley manufactured oil can delays up until 1989.
At Wilco's Solid Sound Festival in 2022, JHS founder Josh Scott found himself in a discussion with legendary guitarist Nels Cline. Nels brought up the subject of weird delays, leading to an in-depth discussion of the strangest pedals they'd ever played. Josh received a message from Nels a few days later asking if JHS made an oil can style delay and began explaining the particular sound he wanted from this type of echo. Though JHS didn't have one in the official lineup, Josh and team developed a one-off oil can delay pedal. When they presented it to Nels as a gift, he liked it so much that he used it through the recording and touring process for Wilco's Cruel Country and now their latest release, Cousin.
Though the JHS Oil Can Delay isn't a signature artist pedal, we're still grateful to Nels Cline for inspiring it. We're proud to offer you this unique pedal for your own collection.
Pre-orders at Juno
This product is available for pre-order at Juno, for shipping on the release date. You won’t be charged until the order is despatched.
We'll keep you informed of your order at every stage, and let you know if the release date changes.
If the price of the item drops before it's released, you will pay the lower price, but if it increases, you'll only pay the price you see today.
If you also include in-stock items on your order, they’ll be charged and shipped within 24 hours as usual.coming soon $107.34
(No payment required now - pay when released)
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JHS Pedals 3 Series Hall Reverb Effects Pedal (time effects pedal)
Cat: 1076217
Reverb pedal combining affordabilty and simplicity with high quality effects, imitating large spaces.
Notes: The JHS Pedals 3 Series is a collection of pedals designed to give you affordability and simplicity without compromising quality. Each 3 Series pedal is made by us JHS using high-quality parts, quality control, and attention to every detail. Each pedal has three simple controls and one toggle that offer a wide range of sounds, perfect for beginners and professionals alike. The JHS Pedals 3 Series will inspire your playing and help you explore new sounds at a totally approachable price point.
The 3-Series Hall Reverb is inspired by the sounds of large reverberated spaces, cathedrals and halls where the decay of natural reverb seemingly goes on forever. This pedal is perfect for players who are searching for massive, infinite and even otherworldly reverb. The JHS Pedals 3 Series Hall Reverb runs on 9V DC Negative Center power and consumes 70mA.
… Read moreThe 3-Series Hall Reverb is inspired by the sounds of large reverberated spaces, cathedrals and halls where the decay of natural reverb seemingly goes on forever. This pedal is perfect for players who are searching for massive, infinite and even otherworldly reverb. The JHS Pedals 3 Series Hall Reverb runs on 9V DC Negative Center power and consumes 70mA.
Pre-orders at Juno
This product is available for pre-order at Juno, for shipping on the release date. You won’t be charged until the order is despatched.
We'll keep you informed of your order at every stage, and let you know if the release date changes.
If the price of the item drops before it's released, you will pay the lower price, but if it increases, you'll only pay the price you see today.
If you also include in-stock items on your order, they’ll be charged and shipped within 24 hours as usual.coming soon $107.34
(No payment required now - pay when released)
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JHS Pedals 3 Series Chorus Effects Pedal (modulation effects pedal)
Cat: 1076222
Chorus pedal combining affordability and simplicity with high quality effects.
Notes: The JHS Pedals 3 Series is a collection of pedals designed to give you affordability and simplicity without compromising quality. Each 3 Series pedal is made by us JHS using high-quality parts, quality control, and attention to every detail. Each pedal has three simple controls and one toggle that offer a wide range of sounds, perfect for beginners and professionals alike. The JHS Pedals 3 Series will inspire your playing and help you explore new sounds at a totally approachable price point.
The JHS Pedals 3 Series Chorus offers classic chorus and vibrato modulation sounds, with straightforward controls and enough versatility for any style of music. The Rate and Depth knobs work together to deliver anything from subtle doubling to utterly seasick waves of modulation. The Vibe toggle removes the dry signal so that you will have a simple true pitch vibrato sound without the dry signal underneath. The JHS Pedals 3 Series Chorus runs on 9V DC Negative Center power and consumes 70mA
… Read moreThe JHS Pedals 3 Series Chorus offers classic chorus and vibrato modulation sounds, with straightforward controls and enough versatility for any style of music. The Rate and Depth knobs work together to deliver anything from subtle doubling to utterly seasick waves of modulation. The Vibe toggle removes the dry signal so that you will have a simple true pitch vibrato sound without the dry signal underneath. The JHS Pedals 3 Series Chorus runs on 9V DC Negative Center power and consumes 70mA
Pre-orders at Juno
This product is available for pre-order at Juno, for shipping on the release date. You won’t be charged until the order is despatched.
We'll keep you informed of your order at every stage, and let you know if the release date changes.
If the price of the item drops before it's released, you will pay the lower price, but if it increases, you'll only pay the price you see today.
If you also include in-stock items on your order, they’ll be charged and shipped within 24 hours as usual.coming soon $107.34
(No payment required now - pay when released)
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JHS Pedals 3 Series Delay Effects Pedal (time effects pedal)
Cat: 1076225
Delay pedal combining affordability and simplicity with a wide range of effects.
Notes: The JHS Pedals 3 Series is a collection of pedals designed to give you affordability and simplicity without compromising quality. Each 3 Series pedal is made by JHS using high-quality parts, quality control, and attention to every detail. Each pedal has three simple controls and one toggle that offer a wide range of sounds, perfect for beginners and professionals alike. The JHS Pedals 3 Series will inspire your playing and help you explore new sounds at a totally approachable price point.
The JHS Pedals 3 Series Delay lets you choose between rich and warm or clear and pristine echoes. The straightforward design is simple and easy to use while offering a huge range of options. The Delay gives you 80ms to 800ms of delay time, for everything from slapback to long ambient washes of pad-like echo. The Type toggle allows you to select between a clearer digital-voiced delay and darker analog-voiced delay. The Delay will give you classic bucket brigade runaway when you max out the Repeats knob when in the analog-voiced delay mode. The JHS Pedals 3 Series Delay runs on 9V DC Negative Center power and consumes 71mA.
… Read moreThe JHS Pedals 3 Series Delay lets you choose between rich and warm or clear and pristine echoes. The straightforward design is simple and easy to use while offering a huge range of options. The Delay gives you 80ms to 800ms of delay time, for everything from slapback to long ambient washes of pad-like echo. The Type toggle allows you to select between a clearer digital-voiced delay and darker analog-voiced delay. The Delay will give you classic bucket brigade runaway when you max out the Repeats knob when in the analog-voiced delay mode. The JHS Pedals 3 Series Delay runs on 9V DC Negative Center power and consumes 71mA.
Pre-orders at Juno
This product is available for pre-order at Juno, for shipping on the release date. You won’t be charged until the order is despatched.
We'll keep you informed of your order at every stage, and let you know if the release date changes.
If the price of the item drops before it's released, you will pay the lower price, but if it increases, you'll only pay the price you see today.
If you also include in-stock items on your order, they’ll be charged and shipped within 24 hours as usual.coming soon $107.34
(No payment required now - pay when released)
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JHS Pedals 3 Series Screamer Effects Pedal (distortion effects pedal)
Cat: 1076228
Tube screamer clone combining affordability and simplicity with a faithful replication of the tones of the legendary Ibanez pedal.
Notes: The JHS Pedals 3 Series is a collection of pedals designed to give you affordability and simplicity without compromising quality. Each 3 Series pedal is made by JHS using high-quality parts, quality control, and attention to every detail. Each pedal has three simple controls and one toggle that offer a wide range of sounds, perfect for beginners and professionals alike. The JHS Pedals 3 Series will inspire your playing and help you explore new sounds at a totally approachable price point.
The 3-Series Screamer is the beloved JHS Tube Screamer Strong Mod, but in a brand-new $99 pedal. This pedal represents years of Josh playing around with the legendary Tube Screamer circuit and wanting to offer those changes in an affordable package. You will find more clean headroom, better usability as a boost, more versatile drive and tone controls as well as a more pleasing frequency response. This may be the most well-balanced Tube Screamer on earth, but that's for you to decide. The 3 Series Screamer runs on 9V DC negative center power and consumes 12mA.
… Read moreThe 3-Series Screamer is the beloved JHS Tube Screamer Strong Mod, but in a brand-new $99 pedal. This pedal represents years of Josh playing around with the legendary Tube Screamer circuit and wanting to offer those changes in an affordable package. You will find more clean headroom, better usability as a boost, more versatile drive and tone controls as well as a more pleasing frequency response. This may be the most well-balanced Tube Screamer on earth, but that's for you to decide. The 3 Series Screamer runs on 9V DC negative center power and consumes 12mA.
Pre-orders at Juno
This product is available for pre-order at Juno, for shipping on the release date. You won’t be charged until the order is despatched.
We'll keep you informed of your order at every stage, and let you know if the release date changes.
If the price of the item drops before it's released, you will pay the lower price, but if it increases, you'll only pay the price you see today.
If you also include in-stock items on your order, they’ll be charged and shipped within 24 hours as usual.coming soon $107.34
(No payment required now - pay when released)
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JHS Pedals 3 Series Phaser Effects Pedal (modulation effects pedal)
Cat: 1076236
Phaser pedal combining affordability and simplicity with high quality effects
Notes: The JHS Pedals 3 Series is a collection of pedals designed to give you affordability and simplicity without compromising quality. Each 3 Series pedal is made by JHS using high-quality parts, quality control, and attention to every detail. Each pedal has three simple controls and one toggle that offer a wide range of sounds, perfect for beginners and professionals alike. The JHS Pedals 3 Series will inspire your playing and help you explore new sounds at a totally approachable price point.
The 3-Series Phaser is a versatile and easy to use six-stage phaser pedal inspired by the classic phaser circuits of the 1970s. It has all the standard phase tones you would expect, but because of its unique Blend control and Feedback toggle, you can achieve an even wider range of modern and experimental tones. The JHS Pedals 3 Series Phaser runs on 9V DC Negative Center power and consumes 70mA.
… Read moreThe 3-Series Phaser is a versatile and easy to use six-stage phaser pedal inspired by the classic phaser circuits of the 1970s. It has all the standard phase tones you would expect, but because of its unique Blend control and Feedback toggle, you can achieve an even wider range of modern and experimental tones. The JHS Pedals 3 Series Phaser runs on 9V DC Negative Center power and consumes 70mA.
Pre-orders at Juno
This product is available for pre-order at Juno, for shipping on the release date. You won’t be charged until the order is despatched.
We'll keep you informed of your order at every stage, and let you know if the release date changes.
If the price of the item drops before it's released, you will pay the lower price, but if it increases, you'll only pay the price you see today.
If you also include in-stock items on your order, they’ll be charged and shipped within 24 hours as usual.coming soon $107.34
(No payment required now - pay when released)
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JHS Pedals 3 Series Fuzz Effects Pedal (distortion effects pedal)
Cat: 1076243
Fuzz pedal combining affordabilty and simplicity with high quality effects.
Notes: The JHS Pedals 3 Series is a collection of pedals designed to give you affordability and simplicity without compromising quality. Each 3 Series pedal is made by JHS using high-quality parts, quality control, and attention to every detail. Each pedal has three simple controls and one toggle that offer a wide range of sounds, perfect for beginners and professionals alike. The JHS Pedals 3 Series will inspire your playing and help you explore new sounds at a totally approachable price point.
The JHS Pedals 3 Series Fuzz is a versatile fuzz box that cleans up well with your guitar's volume knob. The Fuzz is the perfect balance of vintage and modern with soaring sustain and clear articulation. The controls allow you to create a wide variety of sounds via the Bias knob, which gives the Fuzz a more gated sound as you turn it up. Unlike many fuzz pedals, the fuzz knob is usable across 100% of the sweep for many different flavors not typically found in a fuzz, like distortion, and even pushed amp Esq overdrive tones. The Fat toggle engages a bass boost for an overall fatter, more powerful sound. The JHS Pedals 3 Series Fuzz runs on 9V DC Negative Center power and consumes 9mA.
… Read moreThe JHS Pedals 3 Series Fuzz is a versatile fuzz box that cleans up well with your guitar's volume knob. The Fuzz is the perfect balance of vintage and modern with soaring sustain and clear articulation. The controls allow you to create a wide variety of sounds via the Bias knob, which gives the Fuzz a more gated sound as you turn it up. Unlike many fuzz pedals, the fuzz knob is usable across 100% of the sweep for many different flavors not typically found in a fuzz, like distortion, and even pushed amp Esq overdrive tones. The Fat toggle engages a bass boost for an overall fatter, more powerful sound. The JHS Pedals 3 Series Fuzz runs on 9V DC Negative Center power and consumes 9mA.
Pre-orders at Juno
This product is available for pre-order at Juno, for shipping on the release date. You won’t be charged until the order is despatched.
We'll keep you informed of your order at every stage, and let you know if the release date changes.
If the price of the item drops before it's released, you will pay the lower price, but if it increases, you'll only pay the price you see today.
If you also include in-stock items on your order, they’ll be charged and shipped within 24 hours as usual.coming soon $107.34
(No payment required now - pay when released)
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JHS Pedals 3 Series Overdrive Effects Pedal (distrotion effects pedal)
Cat: 1076244
Overdrive pedal combining affordability and simplicity with a wide range of tones
Notes: The JHS Pedals 3 Series is a collection of pedals designed to give you affordability and simplicity without compromising quality. Each 3 Series pedal is made by us JHS using high-quality parts, quality control, and attention to every detail. Each pedal has three simple controls and one toggle that offer a wide range of sounds, perfect for beginners and professionals alike. The JHS Pedals 3 Series will inspire your playing and help you explore new sounds at a totally approachable price point.
The JHS Pedals 3 Series Overdrive offers a wide range of overdrive sounds within straightforward design aesthetics. You can achieve anything from boost, transparent low gain, to huge amp-like medium overdrive sounds. The simple knob functions give you control over the Volume, Body (or EQ), and Drive. The Gain toggle gives you a choice between more saturated and compressed or more open and crunchy dynamics. This switch plays a big part in how the pedal responds to your playing and touch as a player. The JHS Pedals 3 Series Overdrive runs on 9V DC Negative Center power and consumes 12mA.
… Read moreThe JHS Pedals 3 Series Overdrive offers a wide range of overdrive sounds within straightforward design aesthetics. You can achieve anything from boost, transparent low gain, to huge amp-like medium overdrive sounds. The simple knob functions give you control over the Volume, Body (or EQ), and Drive. The Gain toggle gives you a choice between more saturated and compressed or more open and crunchy dynamics. This switch plays a big part in how the pedal responds to your playing and touch as a player. The JHS Pedals 3 Series Overdrive runs on 9V DC Negative Center power and consumes 12mA.
Pre-orders at Juno
This product is available for pre-order at Juno, for shipping on the release date. You won’t be charged until the order is despatched.
We'll keep you informed of your order at every stage, and let you know if the release date changes.
If the price of the item drops before it's released, you will pay the lower price, but if it increases, you'll only pay the price you see today.
If you also include in-stock items on your order, they’ll be charged and shipped within 24 hours as usual.coming soon $107.34
(No payment required now - pay when released)
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JHS Pedals 3 Series Rotary Chorus Effects Pedal (modulation effects pedal)
Cat: 1076247
Rotary chorus pedal combining affordability and simplicty with high quality effects
Notes: The JHS Pedals 3 Series is a collection of pedals designed to give you affordability and simplicity without compromising quality. Each 3 Series pedal is made byJHSusing high-quality parts, quality control, and attention to every detail. Each pedal has three simple controls and one toggle that offer a wide range of sounds, perfect for beginners and professionals alike. The JHS Pedals 3 Series will inspire your playing and help you explore new sounds at a totally approachable price point.
The rotary effect was one of the earliest modulation effects to hit the music scene. Originally designed for Hammond organs, the Leslie was a rotating speaker that created the recognizable Doppler effect (think church organ). You've heard rotary effects on everything from It's Only Love by the Beatles to Cold Shot by Stevie Ray Vaughan and from City Love by John Mayer to Black Hole Sun by Soundgarden. It's everywhere! The JHS Pedals 3 Series Rotary Chorus brings you this classic, spinning chorus tone in an affordable, easy-to-use pedal format!
Intensity determines the modulation depth. Speed lets you control how fast the simulated speaker spins. When you turn the Room toggle on (up position), it adds a roomy, reverb ambiance to the sound, much like the ambient room microphone sound that happens when recording a real Leslie.
… Read moreThe rotary effect was one of the earliest modulation effects to hit the music scene. Originally designed for Hammond organs, the Leslie was a rotating speaker that created the recognizable Doppler effect (think church organ). You've heard rotary effects on everything from It's Only Love by the Beatles to Cold Shot by Stevie Ray Vaughan and from City Love by John Mayer to Black Hole Sun by Soundgarden. It's everywhere! The JHS Pedals 3 Series Rotary Chorus brings you this classic, spinning chorus tone in an affordable, easy-to-use pedal format!
Intensity determines the modulation depth. Speed lets you control how fast the simulated speaker spins. When you turn the Room toggle on (up position), it adds a roomy, reverb ambiance to the sound, much like the ambient room microphone sound that happens when recording a real Leslie.
Pre-orders at Juno
This product is available for pre-order at Juno, for shipping on the release date. You won’t be charged until the order is despatched.
We'll keep you informed of your order at every stage, and let you know if the release date changes.
If the price of the item drops before it's released, you will pay the lower price, but if it increases, you'll only pay the price you see today.
If you also include in-stock items on your order, they’ll be charged and shipped within 24 hours as usual.coming soon $107.34
(No payment required now - pay when released)
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JHS Pedals Pulp N Peel V4 Compression Effects Pedal (dynamics effects pedal)
Cat: 1076262
Compressor pedal with options for parallel compression, overdrive and with preamp/DI box functionality
Notes: The Pulp N Peel V4 is the truly transparent compressor pedal you've been dreaming of. Its smooth-sounding parallel compression circuit offers you the power to blend in your ideal balance of compressed and uncompressed signal. You're able to add a touch of grit to your tone thanks to the pedal's Dirt mini toggle. Also, whether you're a bassist sending your signal direct or a guitarist running the Pulp N Peel on your pedalboard, the pedal's 1/4", balanced XLR outputs have you covered. This compressor/preamp pedal sports a ton of tone-shaping power, so no matter what your compression needs are, the Pulp 'N' Peel V4 is your go-to solution.
JHS know how much effort you put into getting your tone exactly right. That's why we worked so hard to ensure the Pulp N Peel V4 maintains your instrument's natural attack, has a very low noise floor, and adds a professional polish to every chord, lead line, and note from your amplifier.
Whether you're looking to warm up your sound in the studio or want to add some grind for the stage, flip the Dirt mini toggle and you're there. Want to push your amp hard for even more grind? The V4 has been improved with greatly increased headroom and output on the volume control.
No matter what electric instrument you play, we've outfitted the Pulp N Peel compressor/preamp pedal with enough connectivity options to make it your go-to compressor in the studio, on your pedalboard, at home, or anywhere else.
… Read moreJHS know how much effort you put into getting your tone exactly right. That's why we worked so hard to ensure the Pulp N Peel V4 maintains your instrument's natural attack, has a very low noise floor, and adds a professional polish to every chord, lead line, and note from your amplifier.
Whether you're looking to warm up your sound in the studio or want to add some grind for the stage, flip the Dirt mini toggle and you're there. Want to push your amp hard for even more grind? The V4 has been improved with greatly increased headroom and output on the volume control.
No matter what electric instrument you play, we've outfitted the Pulp N Peel compressor/preamp pedal with enough connectivity options to make it your go-to compressor in the studio, on your pedalboard, at home, or anywhere else.
Pre-orders at Juno
This product is available for pre-order at Juno, for shipping on the release date. You won’t be charged until the order is despatched.
We'll keep you informed of your order at every stage, and let you know if the release date changes.
If the price of the item drops before it's released, you will pay the lower price, but if it increases, you'll only pay the price you see today.
If you also include in-stock items on your order, they’ll be charged and shipped within 24 hours as usual.coming soon $224.83
(No payment required now - pay when released)
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JHS Pedals Flight Delay Time-Based Effects Pedal (blue) (time effects pedal)
Cat: 1076265
Delay pedal with analog, digital and reverse options alongside optional chorus or vibrato
Notes: The JHS Pedals Flight Delay was made with one goal in mind: to be everything you need in a delay and nothing you don't. In a world full of complex effects pedals, we worked hard to bring you the opposite - a beautifully simple stompbox that combines the most essential delay types with the features that matter. With three modes (Analog, Reverse, and Digital) inspired by some all-time favorite delays - EHX Memory Man, Boss DD-5, and Line 6 DL4 "Reverse Mode" - the Flight Delay is familiar, inspiring, and versatile enough for players in any genre. If you are tired of delay pedals that require frustrating menu diving to find the sound you want, endless scrolling on option screens, and complicated user interfaces, look no further!
… Read morePre-orders at Juno
This product is available for pre-order at Juno, for shipping on the release date. You won’t be charged until the order is despatched.
We'll keep you informed of your order at every stage, and let you know if the release date changes.
If the price of the item drops before it's released, you will pay the lower price, but if it increases, you'll only pay the price you see today.
If you also include in-stock items on your order, they’ll be charged and shipped within 24 hours as usual.coming soon $267.77
(No payment required now - pay when released)
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JHS Pedals 3 Series Flanger Effects Pedal (modulation effects pedal)
Cat: 1076240
Flanger pedal combining simplicity and affordabilty with a high quality effects.
Notes: The JHS Pedals 3 Series is a collection of pedals designed to give you affordability and simplicity without compromising quality. Each 3 Series pedal is made by JHS using high-quality parts, quality control, and attention to every detail. Each pedal has three simple controls and one toggle that offer a wide range of sounds, perfect for beginners and professionals alike. The JHS Pedals 3 Series will inspire your playing and help you explore new sounds at a totally approachable price point.
The 3-Series Flanger is inspired by the classic (and absurdly expensive) analog flangers of the past like the Electro-Harmonix Electric Mistress, the Tycobrahe Pedalflanger and the MXR M117 Flanger. The JHS Pedals 3 Series Flanger runs on 9V DC Negative Center power and consumes 70mA.
… Read moreThe 3-Series Flanger is inspired by the classic (and absurdly expensive) analog flangers of the past like the Electro-Harmonix Electric Mistress, the Tycobrahe Pedalflanger and the MXR M117 Flanger. The JHS Pedals 3 Series Flanger runs on 9V DC Negative Center power and consumes 70mA.
Pre-orders at Juno
This product is available for pre-order at Juno, for shipping on the release date. You won’t be charged until the order is despatched.
We'll keep you informed of your order at every stage, and let you know if the release date changes.
If the price of the item drops before it's released, you will pay the lower price, but if it increases, you'll only pay the price you see today.
If you also include in-stock items on your order, they’ll be charged and shipped within 24 hours as usual.coming soon $107.34
(No payment required now - pay when released)
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JHS Pedlas 3 Series Octave Reverb Effects Pedal (pitch shifter/time effects pedal)
Cat: 1076227
Octave reverb pedal combining affordability and simplicity with high quality effects.
Notes: The JHS Pedals 3 Series is a collection of pedals designed to give you affordability and simplicity without compromising quality. Each 3 Series pedal is made by us JHS using high-quality parts, quality control, and attention to every detail. Each pedal has three simple controls and one toggle that offer a wide range of sounds, perfect for beginners and professionals alike. The JHS 3 Series will inspire your playing and help you explore new sounds at a totally approachable price point.
In the early 1980s, Brian Eno invented an effect called "Shimmer," which was popularized in U2's The Unforgettable Fire (1984). The effect mixed ambient reverb and octave effects in the reverb's decay. The 3 Series Octave Reverb is our take on this classic effect that has been used for decades to allow the guitar to create pads and textures that fill out ambient space. Toggle up layers in upper octave sounds, while toggle down layers in lower octave sounds.
… Read moreIn the early 1980s, Brian Eno invented an effect called "Shimmer," which was popularized in U2's The Unforgettable Fire (1984). The effect mixed ambient reverb and octave effects in the reverb's decay. The 3 Series Octave Reverb is our take on this classic effect that has been used for decades to allow the guitar to create pads and textures that fill out ambient space. Toggle up layers in upper octave sounds, while toggle down layers in lower octave sounds.
Pre-orders at Juno
This product is available for pre-order at Juno, for shipping on the release date. You won’t be charged until the order is despatched.
We'll keep you informed of your order at every stage, and let you know if the release date changes.
If the price of the item drops before it's released, you will pay the lower price, but if it increases, you'll only pay the price you see today.
If you also include in-stock items on your order, they’ll be charged and shipped within 24 hours as usual.coming soon $107.34
(No payment required now - pay when released)
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JHS Pedals 3 Series Compressor Effects Pedal (dynamics effects pedal)
Cat: 1076238
Compressor pedal combining simplicity and affordability with a wide range of effects.
Notes: The JHS Pedals 3 Series is a collection of pedals designed to give you affordability and simplicity without compromising quality. Each 3 Series pedal is made by JHS using high-quality parts, quality control, and attention to every detail. Each pedal has three simple controls and one toggle that offer a wide range of sounds, perfect for beginners and professionals alike. The JHS Pedals 3 Series will inspire your playing and help you explore new sounds at a totally approachable price point.
The JHS Pedals 3 Series Compressor is a simple and powerful compressor that will give you everything from subtle tone smoothing to a super squashed sound. The Attack and Sustain knobs allow you to dial in the compression's overall feel and response to your playing, while the Volume knob enables you to set the overall volume at unity or boosted. The Bright toggle engages a brighter EQ so that your tone doesn't get lost in certain situations. The JHS Pedals 3 Series Compressor runs on 9V DC Negative Center power and consumes 8mA.
… Read moreThe JHS Pedals 3 Series Compressor is a simple and powerful compressor that will give you everything from subtle tone smoothing to a super squashed sound. The Attack and Sustain knobs allow you to dial in the compression's overall feel and response to your playing, while the Volume knob enables you to set the overall volume at unity or boosted. The Bright toggle engages a brighter EQ so that your tone doesn't get lost in certain situations. The JHS Pedals 3 Series Compressor runs on 9V DC Negative Center power and consumes 8mA.
Pre-orders at Juno
This product is available for pre-order at Juno, for shipping on the release date. You won’t be charged until the order is despatched.
We'll keep you informed of your order at every stage, and let you know if the release date changes.
If the price of the item drops before it's released, you will pay the lower price, but if it increases, you'll only pay the price you see today.
If you also include in-stock items on your order, they’ll be charged and shipped within 24 hours as usual.coming soon $107.34
(No payment required now - pay when released)
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Doepfer A-149-3 Fluctuating Random Voltages Module (random synth module)
Cat: 1081649
Based on the homonymous "Fluctuating Random Voltages" by Buchla, with more functions added
Notes: A-149-3 is the third module of the A-149-x range. In this group, this module present several functions of Don Buchla's "Source of Uncertainty 265/266" (SOU) modules that cannot be realized with existing A-100 modules. Some functions of Buchla's 265 and 266 SOU can be realized with existing A-100 modules.
Module A-149-3 is based on the homonymous "Fluctuating Random Voltages" by Buchla. Compared to the historic original, a lot of functions have been added. For example the user has access to virtually all internal signals (e.g. Noisy Triangle or S&H) and there are a lot of adjustable parameters which were fixed in the original.
For example, the frequency and noisiness of the internal triangle oscillator, the correlation of the S&H and manual or automatic frequency control of the S&H clock oscillator. The fixed internal connections of the original are wired to sockets in the A-149-3 and can be used also individually as the connections of the original are realized as normalled sockets. That way e.g. the S&H or slew unit can be used independent from the other units.
The functions in detail:
As in the original a digital noise signal is filtered in three different ways. The three "noise flavours" are available at three sockets and can be used for all kind of noise applications:
+3db (+3dB per octave, a bright noise, also called blue noise)
-3dB (-3dB per octave, a dark noise, also called red or brown noise, Allan Strange calls it "reciprocal white noise")
Flat (flat spectrum, also called pink noise)
In the original the -3dB output is used add some noise to an internal triangle oscillator with fixed frequency (~ 100 Hz) and fixed "noisiness". The result is called "noisy triangle". In the A-149-3 the frequency of the triangle oscillator and the level of the noisiness can be adjusted. The frequency is adusted by means of the Frq. control and the Range switch (~ 110Hz ... 5 seconds period in position high). In addition one can select between the -3dB and Flat output as noisiness source by means of an internal jumper. When Noisiness control is fully CCW one obtains a clean undisturbed triangle signal. With Noisiness control fully CW the result is a triangle signal with a lot of noise or randomness. The noisy triangle signal is available at the socket "N Tri" and is displayed with a dual colour LED.
The "N Tri" signal is normalled to the signal input of the subsequent Sample&Hold unit (S&H). The clock signal for the S&H is generated by an internal rectangle oscillator. This signal is normalled to the S&H clock socket and is displayed by an LED. One can select between manual and automatic control of the clock period by means of a toggle switch. In position "man." the period is controlled manually by the "Period" control. With control "Period" fully CCW one obtains the shortest period or highest frequency. Turning the control up increases the period or lowers the frequency. In position "auto" of the switch the period is controlled by the slew unit.
In this position a vactrol is used to define the frequency of the S&H clock. This vactrol is controlled in the same way as the vactrols of the slew unit, i.e. the period of the S&H clock changes simultaneously with the slew time. In the historic original only the auto mode was available. There was no manual control available.
The S&H has another special feature: the Correllation control. It's a feedback function where shares of the S&H output are fed back to the S&H signal input and mixed with the actual S&H input signal. The result is slurring the signal like a sub-audio lowpass filter, kind of a "digital slew function" because the gradation of the signal persists.
The S&H output is availabe at the corresponding socket and is displayed with a dual colour LED.
The S&H output is normalled to the signal input of the subsequent Slew Limiter unit (SL). The core of the slew limiter are two vactrols (vactrol = combination of a light emitting diode/LED and a light dependent resistor/LDR built into lightproof case). The brightness of the vactrol LEDs can be controlled manually (control "Man." of the slew unit) and by an external control voltage (socket "SL CV" with associated attenuator "CV" of the slew unit). The brightness of the vactrol LEDs is displayed at the top of the front planel. As already mentioned a third vactrol can be used to control the frequency of the S&H clock oscillator simultaneously to the slew limiter. The SL output is availabe at the corresponding socket and is displayed with a dual colour LED.
Due to the access facilities to many of the internal signals and connections it's possible to use the sub-units also for other applications. E.g. the noisy triangle signal, the S&H unit (incl. correlation) or the SL unit can be used for other signals. The S&H clock can be applied also from outside to synchronize the S&H to other signals.
If required, the internal clock signal is available at a pin header of the pc board.
Controls, Switches and Displays:
Slew Unit
Man.: manual adjustment of the slew time
CV: attenuator for the SL CV input
LED: display of the slew function (bright = short slew lime, dark = long slew time), identical to the brightmess of the vactrol LEDs
Triangle LFO
Frq.: LFO frequency, range ~ 110 Hz ... 5 seconds period
Noise: adjustment of noisiness (= perturbance of the triangle signal)
+3dB/-3dB: switch for the source of noisiness
LED: display of the noisy triangle signal, dual color LED (rot = positive / yellow = negative output voltage)
Sample&Hold (S&H)
Period: period of the internal clock signal for the S&H unit, fully CCW = shortest period or highest frequency, fully CW = longest period or lowest frequency
LED: display of the internal clock signal
Correl.: adjustment of the correllation of the S&H unit
Man./Auto: switching between manual and automatic control of the clock frequency, when auto is selected the clock frequency is controlled by the slew unit
LED: display of S&H output, dual color LED (rot = positive / yellow = negative output voltage)
Slew Limiter (SL)
LED: display of SK output, dual color LED (rot = positive / yellow = negative output voltage)
Sockets:
+3dB : filtered digital noise with +3dB per octave (output)
-3dB : filtered digital noise with -3dB per octave (output)
Flat : flat noise output
N Tri : Noisy Triangle output, about 10Vpp (-5V ... +5V)
S&H In: S&H signal input, normalled to N Tri
S&H Out : S&H signal output
SL CV: control voltage of the slew limiter unit, connected to the corresponding attenuator "CV" of the slew unit
S&H Clk: clock input of the S&H unit, normalled to the internal clock oscillator
SL In: slew limiter input, normalled to S&H Out
SL Out : slew limiter output
The arrow symbols indicate the normalling of sockets. Outputs are inverse labelled.
Technical details:
Frequency range of the triangle LFO: about 110 Hz ... 5 seconds period
Output level of the triangle LFO: ~ 10 Vss (-5 V...+5 V)
Frequency range of the internal clock oscillator: about 3 seconds ... 30Hz
Output level of the internal clock oscillator: ~ 10 Vss (0 V...+10 V)
Required input level of the S&H clock input: +5V
Depth: 45mm
8 HP
… Read moreModule A-149-3 is based on the homonymous "Fluctuating Random Voltages" by Buchla. Compared to the historic original, a lot of functions have been added. For example the user has access to virtually all internal signals (e.g. Noisy Triangle or S&H) and there are a lot of adjustable parameters which were fixed in the original.
For example, the frequency and noisiness of the internal triangle oscillator, the correlation of the S&H and manual or automatic frequency control of the S&H clock oscillator. The fixed internal connections of the original are wired to sockets in the A-149-3 and can be used also individually as the connections of the original are realized as normalled sockets. That way e.g. the S&H or slew unit can be used independent from the other units.
The functions in detail:
As in the original a digital noise signal is filtered in three different ways. The three "noise flavours" are available at three sockets and can be used for all kind of noise applications:
+3db (+3dB per octave, a bright noise, also called blue noise)
-3dB (-3dB per octave, a dark noise, also called red or brown noise, Allan Strange calls it "reciprocal white noise")
Flat (flat spectrum, also called pink noise)
In the original the -3dB output is used add some noise to an internal triangle oscillator with fixed frequency (~ 100 Hz) and fixed "noisiness". The result is called "noisy triangle". In the A-149-3 the frequency of the triangle oscillator and the level of the noisiness can be adjusted. The frequency is adusted by means of the Frq. control and the Range switch (~ 110Hz ... 5 seconds period in position high). In addition one can select between the -3dB and Flat output as noisiness source by means of an internal jumper. When Noisiness control is fully CCW one obtains a clean undisturbed triangle signal. With Noisiness control fully CW the result is a triangle signal with a lot of noise or randomness. The noisy triangle signal is available at the socket "N Tri" and is displayed with a dual colour LED.
The "N Tri" signal is normalled to the signal input of the subsequent Sample&Hold unit (S&H). The clock signal for the S&H is generated by an internal rectangle oscillator. This signal is normalled to the S&H clock socket and is displayed by an LED. One can select between manual and automatic control of the clock period by means of a toggle switch. In position "man." the period is controlled manually by the "Period" control. With control "Period" fully CCW one obtains the shortest period or highest frequency. Turning the control up increases the period or lowers the frequency. In position "auto" of the switch the period is controlled by the slew unit.
In this position a vactrol is used to define the frequency of the S&H clock. This vactrol is controlled in the same way as the vactrols of the slew unit, i.e. the period of the S&H clock changes simultaneously with the slew time. In the historic original only the auto mode was available. There was no manual control available.
The S&H has another special feature: the Correllation control. It's a feedback function where shares of the S&H output are fed back to the S&H signal input and mixed with the actual S&H input signal. The result is slurring the signal like a sub-audio lowpass filter, kind of a "digital slew function" because the gradation of the signal persists.
The S&H output is availabe at the corresponding socket and is displayed with a dual colour LED.
The S&H output is normalled to the signal input of the subsequent Slew Limiter unit (SL). The core of the slew limiter are two vactrols (vactrol = combination of a light emitting diode/LED and a light dependent resistor/LDR built into lightproof case). The brightness of the vactrol LEDs can be controlled manually (control "Man." of the slew unit) and by an external control voltage (socket "SL CV" with associated attenuator "CV" of the slew unit). The brightness of the vactrol LEDs is displayed at the top of the front planel. As already mentioned a third vactrol can be used to control the frequency of the S&H clock oscillator simultaneously to the slew limiter. The SL output is availabe at the corresponding socket and is displayed with a dual colour LED.
Due to the access facilities to many of the internal signals and connections it's possible to use the sub-units also for other applications. E.g. the noisy triangle signal, the S&H unit (incl. correlation) or the SL unit can be used for other signals. The S&H clock can be applied also from outside to synchronize the S&H to other signals.
If required, the internal clock signal is available at a pin header of the pc board.
Controls, Switches and Displays:
Slew Unit
Man.: manual adjustment of the slew time
CV: attenuator for the SL CV input
LED: display of the slew function (bright = short slew lime, dark = long slew time), identical to the brightmess of the vactrol LEDs
Triangle LFO
Frq.: LFO frequency, range ~ 110 Hz ... 5 seconds period
Noise: adjustment of noisiness (= perturbance of the triangle signal)
+3dB/-3dB: switch for the source of noisiness
LED: display of the noisy triangle signal, dual color LED (rot = positive / yellow = negative output voltage)
Sample&Hold (S&H)
Period: period of the internal clock signal for the S&H unit, fully CCW = shortest period or highest frequency, fully CW = longest period or lowest frequency
LED: display of the internal clock signal
Correl.: adjustment of the correllation of the S&H unit
Man./Auto: switching between manual and automatic control of the clock frequency, when auto is selected the clock frequency is controlled by the slew unit
LED: display of S&H output, dual color LED (rot = positive / yellow = negative output voltage)
Slew Limiter (SL)
LED: display of SK output, dual color LED (rot = positive / yellow = negative output voltage)
Sockets:
+3dB : filtered digital noise with +3dB per octave (output)
-3dB : filtered digital noise with -3dB per octave (output)
Flat : flat noise output
N Tri : Noisy Triangle output, about 10Vpp (-5V ... +5V)
S&H In: S&H signal input, normalled to N Tri
S&H Out : S&H signal output
SL CV: control voltage of the slew limiter unit, connected to the corresponding attenuator "CV" of the slew unit
S&H Clk: clock input of the S&H unit, normalled to the internal clock oscillator
SL In: slew limiter input, normalled to S&H Out
SL Out : slew limiter output
The arrow symbols indicate the normalling of sockets. Outputs are inverse labelled.
Technical details:
Frequency range of the triangle LFO: about 110 Hz ... 5 seconds period
Output level of the triangle LFO: ~ 10 Vss (-5 V...+5 V)
Frequency range of the internal clock oscillator: about 3 seconds ... 30Hz
Output level of the internal clock oscillator: ~ 10 Vss (0 V...+10 V)
Required input level of the S&H clock input: +5V
Depth: 45mm
8 HP
Pre-orders at Juno
This product is available for pre-order at Juno, for shipping on the release date. You won’t be charged until the order is despatched.
We'll keep you informed of your order at every stage, and let you know if the release date changes.
If the price of the item drops before it's released, you will pay the lower price, but if it increases, you'll only pay the price you see today.
If you also include in-stock items on your order, they’ll be charged and shipped within 24 hours as usual.coming soon $254.21
(No payment required now - pay when released)
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Enjoy DeFeel Modular Monotony Degenerator Standalone Sequencer Manipulator (audio sequencer manipulator)
Cat: 1078325
The first sequencer manipulator to generate autofills using lines and vectors.
Notes: With DeFeel Enjoy Electronics have redesigned and applied the Fill concept to make it usable in the world of modular synthesizers.
This device is designed to break the chain between the sequencer and everything that comes after it, allowing you to intervene at the right time and create unique variations.
A modular device that's not going to generate anything, but is created to degenerate the monotony.
DeFeel isn't about complex button presses or cryptic menus. Here, creativity reigns supreme. Design your rhythmic patterns with an intuitive touch. Simple lines and vectors come to life on the multitouch display, allowing you to experiment and craft unique sequences with remarkable ease.
With DeFeel, we offer musicians and performers a powerful and versatile tool to enrich their performances and compositions. With its intuitive programming, sleek design, and innovative translucent panel, DeFeel stands out as a unique device poised to revolutionize the way modular synthesizers are used and perceived.
… Read moreThis device is designed to break the chain between the sequencer and everything that comes after it, allowing you to intervene at the right time and create unique variations.
A modular device that's not going to generate anything, but is created to degenerate the monotony.
DeFeel isn't about complex button presses or cryptic menus. Here, creativity reigns supreme. Design your rhythmic patterns with an intuitive touch. Simple lines and vectors come to life on the multitouch display, allowing you to experiment and craft unique sequences with remarkable ease.
With DeFeel, we offer musicians and performers a powerful and versatile tool to enrich their performances and compositions. With its intuitive programming, sleek design, and innovative translucent panel, DeFeel stands out as a unique device poised to revolutionize the way modular synthesizers are used and perceived.
Pre-orders at Juno
This product is available for pre-order at Juno, for shipping on the release date. You won’t be charged until the order is despatched.
We'll keep you informed of your order at every stage, and let you know if the release date changes.
If the price of the item drops before it's released, you will pay the lower price, but if it increases, you'll only pay the price you see today.
If you also include in-stock items on your order, they’ll be charged and shipped within 24 hours as usual.coming soon $541.19
(No payment required now - pay when released)
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Gator 12x12" Thick Acoustic Foam Pyramid Panels (charcoal, pack of 2) (soundproofing foam)
Cat: 1077905
Pair of 2" thick acoustic foam pyramid panels 12"x12"
Notes: Enhance your recording and listening experience by absorbing and controlling unwanted reflected noises. Each panel features a 2 inch thick, 12x12" pyramid design for maximum absorption.
… Read morePre-orders at Juno
This product is available for pre-order at Juno, for shipping on the release date. You won’t be charged until the order is despatched.
We'll keep you informed of your order at every stage, and let you know if the release date changes.
If the price of the item drops before it's released, you will pay the lower price, but if it increases, you'll only pay the price you see today.
If you also include in-stock items on your order, they’ll be charged and shipped within 24 hours as usual.coming soon $27.69
(No payment required now - pay when released)
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Matthews Effects The Traveler 3-Algorithm Reverb Effect Pedal (time effects pedal)
Cat: 1062853
This compact and versatile pedal packs a punch with its three unique algorithms: Mod, Shimmer, and Vintage, giving you endless creative possibilities for your sound
Notes: Introducing "The Traveler" - the ultimate reverb pedal for any musician. This compact and versatile pedal packs a punch with its three unique algorithms: Mod, Shimmer, and Vintage, giving you endless creative possibilities for your sound.
The three knobs, Mix, M, and Feedback, allow you to customize your tone with ease. Use the Mix knob to blend your wet signal in, adjust the M knob to control a different unique feature on each algorithm, and the Feedback knob to control how long the reverb is. With "The Traveler", you can create anything from subtle reverb textures to full-blown sonic landscapes.
"The Traveler" also features MIDI capabilities, allowing you to control your presets, algorithms and features remotely. By holding the "Bypass/Hold" switch you activate the 'Hold" function which instantly jumps the feedback control to its max setting and then returns it to its previous place once the switch is released.
The six preset slots make it easy to switch between your favourite sounds, while the compact size makes it the perfect companion for gigging musicians. Whether you're playing in a small club or a large stadium, "The Traveler" will deliver the perfect tone every time.
"The Traveler" is the ideal guitar pedal for any musician looking for a compact, versatile, and high-quality effect. With its three unique algorithms, MIDI capabilities, Hold function, and six preset slots, you will explore new sonic landscapes with 'The Traveler' - your ultimate musical companion.
… Read moreThe three knobs, Mix, M, and Feedback, allow you to customize your tone with ease. Use the Mix knob to blend your wet signal in, adjust the M knob to control a different unique feature on each algorithm, and the Feedback knob to control how long the reverb is. With "The Traveler", you can create anything from subtle reverb textures to full-blown sonic landscapes.
"The Traveler" also features MIDI capabilities, allowing you to control your presets, algorithms and features remotely. By holding the "Bypass/Hold" switch you activate the 'Hold" function which instantly jumps the feedback control to its max setting and then returns it to its previous place once the switch is released.
The six preset slots make it easy to switch between your favourite sounds, while the compact size makes it the perfect companion for gigging musicians. Whether you're playing in a small club or a large stadium, "The Traveler" will deliver the perfect tone every time.
"The Traveler" is the ideal guitar pedal for any musician looking for a compact, versatile, and high-quality effect. With its three unique algorithms, MIDI capabilities, Hold function, and six preset slots, you will explore new sonic landscapes with 'The Traveler' - your ultimate musical companion.
Pre-orders at Juno
This product is available for pre-order at Juno, for shipping on the release date. You won’t be charged until the order is despatched.
We'll keep you informed of your order at every stage, and let you know if the release date changes.
If the price of the item drops before it's released, you will pay the lower price, but if it increases, you'll only pay the price you see today.
If you also include in-stock items on your order, they’ll be charged and shipped within 24 hours as usual.coming soon $141.23
(No payment required now - pay when released)
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Matthews Effects The Botanist 3-Algorithm Modulation Effect Pedal (modulation effects pedal)
Cat: 1062852
This compact and multifaceted pedal delivers a powerful impact with its trio of distinct algorithms: Phaser, Chorus, and Harmonic Tremolo, opening up a realm of limitless creative opportunities for shaping your sonic landscape
Notes: Meet "The Botanist" - the definitive modulation pedal for musicians of all kinds. This compact and multifaceted pedal delivers a powerful impact with its trio of distinct algorithms: Phaser, Chorus, and Harmonic Tremolo, opening up a realm of limitless creative opportunities for shaping your sonic landscape.
Easily tailor your sound using the three intuitive knobs: Mix, Rate, and Depth. Employ the Mix knob to smoothly blend your wet signal, fine-tune the Rate knob to govern the effect's tempo, and adjust the Depth knob to modulate the effect's intensity to your liking.
"The Botanist" is equipped with MIDI capabilities, granting you remote control over bypass, presets, algorithms, and features. Engage the 'Hold' function by holding down the "Bypass/Hold" switch, which instantly maxes out the Depth control and seamlessly restores it to its previous setting upon release.
With six presets at your fingertips, "The Botanist" simplifies switching between your preferred sounds, and its compact design ensures it's the ideal companion for gigging musicians. Whether you find yourself in an intimate club or a sprawling stadium, count on "The Botanist" to consistently deliver your ideal tone.
For musicians seeking a compact, versatile, and top-tier effect, "The Botanist" stands as the quintessential guitar pedal. Featuring three distinct algorithms, MIDI functionality, a convenient Hold function, and an array of six preset slots, "The Botanist" becomes your ultimate musical companion, opening doors to uncharted sonic horizons.
Highlights
The futurist can send any kind of MIDI message allowing you control of anything that has MIDI!
16 messages per preset
Send a total of 16 MIDI messages per preset on any MIDI channel!
Plenty of presets!
The Futurist has 210 total presets organized into 30 banks of 7 !
Programable footswitches
Program each footswitch to be a preset, tap, bank up, bank down, preset up, and preset down. Customize your Futurist to meet your needs!
MIDI Clock
The Futurist can generate its own MIDI clock or pass along MIDI clock from an outside source!
Message triggers
The Futurist supports Press, Release, Long Press, Long Release, Toggle On and Toggle Off as message triggers
Unique features
Midi communication over USB, manage presets and update firmware (with Matthews Effects Editor), and power The Futurist.
3.5MM TRS MIDI IN/OUT
connect directly to devices that use a TRS connection for MIDI and can be used with adapters to connect to 14 inch MIDI connections.
5-pin MIDI IN
Connect to devices that use the traditional 5 pin midi connector.
Utility jack
Configurable to send analogue tap tempo signals or as a latching or momentary switch.
Control jack
Plug in an expression pedal to dynamically send Control Change messages over MIDI or configure the jack to accept 3 additional switches to expand the functionality of the futurist.
Technical
High-grade components selected for their superior quality
3.5mm, traditional 5 pin and USB MIDI connections
Utility jack lets you send analogue tap or switch signals
Control jack lets you use expression or add 3 additional switches
Foot-switches designed to last against the abuse of the road
9V 50MA
Computer Editor
The Matthews Effects Editor allows you to manage presets, update firmware and improve the control ability of your Matthews Effects products from the ease of your Mac or PC!
… Read moreEasily tailor your sound using the three intuitive knobs: Mix, Rate, and Depth. Employ the Mix knob to smoothly blend your wet signal, fine-tune the Rate knob to govern the effect's tempo, and adjust the Depth knob to modulate the effect's intensity to your liking.
"The Botanist" is equipped with MIDI capabilities, granting you remote control over bypass, presets, algorithms, and features. Engage the 'Hold' function by holding down the "Bypass/Hold" switch, which instantly maxes out the Depth control and seamlessly restores it to its previous setting upon release.
With six presets at your fingertips, "The Botanist" simplifies switching between your preferred sounds, and its compact design ensures it's the ideal companion for gigging musicians. Whether you find yourself in an intimate club or a sprawling stadium, count on "The Botanist" to consistently deliver your ideal tone.
For musicians seeking a compact, versatile, and top-tier effect, "The Botanist" stands as the quintessential guitar pedal. Featuring three distinct algorithms, MIDI functionality, a convenient Hold function, and an array of six preset slots, "The Botanist" becomes your ultimate musical companion, opening doors to uncharted sonic horizons.
Highlights
The futurist can send any kind of MIDI message allowing you control of anything that has MIDI!
16 messages per preset
Send a total of 16 MIDI messages per preset on any MIDI channel!
Plenty of presets!
The Futurist has 210 total presets organized into 30 banks of 7 !
Programable footswitches
Program each footswitch to be a preset, tap, bank up, bank down, preset up, and preset down. Customize your Futurist to meet your needs!
MIDI Clock
The Futurist can generate its own MIDI clock or pass along MIDI clock from an outside source!
Message triggers
The Futurist supports Press, Release, Long Press, Long Release, Toggle On and Toggle Off as message triggers
Unique features
Midi communication over USB, manage presets and update firmware (with Matthews Effects Editor), and power The Futurist.
3.5MM TRS MIDI IN/OUT
connect directly to devices that use a TRS connection for MIDI and can be used with adapters to connect to 14 inch MIDI connections.
5-pin MIDI IN
Connect to devices that use the traditional 5 pin midi connector.
Utility jack
Configurable to send analogue tap tempo signals or as a latching or momentary switch.
Control jack
Plug in an expression pedal to dynamically send Control Change messages over MIDI or configure the jack to accept 3 additional switches to expand the functionality of the futurist.
Technical
High-grade components selected for their superior quality
3.5mm, traditional 5 pin and USB MIDI connections
Utility jack lets you send analogue tap or switch signals
Control jack lets you use expression or add 3 additional switches
Foot-switches designed to last against the abuse of the road
9V 50MA
Computer Editor
The Matthews Effects Editor allows you to manage presets, update firmware and improve the control ability of your Matthews Effects products from the ease of your Mac or PC!
Pre-orders at Juno
This product is available for pre-order at Juno, for shipping on the release date. You won’t be charged until the order is despatched.
We'll keep you informed of your order at every stage, and let you know if the release date changes.
If the price of the item drops before it's released, you will pay the lower price, but if it increases, you'll only pay the price you see today.
If you also include in-stock items on your order, they’ll be charged and shipped within 24 hours as usual.coming soon $163.82
(No payment required now - pay when released)
FORTHCOMING
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BlaknBlu Oscar Tria Triple Mode Stereo VCO Module (oscillator synth module)
Cat: 1081156
VCO module that functions as a stereo oscillator, a super saw/square/triangle/sub and a chord engine,
Notes: Oscar Tria packs a lot of VCO into 10HP. There are three main modes described below.
Green Mode:
A 'traditional' stereo oscillator. In Green Mode you get the usual three waveforms - saw, triangle and square (with variable pulse width, of course) but you can continuously vary the waveform between the three. For instance, by turning the waveform knob to be just to the saw side of triangle, you get a sound very much like the Minimoog's 'shark tooth'. Green mode also gives you a square wave sub oscillator - one octave below the main oscillators - and a sub sub, two octaves below. Oscar Tria is stereo, of course, so you can detune one oscillator for a rich stereo image - or sum the two outputs to mono and you have two oscillators with two subs, for a BIG sound. Green mode also features through zero FM, and hard sync.
Yellow Mode:
Super-saw! And super-square! And super-triangle! With a sub (of course). Yellow mode allows you to control the number of oscillators making up the super-whatever, from one (not really super) to 24! Again, being stereo you get up to 12 oscillators in one channel and 12 in the other. Add the sub for a HUGE sound.
Orange Mode:
This is a chord engine, with 20 selectable chords. There are controls to select which chord you want and how many notes are played (over two octaves). CV control allows you to set pitch and chord independently, so you can set up a polyphonic sequence, for instance. Again, the output is stereo with detune control of one output.
… Read moreGreen Mode:
A 'traditional' stereo oscillator. In Green Mode you get the usual three waveforms - saw, triangle and square (with variable pulse width, of course) but you can continuously vary the waveform between the three. For instance, by turning the waveform knob to be just to the saw side of triangle, you get a sound very much like the Minimoog's 'shark tooth'. Green mode also gives you a square wave sub oscillator - one octave below the main oscillators - and a sub sub, two octaves below. Oscar Tria is stereo, of course, so you can detune one oscillator for a rich stereo image - or sum the two outputs to mono and you have two oscillators with two subs, for a BIG sound. Green mode also features through zero FM, and hard sync.
Yellow Mode:
Super-saw! And super-square! And super-triangle! With a sub (of course). Yellow mode allows you to control the number of oscillators making up the super-whatever, from one (not really super) to 24! Again, being stereo you get up to 12 oscillators in one channel and 12 in the other. Add the sub for a HUGE sound.
Orange Mode:
This is a chord engine, with 20 selectable chords. There are controls to select which chord you want and how many notes are played (over two octaves). CV control allows you to set pitch and chord independently, so you can set up a polyphonic sequence, for instance. Again, the output is stereo with detune control of one output.
Pre-orders at Juno
This product is available for pre-order at Juno, for shipping on the release date. You won’t be charged until the order is despatched.
We'll keep you informed of your order at every stage, and let you know if the release date changes.
If the price of the item drops before it's released, you will pay the lower price, but if it increases, you'll only pay the price you see today.
If you also include in-stock items on your order, they’ll be charged and shipped within 24 hours as usual.coming soon $327.64
(No payment required now - pay when released)
FORTHCOMING
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Lumen Handpan Electro-Acoustic Handpan (deep ocean blue) (electronic drum)
Cat: 1081948
The world's first electroacoustic handpan.
Notes: The Lumen Handpan is the world's first electroacoustic handpan.
It sounds and plays like an acoustic handpan, but offers incredible flexibility by comparison. With the Lumen Handpan, you can play in any tuning. It also includes samples from various handpan types, giving you full control over the sound. These individual settings - including volume control - can be adjusted via the built-in display and touch interface.
And the most important feature of any handpan: the strike dynamics. The 9 pressure-sensitive pads deliver impressively nuanced response, along with polyphonic aftertouch, creating an expressive and immersive playing experience.
The integrated 360-degree full-range speaker and a battery that lasts up to 8 hours make the Lumen Handpan fully portable and versatile. It can also be played using headphones, in which case the internal speaker can be disabled. DAW integration via MIDI is also supported.
… Read moreIt sounds and plays like an acoustic handpan, but offers incredible flexibility by comparison. With the Lumen Handpan, you can play in any tuning. It also includes samples from various handpan types, giving you full control over the sound. These individual settings - including volume control - can be adjusted via the built-in display and touch interface.
And the most important feature of any handpan: the strike dynamics. The 9 pressure-sensitive pads deliver impressively nuanced response, along with polyphonic aftertouch, creating an expressive and immersive playing experience.
The integrated 360-degree full-range speaker and a battery that lasts up to 8 hours make the Lumen Handpan fully portable and versatile. It can also be played using headphones, in which case the internal speaker can be disabled. DAW integration via MIDI is also supported.
Pre-orders at Juno
This product is available for pre-order at Juno, for shipping on the release date. You won’t be charged until the order is despatched.
We'll keep you informed of your order at every stage, and let you know if the release date changes.
If the price of the item drops before it's released, you will pay the lower price, but if it increases, you'll only pay the price you see today.
If you also include in-stock items on your order, they’ll be charged and shipped within 24 hours as usual.coming soon $1,702.65
(No payment required now - pay when released)
FORTHCOMING
Related products...
Lumen Handpan Electro-Acoustic Handpan (midnight black) (electronic drum)
Cat: 1081949
The world's first electroacoustic handpan.
Notes: The Lumen Handpan is the world's first electroacoustic handpan.
It sounds and plays like an acoustic handpan, but offers incredible flexibility by comparison. With the Lumen Handpan, you can play in any tuning. It also includes samples from various handpan types, giving you full control over the sound. These individual settings - including volume control - can be adjusted via the built-in display and touch interface.
And the most important feature of any handpan: the strike dynamics. The 9 pressure-sensitive pads deliver impressively nuanced response, along with polyphonic aftertouch, creating an expressive and immersive playing experience.
The integrated 360-degree full-range speaker and a battery that lasts up to 8 hours make the Lumen Handpan fully portable and versatile. It can also be played using headphones, in which case the internal speaker can be disabled. DAW integration via MIDI is also supported
… Read moreIt sounds and plays like an acoustic handpan, but offers incredible flexibility by comparison. With the Lumen Handpan, you can play in any tuning. It also includes samples from various handpan types, giving you full control over the sound. These individual settings - including volume control - can be adjusted via the built-in display and touch interface.
And the most important feature of any handpan: the strike dynamics. The 9 pressure-sensitive pads deliver impressively nuanced response, along with polyphonic aftertouch, creating an expressive and immersive playing experience.
The integrated 360-degree full-range speaker and a battery that lasts up to 8 hours make the Lumen Handpan fully portable and versatile. It can also be played using headphones, in which case the internal speaker can be disabled. DAW integration via MIDI is also supported
Pre-orders at Juno
This product is available for pre-order at Juno, for shipping on the release date. You won’t be charged until the order is despatched.
We'll keep you informed of your order at every stage, and let you know if the release date changes.
If the price of the item drops before it's released, you will pay the lower price, but if it increases, you'll only pay the price you see today.
If you also include in-stock items on your order, they’ll be charged and shipped within 24 hours as usual.coming soon $1,702.65
(No payment required now - pay when released)
FORTHCOMING
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Play All Day PlayFader Mnml Cr24 2-Channel CV & MIDI Portable Sequencer (audio sequencer)
Cat: 1085513
Featuring a black recycled ABS PlayCase, custom black flat keycaps and black chrome faders; the mnml Cr24 s a sleek re-interpretation of the classic OG Yellow PlayFader
Notes: The PlayFader 'mnml' Cr24 limited edition!
Featuring a black recycled ABS PlayCase, custom black flat keycaps and black chrome faders!
The Cr24 is a sleek re-interpretation of the classic OG Yellow PlayFader.
All the PlayFader button colours are now represented on the front panel allowing you to still use colour to learn your way around the functions.
Synesthesia is when you hear music, but you see shapes. Or you hear a word or a name and instantly see a colour. That's why Play All Day use colours and words on our panel, it makes learning click- and stick!
Inside every PlayFader you will now also get a handy laminated card with all the main menu button combos. This fits neatly into the lid so it's always with you when you need it.
The green LEDs of the main display finish off the design in style while being super-clear in the darkest and most demanding of situations.
PlayFader mnml has exactly the same functionality as the classic yellow edition and the Cr24 is currently a very limited run.
Please note, PlayFader does not ship with cables or adapters.
You can power PlayFader from any 9v Centre-negative guitar pedal power supply, or chose one of the innovative power solutions offered by myVolts, you can now chose to use USB-B or USB-C power solutions with their Ripcord and StepUp adapters.
You can also pick up 3.5mm to 5-pin Midi Type-A adapters and the awesome myVolts Modular CV Halo to Pedal (floating ring TRS to TS) cable for plugging into Expression inputs.
Supplier's notes:
PlayFader is a 2 channel CV & MIDI portable sequencer.
Each channel of PlayFader features CV and Gate outputs that are controlled by its Fader and Play button. Move the Fader to change the CV level, press the Play button to output a variable-width gate or trigger.
PlayFader also outputs 2 channels of MIDI - select from Notes, Chords, CC's and many more output options. MIDI mirrors the analogue outputs so you can control anything with a MIDI input while also controlling your analogue CV synths, pedals etc.
PlayFader runs either to its own internal clock with full transport controls and tap tempo, or loves making friends with external clocks. Sync can be by CV or MIDI, in or out.
Select from your own fully customisable user scales or smooth voltage ranges of 2, 3, 5 & 8v in addition to live transposition.
Each channel has two recording buffers which you can jump, swap and copy between.
PlayFader also has 7 FUN FX modes... for now.
Based on the TE pocket operator punchFX, there is a dedicated FUN button. The idea is that the FUN modes modulate and influence your recorded pattern contents while using the faders to change relevant parameters for the mode you're in.
All FUN modes will be addressable by the built-in accelerometer in future firmware (coming soon), which should be bonkers amounts of fun.
PlayFader has a protective lid that doubles as a stand and feels great in your hand if you want to hold it and play- this is the PlayCase.
When you're travelling, all the controls are safely protected by the lid, held in place with a handy wristband which supports LGBTQ+ equality around the world.
The lid can then be flipped onto the back of PlayFader when you're ready, giving you some grip and a bit more height, making it perfect to play all day!
PlayFader is a versatile CV, Gate and MIDI sequencer & looper that loves to make friends with modular synths, vintage synths, any synth or sampler with MIDI, guitar pedals, and anything else with CV and expression inputs. It can even be a great controller and sequencer for your DAW & computer-based workflow.
You can also read the official manual and quick reference guides and these are always instantly accessible from the QR code on the back of every PlayFader.
See below for all the technical details, what's in the box and more.
Technical Bits & Pieces
2 x 60mm-Throw Bourns Faders.
Custom Moulded Recycled Plastic Play Case with a protective Lid that doubles as a stand.
Unique Flat Keycap Buttons with Cherry MX Switches.
2 x ChromaCaps Mk2 Silicon Fader Caps.
Ultra Low Profile MultiComp Pro Jack Connectors.
5mm Perspex Laser Cut and Printed Acrylic Front & Rear Panels.
Stonewall Rainbow Wristband to hold Frame Case and Lid together for transport. All profits from sales of Stonewall merchandise go into funding their vital work for LGBTQ+ equality in UK and around the world.
2 x 3.5mm CV Outputs - Adjustable from 0-8v, Continuous or Pitch Quantised. Requires Mono Patch Cable.
2 x 3.5mm Gate Outputs - Adjustable from 3ms Trigger to 95% Duty Cycle. Requires Mono Patch Cable.
1 x 3.5mm Switchable Comms Output - Select between Analog Clock Pulse (Mono Cable) or MIDI Control & Transport (TRS MIDI).
1 x 3.5mm Switchable Comms Input - Select between Analog Clock Pulse (Mono Cable) or MIDI Control & Transport (TRS MIDI).
MIDI Type-A Communication.
Stackables will fit snugly!
MyVolts 9V Ripcord USB Power Cable included.
2 x 3.5mm to MIDI 5-pin Type-A Adapters included.
1 x 3.5mm to 1/4inch Floating Ring - CV to Expression Cable included.
4 x Knurlies 3M included.
4 x 3m Black Ultra Thin Flat Wafer Head Screws included.
Some nice stickers included, of course.
… Read moreFeaturing a black recycled ABS PlayCase, custom black flat keycaps and black chrome faders!
The Cr24 is a sleek re-interpretation of the classic OG Yellow PlayFader.
All the PlayFader button colours are now represented on the front panel allowing you to still use colour to learn your way around the functions.
Synesthesia is when you hear music, but you see shapes. Or you hear a word or a name and instantly see a colour. That's why Play All Day use colours and words on our panel, it makes learning click- and stick!
Inside every PlayFader you will now also get a handy laminated card with all the main menu button combos. This fits neatly into the lid so it's always with you when you need it.
The green LEDs of the main display finish off the design in style while being super-clear in the darkest and most demanding of situations.
PlayFader mnml has exactly the same functionality as the classic yellow edition and the Cr24 is currently a very limited run.
Please note, PlayFader does not ship with cables or adapters.
You can power PlayFader from any 9v Centre-negative guitar pedal power supply, or chose one of the innovative power solutions offered by myVolts, you can now chose to use USB-B or USB-C power solutions with their Ripcord and StepUp adapters.
You can also pick up 3.5mm to 5-pin Midi Type-A adapters and the awesome myVolts Modular CV Halo to Pedal (floating ring TRS to TS) cable for plugging into Expression inputs.
Supplier's notes:
PlayFader is a 2 channel CV & MIDI portable sequencer.
Each channel of PlayFader features CV and Gate outputs that are controlled by its Fader and Play button. Move the Fader to change the CV level, press the Play button to output a variable-width gate or trigger.
PlayFader also outputs 2 channels of MIDI - select from Notes, Chords, CC's and many more output options. MIDI mirrors the analogue outputs so you can control anything with a MIDI input while also controlling your analogue CV synths, pedals etc.
PlayFader runs either to its own internal clock with full transport controls and tap tempo, or loves making friends with external clocks. Sync can be by CV or MIDI, in or out.
Select from your own fully customisable user scales or smooth voltage ranges of 2, 3, 5 & 8v in addition to live transposition.
Each channel has two recording buffers which you can jump, swap and copy between.
PlayFader also has 7 FUN FX modes... for now.
Based on the TE pocket operator punchFX, there is a dedicated FUN button. The idea is that the FUN modes modulate and influence your recorded pattern contents while using the faders to change relevant parameters for the mode you're in.
All FUN modes will be addressable by the built-in accelerometer in future firmware (coming soon), which should be bonkers amounts of fun.
PlayFader has a protective lid that doubles as a stand and feels great in your hand if you want to hold it and play- this is the PlayCase.
When you're travelling, all the controls are safely protected by the lid, held in place with a handy wristband which supports LGBTQ+ equality around the world.
The lid can then be flipped onto the back of PlayFader when you're ready, giving you some grip and a bit more height, making it perfect to play all day!
PlayFader is a versatile CV, Gate and MIDI sequencer & looper that loves to make friends with modular synths, vintage synths, any synth or sampler with MIDI, guitar pedals, and anything else with CV and expression inputs. It can even be a great controller and sequencer for your DAW & computer-based workflow.
You can also read the official manual and quick reference guides and these are always instantly accessible from the QR code on the back of every PlayFader.
See below for all the technical details, what's in the box and more.
Technical Bits & Pieces
2 x 60mm-Throw Bourns Faders.
Custom Moulded Recycled Plastic Play Case with a protective Lid that doubles as a stand.
Unique Flat Keycap Buttons with Cherry MX Switches.
2 x ChromaCaps Mk2 Silicon Fader Caps.
Ultra Low Profile MultiComp Pro Jack Connectors.
5mm Perspex Laser Cut and Printed Acrylic Front & Rear Panels.
Stonewall Rainbow Wristband to hold Frame Case and Lid together for transport. All profits from sales of Stonewall merchandise go into funding their vital work for LGBTQ+ equality in UK and around the world.
2 x 3.5mm CV Outputs - Adjustable from 0-8v, Continuous or Pitch Quantised. Requires Mono Patch Cable.
2 x 3.5mm Gate Outputs - Adjustable from 3ms Trigger to 95% Duty Cycle. Requires Mono Patch Cable.
1 x 3.5mm Switchable Comms Output - Select between Analog Clock Pulse (Mono Cable) or MIDI Control & Transport (TRS MIDI).
1 x 3.5mm Switchable Comms Input - Select between Analog Clock Pulse (Mono Cable) or MIDI Control & Transport (TRS MIDI).
MIDI Type-A Communication.
Stackables will fit snugly!
MyVolts 9V Ripcord USB Power Cable included.
2 x 3.5mm to MIDI 5-pin Type-A Adapters included.
1 x 3.5mm to 1/4inch Floating Ring - CV to Expression Cable included.
4 x Knurlies 3M included.
4 x 3m Black Ultra Thin Flat Wafer Head Screws included.
Some nice stickers included, of course.
Pre-orders at Juno
This product is available for pre-order at Juno, for shipping on the release date. You won’t be charged until the order is despatched.
We'll keep you informed of your order at every stage, and let you know if the release date changes.
If the price of the item drops before it's released, you will pay the lower price, but if it increases, you'll only pay the price you see today.
If you also include in-stock items on your order, they’ll be charged and shipped within 24 hours as usual.coming soon $336.69
(No payment required now - pay when released)
FORTHCOMING
Related products...
Puremagnetik Laps Multitrack Collage Machine Effects Pedal (time effects pedal)
Cat: 1085502
LAPS is a compact multitrack machine designed for layering soundscapes, crafting tape-style overdubs, and creating intricate sonic collages
Notes: LAPS: A Multitrack Sound Design Tool
LAPS is a compact multitrack machine designed for layering soundscapes, crafting tape-style overdubs, and creating intricate sonic collages. Ideal for everything from glitchy loops to expansive, multi-layered recordings, LAPS offers a trove of creative possibilities.
Features at a Glance:
3 tracks (Laps) with up to 20 seconds of stereo recording each at 24-bit/48kHz.
Two modes: Replica (mirrored layers for melodic shifts) and Multiply (endless layering without erasing).
Stepped pitch shifting, band-pass filters, granular effects, and a tape-style "Age" effect.
Stereo in/out with on-board panning, true bypass, and high-quality A/D/A converters.
Designed for Sound Explorers
LAPS draws inspiration from Puremagnetik's Small Winters - a plugin built in collaboration with sound artist and 12k label manager Taylor Deupree. LAPS takes the concept beyond the digital realm with enhanced features and physical functionality. Whether you're sketching loops or building spacious compositions, LAPS transforms into a powerful, hands-on sound design tool.
… Read moreLAPS is a compact multitrack machine designed for layering soundscapes, crafting tape-style overdubs, and creating intricate sonic collages. Ideal for everything from glitchy loops to expansive, multi-layered recordings, LAPS offers a trove of creative possibilities.
Features at a Glance:
3 tracks (Laps) with up to 20 seconds of stereo recording each at 24-bit/48kHz.
Two modes: Replica (mirrored layers for melodic shifts) and Multiply (endless layering without erasing).
Stepped pitch shifting, band-pass filters, granular effects, and a tape-style "Age" effect.
Stereo in/out with on-board panning, true bypass, and high-quality A/D/A converters.
Designed for Sound Explorers
LAPS draws inspiration from Puremagnetik's Small Winters - a plugin built in collaboration with sound artist and 12k label manager Taylor Deupree. LAPS takes the concept beyond the digital realm with enhanced features and physical functionality. Whether you're sketching loops or building spacious compositions, LAPS transforms into a powerful, hands-on sound design tool.
Pre-orders at Juno
This product is available for pre-order at Juno, for shipping on the release date. You won’t be charged until the order is despatched.
We'll keep you informed of your order at every stage, and let you know if the release date changes.
If the price of the item drops before it's released, you will pay the lower price, but if it increases, you'll only pay the price you see today.
If you also include in-stock items on your order, they’ll be charged and shipped within 24 hours as usual.coming soon $377.36
(No payment required now - pay when released)
FORTHCOMING
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Rode Wireless Go (Gen 3) Compact Wireless Microphone System (white) (wireless microphone)
Cat: 1083179
Wireless microphone system ideal for field recording, on-site or at home content creation.
Notes: The Wireless GO (Gen 3) marks a new generation in RODE's Wireless Go family and offers a plethora of features for capturing pristine audio in any situation, including intelligent GainAssist technology and 32-bit float on-board recording with 32 GB of internal memory. RODE's state-of-the-art Series IV 2.4GHz digital transmission delivers best-inclass range, with broadcast-grade in-built microphones for crystal-clear audio capture.
It is universally compatible with cameras, phones and computers, and for even more flexibility features locking lavalier connectors, dedicated buttons for triggering recording, auto-power on/off, and a TRRS jack on the receiver for headphone monitoring or audio input.
… Read moreIt is universally compatible with cameras, phones and computers, and for even more flexibility features locking lavalier connectors, dedicated buttons for triggering recording, auto-power on/off, and a TRRS jack on the receiver for headphone monitoring or audio input.
Pre-orders at Juno
This product is available for pre-order at Juno, for shipping on the release date. You won’t be charged until the order is despatched.
We'll keep you informed of your order at every stage, and let you know if the release date changes.
If the price of the item drops before it's released, you will pay the lower price, but if it increases, you'll only pay the price you see today.
If you also include in-stock items on your order, they’ll be charged and shipped within 24 hours as usual.coming soon $281.33
(No payment required now - pay when released)
FORTHCOMING
Related products...
Rode Wireless Go (Gen 3) Compact Wireless Microphone System (orange) (wireless microphones)
Cat: 1083165
Wireless microphone system ideal for field recording, on-site or at home content creation.
Notes: The Wireless GO (Gen 3) marks a new generation in RODE's Wireless Go family and offers a plethora of features for capturing pristine audio in any situation, including intelligent GainAssist technology and 32-bit float on-board recording with 32 GB of internal memory. RODE's state-of-the-art Series IV 2.4GHz digital transmission delivers best-inclass range, with broadcast-grade in-built microphones for crystal-clear audio capture.
It is universally compatible with cameras, phones and computers, and for even more flexibility features locking lavalier connectors, dedicated buttons for triggering recording, auto-power on/off, and a TRRS jack on the receiver for headphone monitoring or audio input.
… Read moreIt is universally compatible with cameras, phones and computers, and for even more flexibility features locking lavalier connectors, dedicated buttons for triggering recording, auto-power on/off, and a TRRS jack on the receiver for headphone monitoring or audio input.
Pre-orders at Juno
This product is available for pre-order at Juno, for shipping on the release date. You won’t be charged until the order is despatched.
We'll keep you informed of your order at every stage, and let you know if the release date changes.
If the price of the item drops before it's released, you will pay the lower price, but if it increases, you'll only pay the price you see today.
If you also include in-stock items on your order, they’ll be charged and shipped within 24 hours as usual.coming soon $281.33
(No payment required now - pay when released)
FORTHCOMING
Related products...
Rode Wireless Go (Gen 3) Compact Wireless Microphone System (blue) (wireless microphone)
Cat: 1083157
Wireless microphone system ideal for field recording, on-site or at home content creation.
Notes: The Wireless GO (Gen 3) marks a new generation in RODE's Wireless Go family and offers a plethora of features for capturing pristine audio in any situation, including intelligent GainAssist technology and 32-bit float on-board recording with 32 GB of internal memory. RODE's state-of-the-art Series IV 2.4GHz digital transmission delivers best-inclass range, with broadcast-grade in-built microphones for crystal-clear audio capture.
It is universally compatible with cameras, phones and computers, and for even more flexibility features locking lavalier connectors, dedicated buttons for triggering recording, auto-power on/off, and a TRRS jack on the receiver for headphone monitoring or audio input.
… Read moreIt is universally compatible with cameras, phones and computers, and for even more flexibility features locking lavalier connectors, dedicated buttons for triggering recording, auto-power on/off, and a TRRS jack on the receiver for headphone monitoring or audio input.
Pre-orders at Juno
This product is available for pre-order at Juno, for shipping on the release date. You won’t be charged until the order is despatched.
We'll keep you informed of your order at every stage, and let you know if the release date changes.
If the price of the item drops before it's released, you will pay the lower price, but if it increases, you'll only pay the price you see today.
If you also include in-stock items on your order, they’ll be charged and shipped within 24 hours as usual.coming soon $281.33
(No payment required now - pay when released)
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Rode Wireless Go (Gen 3) Compact Wireless Microphone System (pink) (wireless micrphones)
Cat: 1083168
Wireless microphone system ideal for field recording, on-site or at home content creation.
Notes: The Wireless GO (Gen 3) marks a new generation in RODE's Wireless Go family and offers a plethora of features for capturing pristine audio in any situation, including intelligent GainAssist technology and 32-bit float on-board recording with 32 GB of internal memory. RODE's state-of-the-art Series IV 2.4GHz digital transmission delivers best-inclass range, with broadcast-grade in-built microphones for crystal-clear audio capture.
It is universally compatible with cameras, phones and computers, and for even more flexibility features locking lavalier connectors, dedicated buttons for triggering recording, auto-power on/off, and a TRRS jack on the receiver for headphone monitoring or audio input.
… Read moreIt is universally compatible with cameras, phones and computers, and for even more flexibility features locking lavalier connectors, dedicated buttons for triggering recording, auto-power on/off, and a TRRS jack on the receiver for headphone monitoring or audio input.
Pre-orders at Juno
This product is available for pre-order at Juno, for shipping on the release date. You won’t be charged until the order is despatched.
We'll keep you informed of your order at every stage, and let you know if the release date changes.
If the price of the item drops before it's released, you will pay the lower price, but if it increases, you'll only pay the price you see today.
If you also include in-stock items on your order, they’ll be charged and shipped within 24 hours as usual.coming soon $281.33
(No payment required now - pay when released)
FORTHCOMING
Related products...
Rode Wireless Go (Gen 3) Compact Wireless Microphone System (purple) (wireless microphones)
Cat: 1083172
Wireless microphone system ideal for field recording, on-site or at home content creation.
Notes: The Wireless GO (Gen 3) marks a new generation in RODE's Wireless Go family and offers a plethora of features for capturing pristine audio in any situation, including intelligent GainAssist technology and 32-bit float on-board recording with 32 GB of internal memory. RODE's state-of-the-art Series IV 2.4GHz digital transmission delivers best-inclass range, with broadcast-grade in-built microphones for crystal-clear audio capture.
It is universally compatible with cameras, phones and computers, and for even more flexibility features locking lavalier connectors, dedicated buttons for triggering recording, auto-power on/off, and a TRRS jack on the receiver for headphone monitoring or audio input.
… Read moreIt is universally compatible with cameras, phones and computers, and for even more flexibility features locking lavalier connectors, dedicated buttons for triggering recording, auto-power on/off, and a TRRS jack on the receiver for headphone monitoring or audio input.
Pre-orders at Juno
This product is available for pre-order at Juno, for shipping on the release date. You won’t be charged until the order is despatched.
We'll keep you informed of your order at every stage, and let you know if the release date changes.
If the price of the item drops before it's released, you will pay the lower price, but if it increases, you'll only pay the price you see today.
If you also include in-stock items on your order, they’ll be charged and shipped within 24 hours as usual.coming soon $281.33
(No payment required now - pay when released)
FORTHCOMING
Related products...
Rode Wireless Go (Gen 3) Compact Wireless Microphone System (red) (wireless microphone)
Cat: 1083174
Wireless microphone system ideal for field recording, on-site or at home content creation.
Notes: The Wireless GO (Gen 3) marks a new generation in RODE's Wireless Go family and offers a plethora of features for capturing pristine audio in any situation, including intelligent GainAssist technology and 32-bit float on-board recording with 32 GB of internal memory. RODE's state-of-the-art Series IV 2.4GHz digital transmission delivers best-inclass range, with broadcast-grade in-built microphones for crystal-clear audio capture.
It is universally compatible with cameras, phones and computers, and for even more flexibility features locking lavalier connectors, dedicated buttons for triggering recording, auto-power on/off, and a TRRS jack on the receiver for headphone monitoring or audio input.
… Read moreIt is universally compatible with cameras, phones and computers, and for even more flexibility features locking lavalier connectors, dedicated buttons for triggering recording, auto-power on/off, and a TRRS jack on the receiver for headphone monitoring or audio input.
Pre-orders at Juno
This product is available for pre-order at Juno, for shipping on the release date. You won’t be charged until the order is despatched.
We'll keep you informed of your order at every stage, and let you know if the release date changes.
If the price of the item drops before it's released, you will pay the lower price, but if it increases, you'll only pay the price you see today.
If you also include in-stock items on your order, they’ll be charged and shipped within 24 hours as usual.coming soon $281.33
(No payment required now - pay when released)
FORTHCOMING
Related products...
Rode Wireless Go (Gen 3) Compact Wireless Microphone System (green) (wireless microphone)
Cat: 1083160
Wireless microphone system ideal for field recording, on-site or at home content creation.
Notes: The Wireless GO (Gen 3) marks a new generation in RODE's Wireless Go family and offers a plethora of features for capturing pristine audio in any situation, including intelligent GainAssist technology and 32-bit float on-board recording with 32 GB of internal memory. RODE's state-of-the-art Series IV 2.4GHz digital transmission delivers best-inclass range, with broadcast-grade in-built microphones for crystal-clear audio capture.
It is universally compatible with cameras, phones and computers, and for even more flexibility features locking lavalier connectors, dedicated buttons for triggering recording, auto-power on/off, and a TRRS jack on the receiver for headphone monitoring or audio input.
… Read moreIt is universally compatible with cameras, phones and computers, and for even more flexibility features locking lavalier connectors, dedicated buttons for triggering recording, auto-power on/off, and a TRRS jack on the receiver for headphone monitoring or audio input.
Pre-orders at Juno
This product is available for pre-order at Juno, for shipping on the release date. You won’t be charged until the order is despatched.
We'll keep you informed of your order at every stage, and let you know if the release date changes.
If the price of the item drops before it's released, you will pay the lower price, but if it increases, you'll only pay the price you see today.
If you also include in-stock items on your order, they’ll be charged and shipped within 24 hours as usual.coming soon $281.33
(No payment required now - pay when released)
FORTHCOMING
Related products...
Clank Oracle System Modular Synthesiser (modular synthesiser)
Cat: 1084326
Modular synthesiser combining all of Clank's modules - 66HP
Notes: Discover the perfect harmony of our top-of-the-line modules with our ORACLE system - a meticulously crafted 66hp stereo desktop instrument that seamlessly integrates our selection of eurorack modules: a full-featured system that offers a vast array of capabilities in a compact form factor. With ORACLE, you can dig into unorthodox sequencing, interactive modulation, and innovative stereo sounds- spanning styles ranging from ambient to techno, as well as experimental soundscapes and sound design.
At the heart of the system is our renowned module Chaos; within this compact ecosystem, it can unleash its full potential and seamlessly integrate with the other modules.
Chaos can produce control signals quickly and creatively with minimal user input. It can be used as a rhythmic or melodic sequencer, as a random or deterministic source of modulation: A random stream of data that you can manipulate at your linking and then loop.
Our ORACLE system is, indeed, built on the fundamental concept of loops, a powerful and versatile technique used in many forms of audio production. While loops are traditionally used to repeat audio samples, our system, ORACLE, expands on this concept by allowing you to loop various elements, including gestural movements, waveforms, note progressions, and beats from random sources.
With Thererec, our sketchable dual-channel function generator, you can experiment with your system's interaction differently. Move your hands over the sensors and loop your movements to create intricate voltage patterns, envelopes, or LFOs. With Thererec, you can unlock a new level of creativity in your system design.
One of the key features that sets our system apart is our advanced stereo oscillator, Proteo. With its innovative approach, it can convert any voltage source into high-quality audio waveforms and put them in a loop.Waveforms can be frozen or left in a constantly evolving state, giving Proteo an unheard distinctive sound. With Proteo, you can explore new territories and experiment with different audio sources, allowing you to create truly unique stereo sounds.
Axis includes all the classic blocks for audio amplitude management, such as a dual-function generator, dual VCA, a crossfader, channel volume, AM modulation, and dynamic control capabilities like velocity.The idea is to manipulate a sound over three axes: its length, its volume, and its place inside the stereo field.
At the end of the chain, Endline is our ultimate solution for your summing and outputs needs. This high-quality module offers four stereo channels of summing, sub-mix capabilities, two sends and returns, a headphone output, and transformer-balanced outputs.
… Read moreAt the heart of the system is our renowned module Chaos; within this compact ecosystem, it can unleash its full potential and seamlessly integrate with the other modules.
Chaos can produce control signals quickly and creatively with minimal user input. It can be used as a rhythmic or melodic sequencer, as a random or deterministic source of modulation: A random stream of data that you can manipulate at your linking and then loop.
Our ORACLE system is, indeed, built on the fundamental concept of loops, a powerful and versatile technique used in many forms of audio production. While loops are traditionally used to repeat audio samples, our system, ORACLE, expands on this concept by allowing you to loop various elements, including gestural movements, waveforms, note progressions, and beats from random sources.
With Thererec, our sketchable dual-channel function generator, you can experiment with your system's interaction differently. Move your hands over the sensors and loop your movements to create intricate voltage patterns, envelopes, or LFOs. With Thererec, you can unlock a new level of creativity in your system design.
One of the key features that sets our system apart is our advanced stereo oscillator, Proteo. With its innovative approach, it can convert any voltage source into high-quality audio waveforms and put them in a loop.Waveforms can be frozen or left in a constantly evolving state, giving Proteo an unheard distinctive sound. With Proteo, you can explore new territories and experiment with different audio sources, allowing you to create truly unique stereo sounds.
Axis includes all the classic blocks for audio amplitude management, such as a dual-function generator, dual VCA, a crossfader, channel volume, AM modulation, and dynamic control capabilities like velocity.The idea is to manipulate a sound over three axes: its length, its volume, and its place inside the stereo field.
At the end of the chain, Endline is our ultimate solution for your summing and outputs needs. This high-quality module offers four stereo channels of summing, sub-mix capabilities, two sends and returns, a headphone output, and transformer-balanced outputs.
Pre-orders at Juno
This product is available for pre-order at Juno, for shipping on the release date. You won’t be charged until the order is despatched.
We'll keep you informed of your order at every stage, and let you know if the release date changes.
If the price of the item drops before it's released, you will pay the lower price, but if it increases, you'll only pay the price you see today.
If you also include in-stock items on your order, they’ll be charged and shipped within 24 hours as usual.coming soon $2,168.15
(No payment required now - pay when released)
FORTHCOMING
Related products...
Clank Oracle System Plus Modular Synthesiser (modular synthesiser)
Cat: 1084329
Enchanced version of the modular synthesiser combining all of Clank's modules, with an additional Proteo oscillator module - 66HP
Notes: Discover the perfect harmony of our top-of-the-line modules with our ORACLE system - a meticulously crafted 66hp stereo desktop instrument that seamlessly integrates our selection of eurorack modules: a full-featured system that offers a vast array of capabilities in a compact form factor. With ORACLE, you can dig into unorthodox sequencing, interactive modulation, and innovative stereo sounds- spanning styles ranging from ambient to techno, as well as experimental soundscapes and sound design.
At the heart of the system is our renowned module Chaos; within this compact ecosystem, it can unleash its full potential and seamlessly integrate with the other modules.
Chaos can produce control signals quickly and creatively with minimal user input. It can be used as a rhythmic or melodic sequencer, as a random or deterministic source of modulation: A random stream of data that you can manipulate at your linking and then loop.
Our ORACLE system is, indeed, built on the fundamental concept of loops, a powerful and versatile technique used in many forms of audio production. While loops are traditionally used to repeat audio samples, our system, ORACLE, expands on this concept by allowing you to loop various elements, including gestural movements, waveforms, note progressions, and beats from random sources.
With Thererec, our sketchable dual-channel function generator, you can experiment with your system's interaction differently. Move your hands over the sensors and loop your movements to create intricate voltage patterns, envelopes, or LFOs. With Thererec, you can unlock a new level of creativity in your system design.
One of the key features that sets our system apart is our advanced stereo oscillator, Proteo. With its innovative approach, it can convert any voltage source into high-quality audio waveforms and put them in a loop.Waveforms can be frozen or left in a constantly evolving state, giving Proteo an unheard distinctive sound. With Proteo, you can explore new territories and experiment with different audio sources, allowing you to create truly unique stereo sounds.
Axis includes all the classic blocks for audio amplitude management, such as a dual-function generator, dual VCA, a crossfader, channel volume, AM modulation, and dynamic control capabilities like velocity.The idea is to manipulate a sound over three axes: its length, its volume, and its place inside the stereo field.
At the end of the chain, Endline is our ultimate solution for your summing and outputs needs. This high-quality module offers four stereo channels of summing, sub-mix capabilities, two sends and returns, a headphone output, and transformer-balanced outputs.
… Read moreAt the heart of the system is our renowned module Chaos; within this compact ecosystem, it can unleash its full potential and seamlessly integrate with the other modules.
Chaos can produce control signals quickly and creatively with minimal user input. It can be used as a rhythmic or melodic sequencer, as a random or deterministic source of modulation: A random stream of data that you can manipulate at your linking and then loop.
Our ORACLE system is, indeed, built on the fundamental concept of loops, a powerful and versatile technique used in many forms of audio production. While loops are traditionally used to repeat audio samples, our system, ORACLE, expands on this concept by allowing you to loop various elements, including gestural movements, waveforms, note progressions, and beats from random sources.
With Thererec, our sketchable dual-channel function generator, you can experiment with your system's interaction differently. Move your hands over the sensors and loop your movements to create intricate voltage patterns, envelopes, or LFOs. With Thererec, you can unlock a new level of creativity in your system design.
One of the key features that sets our system apart is our advanced stereo oscillator, Proteo. With its innovative approach, it can convert any voltage source into high-quality audio waveforms and put them in a loop.Waveforms can be frozen or left in a constantly evolving state, giving Proteo an unheard distinctive sound. With Proteo, you can explore new territories and experiment with different audio sources, allowing you to create truly unique stereo sounds.
Axis includes all the classic blocks for audio amplitude management, such as a dual-function generator, dual VCA, a crossfader, channel volume, AM modulation, and dynamic control capabilities like velocity.The idea is to manipulate a sound over three axes: its length, its volume, and its place inside the stereo field.
At the end of the chain, Endline is our ultimate solution for your summing and outputs needs. This high-quality module offers four stereo channels of summing, sub-mix capabilities, two sends and returns, a headphone output, and transformer-balanced outputs.
Pre-orders at Juno
This product is available for pre-order at Juno, for shipping on the release date. You won’t be charged until the order is despatched.
We'll keep you informed of your order at every stage, and let you know if the release date changes.
If the price of the item drops before it's released, you will pay the lower price, but if it increases, you'll only pay the price you see today.
If you also include in-stock items on your order, they’ll be charged and shipped within 24 hours as usual.coming soon $2,439.31
(No payment required now - pay when released)
FORTHCOMING
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Koma Elektronik Chromaplane Analogue & Polyphonic Electromagnetic Synthesiser (analogue electromagnetic synthesiser)
Cat: 1050564
Analogue & polyphonic electromagnetic synthesiser
Notes: The Chromaplane is an instrument created in collaboration between KOMA Elektronik & Passepartout Duo.
The Chromaplane is played using two electromagnetic pickup coils, that are moved over its surface to listen to a cloud of electromagnetic fields produced by the instrument.These ten fields are represented by small indicators on the instrument's surface.
The Chromaplane is fully polyphonic, meaning that all ten of the instrument's analogue square wave oscillators are always sounding - this makes the instrument ideal for both sculpting complex drones, and playing agile melodies. Each field can be tuned using its corresponding adjustment screw. The oscillators are additionally organized into three rows, each with a switch that drops that row's pitch one octave.
The timbre of the Chromaplane can be further shaped using its internal VCF, a 4-pole low pass filter that darkens the instrument's sound and is also modulated by the internal audio signal, allowing for rich harmonic sounds and timbres reminiscent of frequency modulation. A lo-fi delay/echo effect with CV controlled time adds a sense of ambiance and rhythmicity to the dry signal's output.
The Chromaplane also features an external audio input, allowing the player to route other sounds to one electromagnetic field on the instrument's surface. The instrument's envelope output can also be used to modulate parameters on the instrument, or on other hardware synthesizers.
The Chromaplane includes: The Chromaplane itself, 2 pickup coils, 1 tuning screwdriver, 1 power adapter that works worldwide, 1 manual
… Read moreThe Chromaplane is played using two electromagnetic pickup coils, that are moved over its surface to listen to a cloud of electromagnetic fields produced by the instrument.These ten fields are represented by small indicators on the instrument's surface.
The Chromaplane is fully polyphonic, meaning that all ten of the instrument's analogue square wave oscillators are always sounding - this makes the instrument ideal for both sculpting complex drones, and playing agile melodies. Each field can be tuned using its corresponding adjustment screw. The oscillators are additionally organized into three rows, each with a switch that drops that row's pitch one octave.
The timbre of the Chromaplane can be further shaped using its internal VCF, a 4-pole low pass filter that darkens the instrument's sound and is also modulated by the internal audio signal, allowing for rich harmonic sounds and timbres reminiscent of frequency modulation. A lo-fi delay/echo effect with CV controlled time adds a sense of ambiance and rhythmicity to the dry signal's output.
The Chromaplane also features an external audio input, allowing the player to route other sounds to one electromagnetic field on the instrument's surface. The instrument's envelope output can also be used to modulate parameters on the instrument, or on other hardware synthesizers.
The Chromaplane includes: The Chromaplane itself, 2 pickup coils, 1 tuning screwdriver, 1 power adapter that works worldwide, 1 manual
Pre-orders at Juno
This product is available for pre-order at Juno, for shipping on the release date. You won’t be charged until the order is despatched.
We'll keep you informed of your order at every stage, and let you know if the release date changes.
If the price of the item drops before it's released, you will pay the lower price, but if it increases, you'll only pay the price you see today.
If you also include in-stock items on your order, they’ll be charged and shipped within 24 hours as usual.coming soon $378.50
(No payment required now - pay when released)
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OneOdio Monitor 60 Open-Back Monitoring Studio Headphones (black) (studio headphones)
Cat: 1086604
Professional Monitor Wired Headphones with Hi-Res audio verification, ideal for in the studio, audiophiles and DJs.
Notes: With Sony Hi-Res audio verification, Monitor 60 headphones meet industry benchmark for reference audio sound and accurate sound reproduction.
Monitor 60 are made as ideal studio monitoring headphones suitable for the most demanding audio pros and audiophile applications such as for recording studios, post-productions or broadcasting. Loved by producers, mixers, top engineers and audiophiles alike.
… Read moreMonitor 60 are made as ideal studio monitoring headphones suitable for the most demanding audio pros and audiophile applications such as for recording studios, post-productions or broadcasting. Loved by producers, mixers, top engineers and audiophiles alike.
Pre-orders at Juno
This product is available for pre-order at Juno, for shipping on the release date. You won’t be charged until the order is despatched.
We'll keep you informed of your order at every stage, and let you know if the release date changes.
If the price of the item drops before it's released, you will pay the lower price, but if it increases, you'll only pay the price you see today.
If you also include in-stock items on your order, they’ll be charged and shipped within 24 hours as usual.coming soon $65.53
(No payment required now - pay when released)
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OneOdio Monitor 80 Open-Back Monitoring Studio Headphones (studio headphones)
Cat: 1086599
Studio headphones boasting high impedance speakers equipped with an advanced high-precision etched diaphragm.
Notes: A reliable companion for audiophiles. Either for professional studio, tracking mixing or DJ monitoring. Literally, every note of the acoustic source can be perceived while mixing.
High impedance speakers equipped with advanced high-precision etched diaphragm. Solid bass and crystal clear mid range combine to ensure a sublime sound quality. Featured in wide sound field and rich details, monitor 80 delivers the best in sound reproduction.
… Read moreHigh impedance speakers equipped with advanced high-precision etched diaphragm. Solid bass and crystal clear mid range combine to ensure a sublime sound quality. Featured in wide sound field and rich details, monitor 80 delivers the best in sound reproduction.
Pre-orders at Juno
This product is available for pre-order at Juno, for shipping on the release date. You won’t be charged until the order is despatched.
We'll keep you informed of your order at every stage, and let you know if the release date changes.
If the price of the item drops before it's released, you will pay the lower price, but if it increases, you'll only pay the price you see today.
If you also include in-stock items on your order, they’ll be charged and shipped within 24 hours as usual.coming soon $93.78
(No payment required now - pay when released)
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OneOdio Monitor 60 Open-Back Monitoring Studio Headphones (dark blue) (studio headphones)
Cat: 1086607
Professional Monitor Wired Headphones with Hi-Res audio verification, ideal for in the studio, audiophiles and DJs.
Notes: With Sony Hi-Res audio verification, Monitor 60 headphones meet industry benchmark for reference audio sound and accurate sound reproduction.
Monitor 60 are made as ideal studio monitoring headphones suitable for the most demanding audio pros and audiophile applications such as for recording studios, post-productions or broadcasting. Loved by producers, mixers, top engineers and audiophiles alike.
… Read moreMonitor 60 are made as ideal studio monitoring headphones suitable for the most demanding audio pros and audiophile applications such as for recording studios, post-productions or broadcasting. Loved by producers, mixers, top engineers and audiophiles alike.
Pre-orders at Juno
This product is available for pre-order at Juno, for shipping on the release date. You won’t be charged until the order is despatched.
We'll keep you informed of your order at every stage, and let you know if the release date changes.
If the price of the item drops before it's released, you will pay the lower price, but if it increases, you'll only pay the price you see today.
If you also include in-stock items on your order, they’ll be charged and shipped within 24 hours as usual.coming soon $77.96
(No payment required now - pay when released)
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Xaoc Devices Oradea 1950 Quadruple Voltage Controlled Resonator Module (resonator synth module)
Cat: 1088989
Oradea is a quadruple voltage controlled analogue resonator which can be ued to enhance external audio, generate tones or mimic the resonant characteristics of physical objects or spaces
Notes: Oradea is a quadruple voltage controlled analogue resonator. You can use it to enhance external audio or to generate tones. It can mimic the resonant characteristics of physical objects or spaces. Oradea's frequency response can be tuned over the entire range of audible frequencies with V/oct response. The module offers precise control over the resonance of each band up to extremely high values with long response to pinging. Oradea is additionaly equipped with four individual trigger inputs for exciting its filters with internally generated, uniform, and finely tuned impulses.
Individual outputs allow you to externally process each band separately. Resonant frequency gain compensation prevents uncontrolled distortion (the gain at peak does not increase with resonance). There is a VCA and a polarity switch in each channel, so you can remotely shape the overall amplitude and manually change the phase response.
Technical details
Eurorack synth compatible
20hp, 40mm deep (incl. ribbon bracket)
Current draw: +210mA / -190mA
Reverse power protection
Expandability
Expandable with Arad Resonator Commander, offering three additional features. It has direct audio inputs for individual channels. There are manual buttons and gate inputs for clickless muting and unmuting of the channels. Another group of four buttons acts in parallel to the excite inputs of Oradea, allowing for manual triggering.
… Read moreIndividual outputs allow you to externally process each band separately. Resonant frequency gain compensation prevents uncontrolled distortion (the gain at peak does not increase with resonance). There is a VCA and a polarity switch in each channel, so you can remotely shape the overall amplitude and manually change the phase response.
Technical details
Eurorack synth compatible
20hp, 40mm deep (incl. ribbon bracket)
Current draw: +210mA / -190mA
Reverse power protection
Expandability
Expandable with Arad Resonator Commander, offering three additional features. It has direct audio inputs for individual channels. There are manual buttons and gate inputs for clickless muting and unmuting of the channels. Another group of four buttons acts in parallel to the excite inputs of Oradea, allowing for manual triggering.
Pre-orders at Juno
This product is available for pre-order at Juno, for shipping on the release date. You won’t be charged until the order is despatched.
We'll keep you informed of your order at every stage, and let you know if the release date changes.
If the price of the item drops before it's released, you will pay the lower price, but if it increases, you'll only pay the price you see today.
If you also include in-stock items on your order, they’ll be charged and shipped within 24 hours as usual.coming soon $506.16
(No payment required now - pay when released)
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Xaoc Devices Arad 1950 Resonator Commander Module For Oradea (expander synth module)
Cat: 1088991
Wxpander for the Oradea quadruple resonato
Notes: Arad is an expander for the Oradea quadruple resonator. It adds three additional features. Arad features direct audio inputs for individual channels, so you can use each channel for a different audio source (the individual channel outputs are already incorporated into the main module). There are buttons and gate inputs for manual and/or remote clickless muting and unmuting of the channels. Another group of four buttons acts in parallel to the EXCITE inputs of Oradea, allowing for manual triggering.
Technical details
Eurorack synth compatible
6hp, 30mm deep (incl. ribbon bracket)
Current draw: +10mA / -0mA
Reverse power protection
… Read moreTechnical details
Eurorack synth compatible
6hp, 30mm deep (incl. ribbon bracket)
Current draw: +10mA / -0mA
Reverse power protection
Pre-orders at Juno
This product is available for pre-order at Juno, for shipping on the release date. You won’t be charged until the order is despatched.
We'll keep you informed of your order at every stage, and let you know if the release date changes.
If the price of the item drops before it's released, you will pay the lower price, but if it increases, you'll only pay the price you see today.
If you also include in-stock items on your order, they’ll be charged and shipped within 24 hours as usual.coming soon $110.71
(No payment required now - pay when released)
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WMDevices Skorpion Waveform Reanimator Module (waveshaper synth module)
Cat: 1089360
8-stage analogue wavefolder that allows you to precisely mangle simple waveforms into complex shapes with a fun, hands on fader interface
Notes: After five years of conceptualization, development, stress, company destruction and relocation, redesign, existential questions, prototyping, and willpower, WMD's Skorpion is ready to decimate and reanimate whatever you throw at it -- creating goosebump worthy sounds you've never heard before.
Skorpion is the epitome of WMD's ethos, "New Sounds, Maximum Experience". Painstakingly designed UI, all the CV I/O and controls you could ask for, and a broad spectrum of subtle to 100% NOT subtle swarms of harmonics, chaos, and character. This module is packed full of features to provide continuously explorable fun whether you are experimenting or meticulously crafting a sound that is 100% yours.
Skorpion builds on WMD's's long pedigree of experimental module designs, exploring a new method of wavefolding using thresholds and target voltages to control a powerful vector core. The design process has been very technically challenging, using high speed cmos and precise analog design with hybrid digital overlay for a solid UI.
Skorpion is an 8-stage analog wavefolder that allows you to precisely mangle simple waveforms into complex shapes with a fun, hands on fader interface. Taking the concept many steps further, internal modulation sources allow for macro animation of multiple parameters simultaneously, creating rich, evolving harmonic movement never heard before in hardware.
The Controls
The SHAPE and SLOPE controls allow for smoother or harsher added harmonics, and the 1V/OCT CV input is required for tracking timbre across notes.
FOLD controls the input gain of the signal, causing it to hit each of the eight THRESHOLDS causing a reversal in the output at each point. The signal can be driven towards one of three TARGETs: 5V, the Sliders, or the signal at the CLIP jack (normalled from IN).
SLOPE controls the baseline rate of the output, the higher the slope, the higher the harmonics. The overall slope rate is modified by 1V/OCT and SHAPE.
SHIFT is the classical vertical shift that makes the wavefolder sound like a chorus with subtle modulation.
SHAPE is a feedback control affecting the slope rate of the wavefolder. Eight different sources are available for feedback. The SYM switch decides whether the modulation is applied symmetrically when above or below 0V.
OUTPUT controls whats at the output jacks, the DRY signal, the WET signal, or a mid side stereo processed WIDE signal. WIDE is generated using a second vector core with a variable short delay. If all THRESHOLDS are inactive, a gate is normaled here. The intention being that if the input signal is too low to cause any folding, the OUTPUT circuit is pulled DRY so that you never get silence from the Skorpion.
The EQUALIZE THOLDs switch disables the sliders and forces an equally spaced threshold more akin to classic wavefolders. Modulation is disabled in this mode. Also controllable with a jack.
TARGET ORDER determines which slider is selected when the threshold is activated. Basically, it allows for a different order on the way up as way down producing pleasingly different timbres when using the sliders for target.
SYNC has three modes, OFF in the center. HARD which resets the vector core to 0V at every zero crossing of the input waveform. and SOFT which vectors core toward 0V at the current rate.
HALT IF TARG=0 makes the vector core draw a horizontal line if the TARGET slider for that threshold is at 0 (fully down).
ANIMATION - Sliders, Spring Action Switch, and Macro Envelope:
There are 13 total internal modulation sources. A primary MACRO ENVELOPE, eight (8) Threshold LFOs, and four (4) CV modulators that normal to the FOLD, SLOPE, SHIFT, and SHAPE attenuverters. The CV modulators can be LFOs or Envelopes.
The switch rests in the center, making the sliders control the THRESHOLDs. When held to the left, the sliders set the TARGETs. When held to the right, the sliders control the MACRO SETUP detailed below.
The MACRO ENVELOPE is an Attack/Hold/Release style envelope. A gate here will start the envelope, lighting the LED blue, while the envelopes level will glow red. The times for Attack and Release are controlled in the MACRO SETUP mode by the first two sliders.
The MACRO ENVELOPE modulates the amplitude of all LFOs. If the CV modulators are set as envelopes, then the gate will start the envelopes, but they otherwise operate independently.
MACRO SETUP:
Parameters are modified in MACRO SETUP by holding the switch to the right and moving respective sliders.
Macro Envelope's Attack Time
Macro Envelope's Release Time
Threshold LFO Amount
Threshold LFO Rates
Fold LFO/ENV Rate/Time - CV(5)
Slope LFO/ENV Rate/Time - CV(6)
Shift LFO/ENV Rate/Time - CV(7)
Shape LFO/ENV Rate/Time - CV(8)
Envelope Times are shortest at the bottom of the slider and longest at the top.
LFO Rates are slowest at the bottom of the slider and fastest at the top.
Fold, Slope, Shift, and Shape modulation
Specifications
20HP
38mm Depth (with power cable)
Power: +200mA, -160mA
LFO rate: 0.0016Hz to 6Hz
ENV time: 0.05s to 600s
… Read moreSkorpion is the epitome of WMD's ethos, "New Sounds, Maximum Experience". Painstakingly designed UI, all the CV I/O and controls you could ask for, and a broad spectrum of subtle to 100% NOT subtle swarms of harmonics, chaos, and character. This module is packed full of features to provide continuously explorable fun whether you are experimenting or meticulously crafting a sound that is 100% yours.
Skorpion builds on WMD's's long pedigree of experimental module designs, exploring a new method of wavefolding using thresholds and target voltages to control a powerful vector core. The design process has been very technically challenging, using high speed cmos and precise analog design with hybrid digital overlay for a solid UI.
Skorpion is an 8-stage analog wavefolder that allows you to precisely mangle simple waveforms into complex shapes with a fun, hands on fader interface. Taking the concept many steps further, internal modulation sources allow for macro animation of multiple parameters simultaneously, creating rich, evolving harmonic movement never heard before in hardware.
The Controls
The SHAPE and SLOPE controls allow for smoother or harsher added harmonics, and the 1V/OCT CV input is required for tracking timbre across notes.
FOLD controls the input gain of the signal, causing it to hit each of the eight THRESHOLDS causing a reversal in the output at each point. The signal can be driven towards one of three TARGETs: 5V, the Sliders, or the signal at the CLIP jack (normalled from IN).
SLOPE controls the baseline rate of the output, the higher the slope, the higher the harmonics. The overall slope rate is modified by 1V/OCT and SHAPE.
SHIFT is the classical vertical shift that makes the wavefolder sound like a chorus with subtle modulation.
SHAPE is a feedback control affecting the slope rate of the wavefolder. Eight different sources are available for feedback. The SYM switch decides whether the modulation is applied symmetrically when above or below 0V.
OUTPUT controls whats at the output jacks, the DRY signal, the WET signal, or a mid side stereo processed WIDE signal. WIDE is generated using a second vector core with a variable short delay. If all THRESHOLDS are inactive, a gate is normaled here. The intention being that if the input signal is too low to cause any folding, the OUTPUT circuit is pulled DRY so that you never get silence from the Skorpion.
The EQUALIZE THOLDs switch disables the sliders and forces an equally spaced threshold more akin to classic wavefolders. Modulation is disabled in this mode. Also controllable with a jack.
TARGET ORDER determines which slider is selected when the threshold is activated. Basically, it allows for a different order on the way up as way down producing pleasingly different timbres when using the sliders for target.
SYNC has three modes, OFF in the center. HARD which resets the vector core to 0V at every zero crossing of the input waveform. and SOFT which vectors core toward 0V at the current rate.
HALT IF TARG=0 makes the vector core draw a horizontal line if the TARGET slider for that threshold is at 0 (fully down).
ANIMATION - Sliders, Spring Action Switch, and Macro Envelope:
There are 13 total internal modulation sources. A primary MACRO ENVELOPE, eight (8) Threshold LFOs, and four (4) CV modulators that normal to the FOLD, SLOPE, SHIFT, and SHAPE attenuverters. The CV modulators can be LFOs or Envelopes.
The switch rests in the center, making the sliders control the THRESHOLDs. When held to the left, the sliders set the TARGETs. When held to the right, the sliders control the MACRO SETUP detailed below.
The MACRO ENVELOPE is an Attack/Hold/Release style envelope. A gate here will start the envelope, lighting the LED blue, while the envelopes level will glow red. The times for Attack and Release are controlled in the MACRO SETUP mode by the first two sliders.
The MACRO ENVELOPE modulates the amplitude of all LFOs. If the CV modulators are set as envelopes, then the gate will start the envelopes, but they otherwise operate independently.
MACRO SETUP:
Parameters are modified in MACRO SETUP by holding the switch to the right and moving respective sliders.
Macro Envelope's Attack Time
Macro Envelope's Release Time
Threshold LFO Amount
Threshold LFO Rates
Fold LFO/ENV Rate/Time - CV(5)
Slope LFO/ENV Rate/Time - CV(6)
Shift LFO/ENV Rate/Time - CV(7)
Shape LFO/ENV Rate/Time - CV(8)
Envelope Times are shortest at the bottom of the slider and longest at the top.
LFO Rates are slowest at the bottom of the slider and fastest at the top.
Fold, Slope, Shift, and Shape modulation
Specifications
20HP
38mm Depth (with power cable)
Power: +200mA, -160mA
LFO rate: 0.0016Hz to 6Hz
ENV time: 0.05s to 600s
Pre-orders at Juno
This product is available for pre-order at Juno, for shipping on the release date. You won’t be charged until the order is despatched.
We'll keep you informed of your order at every stage, and let you know if the release date changes.
If the price of the item drops before it's released, you will pay the lower price, but if it increases, you'll only pay the price you see today.
If you also include in-stock items on your order, they’ll be charged and shipped within 24 hours as usual.coming soon $970.52
(No payment required now - pay when released)
FORTHCOMING
Related products...
OXI Instruments One MKII Portable Hybrid Sequencer (nostalgia edition) (audio sequencer)
Cat: 1086718
A premium sequencer for studio and live performance, featuring 8 sequencers, a 128-pad grid, 8 CV/Gate outputs, MIDI, Bluetooth, and USB connectivity. Enhanced with extra function buttons, a larger screen, and advanced tools.
Notes: The OXI One MKII is the culmination of years of refinement, shaped by invaluable input from our community and artists. We've integrated powerful new features and optimized the workflow for unparalleled speed and creativity. The result? The most robust, intuitive, and affordable sequencer available today.
The OXI One MKII takes everything you loved about its predecessor and amplifies it. Now equipped with 8 sequencers and support for up to 64 tracks, it offers unparalleled flexibility for crafting complex compositions. Enhanced rhythmic sequencing, advanced composition tools, and expanded connectivity options make the MKII a powerhouse for music production. With a refined, intuitive workflow and a host of new features, the OXI One MKII delivers more functionality, more precision, and more creative freedom than ever before. More is More. Long celebrated as a go-to sequencer for melodic creativity, the OXI One MKII is now equally powerful on the rhythmic front.With expanded generative options, it allows you to effortlessly add dynamic variations to your compositions - unlocking endless creative possibilities. Featuring conditionals, modulation lanes, and LFOs tied to each sequencer mode, the OXI One MKII ensures that your creativity moves at the speed of inspiration. This sequencer empowers you to craft intricate, evolving patterns with ease. With a top of the line repeats engine, accumulators, and the enigmatic Flow button your compositions will be taken to the next level. More than just a studio centerpiece, the OXI One MKII is a powerful performance tool. With enhanced performative features, it equips you to play your arrangements and compositions live with precision and freedom. Whether in the studio or on stage, the OXI One MKII is your ultimate creative partner.
While the OXI ONE MKII is a new release, it retains the familiar workflow of the original OXI ONE now refined and enhanced. With significant feature upgrades and improved usability, the MKII sets a new standard as the ultimate sequencer.
With 6 sequencer modes OXI One MKII is the most versatile sequencer on the Market.
Multitrack: 8 independent tracks with customizable parameters; expandable to 64 tracks for vast creative potential.
Chord: Innovative chord generator with diverse types, voicings, Chromatic Mode, and custom scales for rich progressions.
Poly: Up to 7 voices with unique per-note chance and logic conditions for dynamic editing.
Mono: Full control over monophonic tracks, enhanced with accumulators for intricate melody creation.
Stochastic: Generative sequencing for evolving melodies with precise rhythm and pitch control.
Matriceal: Rule-breaking sequencer with four independent lanes for velocity, octaves, and notes, designed for experimental flexibility.
Our innovative CHORD MODE lets you effortlessly create dynamic chord progressions with diverse chord types,voicings, and bass options via intuitive menus. The built-in chord arpeggiator transforms chords into lush, evolving soundscapes. The HARMONIZER syncs other instruments to your chords, maintaining perfect harmonic unity. MODULATE your chord track with LFO, MOD lanes, or External CV. Applied modulations carry over to linked instruments, keeping your music dynamic and evolving.
4 Knobs For Total Control Of Any Parameter: All parameters of every menu are shown in the screen and can be modified with their respective encoder. No menu diving needed. With OXI One MKII the workflow is even more refined.
The OXI ONE MKII elevates sequencing with enhanced logic conditionals, transforming simple compositions intointricate, vibrant sequences effortlessly. Its innovative Accumulator and Repeats Engine delivers rapid, intuitivevariation, setting it apart from other sequencers. Expanded with eight modulation lanes per track and a broaderrange of internal destinations, the modulation system is more powerful than ever. Plus, a fresh suite of generative tools sparks inspiration, breathing life and endless creative possibilities into your music.
OXI ONE MKII supports both modern and legacy connectivity, ensuring full integration with all your studio gear sonothing gets left behind.DIN Sync, MIDI, CV/Gate, USB, and Bluetooth allow you to connect anything to the OXIONE MKII. 8 CV and Gates, use USB as Device or Host mode, Bluetooth to connect your tablet or mobile phoneand use it as another musical instrument and with the Split v2 expansion you can connect up to 6 MIDI Lanes. Nothing is left out in your studio with OXI ONE MKII.
OXI ONE MKII is built for durability and performance, using premium components, advanced technology, andrugged materials to handle demanding studio use and tough touring conditions. Featuring a sleek aluminiumun body, high-grade silicone pads, and robust aluminium knobs, it delivers professional build quality at an accessible price - making it one of the best value sequencers on the market.
… Read moreThe OXI One MKII takes everything you loved about its predecessor and amplifies it. Now equipped with 8 sequencers and support for up to 64 tracks, it offers unparalleled flexibility for crafting complex compositions. Enhanced rhythmic sequencing, advanced composition tools, and expanded connectivity options make the MKII a powerhouse for music production. With a refined, intuitive workflow and a host of new features, the OXI One MKII delivers more functionality, more precision, and more creative freedom than ever before. More is More. Long celebrated as a go-to sequencer for melodic creativity, the OXI One MKII is now equally powerful on the rhythmic front.With expanded generative options, it allows you to effortlessly add dynamic variations to your compositions - unlocking endless creative possibilities. Featuring conditionals, modulation lanes, and LFOs tied to each sequencer mode, the OXI One MKII ensures that your creativity moves at the speed of inspiration. This sequencer empowers you to craft intricate, evolving patterns with ease. With a top of the line repeats engine, accumulators, and the enigmatic Flow button your compositions will be taken to the next level. More than just a studio centerpiece, the OXI One MKII is a powerful performance tool. With enhanced performative features, it equips you to play your arrangements and compositions live with precision and freedom. Whether in the studio or on stage, the OXI One MKII is your ultimate creative partner.
While the OXI ONE MKII is a new release, it retains the familiar workflow of the original OXI ONE now refined and enhanced. With significant feature upgrades and improved usability, the MKII sets a new standard as the ultimate sequencer.
With 6 sequencer modes OXI One MKII is the most versatile sequencer on the Market.
Multitrack: 8 independent tracks with customizable parameters; expandable to 64 tracks for vast creative potential.
Chord: Innovative chord generator with diverse types, voicings, Chromatic Mode, and custom scales for rich progressions.
Poly: Up to 7 voices with unique per-note chance and logic conditions for dynamic editing.
Mono: Full control over monophonic tracks, enhanced with accumulators for intricate melody creation.
Stochastic: Generative sequencing for evolving melodies with precise rhythm and pitch control.
Matriceal: Rule-breaking sequencer with four independent lanes for velocity, octaves, and notes, designed for experimental flexibility.
Our innovative CHORD MODE lets you effortlessly create dynamic chord progressions with diverse chord types,voicings, and bass options via intuitive menus. The built-in chord arpeggiator transforms chords into lush, evolving soundscapes. The HARMONIZER syncs other instruments to your chords, maintaining perfect harmonic unity. MODULATE your chord track with LFO, MOD lanes, or External CV. Applied modulations carry over to linked instruments, keeping your music dynamic and evolving.
4 Knobs For Total Control Of Any Parameter: All parameters of every menu are shown in the screen and can be modified with their respective encoder. No menu diving needed. With OXI One MKII the workflow is even more refined.
The OXI ONE MKII elevates sequencing with enhanced logic conditionals, transforming simple compositions intointricate, vibrant sequences effortlessly. Its innovative Accumulator and Repeats Engine delivers rapid, intuitivevariation, setting it apart from other sequencers. Expanded with eight modulation lanes per track and a broaderrange of internal destinations, the modulation system is more powerful than ever. Plus, a fresh suite of generative tools sparks inspiration, breathing life and endless creative possibilities into your music.
OXI ONE MKII supports both modern and legacy connectivity, ensuring full integration with all your studio gear sonothing gets left behind.DIN Sync, MIDI, CV/Gate, USB, and Bluetooth allow you to connect anything to the OXIONE MKII. 8 CV and Gates, use USB as Device or Host mode, Bluetooth to connect your tablet or mobile phoneand use it as another musical instrument and with the Split v2 expansion you can connect up to 6 MIDI Lanes. Nothing is left out in your studio with OXI ONE MKII.
OXI ONE MKII is built for durability and performance, using premium components, advanced technology, andrugged materials to handle demanding studio use and tough touring conditions. Featuring a sleek aluminiumun body, high-grade silicone pads, and robust aluminium knobs, it delivers professional build quality at an accessible price - making it one of the best value sequencers on the market.
Pre-orders at Juno
This product is available for pre-order at Juno, for shipping on the release date. You won’t be charged until the order is despatched.
We'll keep you informed of your order at every stage, and let you know if the release date changes.
If the price of the item drops before it's released, you will pay the lower price, but if it increases, you'll only pay the price you see today.
If you also include in-stock items on your order, they’ll be charged and shipped within 24 hours as usual.coming soon $834.94
(No payment required now - pay when released)
FORTHCOMING
Related products...
Tesseract Smith 8x8 Programmable Matrix Module (multiple synth module)
Cat: 1087289
input/output module that can be used to store presets in your modular setup or to create more layers of modulation in your setup - 12HP
Notes: Smith: it's an 8 inputs & 8 outputs precision buffered matrix with presets. Each of the 8 outputs can take the signal from any of the 8 inputs, allowing over 16 million possible combinations.
This is not a mixer, the same input can be routed to many outputs, but several inputs can't be present at the same output simultaneously. The module works with both audio and CV signals, ins & outs have i10 volts range and minimum offset (1 millivolt approx.), which makes it perfect for distributing V/Oct signals too.
8 scenes that can be accessed through the dedicated push buttons but also by CV and trigger. 8 banks (with 8 scenes each, 64 scenes per preset). 8 persistent presets (with 8 banks of 8 scenes each).
This module can be used to store 'presets' for your live setup, allowing patch changes and easy rerouting signals with literally just pressing a button.
Another (more chaotic) way to use it is to plug several modulation sources to the inputs (such as envelopes, LFOs, sequenced CVs) and several modulation destinations to the outputs (filter cutoff, PWM, VCAs...). If you want to introduce a variation in the sound, select a different scene or directly randomize the current one to drastically change 'what is modulating what'.
Using audio sources can lead us to interesting territories too, sequencing waveform changes or using different processors (filter, distortion, folder...). Keep in mind that the switch performs pretty fast and the signal is passed without any modification (to preserve its accuracy, which is pretty important when using the module for v/oct) so with audio, the switching may be clicky. This depends on the sound source too, with 'dirty' ones there's no problem but with clean ones, like low pitched sine waves, it will be.
… Read moreThis is not a mixer, the same input can be routed to many outputs, but several inputs can't be present at the same output simultaneously. The module works with both audio and CV signals, ins & outs have i10 volts range and minimum offset (1 millivolt approx.), which makes it perfect for distributing V/Oct signals too.
8 scenes that can be accessed through the dedicated push buttons but also by CV and trigger. 8 banks (with 8 scenes each, 64 scenes per preset). 8 persistent presets (with 8 banks of 8 scenes each).
This module can be used to store 'presets' for your live setup, allowing patch changes and easy rerouting signals with literally just pressing a button.
Another (more chaotic) way to use it is to plug several modulation sources to the inputs (such as envelopes, LFOs, sequenced CVs) and several modulation destinations to the outputs (filter cutoff, PWM, VCAs...). If you want to introduce a variation in the sound, select a different scene or directly randomize the current one to drastically change 'what is modulating what'.
Using audio sources can lead us to interesting territories too, sequencing waveform changes or using different processors (filter, distortion, folder...). Keep in mind that the switch performs pretty fast and the signal is passed without any modification (to preserve its accuracy, which is pretty important when using the module for v/oct) so with audio, the switching may be clicky. This depends on the sound source too, with 'dirty' ones there's no problem but with clean ones, like low pitched sine waves, it will be.
Pre-orders at Juno
This product is available for pre-order at Juno, for shipping on the release date. You won’t be charged until the order is despatched.
We'll keep you informed of your order at every stage, and let you know if the release date changes.
If the price of the item drops before it's released, you will pay the lower price, but if it increases, you'll only pay the price you see today.
If you also include in-stock items on your order, they’ll be charged and shipped within 24 hours as usual.coming soon $175.13
(No payment required now - pay when released)
FORTHCOMING
Related products...
Cat: 1090384
Notes: The Body Synths Metal Fetishist is a percussion synthesizer that features a loopable randomness sequencer and a CV interface.
Explore percussion by synthesizing simple Kicks, harsh Noise, fuzzy Drones, digital Glitches and plucky microtonal Melodies
The Metal Fetishist is a beat-making platform designed for rythm discovery and percussive sound design. The unapologetically digital sound engine includes a single oscillator, a white noise source, a resonant multi-mode filter and a digital distortion section featuring downsampling and overdrive.
Random sequencing with control
Two randomness generators manage the trigger probability and the step-modulation. Pitch, cutoff or an internal mixer that blends noise (or external audio) can be controlled by it. The STEPS knob locks the randomness into repeatable sequences of 2, 4, 8, 10, 16 or 32 steps.
Audio Input available to process external sounds
The Metal Fetishist can be used as an effect. External sources can be processed through the filter, the distortion and even the sequencer. You can connect a drone instrument and make rythms with its sound.
Digital sound engine and sound processing
Line level mono Output (6.35mm jack)
Line level mono Input (6.35mm jack)
Analog Control Voltage interface
Analog Inputs and Outputs for Clock and Trigger
MIDI Clock Sync Input (3.5mm jack)
MIDI adapter included (5-Pin DIN to 3.5mm, type A)
9V center-negative DC input (5.5/2.1mm)
Current draw: 105mA
Product Dimensions (W x D x H): approx. 190 x 124 x 55 mm
Product Weight: 0.780 Kg
… Read moreExplore percussion by synthesizing simple Kicks, harsh Noise, fuzzy Drones, digital Glitches and plucky microtonal Melodies
The Metal Fetishist is a beat-making platform designed for rythm discovery and percussive sound design. The unapologetically digital sound engine includes a single oscillator, a white noise source, a resonant multi-mode filter and a digital distortion section featuring downsampling and overdrive.
Random sequencing with control
Two randomness generators manage the trigger probability and the step-modulation. Pitch, cutoff or an internal mixer that blends noise (or external audio) can be controlled by it. The STEPS knob locks the randomness into repeatable sequences of 2, 4, 8, 10, 16 or 32 steps.
Audio Input available to process external sounds
The Metal Fetishist can be used as an effect. External sources can be processed through the filter, the distortion and even the sequencer. You can connect a drone instrument and make rythms with its sound.
Digital sound engine and sound processing
Line level mono Output (6.35mm jack)
Line level mono Input (6.35mm jack)
Analog Control Voltage interface
Analog Inputs and Outputs for Clock and Trigger
MIDI Clock Sync Input (3.5mm jack)
MIDI adapter included (5-Pin DIN to 3.5mm, type A)
9V center-negative DC input (5.5/2.1mm)
Current draw: 105mA
Product Dimensions (W x D x H): approx. 190 x 124 x 55 mm
Product Weight: 0.780 Kg
Pre-orders at Juno
This product is available for pre-order at Juno, for shipping on the release date. You won’t be charged until the order is despatched.
We'll keep you informed of your order at every stage, and let you know if the release date changes.
If the price of the item drops before it's released, you will pay the lower price, but if it increases, you'll only pay the price you see today.
If you also include in-stock items on your order, they’ll be charged and shipped within 24 hours as usual.coming soon $450.80
(No payment required now - pay when released)
FORTHCOMING
Related products...
Body Synths Metal Fetishist Percussion Synthesiser (drum machine)
Cat: 1090381
The Body Synths Metal Fetishist is a percussion synthesizer that features a loopable randomness sequencer and a CV interface
Notes: The Body Synths Metal Fetishist is a percussion synthesizer that features a loopable randomness sequencer and a CV interface.
Explore percussion by synthesizing simple Kicks, harsh Noise, fuzzy Drones, digital Glitches and plucky microtonal Melodies
The Metal Fetishist is a beat-making platform designed for rythm discovery and percussive sound design. The unapologetically digital sound engine includes a single oscillator, a white noise source, a resonant multi-mode filter and a digital distortion section featuring downsampling and overdrive.
Random sequencing with control
Two randomness generators manage the trigger probability and the step-modulation. Pitch, cutoff or an internal mixer that blends noise (or external audio) can be controlled by it. The STEPS knob locks the randomness into repeatable sequences of 2, 4, 8, 10, 16 or 32 steps.
Audio Input available to process external sounds
The Metal Fetishist can be used as an effect. External sources can be processed through the filter, the distortion and even the sequencer. You can connect a drone instrument and make rythms with its sound.
Digital sound engine and sound processing
Line level mono Output (6.35mm jack)
Line level mono Input (6.35mm jack)
Analog Control Voltage interface
Analog Inputs and Outputs for Clock and Trigger
MIDI Clock Sync Input (3.5mm jack)
MIDI adapter included (5-Pin DIN to 3.5mm, type A)
9V center-negative DC input (5.5/2.1mm)
Current draw: 105mA
Product Dimensions (W x D x H): approx. 190 x 124 x 55 mm
Product Weight: 0.780 Kg
… Read moreExplore percussion by synthesizing simple Kicks, harsh Noise, fuzzy Drones, digital Glitches and plucky microtonal Melodies
The Metal Fetishist is a beat-making platform designed for rythm discovery and percussive sound design. The unapologetically digital sound engine includes a single oscillator, a white noise source, a resonant multi-mode filter and a digital distortion section featuring downsampling and overdrive.
Random sequencing with control
Two randomness generators manage the trigger probability and the step-modulation. Pitch, cutoff or an internal mixer that blends noise (or external audio) can be controlled by it. The STEPS knob locks the randomness into repeatable sequences of 2, 4, 8, 10, 16 or 32 steps.
Audio Input available to process external sounds
The Metal Fetishist can be used as an effect. External sources can be processed through the filter, the distortion and even the sequencer. You can connect a drone instrument and make rythms with its sound.
Digital sound engine and sound processing
Line level mono Output (6.35mm jack)
Line level mono Input (6.35mm jack)
Analog Control Voltage interface
Analog Inputs and Outputs for Clock and Trigger
MIDI Clock Sync Input (3.5mm jack)
MIDI adapter included (5-Pin DIN to 3.5mm, type A)
9V center-negative DC input (5.5/2.1mm)
Current draw: 105mA
Product Dimensions (W x D x H): approx. 190 x 124 x 55 mm
Product Weight: 0.780 Kg
Pre-orders at Juno
This product is available for pre-order at Juno, for shipping on the release date. You won’t be charged until the order is despatched.
We'll keep you informed of your order at every stage, and let you know if the release date changes.
If the price of the item drops before it's released, you will pay the lower price, but if it increases, you'll only pay the price you see today.
If you also include in-stock items on your order, they’ll be charged and shipped within 24 hours as usual.coming soon $427.06
(No payment required now - pay when released)
FORTHCOMING
Related products...
ADDAC System ADDAC320 Servo Control Module (controller synth module)
Cat: 1088350
Motorised module allowing control of any knob that doesn't have a CV input - 4HP
Notes: The new ADDAC320 Servo Control is a nod to Neil Young's Whizzer, a device that was ahead of its time. This tool enabled control over amplifier pots through the use of pedals, resulting in far-reaching tonal variation. Inspired by this methodology, ADDAC's Servo Control incorporates a Servo motor into a 4 HP Eurorack module, enabling it to control any knob that doesn't have a CV input, or other gear such as guitar pedals - within certain distance constraints.
A servo is a specific type of motor that can be digitally controlled to work at precise angles. On the ADDAC320, it is controlled by a microcontroller which is able to receive an incoming CV voltage from 0 to +5v and linearly converts this voltage range to the 270 degree Servo motor range. Using a spring wire and metal couplers, the motor shaft is then attached to the target knob to be controlled, which will turn as the Servo turns.?Two other knobs, Maximum Angle and Minimum Angle, allow further control of the "sweet spot" of the target knob, establishing a smaller Servo range.
… Read moreA servo is a specific type of motor that can be digitally controlled to work at precise angles. On the ADDAC320, it is controlled by a microcontroller which is able to receive an incoming CV voltage from 0 to +5v and linearly converts this voltage range to the 270 degree Servo motor range. Using a spring wire and metal couplers, the motor shaft is then attached to the target knob to be controlled, which will turn as the Servo turns.?Two other knobs, Maximum Angle and Minimum Angle, allow further control of the "sweet spot" of the target knob, establishing a smaller Servo range.
Pre-orders at Juno
This product is available for pre-order at Juno, for shipping on the release date. You won’t be charged until the order is despatched.
We'll keep you informed of your order at every stage, and let you know if the release date changes.
If the price of the item drops before it's released, you will pay the lower price, but if it increases, you'll only pay the price you see today.
If you also include in-stock items on your order, they’ll be charged and shipped within 24 hours as usual.coming soon $141.23
(No payment required now - pay when released)
FORTHCOMING
Related products...
ADDAC System ADDAC220 Dual Envelope Follower+ Module (envelope follower synth module)
Cat: 1088356
An analog/digital hybrid for better dynamic range analysis,
Notes: The new ADDAC220 Dual Envelope Follower + is ADDAC's latest stereo envelope follower, which can generate CV from two simultaneous envelopes, enabling the user to control any range of other instrument/module parameters. The module is an analog/digital hybrid, allowing greater precision and analysis of an incoming signal.
The level of an incoming audio signal gain can be set by using the Gain control. Then, the signal is then fully rectified and passed through an analog envelope follower with a fixed short attack and decay. The analog signal is then sent into a 12bit ADC (analog to digital converter) of an MCU (microcontroller unit), and hereafter the signal is processed digitally. Whenever the ADC detects audio clipping the Clip led will light up.
Then, the digitized signal is then passed through a Savitsky-Golay filter for noise reduction smoothing of the incoming signal, before it is slewed using the Attack and Decay controls. The MCU keeps a history of the last sampling points and detects the minimum and maximum values, which reflect the current dynamic range and maps the signal minimum and maximum amplitude to 0V and the maximum voltage detected.
This new mapped signal is then processed via the Response Curve control balacing the response like one would with a standard AD envelope with LOG/EXP control. The Envelope Gain attenuverter control goes up to x2 amplification and sets the attenuation / amplification factor of the output range, while the red LED monitors this level with precise visualization across the full output range
… Read moreThe level of an incoming audio signal gain can be set by using the Gain control. Then, the signal is then fully rectified and passed through an analog envelope follower with a fixed short attack and decay. The analog signal is then sent into a 12bit ADC (analog to digital converter) of an MCU (microcontroller unit), and hereafter the signal is processed digitally. Whenever the ADC detects audio clipping the Clip led will light up.
Then, the digitized signal is then passed through a Savitsky-Golay filter for noise reduction smoothing of the incoming signal, before it is slewed using the Attack and Decay controls. The MCU keeps a history of the last sampling points and detects the minimum and maximum values, which reflect the current dynamic range and maps the signal minimum and maximum amplitude to 0V and the maximum voltage detected.
This new mapped signal is then processed via the Response Curve control balacing the response like one would with a standard AD envelope with LOG/EXP control. The Envelope Gain attenuverter control goes up to x2 amplification and sets the attenuation / amplification factor of the output range, while the red LED monitors this level with precise visualization across the full output range
Pre-orders at Juno
This product is available for pre-order at Juno, for shipping on the release date. You won’t be charged until the order is despatched.
We'll keep you informed of your order at every stage, and let you know if the release date changes.
If the price of the item drops before it's released, you will pay the lower price, but if it increases, you'll only pay the price you see today.
If you also include in-stock items on your order, they’ll be charged and shipped within 24 hours as usual.coming soon $371.72
(No payment required now - pay when released)
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ADDAC System ADDAC220 Crossover Module (filter synth module)
Cat: 1088365
Companion module to the ADDAC220 Dual Envelope Follower+, allowing the splitting of frequencies into 3 bands.
Notes: Crossover: enabling new processing possibilities: Commonly, audio crossovers are designed to split an audio signal into several frequency ranges so that each resulting signal is adequate for the speaker drivers they are connected to. Typically, low range is sent to the big woofers, mid range to smaller woofers and high range to the tweeters.
Introducing the ADDAC607, which enables users to split the signal into different bands. This creates many interesting processing possibilities. For example, by independently processing specific frequency ranges, one can add delay on only the high frequency range. Or, users split a signal to feed three different compressors for multi-band compression. Finally, DJs can use the Gain knob as a 'kill switch' to remove an entire frequency band, if desired.
Although ADDAC607 operates in Mono (for Stereo signals two modules can be used) there are two audio inputs, making it easy to achieve stereo to mono summing. The Mono Sum Out carries this summed signal. This is pre-gain and can also be used as a buffered Thru output.
The ADDAC607 is a great companion to the ADDAC220 Dual Envelope Follower+, since it allows extraction of dynamics from any signal in a focused frequency range. This allows it to separate the frequencies of a kick drum and a snare, for instance.
… Read moreIntroducing the ADDAC607, which enables users to split the signal into different bands. This creates many interesting processing possibilities. For example, by independently processing specific frequency ranges, one can add delay on only the high frequency range. Or, users split a signal to feed three different compressors for multi-band compression. Finally, DJs can use the Gain knob as a 'kill switch' to remove an entire frequency band, if desired.
Although ADDAC607 operates in Mono (for Stereo signals two modules can be used) there are two audio inputs, making it easy to achieve stereo to mono summing. The Mono Sum Out carries this summed signal. This is pre-gain and can also be used as a buffered Thru output.
The ADDAC607 is a great companion to the ADDAC220 Dual Envelope Follower+, since it allows extraction of dynamics from any signal in a focused frequency range. This allows it to separate the frequencies of a kick drum and a snare, for instance.
Pre-orders at Juno
This product is available for pre-order at Juno, for shipping on the release date. You won’t be charged until the order is despatched.
We'll keep you informed of your order at every stage, and let you know if the release date changes.
If the price of the item drops before it's released, you will pay the lower price, but if it increases, you'll only pay the price you see today.
If you also include in-stock items on your order, they’ll be charged and shipped within 24 hours as usual.coming soon $118.63
(No payment required now - pay when released)
