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WMD 4TTEN Four Channel Attenuator & Offset Generator Module
Cat: 777841 Rel: 04 Jun 20
 
attenuator & generator module
Notes: Simple but effective four-channel module, allowing you to attenuate or offset CV or audio signals. Normalled 5V source on each channel allows you to generate a standalone CV signal without an input.

Supplier notes:
4TTEN (pronounced either ATTEN or FOUR-TEN) is a four channel attenuator and offset generator.
Use 4TTEN to attenuate any CV or audio signal by running through the ins and outs.
A +5V voltage source is normalled to each input, making it a standalone offset when there is no cable patched into an input.
Each channel is completely independent.
Ever-so-useful in live performance, we designed this module with 4 sliders for easy maneuverability, visual feedback, and enjoyable to play interface. Make your eurorack modular synthesizer system more playable with 4TTEN!
*** 4TTEN's PCB is 113mm (4.45") tall and may be a tight fit in some cases ***
Highlights
- 4 independent attenuators for Control Voltage and Audio signals
- Performance friendly sliders
- Can be used as 0 to +5V Offset
- Comfortable fader caps from the Performance Mixer
- Only 4 hp!
SPECS:
Size: 4hp
Depth: 30mm(with cables)
Power: +5mA , -5mA
Virtually no drop on 1V/Oct signals.
VERTICAL PCB LENGTH: 113mm (4.45")
IMPEDANCE = (SOURCE + 100ohm ) / 100kohm
UNBUFFERED
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WMD AXYS Stereo Crossfader Module
Cat: 737960 Rel: 21 Aug 19
 
All-analogue dual stereo crossfader - 6HP
Notes: Stereo patching is becoming more common each day in the Eurorack Modular Synth System and we here at the shop are performing out a ton. Over the past couple years we consistently felt the need for a simple crossfader module that would allow users to switch between two stereo sources, add a stereo effect path, or easily mix a mono source with a stereo one. AXYS was born from this need.

Each crossfader features stereo inputs with normalling for mono to stereo uses as well as independent CV control. Control both crossfaders with one CV easily and decide how the Y will react to X's CV.

Easily transition between two performers similar to a DJ transitioning between decks with one channel and add some master buss effects with the other. Use one channel for adding stereo effects and the other to dial up some nice parallel compression. Perfect for live performance and momentary effect blasts. A simple easy to use module with tons of uses.

All analogue signal path keeps your tone intact and sounding the way you intended it to.
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WMD Buffered Mult Three Channel Buffered Multiple Module
Cat: 580265 Rel: 03 Aug 15
 
3 channel buffered multiple module
Notes: WMD's next utility module is a three channel buffered multiple. Each channel has a dual color LED indicating Green for a positive voltage, and Red for a negative voltage.

Each channel is normaled to the next channel for a total of nine outputs from one input.
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MRP:$141.19 SAVE 33%
 9 in stock $94.12
WMD C4RBN 4/2 Pole State Variable Filter Module
Cat: 784084 Rel: 31 Jul 20
 
Pole state variable
Notes: Lovely little multi-mode filter from WMD. Neat features like switchable input saturation with CV control, output wavefolder and temperature-compensated 1V/oct tracking. Small and versatile.

Supplier notes
C4RBN (pronounced "Carbon") is a 4/2-Pole State Variable Filter with input saturation, output wavefolding, and more. It features a wide range of character from nice and clean filter sounds to screaming, squelchy, acidic mayhem.

C4RBN builds on WMD's history with state-variable filters adding interface refinements and improved warm environment stability for live performance and beyond. A novel input saturation circuit plus the output wavefolder from WMD's classic SYNCHRODYNE filter pair together to push the timbral flexibility to the next level. C4RBN is the building block to life in your eurorack.

Specs:
Size: 4hp
PCB height: 112mm
Depth: 38mm (with cables)
Power: +92mA, -82mA
Audio Input: 100k ohm impedance
20Vpp range
V/Oct Input: 82k ohm impedance
Temperature Compensated
CV Inputs: >100k ohm impedance
Filter Outputs: 1k ohm impedance
20Vpp range
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WMD Chimera Percussion Synthesizer Module
Cat: 664480 Rel: 11 Oct 17
 
Percussion module using granular synthesis - 8HP
Notes: The Chimera, pronounced "kai-meer-ah", is WMD's first percussion synthesizer module for Eurorack.

First, they recorded samples of different metallic hits to create the sonic signatures that they call Surfaces. The sources include tambourines, sleigh bells, drill bits, wrenches, shell casings, coins, chains and stomp box enclosures.

Second, they built a proprietary granular synthesis engine around the sonic signatures with the goal of making a module that could sound like a human hitting and shaking a tambourine. With the fundamentals finished, they tweaked the control ranges, built the post-engine effects, and bomb-proofed the hardware.

From there they pushed and polished the engine and user experience, squeezing every juicy drop out of 8HP.

Humanistic shakers, drum machine tambourines, laser guns, minimal techno offbeats, giant-robot movie sound design, etc. It's all yours with the Chimera.
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MRP:$336.18 SAVE 27%
 2 in stock $244.28
WMD Crater Analogue & Digital Hybrid Bass Drum Module
Cat: 759362 Rel: 30 Dec 19
 
Eurorack bass drum module - 8HP
Notes: Best of both worlds, Crater is an analogue/digital hybrid bass drum that plays as hard as it kicks.

The analogue side is where crater gets its tone and its power.

Like a 909 style kick drum, Crater's analogue section features a pitch envelope that ranges from snappy attacks, to laser sounds, to disco toms. 1 volt per octave tracking and an amplitude envelope that allows users to use Crater for classic 808 style hip hop bass lines as well as rolling techno kicks. Speaking of rolling bass, Crater has a new feature we have yet to see on a dedicated kick drum module, which is the Sustain stage. The sustain knob lets you dial in a sustain level that Crater will stay at as long as the gate is high. Inspired by using samplers in "gate mode", the sustain circuit lets you use gate length to sequence different kick lengths, while keeping your decay setting constant. This is perfect for getting multiple sounds from of one module.

The Digital side is where we feel Crater really becomes unique and ultra-useful in a live performance Eurorack system.

The "secret sauce" of kick drums is usually found in layering different sounds to create a drum that cuts through the mix in the high frequencies, while remaining powerful in the lows. Many kicks you hear in dance music tracks are samples made from layering two or more sounds and we wanted to achieve this level of polished sound with our kick. So, what we did was add in a digital section for the Attack side of the kick drum. The Timbre knob lets you dial in different attack sounds we've created, inspired by classic drum machines, music we like, and sample packs we've used in the past. The "Body" knob shapes the attack while adding a bit of delayed noise which simulates things in the room being affected by the kick such as loose lugs or a snare drum rattling nearby. This gives the kick more of a natural and acoustic feel to the sound.
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WMD Crucible Curved Plate & Cymbal Synthesiser Module
Cat: 728569 Rel: 20 May 19
 
synth module with professional trigger input and audio input
Notes: Feel the sizzle as you harness the energy of liquid metal. Forge your sonic desires, and rain hot fire onto the eardrums of your listeners. Cymbals, gongs, bells, and sheet metal are the territory of Crucible.

Have you ever wanted to start with the smallest cowbell, and then CV it until it becomes a gong larger than the room you're standing in? Crucible makes this possible.

By utilizing classic digital synthesis blocks like delay and digital filters, Crucible can fully synthesize, in real time, sounds similar to thin struck pieces of metal.

We expose the engine to the user through parameters specifically chosen for their sonic resemblance to the "parameters" of a real drum kit cymbal.

Size, Pitch, Tone, and Deform give the user the tools to shape their cymbal. The Excite knob allow the user to shape their exciter, completely changing Crucible's response. Finally, select where the exciter contacts the engine by triggering the EDGE and MID inputs, or trigger both to strike the "bell."

All of this adds up to a module that is lively and energetic, completely mimicking the feeling of playing a real cymbal, while still incorporating WMD's "New Sounds, Maximum Experience" philosophy.

- Realistic sound!

- Positional trigger input. Hit the edge, middle, or bell.

- 3 Model Types: Cymbal, Cracked Cymbal, and Curved Plate

- Audio input for experimental effects.

- Separate Pitch and Size controls for maximum realism.

- Choke input for perfectly timed catches.

- Proprietary Synthesis model using digital filter and delay networks. No samples!
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MRP:$336.18 SAVE 27%
 3 in stock $244.28
WMD DVCA Digital VCA Module
Cat: 696393 Rel: 06 Aug 18
 
Dual channel digitally controlled VCA - 4HP
Notes: The DVCA is a redux of the classic WMD Digital VCA module, giving it more features while reducing its size and power consumption.

Channel A is now unipolar/bipolar switchable, allowing for use as a bipolar VCA.

With control parameters for bias and CV, users can create classic ring modulation and attenuversion effects. Channel B still has the character and features of the Digital VCA.
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WMD Fracture Multi Particle Percussion Synthesiser Module (black faceplate)
Cat: 747621 Rel: 20 Sep 19
 
8HP drum/percussion synth module
Notes: Originally inspired by audience applause, hip-hop samples, and classic drum machines, Fracture is a multi-particle percussion synthesizer that applies concepts from classic analogue clap circuits to granular synthesis methods.

It all starts from proprietary micro-samples we recorded specifically for this purpose and ends with an engine built to suit these samples.
Unlike our other percussion module, the Chimera which uses impulse rich samples as it's tonal centre, Fracture uses single impulse samples like Claps, Snaps, Ping Pong Balls, Opening a beer can, and many more. It then plays a group of similar samples back in a psuedo random order for unique hits. Density, Decay, and Tail affect tone and how "tight" your virtual clappers are to playing together.

Our goal was to design a clap percussion module covering the range from classic drum machine claps all the way to full audience applause. We ended up with a module that covers a huge range of timbres beyond claps. We hope this engine provides you with the tools to intuitively create wild percussion sounds that bring your system to life in a new way.
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WMD Geiger Counter Civilian Issue Distortion Pedal
Cat: 698451 Rel: 30 Aug 18
 
Stripped down version of the Geiger Counter digital distortion pedal
Notes: The Geiger Counter - Civilian Issue is 32 killer sounds from the original Geiger Counter. WMD stripped off the majority of the controls and took $100 off the price. This is for those players who want to dial in a tone quickly and save pedalboard space.

The Controls:

Stomp Switch - Like all WMD pedals, the GCCI (Geiger Counter Civilian Issue) is handwired and true bypass, so it won't affect your tone when disabled. When the GCCI is on, the red LED will be lit.

Gain - The gain control provides anywhere from a nice clean tone to a ton of overdrive. Use this to hit the Function tables harder or softer to produce different amounts of harmonics.

Tone - The tone control can be used to fine tune the harmonic content from the Function tables. Use lower settings for fewer upper level harmonics.

Function - Twisting this knob will cause the number on the display to change. It goes 0 to 9 and A to F. This selects the 16 presets inside the GCCI. Push the knob in to activate the Low Fidelity mode for each preset. Low Fidelity mode is indicated by the decimal point on the display.

Each Function recalls parameters from the original Geiger Counter including the Bit Depth, Sample Rate and the Wave Table. The wave tables are displayed in the manual file. As your guitar string swings up and down, the wave table is played left to right from the centre. The output is what's vertically on the graph. The more movement in the Function, the more harmonic content you'll get out.

Volume - Sets the output volume of the GCCI which can be up to 5Vpp, enough to really crush your amp's input stage.
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WMD Geiger Counter Distortion Pedal
Cat: 698452 Rel: 21 Aug 18
 
Digital distortion pedal with high gain modern preamp
Notes: The WMD Geiger Counter is hundreds of entirely new face melting sounds. A high gain modern preamp drives an 8 bit computer, creating sounds which range from nice (tubey overdrive, lofi aliasing, hot gated leads) to total madness (impossible amounts of gain, multiple octave foldover, harsh digital data errors, and piercing sculpted noise).

- High Gain Modern Preamp
- Dramatic Tone Control with Disable
- Sample Rate from 260Hz to 58kHz
- 1 to 8 Bit Depth with Mask mode
- 252 Wave Table Modulator
- CV In for Expressive Control
- Always saves settings
- Hand Wired True Bypass
- Top Quality Components
- Super Hard Epoxy Powder Finish
- Standard 9V Power Jack
- 4.5" x 3.5" Small Footprint
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WMD Geiger Counter Module
Cat: 580269 Rel: 30 Jul 15
 
Geiger Counter synth module - 10HP wide
Notes: The WMD Geiger Counter is now available in the popular Eurorack Modular format and has voltage control of many features.

The Controls - The Geiger Counter may seem overwhelming, but once broken down, the controls are quite logical.

Gain - Low settings provide clean tones with no distortion at all, while high settings will brickwall your signal for great sustain. Use the Gain control as a coarse setting for getting the desired tone from the selected wave table.

Tone - The Geiger Counter's tone control blends muffled low-mids with chimey and clear upper mids and highs providing a very large range of sounds in junction with the Gain. All the way down and the sound is muffled and grungy with little upper harmonic content. The middle range is smooth and full bodied. The top range cuts the lows completely for only upper harmonic content. Use the Tone to fine tune the sound of the wave table.

Tone Enable/Disable - This switch removes the tone control from the preamp circuit. The tone control sucks some volume from the gain, and this allows the pure ultra hot signal to go directly into the Wave Table. If a very clean tone is desired, set to Disable and adjust the gain to get the right amount of breakup. For most wave tables, disabling the Tone will produce completely different sounds by brickwalling to the extremes of the tables faster.

Direct In/Level - The direct input allows a signal to be injected directly to the Geiger Counter's digital heart and bypassing the preamps coloration.

Sample Rate - Controls the length of the samples your signal is converted into. Full up and the Geiger Counter samples faster than a CD. Dial it down a little and you'll lower the fidelity and frequency response, adding overtones and difference frequencies. Down a little produces some very nice chimey clean tones. Down more and higher notes disappear into difference frequencies, all the way down to 280Hz. The sample rate is sort of like a flange whammy.

When the LED is Red, the Sample Rate is in fine mode where the range is limited to the upper end.

The CV input and attenuator are only active when a cable is plugged into the CV jack. When CV controlled, the Sample Rate knob selects the center frequency about which the CV signal moves. When the LED is Green, the Sample Rate knob is logically ANDed with the CV signal, producing some interesting sounds as the CV changes.

Bit Depth - This controls the finer details of the signal. All up and your signal is represented by the full 8 bits. Each step down cuts the resolution in half, adding quantization error distortion, all the way down to 1 bit making a nasty square wave from a once clean tone. This produces a lo-fi gated distortion sound.

The LED when Green engages Mask mode where your signal is logically ANDed to the 8 bit number produced by the Bit Depth knob. This produces uneven gaps in your signal for some interesting distortion sounds.

The Bit Depth CV and level control is only active when a cable is plugged into the Bit Depth CV input. The Bit Depth knob then controls the center frequency. However, unlike the Sample Rate control, the bit depth can wrap around the edges of the control if the CV signal is larger than the range allows for.

Wave Table - This knob and display select the wave table to run your signal through. The wave table stage takes your signal and destroys it with math. This produces some incredible sounds. The wave tables are organized so that a more extreme version is typically found one up from the current one. There are 252 wave tables in all, each with different harmonic content.

The display is in HEX, displaying the numbers 0-9 and the letters A-F. Don't be alarmed, it actually makes remembering your desired wave table easier! The wave table is remembered when the pedal is turned off.

The Wave Table CV input is similar to the Bit Depth's. The CV signal is only active when a cable is plugged in. The Wave Table will wrap around the end points 00 and FB. The center is set by the WaveTable knob.
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MRP:$376.52 SAVE 29%
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WMD Javelin Envelope Module
Cat: 784089 Rel: 15 Jul 20
 
Envlopemodule
Notes: WMD raid their back catalogue to create an ADSR envelope generator with built-in VCA. Accent features and choke options make it a versatile little module. Best Eurorack envelope ever? WMD think so.

Supplier's Notes:

Javelin is the envelope WMD have always needed to make. The best parts were taken from Multimode Envelope and combined them with the simplicity and convenience of an ADSR with integrated VCA. The tricks learned from live performance, and use of other awesome synthesizers, were put all together to create the ultimate Eurorack envelope.

Javelin starts out as a simple ADSR envelope. 3 level ranges have been added, giving you control over the envelope's overall amplitude. Next, 3 time ranges allow for quick switching of the feel of the envelope. These ranges were carefully designed to work with each other, making the switch a fun and playable part of the interface. Short and snappy, long and drawn out (max 88 minutes per stage with 5V in a stage's CV input), the Javelin will suit any style of music or playing style.

Expression is key. The addition of Accent and Choke inputs make for very interesting sequences that are just a couple gates away.

The Accent behavior is incredibly unique. Multiple consecutive gates while the Accent input is high cause the envelope to climb a bit higher with each gate, causing whatever you are controlling to accent a bit harder on each next gate. When controlling a filter, this creates a sound that can be personified with breathing, laughing, screaming, or crying, and is the key to the perfect, funky, acid style bass line. This behavior can also be disabled if you prefer a static Accent level.

As if that's not enough, the Accent input is actually a CV input which lets you use CV to effect the amount of accent with intention. 3 different accent ranges let you choose the maximum amount that the envelope will accent to. Complete control!

Reset lets you stop the envelope in it's tracks with a gate signal. This is great for using long envelope times for some steps and cutting them off for others without the need for another CV channel. However, Attack and Release also have CV inputs can can be sequenced externally. Release CV can even be routed to control Decay and Release simultaneously, a common control scheme in vintage style synthesizer envelopes.

Combining all of these methods of control on Javelin let you pinpoint the sound you are after. An absolute joy to work with.

Specs:
Size: 6hp
Depth: 38mm (with cables)
Power: +93mA, -65mA
VCA:
100k ohm input/CV impedance
1k ohm output impedance
Linear curve. 0V = off, 5V = unity
22Vpp range
Envelope: Digitally controlled analog core
Gate/Reset: 100k ohm impedance.
2V Schmitt Trigger
15us Latency (entirely imperceptible)
Attack/Release CV: 68k ohm impedance
Accent CV: 100k ohm impedance. 0-5V
Envelope Levels: 3V, 5V, 7V
Accent Levels: +32%, +42%, +48%
Max Level + Max Accent: 6V, 9.8V, 11.7V (clipped)
1k ohm output impedance
Segment Ranges (Linear)
Fast: 350us to 1.15s
Medium: 700us to 5.5s
Slow: 1ms to 23s
Slow with 5V CV: 240ms to 88 min
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WMD MSCL Stereo Compressor Module
Cat: 640972 Rel: 27 Feb 17
 
Stereo compressor in 4 HP
Notes: MSCL is a stereo compressor in 4 HP designed for your master bus to help "glue" your mix together. Inspired by the DBX "Over Easy" style compressor, it features independent attack and release knobs, output gain, and an all-in-one knob function for compression which decreases threshold, increases gain and ratio all with one turn. Limit Switch allows the MSCL to act more like a peak limiter. The threshold switch lets you compress signals of different amplitudes. It also features a side chain input for classic ducking sounds on stereo tracks.

Controls:

- Comp knob: Adjusts makeup gain, threshold, ratio simultaneously
- Attack Knob: Controls how fast the compressor will react to incoming transients
- Release Knob: Controls the speed in which the compressor will release
- Gain Knob: Adds up to +-35dB on the output
- Threshold Switch: Changes the threshold range
- Limit Switch: Limits the comp knob's makeup gain. Makes the MSCL operate more as a peak limiter

Other:

- Size: 4HP
- Input Impedance: 20k
- Side Chain Impedance 100k
- Output Impedance: 220 ohms
- RMS and Adaptive Detector Response
- Green/Red indicator for Gain/Reduction
- AC Coupled signal pass
- DC coupled bypass
- AC coupled Sidechain
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MRP:$316.00 SAVE 21%
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WMD Overseer Stereo DJ Inspired Filter Module
Cat: 640977 Rel: 30 May 17
 
Stereo filter module in 6HP with high pass & low pass circuits
Notes: The WMD Overseer is a stereo filter inspired by those commonly found on DJ mixers and DJ software. It features two filters on one knob, stereo ins and outs, bypass switch, and a fun stereo "Tilt" function which offsets the filter cut-off frequency across the stereo field creating some dizzying stereo effects.

Controls:

- Bypass Switch: Turns the filter on and off. LED will be red when the filter is engaged. Toggles on button release.
- Filter Cut-off Knob (the big one): Turn Left for Low-Pass filtering and Right for High-Pass filtering. No filtering in the middle. Becomes offset with CV.
- Filter Cut-off Switch: Switched to the left limits both filters to audible frequencies so you cannot accidentally filter out all signal. Switched to the right disables the limit allowing you to filter the signal into oblivion.
- Resonance knob: Controls the amount of frequency boost at the cut-off point. Will not self-oscillate. Knob becomes offset with CV.
- Tilt Knob: In the middle applies no tilt. Rotate left or right to off set the offset to the filter cut-off on each side. Knob becomes offset with CV.
- Tilt Switch: Allows you to apply the Tilt function to either or both HP and LP. Left for LP, right for HP, centre for both.
- HP - LP Knobs: Attenuverters for incoming CV over the filters.
- HP - LP Switch: Switch to the right sends 5V to the HP - LP knobs and turns them into independent controls for the cut-off frequency of both filters, allowing you to control both filters at the same time with these independent knobs.

Jacks:

- HP: CV input for the High-Pass filter
- LP: CV input for the Low-Pass Filter
- Tilt: CV input for the Stereo Tilt function
- Res: CV input for the Resonance of both filters
- Master: CV Input over both filters, accepts -5V to +5V

Other:

- Input Impedance: 40k
- Output Impedance: 220 ohms
- Frequency Response: 20Hz to 20kHz +-1dB
- LPF Cut-off Range (-3dB Fc)
- Limited LPF: 22Hz to 32kHz
- Unlimited LPF: 1Hz to 32kHz
- HPF Cut-off Range (-3dB Fc)
- Limited HPF: 3Hz to 12kHz
- Unlimited HPF: 3Hz to 38kHz
- Signal Path: AC Coupled at all times
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MRP:$336.18 SAVE 27%
 2 in stock $244.29
WMD PM DB25 Direct Outs Expander For Performance Mixer Module
Cat: 665768 Rel: 15 Feb 18
 
Expander module for the WMD Performance mixer
Notes: PM Db25 is a proprietary expand module for the WMD Performance Mixer that allows for direct access to each output, balanced, including channels expand and the main outs. Connect a Db25 snake to your choice of connector on the other end and record each individual out without destruction from the faders or mutes. Reference the stereo recording while making final edits in your DAW or tape machine.
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WMD Pro Output Module
WMD Pro Output Module (synth module)
Cat: 580282 Rel: 30 Jul 15
 
Pro Output synth module with Low Distortion / Low Noise & High Headroom - 6HP wide
Notes: The WMD Pro Output is a simple and purpose built module to get your modular signal interfaced with professional and consumer audio gear. It also includes a very high quality headphone driver.

Rail to rail opamps at the input stage allow for headroom above the typical eurorack levels of 20Vpp. The Pro Output can handle 23Vpp before clipping. Signals are attenuated down to the proper levels allowing for simple adjustment free connection to any type of device, professional or consumer.

The Pro Output is DC coupled through the entire signal path, including the headphone driver. This design eliminates coupling capacitors and the distortion they can cause.

Controls and I/O:

Input - The inputs are designed to accept any normal modular level. 10Vpp is the nominal operation level. The left input is normaled to the right side for mono operation. Inputs will clip at 23Vpp, giving enough headroom for any eurorack signal.

Phones/Line - The headphone driver connects to a 3.5mm stereo jack, and a 1/4" jack for whatever type of headphones you use. It can drive both simultaneously.

The headphone output level is internally limited to protect against accidental knob turns. Connect a couple of jumpers to the rear of the module to disable this limiting. This will allow the headphone amp to drive headphones extremely loudly, but still without distortion. Output quality remains the same regardless of the jumper settings.

With the limiting enabled (jumpers off), the maximum output is around -10dBV. With limiting disabled (jumpers on), the maximum output increases to pro level, about +4dBu.

Stereo - The Stereo (-10dBV) output is designed to interface directly with consumer level gear. Hook directly to sound cards, portable recorders, and speakers. It can be used as a second headphone output but will be loud.

+4dBu Bal - These two outputs (left and right) are high quality low impedance balanced line drivers. They are designed to drive long cables and to drive balanced transformer or transformerless inputs. Use these to connect directly to mixing consoles, mic preamps, or any other piece of professional outboard gear.
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WMD SCLPL Stereo 5-Band Digital EQ & Morphing Filter Module
Cat: 776823 Rel: 23 Sep 20
 
filter module
Notes: Proper surgical EQ in Eurorack format, with five parametric bands of filters for shaping sound. As usual for WMD, there's a lot of thought gone into making it versatile, doubling up as a morphing filter for mono, dual mono or stereo signals.

Supplier's Notes:
SCLPL (pronounced SCALPEL) is a Stereo 5-Band Digital EQ / Morphing Filter module for eurorack modular synthesizers. Use it to cut out problem frequencies on voices in your mix or to add pleasing enhancements to your stereo field.

Dual Mono and Stereo Control Schemes make it an excellent addition to any WMD Performance Mixer Setup. Add 4 SCLPL for 8 channels of EQ in 16HP. Put a 5th on the Master Bus and you have the ultimate eurorack mixing setup!

A simple user interface makes it a powerful tool for many use cases. It features 9 user-programmable preset slots that can then be "morphed" between seamlessly with CV or the Level knob in Morph Mode.

Each frequency band is set independently with the Level, Q, and Frequency knobs, and a helpful LED display aids in knowing exactly what's going on at all times.

Frequency bands include a Low Shelf, 3 Mid-Range Peaking Bands, and a High Shelf.
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WMD SSM Sequential Switch Matrix Expand Module
Cat: 580286 Rel: 29 Jul 15
 
Synth module unit for extended functionality of the SSM module
Notes: The SSM Expand 8 HP module provides extended functionality of the SSM.

Gate/Trig: Gate (Green LED lit) provides 10V outputs for each routing button. It mirrors the routing shown by the SSM LEDs. Trig mode (Red LED lit) will output a trigger when a step (CV, Step/Gate or Reset) is taken. Pushing a routing button will not change the output thus providing synchronized triggers.

Trigger Length: CV and knob provide adjustable trigger length.

Retrig on Step: When on, gates and triggers will retrigger quickly when a step is taken.

Invert Behavior: When on, routings that are OFF will produce ON triggers or Gates.

DAC3/4: Two 4 bit DAC outputs that output a weighted 4 bit voltage between 0 and 5 volts. From routing columns 3 and 4.

Step: Outputs a trigger for each step, reset or CV change that is made to the SSM.

Installation: Connect the 20 pin ribbon cable to the GTExp header on the SSM, and the ToSSM connector on the Expand. Red Stripe Down.

Specs: 8 HP. 25mm Depth. 10V Gate Outputs. Current consumption is +40mA, -3mA. 12 month warranty.
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MRP:$186.91 SAVE 29%
 2 in stock $132.22
WMD Time Warp Dual Channel Gated Slew Module (black faceplate)
Cat: 771732 Rel: 20 Apr 20
 
slew module
Notes: Compact dual slew module adds slide/glide to sequences in a compact format. Includes some nice added features allowing it to work as an envelope or envelope follower.

Supplier notes:
The acid style pitch slew effect has made it to Eurorack in a small easy to use package. You no longer need to dedicate more complicated modules patched in wacky ways to achieve this classic sound. Finally, a dual slew, with the right interface, at the perfect size. Add some slide and smoothness to your patches on your own accord with Time Warp.

TIME WARP is a dual channel, gated slew module with some extra features that make a powerful and versatile addition to any Eurorack Modular Synthesizer System.

Its unique, Gated Slew function allows users to add slew to any voltage signal at designated times by sending it a gate signal from a sequencer or similar source. Switch it up with Invert Logic on the gate input, or use the switch as a real time performance tool for hands-on control over when the slew will take place.
With two modes of symmetry and a full wave rectifier on the input, Time Warp can function as 2 independent Slews, two A/R Envelopes with tied controls, or even as an envelope follower, taking audio and turning it into a useful envelope signal. CV control over the Rate of slew! Time warp puts all of that in a compact, 4hp package.

Size: 4hp (20.32mm)
Depth: 30mm(with cables)
Power: 50mA +12V, 50mA -12V

Gate Inputs:
100k ohm impedance
2V threshold Schmitt Trigger
Patching into the Gate input disables the Full Wave Rectifier

CV Outputs:
470 ohm impedance, zero-impedance compensating buffer
1V/Octave no drop
22Vpp range
Gain error: 0.1% maximum. 0.025% typical.
Offset error: 1.5mV maximum. 0.5mV typical.

Regulatory:
RoHS, CE, & WEEE Compliant
Made with Lead Free solder and processes
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MRP:$213.81 SAVE 19%
 5 in stock $172.57
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WMD Triad Arpitecht Companion Module (black faceplate)
Cat: 760485 Rel: 06 Jan 20
 
Polyphonic CV source expander for WMD Arpitecht
Notes: A companion module to the Arpitecht,Triad sends out three static voltages to be used with three oscillators in order to create chords underneath your Arpeggios. Triad connects to the back of the Arpitecht via included ribbon cable and will adhere to the scale and transpose information set by it's master.

Triad knob and CV input set different combinations so your chord can be completely unique, while still in key with your arpeggio. Inversion switch and CV input allow you to select three different chord voicings easily.

Controls:

- Triad Knob: Selects the 3-note combination sent via CV. Becomes an offset with CV.
- Inversion Switch: Selects which inversion of the chord the Triad will play. Set at 0 for use with CV as it will "take over".

Jacks:

- Note 1,2,3: CV outputs for use with 1V/Oct inputs on 3 oscillators
- New: This output sends a trigger each time a new chord is made/selected
- Inv: CV input for the inversion selection. Accepts 0V to +5V
- Thresholds for 1st and 2nd inversions are 1.25V and 2.5V respectively
- Triad: CV input for Triad selection. Accepts 0V to +5V.

Other:

- Size: 4HP
- Connector: 20 pin ribbon cable
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MRP:$127.75 SAVE 32%
 1 in stock $86.29
WMD TRSHMSTR Bandpass Filter & Distortion Module (black faceplate)
Cat: 742231 Rel: 21 Aug 19
 
Versatile band-pass filter - 12HP
Notes: TRSHMSTR is a collaborative effort between WMD and electro-dance heavyweights MSTRKRFT. TRSHMSTR features an aggressive combination of band-pass filtering (FLTR) and distortion (DRV). The FLTR and DRV sections can be used independently or together to produce a wide variety of tone-shaping, from subtle distress to full-on acid destruction. The INs and OUTs of the FLTR and DRV sections are cross-normalled, so you can run your signal through FLTR and into DRV or vice-versa with no extra patching.
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MRP:$289.11 SAVE 24%
 2 in stock $219.63
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WMD Volt Voltage Source & Offset Generator Module
Cat: 708981 Rel: 16 Nov 18
 
Precise voltage source & offset generator in only 4 HP
Notes: The VOLT is a precision voltage source and offset generator for Eurorack modular synthesizers.

With its 14V range (-7V to +7V), VOLT can be used to calibrate oscillators, filter tracking, or anything that needs a 1V/Oct calibration.

VOLT has two buttons. Push the top to increase the voltage by one volt. Push the bottom button to decrease the voltage by one volt. Push both buttons at once to reset the voltage back to a known value.

VOLT has 3 voltage inputs and 3 voltage outputs. The input signal is summed with the voltage source, generating offsets of 1V or 1 octave at a time. This means it can be used as a precision octave switch for oscillators that lack the functionality. Create variation in your sequences with a quick touch of a button.

VOLT's octave buttons can also be switched via external gates, essentially making it an octave sequencer. One input causes it to go up, and the other causes it to go down. Two gates at once will reset the voltage back to your set value. Running basslines and melodies through volt to be sequenced up and down by octaves is a very effective and a fun way to work.
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 1 in stock $160.23
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WMD Voltera Voltage Expander For Metron Module
Cat: 742232 Rel: 16 Dec 19
 
4HP voltage expander module for the METRON trigger & gate sequencer
Notes: Expander for WMD's Metron, a 16-channel trigger and gate sequencer module. Adds four tracks of voltage sequencing per module, turning the Metron into an even more powerful sequencer

Supplier notes:
Voltera is a voltage expander module for the METRON trigger and gate sequencer and adds 4 bipolar voltage tracks in 4hp. Up to 16 Volteras can be added to a single METRON giving you up to 64 CV Sequencing lanes for your Eurorack modular system!

With independent voltage ranges and quantize settings per track, Voltera allows for real time control over 4 different parameters at once, allowing you to dial that track to the parameter you are sequencing.

Sequence melodies, modulate parameters, and more with ease by adding Voltera to your METRON set up.
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WMD/SSF Amplitude Discrete VCA With Dynamic Shape Response Module
Cat: 588810 Rel: 02 Oct 15
 
Transistor core voltage controlled amplifier (VCA) synthesiser module - 6HP wide
Notes: AMPLITUDE is a discrete transistor core VCA with a wide range of waveform saturation and distortion capability.

This module is capable of faithfully reproducing the classic warmth and fat tones associated with vintage analog synthesizers and pushes that capability to the extreme.

A novel voltage controlled linear to exponential converter is included and can be used to shape incoming control voltages to the VCA CV input and can be patched out to external modules.

Power Draw: +20mA, -20mA. 6HP width. 25mm Depth.
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 2 in stock $125.61
WMD/SSF DPLR VC Delay & Chorus Module
Cat: 588826 Rel: 02 Oct 15
 
Delay synthesiser module - 4HP wide
Notes: DPLR is a delay module with two interactive delay lines, each with 750mS of delay time.

One input is split to two delays which share overall delay time (DELAY) and regeneration (REGEN). Side B has control over its delay offset (SPREAD) from side A.

Delay, Spread and Regen are all voltage controllable. Regen at max will echo indefinitely, and can create interesting noise swashes.

The pushbutton at the top taps through seven different crosstalk configurations (Regen isolated through ping-pong). Push and hold to change through four different Regen Filter settings from very bright to dark.
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MRP:$228.60 SAVE 29%
 2 in stock $162.48
WMD/SSF Spectrum Smart Control Precision Analogue VCO Module
Cat: 588816 Rel: 02 Oct 15
 
Saw-core voltage controlled oscillator (VCO) synthesiser module - 10HP wide
Notes: SPECTRUM is a precision, saw-core VCO with eight possible waveforms (six simultaneous outputs), an eight octave switch, LFO mode and FM mode select with attenuation.

In addition to the standard waveforms; sine, pulse, triangle and saw, SPECTRUM features two selectable saw/pulse hybrid waveforms and two selectable sub-octave waveforms with variable range.

Additional features include pulse width modulation with CV and attenuation, hard sync and panel accessible 1V/OCT calibration.

Power Draw: +80mA, -55mA. 10HP width. 25mm Depth.
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MRP:$316.00 SAVE 24%
 2 in stock $239.80
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