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Review: The Church's 1985 release marks a pivotal moment in their evolution, showcasing a more collaborative songwriting approach. The album features a rich tapestry of jangly guitars and atmospheric production, with tracks like 'Myrrh' and 'Tantalized' exemplifying their signature sound. The addition of strings and horns adds depth, creating a warm, organic feel. This work is a significant contribution to the alternative rock genre, highlighting the band's growth and experimentation.

Review: This album, originally released in 1989, and now expanded for a deluxe edition, is god-tier stuff from The Cure. The 'Pictures Of You' melody is emotional enough to draw tears from those with stone hearts. And similarly to many of the tracks on this album, 'Lovesong' still forms a really important part of their live set as there's beautiful interplay between keys and bass, whilst Robert Smith's heartfelt poetry is filled with conviction. In terms of album openers they don't come much stronger than 'Plainsong', which is a melancholic, dark synthgaze-y masterpiece that will stop you in your tracks whatever you're doing.

Review: Warner are in the midst of a massive reissue project that sees them remaster some of New Order's biggest tunes from the Abbey Road master tapes. Power Corruption & Lies (Definitive Edition) is one of the bigger ones as it offers up the iconic group's 1983 studio album across 180 gram vinyl, two CDs, two DVDs, and a 48 page book with obi strip. It is a completists dream with unreleased writing session material and the band's 1982 John Peel session, gigs captured live at The Hacienda and Kilkenny, plus all manner of rare photos and new essays to enjoy next to the music.

Review: Stereolab continue to trawl through their vast back catalogue on the fourth instalment of the Switched On compilation series. This edition, titled Electronically Processed, focuses primarily on rare and hard-to-find tracks (many tucked away on very limited seven-inch singles), with a handful of alternative versions, outtakes and previously unreleased cuts thrown in. Fans will find much to savour across the two-disc set, from Krautrock-tinged Chanson songs (see the rather fine 'Household Names' and Serge Gainsbourg-with-added-funk vibes of 'The Super It'), to more experimental instrumentals from soundtracks, and even the odd dancefloor-ready stomper ('Dimension M2'). In a word: essential.

Review: Stereolab's superb Switched On series hits the fifth volume here with another essential collection of their rarest releases. Also included along the way are some unreleased tunes and despite this being the fifth volume it is still impeccably high in standard. Just check out Autechre's remix of 'Refractions in the Plastic Pulse' for evidence - it's as thrilling as they come while Stereolab's second collaboration with Nurse With Wound is another good one. It is 31 minutes of psychedelic kraut to really lose your mind to. Fans old and new are sure to lap up this one.

Review: I Saw The Glow is the latest movie-meme to be peddled by film auteurs and distribution powerhouse A24; written and directed by Jane Schoenbrun, this contemporary horror-comedy explores themes of alternate realities and cancelled futures, centring on the chaos that ensues after two friends endure the axing of their favourite TV show. Slated to have become a success from its inception, the film's soundtrack is bedazzling to match, corralling the likes of Caroline Polachek, Sloppy Jane, Phoebe Bridgers, Kristina Esfandiari, Florist and Yeule into a single soundtrack nonetheless made up of original songs. Curated entirely by Schoenbrun, the artists selected reflect a contrarily modern take on the retro-nostalgic moods of the film; in going into the soundtrack's curation, the director herself recalled seeing commercials on MTV for film soundtracks, and wanted to emulate this long-lost approach whilst also reflecting the film's setting between the late 90s and early 00s. Reviving a forgotten formula - a soundtrack album for which artists record original material - this isn't one to be missed.