Back catalogue: All genres

Review: A second joining of forces from two celebrated Chicago acts, blending deep, organic rhythms with a minimalistic electronic pulse. With the novel but logical addition of Jason Stein on bass clarinet, the collaboration stretches even further, pulling together the spiritual fluidity of Natural Information Society and the electronic minimalism of Bitchin Bajas. The first single, 'Clock no Clock,' is a deep dive into hypnotic rhythms, with guimbri grooves intertwining seamlessly with electronic bursts, flutes and organs. The other three tracks are equally compelling, the music unfolding like a living organism, constantly shifting but always grounded. Expansive, intricately woven sonic delights.

Notes: Murray Bowles photographed Bay Area punk for four decades, capturing its infectious energy, wild creativity, and ragged tenderness everywhere he found it.

From San Francisco's Mabuhay Gardens to Berkeley's 924 Gilman- and the countless basements, backyards, and warehouses in between- Murray was there, camera in hand, the scene's beloved documentarian.

Collected here for the first time, Murray's classic images chronicle a uniquely dynamic and enduring music community in all its chaos and glory.

Featuring hundreds of images of bands such as Green Day, Operation Ivy, Neurosis, Crimpshrine, the Dead Kennedys, MDC, Special Forces, Social Unrest, Spit Boy, Melvins, Gwar, Soundgarden, NOFX, The Offspring and many, many more.

This collection of photographs documents and celebrates the punk music scene from the early 1980s through the mid-1990s.

Hail Murray
The Bay Area Punk Photography of Murray Bowles, 1982-1995
By Murray Bowles
Edited by Anna Brown
Introduction by Aaron Cometbus

Hardcover, 270 pages, 12 x 9 landscape