B-STOCK: Original box damaged and cable is in plastic seal; product in perfect working order
Notes: ***B-STOCK: Original box damaged and cable is in plastic seal; product in perfect working order***
The SC16 is a high-quality USB-C to USB-C cable designed to connect RODE microphones with a USB-C output to USB-C compatible devices. Measuring 300mm long, the cable is ultra-flexible and features an in-built cable grip that is compatible with the VideoMic NTG shock mount cable management system. It is particularly suitable for connecting the VideoMic NTG to USB-C mobile devices, but will also work with any RODE device with a USB-C output, including the NT-USB Mini, Wireless GO II and RODECaster Pro.
Key Features:
High-quality shielded USB-C to USB-C patch cable
300mm (11.8") long
Junction box for cable management
Specifications
Acoustic & Electrical Specifications
Output Connection
USB Type-C
Inputs
USB Type-C
Compatible RODE Products
VideoMic NTG
NT-USB Mini
Wireless GO II
RODECaster Pro
AI-1
Mechanical Specifications
Colour: Black
Weight (g): 6
Cable Length (millimetres): 300
Review: NY breakbeat craftsman 88 Katanas gets explorative on Silent Force with four outstanding jungle adventures. The brilliantly titled 'The Standard Of The Archipelago' ignites the EP with a brisk drumfunk type of flavour that's comparable to Seba. From there we move inland to brutalist terrains... 'Radiant Energy' is a halftime march through thick swamps and woodland, and 'Bit Rot' takes us onto elevated fields where the air is fresher but the ground is very slippery underfoot. 'Subconscious Emotions', meanwhile, takes us back to a much calmer shore where a good looking ship awaits for voyage home.
Review: Amorphic and Tensal hook back in to the machine to dialyse their crafts once more, with 'Highland Frequencies' offering up four, machine-numbered atoning lambs to our mech overlords, following up the equally arrayed 'Distant Landscapes' EP (2024) on Blueprint. Now bringing their distinctive cataloguing system to the discographic vanitas Mord, four more 'AT' tracks make for an irresistibly well-layered, synthetically one-of-a-kind release. Only 'AT4' gets a subtitle, 'The Sleepwalker', where a sandman's slumbrous, lollygaggling beats somehow, at the same time, betray a subconscious, paradoxical restlessness.
Review: Last spotted raising hell and taking names with Jon 1st on Defrostatica, Arcane (who is also known as one half of the more mainstream-sounding d&b act Kleu) goes full nelson on the breaks with these two choppy choppy bangers on Foxy Jangle. Both cuts focussing on the drums, subs, samples and FX, these are fully timeless trips and sculpted strictly for the heads. Great for losing yourself inside at 3am and even better to mix. Just like concrete.
Review: The ASHPPE series has been nothing if not unhurried. It started several years ago but always results in essential outings when they do come. The fourth transmission from the techno talent emerges from subterranean shadows with three tracks aimed squarely at the club. 'Judge' is tightly looped and edgy without letting you settle and 'Deeper' then brings muscular broken beat patterns, glitchy textures and raw hits into a futuristic techno soundscape. 'The Box' brings bright and shimmering synth smears to more contorted and twisted drum patterns that demand your more inventive moves.
Review: B.Love is next up on Leeds legend Ralph Lawson's 20/20 label having come to his attention on Record Store Day 2024 with his Music Dance Experience EP and then later that day when playing as a resident at the Bizarre Trax party Lawson was en route to play. Here he showcases his electro sound across four cuts starting with 'Rhythm Freq', a celestial and disco-tinged sound. 'Movement Feeling' is a party starting cut with old school style and plenty of percussive lushness, then 'Soda Junior' brings louche, low-slung disco funk before 'Bisous' shuts down with more cosmic playfulness and vibrant synth colours.
Review: We shall never apologise for our love for the work of Steve O'Sullivan. His contributions to the world of dub techno are second to none. They are also mad consistent both in style and quality which means they never age. Here he steps up to Lempuyang with his Blue Channel alias alongside Jonas Schachner aka Another Channel for more silky smooth fusions of authentic dub culture and Maurizo-style techno deepness. Watery synths, hissing hi-hats with long trails and dub musings all colour these dynamic grooves. They're cavernous and immersive and frankly irresistible and the sort of tracks that need to be played loud in a dark space. In that context, you'll never want them to end.
Review: Margate-based Braga Circuit showcases a refined signature style and knack for killer sampling with this standout debut on Air Miles. 'Fall' kicks off with amped-up chord stabs and brilliantly well-swung, rolling kicks that soon get those hips moving. 'Closer' oozes summer cool thanks to the balmy chords that soften the percussive, garage-flecked house drums. There is also plenty of Kerri Chandler soul in these here beats that makes them all the more essential. 'Filter Feed' layers up dusty perc and thudding kicks with sultry vocal whispers. It's steamy and irresistible and last but not least, Leod is another talent from the coastal town of Margate and remixes this one with a more direct and dubby style.
Review: Brazilian talent Rafael Cancian has grown in stature thanks to solid outings on the tasteful likes of Razor-N-Tape and Hot Pot Records. Now with that profile established, he heads out with a new label of his own in the form of About Disco. He inaugurates it with a quartet of edits that he has already been deploying to great effect on various dancefloors around the world. 'Sounds Chicago' does indeed with raw drums and great keys dancing over the beats. 'Ti Amo' has a more funky undercarriage and disco percussion, 'D'Afrique' again brings a funky bass riff to the fore with some psyched-out sounds for company and 'Opera' shuts down with some late-night and soul-drenched synths over intimate and stripped back house drums.
Review: A reissued 7" single, pressed on standard black vinyl, shows Carmen's unique fusion of soul, country and r&b, recorded in New York City with legendary producer Bob Morgan. Carmen's smooth, emotive vocals are perfectly complemented by the rich, soulful instrumentation of The New Frontier, harnessing the beauty of the early '70s music scene. Both songs highlight Carmen's ability to blend heartfelt lyricism with groovy, soulful melodies, creating a sound that resonates with fans of both northern soul and roots music. Despite not achieving mainstream fame, Carmen developed a dedicated following, and these songs provide a snapshot of his talent as a songwriter and performer. Housed in a full-color jacket with an insert, this release is perfect for fans of classic soul, funk, country and the crossroads of these genres. It's a remarkable opportunity to experience the timeless, evocative music of Kip Carmen in all its warmth and authenticity.
Review: A double dose of dancefloor bliss is administered (subversively without doctor's orders) by Kent Soul. These two numbers have been faved by fans from several scenes and the world over: first, there's The Cheques' 'In The Groove', a longingly upbeat homage to a groovin' place by the obscure Louisianan organists. Lead organist Tony Nardi, would later go on to form the Thai funk group Salt & Pepper, famously recording 'Man Of My Word', but for then and now, this 60s manoeuvre would serve to transcend its mod origins, attracting the Northern soul crowd in the years to come. After, 'Arabian Jerk' by The Merits rehears a Goldwax production out of Memphis: mod and exotica collide in a steaming instrumental excitation of backbeat accents and parping 2-4 guitars, making a mod belly dancer's anthem.
Review: Blending hi-NRG and Latin cumbia, Combo Chimbita present a brand new single for Wonderwheel Recordings, 'Dimelo'. Described as an internal dialogue - a sonic representation of what it feels and sounds like to choose yourself - the refrain "Cuando por fin yo me elegi" is heard repeatedly throughout the track, as self-selection is maximised, contra the impossibility of saving others before oneself. The band's Carolina Oliveros says of the song, "however much you love someone, you can't force them to love yourself in the same way - that is love you have to give yourself." The Busy Twist remixes the idea, self-caring through salvos of oily guitar and toe-tapping woodblock shot, hitting like a health kick.
Review: Commonsur is a rather elusive duo based between Geneva and Madrid. Now they finally present a stunning self-titled debut EP that blends their meticulous take on contemporary soul with an undercurrent of quiet optimism. The music draws from years of experience as multi-instrumentalists and producers in the European music scene and finds the artists craft a sound that's heartfelt, refined and deeply human from front to back. British-Spanish vocalist Rolita graces three of the four tracks and her rich, emotive voice adds extra lovely warmth and emotion to the polished grooves so that the result is a debut that feels both personal and expansive-music rooted in feeling, built with care, and delivered with understated power.
Joseph Cotton & Earl Heptones - "Misty Morning" (4:00)
Room In The Sky All Stars - "Smoking Horn" (feat Eddie "Tan Tan" Thornton) (4:21)
Review: The latest from the Joe Gibbs label features a powerful roots rockers reinterpretation of The Sensations' classic rocksteady tune 'Everyday Is Like a Holiday.' The new version from Ruddy Thomas brings a different kind of energy while honouring the soulful essence of the original. It's packed with plenty of mad mixing desk effects and endless echo while warm vocals and deep basslines lock in a steady, hypnotic rhythm. On the B-side, Joe Gibbs & The Professionals deliver 'Holiday Style' which has happy horns and melodies that sparkle in the hot summer sun. Real roots authenticity and dub mastery make this another vital 7".
Timeless digital roots and dub from The Disciples here featuring the late Jamaican singer Creation Stepper, who i most famously well known for his iconic 70s roots reggae classics. This release includes a fresh take on Stepper's 1978 track, 'Kill Nebuchadnezzar' and it is paired with another vocal gem, 'Ozone Layer,' plus two powerful dub versions. Originally mixed and produced by Russ D in The Disciples' studio in 1991, this music finally saw the light of day in 2011 on the Disciples Vintage label where it quickly sold out. Now back on a great sounding 12", this is a must for roots and dub heads.
Review: The Crime Partners duo from Nantes, French, are no strangers to this label, having dropped plenty of heat here before. This new EP is another one primed and ready for the club: 'Pumping Bush' bursts out of the blocks with musical drum funk and classic dub chords smeared over the top. 'Raindrops' is a grainy and monochrome dub techno driver with endless reverb to get lost in and 'Deep Cover' is an unsettling pumper that keeps you on edge with its nervy synth loops. There is more upright and punchy techno fun on 'You Got Our Vibe' and 'Keep Pushing' while 'One More' is a great and gritty warehouse banger.
Review: A pair of Cure singles, one a classic from the 80s and the other more of a deep cut from the 1996 album Wild Mood Swings, caught here in the live arena on turned into two sides of a rather nifty 7" picture disc. 'The Walk' is one of the Crawley crew's most electronic moments, a Japanese-slanted retort to New Order's huge 'Blue Monday' single a more cynical observer might be moved to admit. It's immediately nevertheless one to transport you back to the lazer-peppered, smoke machine-swathed dancefloors of the era, with its concluding line "I remember everything" seeming particularly apt in hindsight. 'Mint Car', while less well known than many other Cure 45s, was nevertheless one of Robert Smiths' favourites. He, apparently, couldn't fathom out why it only charted in the low 30s when 'Friday I'm In Love' smashed the top ten. Perhaps the outbreak of utter cheeriness - "I really don't think it gets any better than this/vanilla smile and a gorgeous strawberry kiss" - was disconcerting considering the band's pretty much unrivalled reputation as the popes of mope, but its charms are undeniable and definitely due a restrospective reappraisal.
Chez Damier - "Speechless" (Chez Damier Panorama Bar remix) (5:04)
Makez - "Rocket Music" (5:15)
Alkalino - "Rio" (Alkalino rework) (5:30)
Gledd - "Sere Yo" (5:31)
Review: Adeen Records returns with a superb EP that blends a classic with three new and fresh unreleased tracks. Deep house don Chez Damier's Panorama Bar Remix kicks off and is a a 2021 standout with a killer baseline and Spanish guitar that brings some sunny soul and makes for some top level house grooves. Makez then shines with 'Rocket Music' which has a chunky low end and glistening, golden piano chords making it a late night favourite. On the B-side, Adeen regular Alkalino delivers a tropical-infused edit for the peak time and Gledd closes with a classy cut 'Sere Yo' that is all about the drums. Lovely stuff.
Review: Drei Vinyl launched back in 2023 and has slowly but surely amassed a respectable catalogue of various artists' releases. This sixth outing is the most straight-up techno offering yet and it opens with one of Spain's finest in Eduardo De La Calle. 'Deva5Vyasa' is heady and otherworld loop techno perfection with synth daubs and conscious vocals peppering the rubbery kicks. DJ Shufflemaster brings more texture to the raw, percussive madness of 'Axiom' and Tensal layers up unsettling and anxious synth murmurs with rising drum tension on 'Thermal Cycler.' Pergo's 'Lume' is a brash, industrial closer full of urgency.
B-STOCK: Sleeve damaged but otherwise in excellent condition
Rave On Time
There's No One Left To Trust
The World Inside
Common Era
Wahr Ist Sie Dann
Review: ***B-STOCK: Sleeve damaged but otherwise in excellent condition***
On Rave On Time, her third EP of 2020, Charlotte De Witte giddily pays tribute to the throbbing, warehouse-ready techno sound of her home city of Ghent - and particularly the intense, mind-bending brand particularly associated with R&S Records in the early 1990s. De Witte sets the tone via the razor-sharp and insanely heavy title track, where ragged acid lines and spiky synth stabs leap above a stomping techno groove, before opting for drums, drums and more drums on the restless 'There's No One Left To Trust'. Acid techno is the order of the day on 'The World Inside' and 'Common Era', while triple-time closing cut 'Wahr Ist Sie Dann' is an odd, alien-sounding treat.
Review: Karol Mozgawa is Polish techno talent Deas, and he brings his class to Planet Rhythm here, although it's Ferdinger remix of 'Dissociation' which gets things underway. It's a speedy and supple techno pile-driver with euphoric chords sure to elevate the 'floor. '8 AM' is much more mechanical and industrial with unrelenting drums and textured hooks peeling off the beats. 'Dissociation' in original form is a classic bit of soulful hi-tek Motor City goodness and 'Error' closes with some raved up synth madness and super-sized hi hats.
Miss Suave (Laurent Laboratoire Garnier remix) (11:18)
Miss Suave (DJ Gigola vinyl version) (5:39)
Miss Suave (Gerd Janson remix) (5:59)
Review: French techno innovator Laurent Garnier, Berlin's shape-shifting DJ Gigola and German house mainstay Gerd Janson each put their own spin on 'Miss Suave', a cult favourite from Swiss producer Deetron from the early 2000s. Garnier twists it into a deep, acid-tinged Detroit workout, layering hypnotic synth cycles over rolling percussion. DJ Gigola dials up the tension with a stripped-back rave approach, sharpening the groove into something raw and propulsive. Janson, known for his disco-inflected touch, injects a dose of swing and warmth, transforming the track into a fluid, floor-ready mover. Three distinct takes from three essential names, each pushing the original into new territory.
Review: Ron Hardy's legacy lives on though stories of his legendary DJ sets but also his seemingly endless catalogue of edits and reworks of the tunes he played in his heyday. Here we have another such exhibit in which he flips some classic disco. The original version of 'No Way Back' is riddled with picked guitar licks and dreamy keys while a funky low end moves on this disco-rock gem as brass bursts out for added oomph. Hardy ups the pace, twists it beyond this realm and adds big drum breaks that are Prue bit for dancers. It's a classic in its own right that gets regular plays by more bold and eclectic DJs.
2001 Disco Party (Dave Lee Psychedelic Funk mix) (10:15)
Potion Of Love (Dave Lee Synth Vamp) (6:13)
2001 Disco Party (Dave Lee Strut Your Strat dub) (6:58)
Review: Dave Lee continues to be one of Britain's most accomplished disco dons. An established remixing extraordinaire, proven once more here as he tackles some stunning Disco-Funk heaters. First is the Psychedelic Funk mix of '2001 Disco Party' a hypnotic, sweat inducing slab of frenzied funk-action, did we mention this release brings the funk enough? His Synth Vamp mix of 'Potion Of Love' is a must for hi-energy synth solo aficionados, backed up with glorious strings, pulsating guitar and classic disco diva vocals. Last of all his 'Strut Your Strat Dub' of the opener brings irresistible guitar frets to the party, doubling down on the groove factors for some serious heads down, hands up feet stomping.
Review: This latest Unxpozd release has taken a hot minute to arrive but it's been worth the wait, because once again DJ Aakmael shows off his deep house class. '6minutes' kicks off with the sort of whimsical late-night chords that soon get you dreaming as the loveably lazy grooves slouch on. 'Just A Track pt. 8' shows Aakmael's sample skills as he chops up the sounds with some nice jazzy keys. You won't find a groove more lush and smooth than the gently cosmic 'Track 123' while 'Autumn' is perfectly stripped back to chunky kicks, slowly ascending chords and a hint of Kerri Chandler soul with a gospel vocal hook.
Leave The Bells (feat Halfcut & Ghettosocks) (3:16)
All Or Nothing (feat Adam Bomb, Merkules, Fortified Mind & Halfcut) (3:33)
Review: Calgary's DJ Cosm, scar-faced veteran of hip-hop, has been immersed in the culture since toddlerhood. Longtime host of The Main Ingredient mix show on CJSW 90.9, he's furthermore half of the celebrated rap duo Dragon Fli Empire. On his latest 7", Cosm merges golden era influences with modern boom bap production, drawing from his digital album Natural Within; kicking off with the hard-hitting 'Rome', which corrals fellow rappers Daniel Son and Saipher Soze, then moving on to the funky boom-bapper 'Leave The Bells' with Halfcut and Ghettosocks, we're in good company with Cosm's signature scratches. On the B, 'All Or Nothing' brings a fierce break, with Adam Bomb, Mercules, Fortified Mind, and Halfcut laying down sharpened verses.
Review: Originally released for LNS & DJ Sotofett's Japan Tour 2024, this 12" now sees a global repress and it is a fittingly chaotic sonic postcard from the road with unpolished, playful and strictly for the heads cuts. Kicking things off, Tokyo's DJ Gizzard delivers 'Jitter Analysis', which is a tight blend of analogue funk, crisp grooves and rolling basslines. LNS & DJ Sotofett follow with the cosmic 'Electrolium' with its whistling synths and spaced-out, vintage-style rhythms. LNS's solo effort 'Work Them' explores robotic electro-funk with computerised melodies and percussive precision. Closing the EP, DJ Sotofett's 'Out of Place' fuses ominous electro with bold p-funk.
Review: He's the original (and maybe only self-proclaimed?) house gangster and he is back in 2025 and sounding as good as ever. Puerto Rico by way of Chicago's DJ Sneak makes beats as raw as the meat he likes to chuck on his BBQ grill and UK house legend Nail must be a fan cause it's his label he lands on now. This is a solid four-tracker that ticks all the boxes with its killer grooves and smart loops. 'All I Need In Life' is a playful opener, 'Das Gud!' gets more intense and trippy with its bleepy melodic refrains and 'Help Me Somebody' then sinks back into loose and dusty, disco-tinged drums with classic cowbell hits. 'What You Expecting From Me' is a sweaty and gritty warehouse banger to close with aplomb.
Review: The new soul project by ex-members of Silver Skylarks, Dorrington Drive, hears lush productions and distinct melodies channelled into the self-revelatory spirit of early 70s AM pop and soul. This cut could've easily been heard on one such radio station, a staple of the time. With the track named after the Riegelmann Boardwalk in Brooklyn, we find ourselves embarking on a thoroughly enjoyable Atlantic coastline jaunt here, through bombastic funk bass and slapping toms.
Review: American label Communique Records is the parent of the iconic sublabel Country Western which it has now revived for a series of cultured reissues. This one comes from Brian Douglas whose Singularity EP from 1996 has been re-sourced directly from the original DAT tapes and carefully remastered. For those who have dug deep enough, this one has long been a favourite that brims with hi-tek machine soul. 'Torn Apart' is a hurried deep techno cut marbled with squiggling electronic sounds and smeared pads, while 'Rising Sun' is more manic thanks to the unhinged acid line that busies about the mix. 'Magic' is a raw, hard-edged stomper and 'First Time' brings some tripped-out and pixel-thin synth whispers next to chords that could well have inspired Omar S.
Review: UK favourites Dub Pistols are back with the second release in their Version excursion series. The original is a great cover an Edie Brickell classic which brings this outfit's usual blend of ska, 2-tone and dub to the fore. The drums are mid-tempo and have a real swagger while the sub-bass adds serious weight, gentle wood block hits and rim shots pepper the mix and the lovely vocal from Prince Fatty regular Shniece brings seductive and smoky soul. On their 'What I Am Manasseh Dub' things get more laden with echo and reverb and mixing desk effects twist the low ends into perfect stoner territory.
Dynamic Forces are indeed on show in this slamming new slab from Arts. There is a real sense of control to the opener 'Lyra' despite its forward motion and punchy kicks, while 'Vaulting' gets much wilder and looser with its manic synth lead and raw onset of percussive pressure. Switching up things once more, 'Parallel' is a dubby techno tool and 'Shimmer' reverts to the careful tweaking of a deft lead synth over incendiary beats. 'Radiant' and 'Meraki' bring more raved-up and bouncy peak-time techno fun. This is a very useful and varied 12".
Review: Thanks to the year being 2025, te jazz age of the 1920s is being centennially anniversaried the world over. But when recorded music took the world by storm from the 50s onwards, it was only a matter of time before such starlets Lu Elliott would make latent but no less powerful waves in the same early jazz sound, except this time around, the sonic vestiges of the time were preservable. Elliott, a jazz/blues singer and recording artist, was a onetime BB King and Duke Ellington posse member, having found her lungs playing in a band known as The Cubanaires before bronchi-ating out into mid '60s solo stardom with tunes such as 'Speaking Of Happiness'.
Review: Two more battle weapons handpicked from the eponymous UK armoury. Label motto ("You want this party started, right?!") and A-cut refrain ("la-di-da-di, we like to party"), converge in perfect sync here on this latest 7": the obverse samples Doug E Fresh & Slick Rick's 1985 mover, peppering slight but bright brasses over a punctuated beat mix. 'Tambou' on the B-side honours a historic canonical Swizz Beatz crunk bit with a re-edit of 'Tambourine', produced and released in 2006 for blase partystarter Eve.
Review: The connection between ZamZam and Feel Free Hi Fi was sparked by Bristolian Neek out in Portland and lead to an immediate bond forged over a shared sound and DIY ethos. Inspired by early digi-era dancehall and UK dub, the duo crafts a sound here that honours tradition while venturing into bold, idiosyncratic territory. It comes on their own Digital Sting label and opens with 'Voyageur' which is a mix of cinematic atmospherics with haunting synths that evoke wild and mythic landscapes. 'Underground' pays tribute to the spirit of DIY underground music and captures the struggle to preserve both nature and the essence of basement gigs in today's shifting cultural landscape.
Review: Clarifying its vision ahead of its ambient and en-tranced origins laid out earlier this year, Sense Code's third release solidifies the Northern Italian label as a hub for introspective and refined electronic music. Following last winter's split EP, 'Sense 003' embraces a multi-artist approach, all the while further establishing Italy's baton-bearing role in deep techno. Formant Value's dynamic downtempo standout 'Deep Core' unfolds with ingenious, perpetual motive basslines set against penumbral textures, while crisper percussive nuances unfold across Biocym's dark forestation on the B-side, 'Forest Blackout'.
Review: Drop Music marks a quarter of a century of reliable and ever-on-point sounds with a special series of EPs that embodies what it's always been about, offering up both classics and never-before-released tunes. This one kicks off with 'Make A Move' which is chunky low-slung tech. It unfolds at a relatively slow tempo but that gives the fat acid gurgles time to really hit. Inland Knights then serves up the next three cuts, starting with the bass bin bothering sounds of 'Push It', the more silky tech loops of 'Long Time' and the vocal-laced acid-tech swagger of 'Same Talk.' Here's to the next 25 years.
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