Back catalogue:

Review: A selection of fifteen pieces from the soundtrack of the cult anime Dragon Ball Z, on a limited 2xLP edition, fully licensed, including the main opening track 'CHA-LA HEAD-CHA-LA'. This soundtrack accompanies the anime's key moment in which Dragon Ball Z resumes five years after Son Goku's wedding. Radditz, a mysterious warrior, arrives on Earth to find Goku, who learns that he comes from a planet of warriors from a planet of warriors, of which only four remain. The plot is based on a succession of increasingly strong opponents to be fought, but there's often a quest or travel motif that adds interest beyond the duels. All this, and more, is bolstered by this electrifying soundtrack edition.

Review: The collaboration between Kyoto Jazz Sextet and Takeo Moriyama on their album Succession delivers a mesmerising fusion of traditional and contemporary jazz. Through intricate rhythms and soulful melodies, the album offers up a seamless blend of past and present that manages to honour jazz traditions while pushing new musical boundaries. Moriyama's percussive mastery adds depth and authenticity to the ensemble's dynamic compositions and creates an immersive vibe that captivates from start to finish.

Review: Tame Impala's breakthrough album 'Lonerism' celebrates its tenth anniversary with a special edition reissue. Through tracks like 'Elephant', 'Feels Like We Only Go Backwards' and 'Endors Toi', the album is known for introducing psychedelia to a new generation of hungry music fans in the early 2010s, and features Kevin Parker's distinctive falsetto vocals and intricate guitarwork throughout. The reissue here includes various bonuses, demos and "assorted sketches", casting renewed light on an important record for both the music-loving public, and an Aussie band/project destined for stardom.

Review: RECOMMENDED
There's always been an air of mystery about The The. Look through the band's history, which stretches wayyyyy back to the late-1970s, and the list of collaborators alone is enough to convince you they've been making moves in the right places for many, many years, striving to innovate and carve out their own space in the unarguably busy post punk landscape.

Everything Matt Johnson touches seems to turn to gold. Albeit a particularly scuzzy gold that exists solely in the darkest rooms of the least kept venues. Even on this accolade - a group getting a spot at The Royal Albert Hall is no mean feat - there's a sense of yellow-hued street lights and rain falling on concrete. But this is combined with a poetic element that's up there with the finest literary Romantics, and a commentary that will tell you all there is to tell.

Review: Up next in the gamut of Coil-adjacent reissued gems is this 3xLP vinyl version of The Threshold Houseboys Choir's Amulet. Having gone down in whispered legend as the ultra-secret limited-quantity direct mail-order (we could go on) holy grail that flaunted Peter "Sleazy" Christopherson's then latest semi-secret solo guise, Amulet was an exemplar of Marshall McLuhan's definitive aphorism, "the medium is the message," coming housed in a hand-assembled 4xCDr mini-set enclosed in an original, circular Thai Amulet case. The second and final release of this short-lived and much coveted moniker, Amulet, now hearing the vinyl reissue it deserves, is a rough collection of obsessive ritualistic diamonds in the rough, stylistically drawing on dub, drone, power electronics and East Asian music, and brought together by Christopherson's trademark digitally generated choir - whose verbalisations are wilfully incomprehensible, with the intent to sound uncanny, dreamlike - and which he often reverses and timestretches to unsettling effect.