Curtis Baker & The Bravehearts - "Fried Fish ’n’ Collard Greens" (2:40)
The Native Yinzer - "The Hip Strip" (2:33)
Review: The fourth edition in Original Gravity's Down In The Basement series, which gathers instrumental soul and swing cuts onto worthy 7" slabs, resounding the fervent 1960s decadal gap in which mod reigned supreme. With juleps flowing and kneecaps knocking, Abramo & Nestor bring newfangled electric pianistic swing with 'Dig It!', while a twinned "hit it!" injunction is heard from Floyd James & The GTs on the reissued 'Work That Thang'; James' voice is tubed and speed-delayed to terrific effect, achieving a sprung intonation. Curtis Baker brassifies the bonanza with the lively 'Fried Fish 'n' Collard Greens', while The Native Yinzer's exiting excitation 'The Hip Strip' quilts our ears with a mnemic, down-feathery Hammond-breaks bit.
Review: You have a genuine piece of musical history here. The Anchors may not be remembered by many, but made a significant impact on everyone who does. Black Soul is the third and - to all musicologist knowledge - last record put out by this pioneering South African funk-soul outfit. Straight out of the Johannesburg township of Alexandria at the height of Apartheid, they became known for exceptional musicianship and reinterpreting the classic Memphis, USA sound for their own oppressed community. Part three of that legacy takes things much, much further, though. So, we can definitely still hear those Mid South sounds that represent the very essence of soul, but here the aesthetic becomes something altogether different, Afro and specific to time and place. Homage paid to the genre founders, but drawing on personal circumstances to own things for themselves.
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