Review: Peak time dancefloor action with this 45 with the familiar classic b-boy sampling fodder coupled with an infectious r & b vocal club monster. It's never had a physical release till now. On the flip it's instrumental breaks galore for B-Boy/B-Girl back flips action from a sought after uk trio release now in handy 45 form with tuff breakbeats and smattering of electro vibe...Only 200 copies..
Review: Destination 78/79: Expansion take us deep into the illustrious back cat of revered boogaloo fusionist Willie Bobo for two of his many fiery delights. Side A is his feel-heavy cult instrumental take on Ronnie Laws' disco classic "Always There" while Side B throws us into the heart of his 1979 album Bobo with gutsy raw soul power (and just a few cheeky funk slap bass twangs for good measure) Two stone cold classics together for the first time on 45.
Review: As he does on the regular, Athens Of The North chief Euan Fryer has unearthed, licensed and reissued another obscure, impossible-to-find gem. Chuck Brimley's cover of Michael Frank classic "St Elmo's Fire" originally appeared on a tiny Milwaukee-based label in 1981, but pretty much sank without trace (according to Fryer, even local record-diggers didn't know of it's existence). It's something of a seductive, early AM radio gem - a deliciously warm, woozy and dewy-eyed mixture of AOR, soul, soft rock and the kind of glistening jazz-funk that would once accompany 'pages from Ceefax' on late night BBC TV. The track's jazzier elements - think trumpet and sax solos, twinkling electric piano riffs and so on -come to the fore on the accompanying flipside instrumental version.
Review: Although he built his reputation as party-starting DJ, Mister Saturday Night co-founder Justin Carter has always been a singer-songwriter at heart.This debut solo release sees him delivering evocative, folksy vocals over plucked acoustic guitar lines and ghostly backing vocals. The song's fragile, slightly woozy nature comes to the fore on the flipside "Version" mix, which only emphasizes the weary beauty of Carter's lyrics and vocal performance. It's a bit of a sideways step for Mister Saturday Night, but then the label has never played by the rules.
Review: Sun-kissed soul from 1975, not a lot is known about the Charisma Band besides their powerful musical abilities and their two 45s on Buddah and Columbia. "Ain't Nothing Like Your Love" is a horn-blessed feel-good summer get-together while "Bless The Day" takes us straight to the bedroom with its gliding guitars, velvet falsetto and spellbinding harp. It's not hard to see why originals of this have been known to pass hands for several hundred bob.
Review: This reissue of American R&B/soul vocal group The Chi-Lites' "Are You My Woman?" (Tell Me So) from 1970 features a very familiar hook that was sampled on Beyonce and Jay Z's 2003 hit "Crazy In Love". Formed in 1959 in Chicago, Illinois, the group was led by Eugene Record and originally called Hi-Lites before adding on 'Chi', which derived from their hometown. They went on to release 15 albums between 1969 - 1990 and are best known for their classics "Have You Seen Her" and "Oh Girl".
Review: Two powerful soul sessions from Alice Clark's eponymous debut 1972 album. "Don't You Care" is a hard-hitting soul standard (that became very popular in acid jazz scene in the early 90s) where Alice opens her heart for all to see while her incredible band ebb and flow with Clark's emotions. "Never Did I Stop Loving You", meanwhile, languishes in sentiment at a slightly lower tempo that allows her to really dig deep for those low notes. The real fun happens as we reach momentum towards the end and every band member brings out their A-game and bounces off each other - backing up Alice every step of the way. You will care about this.
Review: Storied Latin-jazz artist, composer, producer, and DJ Nicola Conte lays down a marker for his upcoming fifth studio album Free Souls with this delightful 7" of the same name. Brandishing two gens from the album, Conte's channelling soul jazz at it's purest on the title track, with a rhythm and blues arrangement that provides the perfect backing for Bridgette Amofah's gliding vocal delivery. On the B Side, "Shades Of Joy" is equally as memorable with Marvin Parks' soft croon enveloped in the smooth double bass and horn section. On the basis of this, the forthcoming album should be one of Conte's finest yet!
Review: One song, two versions, one killer Philly 45. The Cooperettes got in first during the mid 70s with a very rare copy that picked up momentum during the Northern/modern soul crossover in mid 80s when copies began to surface and never really lost favour as OG copies on I-D-B go for near L500. Flip for a previously unreleased male harmony version by The Toppiks, fronted by Ted Mills a la Blue Magic. Just sit back and feel those falsettos.