Review: Private Stock Records is slowly but surely building up a golden catalogue of funk magic. This fourth EP is another high-class double dose that opens with Cutso's 'Fallen Love (Woo Woo)', a swirling slow burner of a tune with heavy, languid drums and twisted vocal samples that eventually coalesce into a warming party vibe. Excel's 'Had To Shut You Down' is a glorious soul gem with lush Philly strings and ornamental arrangements that raise your spirits and elevate your mood with its seductive grooves, not to mention a classic r&b vocal sample.
Review: You can always rely on Super Disco Edits for exactly that. The long-running label's 68th such serving is from the Ebony Rhythm Funk Campaign and features a couple of their previously unreleased joints. Opener '69 Cents' brings slick and sleek afro drumming with some splendid horn sections powering things along. A smooth and soulful vocal ride in amongst the drum grooves and takes you on a fine trip. On the reverse is 'That Is Why,' which slows things down a little and gets more loved up. The backing vocals lend the whole thing an air of class as the lining trumpets soar and the mellifluous chords sink you in deep.
Review: REPRESS ALERT!: Canadian go-slow master Eddie C is back with more of his sumptuous and sensuous grooves on the magnificent Funkyjaws Music. This new 12" kicks off with the emotionally intense and gospel-laced vocal sounds of 'Jesus Calling' with a passionate pastor lighting up the airways. 'Show Me The Way' is a more paired down sound this time with a raw soul edge and nice dusty drums, then 'Superior Disco' brings some lavish string stabs and funky basslines to some killer instrumental grooves. 'Loud Minority' closes out with some lovely jazzy organ work over more low-slung and dusty disco beats.
Review: Freestyle Records has got a brilliant and rather rare bit of boogie here in the form of Eddie Capone's 'I Wont Give You Up.' This is the first officially licensed reissue of this 1985 gem by the reggae, funk and soul mainstay of that decade. He played with various noted outfits such as Chairmen of the Board, Arthur Brown's Kingdom Come and Edwin Starr and was also in the short-lived band Casablanca. He founded the Treatment band in the early 1980s and played with a rotating cast of musicians. The tunes included on this 7" are some of them with Diane Jones providing vocals on the A-side, which is the standout gem.
Review: Madrid via Cuba musical gang El Combo Batanga have finally dropped this new double-sider 7". It was teased by the early reals sou the a-side which brings plenty of dance floor filing heat with 'El Que La Rompe La Paga'. It's packed with samba shuffle, expressive horn work and results, and relentless keys work designed to get the ass moving. On the flip is 'Toca La Campana' which is a little less dense but not less rhythmic in the way it sways to and fro with fiery Spanish vocals and funk riffs.
Review: Originally released on the Soulful Thangs Vol. 7 compact disks for Latin Soul Recordings in 2007, the song 'It's So Hard To Say So Long' by the Equasions took on a life of its own. A timeless soul and funk single recorded in San Antonio in 1971, revered by sweet soul collectors internationally, has now become available for the first time in over 50 years through Symphonical Records. In partnership with band leader and songwriter, Robert Williams, this group also features high school classmates Vernon Shannon, James Hartfield, Ricky Cotton, and Lamar Sumter. 'It's So Hard To Say So Long', is a poignant sentiment to lost love, yet hope created through beautiful harmonies, whereas 'World Of Loneliness' is a psychedelic reflection of society of the era, which Robert mentions remains true today. Big shout out to Symphonical for putting out this very desirable 7"
Review: ** PPU REPRESS ** Following the killer Moon B album II, the peerless Peoples Potential Unlimited wind back the clock to bring us some unreleased late '80s material from Evans Pyramid. The alias of Boston musician Andre Evans, the disco and boogie project was the subject of an extensive retrospective a few years ago, but PPU have managed to uncover these two further gems regardless. "Where Love Lives" is the killer cut here, an "accelerated funk anthem" whose vintage synth bass sounds particularly relevant in today's retro-obsessed musical climate. On the B-side is "I Want Your Body", from Evans' side project Royale, a more classic disco number that still hits all the right notes.
Ebony Evans - "Loving You Is All I Wanna Do" (4:38)
Lewzarius - "Step Up" (4:54)
Review: Ebony Evans is a superb soul talent who for this single worked with Manny Campbell who wrote and arranged. Originally recorded in 2004, 'Loving You Is All I Wanna Do' appeared on the Luv's Fire CD Maxi Single and later on a full album in 2006 through Coastal Records but now debut on vinyl thanks to Soul Direction. On the flip side, Lewzarius' 'Step Up" shines as a rich collaboration between Campbell and Haran Griffin, who is best known for 'Movin' Much Too Fast.' Atlanta-born Lewzarius recorded this track during his time at Coastal Records in the late 90s.
Review: Oh we do so love a mysterious white label. Everything You're About To Hear Is True appears to be a disco edit label with plenty of Balearic chops, which leads in with a supremely slinky rub down of Lynsey De Paul's 1981 disco funk masterpiece 'Strange Changes'. Things pitch down without holding back on blue-eyed funk for 'Jesus Train', originally by Swedish songwriter Per-Erik Hallin. On the flip there's no less than three hits, from the boogie funk perfection of 'Get It' to the jazz funk ascendance of 'Surge' and the swooning disco of 'Wilson'. Rock solid songs given a respectful touch up for the discerning DJ.
Review: There is currently only one copy of this on Discogs and it is listed at a rather eye watering L1200. Thankfully this reissue means you can own an undeniably brilliant tune for a much more reasonable price. It is a seminal New Orleans joint from the main man Eddie Bo who made it for the hugely popular group The Explosions. Juanita Brooks is the powerhouse soul sister who provides the vocals and on the other side is something just as good - a deep soul gem to warm you to your core.
Review: Soul Jazz Records are focusing on the fertile New Orleans scene right and and are reissuing a load of out of print, hard to find or eye watering expensive 45rpms. Most of them have been written and produced by the legendary funk machine that is Eddie Bo and this one features in the pocket drum playing from New Orleans's great James Black. His super tight rhythms power along both parts of these big, party start funk tunes. Expressive and guttural vocals light up each one with plenty of horns for good measure.
Review: Courtial With Errol Knowles's Don't You Think It's Time album gets a first ever vinyl reissue here, and gets deluxe treatment. The original was recorded in 1976 in San Francisco's Bay Area and soon became a real collector's classic for its vital soul and jazz funk sounds. To be honest, the cover art alone is worth the entry price here, but the sounds sure are sublime, with wiggy synth lines weaving their way in and out of the funky drumming on 'Don't You Think It's Time,' 'Best Of Friends' offering lush string sounds and silky grooves and 'Love Nevermore' having a bit of a samba shuffle next to the acoustic guitars and golden Rhodes chords.
Review: The music of Earth Wind and Fire is pretty inescapable, but you won't find us complaining. The American soul, disco and funk collective have crafted some of the greatest dance floor tunes of all time, and they still bang decades later. This Ultimate Collection gathers together the best of them on nice heavyweight yellow vinyl. From the epic 'Boogie Wonderland' to the more sentimental 'Fantasy' via super funky gem 'September' there is plenty to love here. First released in July 1999 on Columbia Records, it claimed high in the album charts and remains an invaluable collection.
Review: The reissue of Earth, Wind & Fire's Greatest Hits album brings so many timeless classics back to the fore while celebrating the iconic band's soulful blend of funk, r&b and disco which so defined an era. This collection captures their iconic tracks like 'September,' 'Boogie Wonderland' and 'Shining Star' and shows the vibrant brass, infectious rhythms and harmonies that made them such legends. Remastered for enhanced audio quality, the reissue invites listeners to experience these chart-toppers with fresh clarity s is a must-have to experience the energy and spirit of one of music's most influential bands.
(Don't Worry) If There's A Hell Below, We're All Going To Go (6:05)
People Get Ready (4:22)
Getting Over (2:14)
I'll Bet You/California Dreamin' (3:44)
Popcorn/Oye Como Va (5:48)
I Love You For All Seasons (3:05)
East Of Java (2:08)
Walk On By (2:41)
Review: In 1971, in the midst of America's conflict in Vietnam, the US army held a 'battle of the bands' contest and showcased the two winning bands in a promotional album. East Of Underground, the gritty runner-up, managed to capture the spirit of America with their sweet-soul covers of Sly Stone, Curtis Mayfield and Funkadelic. The quality of the recording is superior, as is the musicianship: the falsetto harmonies, the gritty guitar, and the devouring drums...
Explanation Of The Funk (feat Dre King & DJ Stylus) (4:08)
Three-Season Crank (feat Raja Kassis) (6:11)
Slip 'n Slide (5:22)
Alligator Confrontation (5:09)
Off The Rails (5:57)
Pull My String (4:50)
Bleeps, Sweeps, & Creeps (2:30)
What Happened To Yesterday? (5:07)
Black Bird Dub (4:47)
Review: Glenn Echo & Daniel Meinecke won plenty of acclaim with their last outing What Happened To Yesterday?! and now they quickly back it up with a third outing on MotorCity Wine Recordings What Happened To Yesterday? Vol 2 is another blend of heady, dubby sounds with cosmic dance vibes that span serval sub-genres with ease. 'World In My Head' kicks off with lo-fi and low-key depths, and further downtempo tracks like 'Explanation of The Funk' with Dre King's trumpet and DJ Stylus's cuts, and 'Three-Season Crank' with Raja Kassis's guitar further sink you into blissed-out beats. The flip side has dancefloor-friendly jam 'Off The Rails,' then moves into dubby, meditative territory and ends with the gorgeous 'Black Bird Dub' which allows Echo's eclectic production and Meinecke's keyboard mastery to shine.
Review: Glenn Echo and Daniel Meineck are back on Detroit label MotorCity Wine with their first new music in two years following their well-received Partly Cloudy album. What Happened to Yesterday? is, we are told, the first of two albums from the pair that will arrive several months apart. It finds the pair get super hazy and dubby, with psychedelic charm swirling around their absorbing grooves next to subtle cues taken from the diverse likes of DJ Premier and King Jammy. There is a superb Moog-based cover of De La Soul's 'I Am I Be', Afro-Carribean disco in 'Dancehall of Grandeur' and epic jazz-rock on Volcano Sound' so dig in and prepare to be wowed.
Review: Cameroonian legend Victor Edimo's rare and collectable Decca Nigeria album Thank U Mamma enjoys its first reissue since being released in 1981. Five tracks tight but crammed full of vibes, this is one of the funkiest, sunniest and most vibrant albums to come out of Lagos in the early 80s. From the blissed, bless 'thank you' vocal loop of the title track to the blazing feels of "Marina Drive" to Victor's signature freak bass licks on "You", this is such a beautiful album from start to finish.
Review: This work by Alf Emil Eik is a serene and soothing soundtrack for moments of relaxation, meditation or peaceful ambience. Eik's ethereal melodies transport listeners to a realm of inner peace and timeless beauty. Each track blends intricate layers of sound and evokes serenity and wonder while the harmonies resonate deeply within your soul. Uplifting yet introspective, the music invites reflection on the beauty of life and the mysteries of existence. A fusion of classical, ambient and new age influences abound here and prove Eik to be a master composer.
Review: If you don't know (well, even if you do know it is still true), Californian multi-instrumentalist Brian Ellis is Egyptian Lover's keyboard player, and is also a member of Campus Christi with Peanut Butter Wolf. He steps out alone here with a new and outlier funk album that shows off his idiosyncratic style. It is a raw and dense sound that mixes up bold funk and gritty psychedelic soul while embracing the darker edges of both styles. Along the way, Ellis explores themes of truth, authenticity and the pitfalls of wealth while reflecting on the cost of giving away one's heart. Tracks like 'The Real Deal' and 'Money Drives Me Crazy 'capture these ideas with unfiltered emotion.
Review: During the various pandemic lockdowns of 2020, BBC Radio Wales suggested to multi-instrumentalist Carwyn Ellis that he joined forces with their National Orchestra of Wales and Brazilian band Rio 18 for a one-off, audience-free concert. In the end, Rio 18 were not permitted to travel, so instead their contributions were recorded remotely and assembled by Ellis and his producer Shawn Lee, to which the orchestrated parts were then added live. Despite this complex recording process, the results are stunning: sublime songs, sung in Welsh, with an attractive mixture of Brazilian rhythms and instrumentation, soaring orchestration and attractive melodies aplenty. It has a conceptual theme - it's meant to be a sort of musical day in Rio - but that doesn't really matter; what matters is the music, and it's uniformly spellbinding.
Review: If you like your r&b soulful and your funk seductive then you probably already know this classic from Erasmus Hall. His Your Love Is My Desire encapsulates the essence of smooth 70s sound and came in originally in 1980. Now newly remastered, the album radiates infectious grooves and heartfelt lyricism with its silky vocals and the tight, funky instrumentation all full of undeniable charm and timeless appeal. Standout cuts like the titular track and 'Just Me and You' showcase his band's impeccable musicianship and knack for crafting irresistibly catchy hooks. With its lush production and soul-stirring melodies, Your Love Is My Desire is a quite gem in the realm of classic soul.
Review: To mark the 35th birthday of this album it has been reissued on vinyl in different colours, so take your pick. As any funk lovers will know, Come Away with ESG is the Bronx sisters' pioneering debut album and a genre-blurring masterpiece that is accepted to have very much helped shape hip-hop, house, and post-punk with its signature minimalist funk. ESG's raw, stripped-down approach offered a fresh alternative to traditional funk in that it was free of horns and heavy organ. Decades later, their influence remains undeniable and has inspired countless artists across multiple genres. This record is all the proof you need that the magic of rhythm isn't just in the beats-it thrives in the spaces between them.
Review: This special The 35th-anniversary reissue of Come Away with ESG celebrates the groundbreaking debut album by the Bronx sisters. It's a proper genre-defying classic that shaped hip-hop, house, and post-punk with its signature minimalist funk. ESG's stripped-down sound is built on raw drumbeats and hypnotic bass lines and defies traditional labels with a more groove-driven, horn and organ-free alternative to funk. Their influence spans decades and has inspires artists across several genres which is why Come Away remains a classic and one that proves that true rhythm lies in the spaces between the beats.
Review: To celebrate the 35th anniversary of this iconic album, it has been reissued on vinyl in various colours including this organ neon sizzler. Come Away with ESG was the groundbreaking debut from the Bronx-based sister group and is recognised as a genre-defying classic that played a pivotal role in shaping hip-hop, house and post-punk. ESG's minimalist funk, stripped of horns and heavy organ, offered a fresh take on the genre. Decades later, their impact is undeniable, influencing artists across multiple styles. This album is a testament to the power of rhythm-not just in the beats, but in the spaces between them.
Review: Esperanto is widely heralded as a Venezuelan jazz-Ffsion masterpiece. It was first released in 1980 and is a real collector's item that is hard to find an expensive. French label Favourite now presents a first ever reissue of the eponymous LP that was recorded in Caracas by a number of talented musicians. It has strong Latin and funk overtones. Squelchy synth sounds and is a must-have for anyone interested in this fine fusion sound. The band started off playing jam sessions that grew ever more refined to the point that they eventually lay down this enduring masterclass.
Review: Much celebrated new school jazz crew Ezra Collective finally unveil their highly anticipated new album Where I'm Meant To Be after a big summer single 'Victory Dance' got us all excited. This record is a life-affirming romp with their famous hybrid sound tasing in all manner of different styles, eras and scenes. Some high-profile features from Sampa The Great, Kojey Radical, Emile Sande and Nao bring extra goodness to this record which is certainly a product of the current London scene but also owes a debt to the sounds of southern Africa. It all adds up to a real doozy.
We use cookies to personalise content and ads, to provide social media features and to analyse our traffic. We also share information about your use of our site with our social media, advertising and analytics partners who may combine it with other information that you've provided to them or that they've collected from your use of their services.