What Is Tekno (Grey Sky At Montmartre As Always mix) (7:59)
Calm Before The Calm (5:59)
Review: Sasha Pervukhin explores the feelings of Heartbreak At Montmartre on this latest slab for the Carpet & Snares label out of Portugal. It kicks off with some well swung tech house drums and a tight bassline thats detailed with some dusty percussion. Once that one gets you marching, 'Your Unhappy Face' brings some late night jazz house vibes with liquid chords and zippy motifs that are nice and loose, and 'What Is Tekno' (Grey Sky At Montmartre As Always mix) then layers in balmy cosmic chords as it rides a classic tech house beat. 'Calm Before Calm' taps into a 90s house sound with a hint of garage skip in the drums.
Review: France has always had a distinct time take on deep house ever since the 90s and greats like DJ Gregory, Alan Braxe and co. It remains a fertile scene, too, with several new artists and labels always coming through and the latest is Capybara which kicks off with this fresh new various artists EP. Sasha Pervukhin opens up with 'Oh No!' which brings jacked up drums and frazzled pads. Amadeo Savio then brings some nice acid mutations on 'Faces' and Varhat kicks off the flip with 'Alright' which is a loose, rickety house cut with balmy pads. Salmanazar shuts down with a slinky and loopy offering in the form of 'Last Night.'
Review: The mighty Wax Classic label is a gold mine for unadulterated house goodness. Next up on the long-running label is Peter LC with a bunch of high-impact cuts. 'Hasta La Playa' opens up with driving drums and sleek synths, 'Piano Ipnotico' has an old school style 90s bassline that mixes nostalgia with future vibes while 'Time In Cologne' is a deeper sound with some low-slung drum funk and warm pads. 'Your Dreams' and 'With Nobody' then bring things to a close with hands-in-the-air piano energy and big rave vibes.
Il Letto La Porta La Musica (Don Carlos remix) (5:26)
Losing My Feelings (6:17)
Love Calling (5:46)
Review: This EP from Peter LC is a vibrant and soulful exploration of house music, showcasing the Italian producer's versatility and deep passion for the genre. It's a captivating journey through infectious grooves, uplifting melodies, and soulful vocals. The original mix sets the tone with its irresistible energy, while the Don Carlos remix adds a touch of Latin flair and percussive drive. On the flipside, 'Losing My Feelings' delves into deeper, more introspective territory, its melancholic chords and ethereal vocals creating a mesmerizing atmosphere. 'Love Calling' closes the EP with a feel-good vibe, its warm melodies and soulful vocals leaving the listener on a high note. This is a must-have for any house music enthusiast, showcasing the diverse sounds and infectious energy of the Italian scene.
Children Of Zu Zu (feat Roberto Di Gioia & People Of Tala'aga & Samoa) (7:00)
Schmetterlinge Im Bauch (feat Roberto Di Gioia) (7:41)
Love In Space (feat Jana - part 1) (1:55)
Zu Zu Music (feat Mickey Neher & AdaSoul & Narjara Thamiz) (7:55)
Myth Versus Reality (feat Sun Ra & June Tyson) (5:54)
Love In Space (feat Harald Popp & Lu - part 2) (3:29)
Review: Now we're talking. At the time of writing - mid-spring 2025 - Britain has been basking in the warmest March and April since the first Covid-19 lockdown, but dark skies and a cold lack of humanity are prevailing emotions. Far right, fascism, the death of creativity and the onslaught of automation are enough to leave anyone feeling like they've been locked out of the sunshine and have to fend for themselves against a torrent of chilling realities. But not all heroes wear capes. Some are just called Charles Petersohn, and they make sun-soaked, soul-inspiring, warm jazz-inflected deep house that feels born in a more natural period of Earthly evolution. In fact, it was born after time spent in South Africa, one of the global epicentres of this genre, where the producer was involved in an NGO charity project. Immediately catchy, resolutely life-affirming, and probably the grooviest thing we've had all month.
Review: Exarde Records welcome a new pair of engineered shock troops from The Netherlands: pH Project. Many a year spent raving and partystarting informed the basis of this turbulent affair in acid and psych-prog house, which consists in the murmurous 'Obvitrip' and the interstatic 'Intersafe' on the A1, tracks which complement each other's twin fluencies in both the downtrodden and the upbeat. 'Kres' completes the trifecta with a third round in the ring of squelchy, functional festi-house, while Levat's version of 'Thritrakk' casts any predilection or expectation aside with a cascadingly tense electro recto on the B2.
Nothing Is The Same (Daniel Paul Disco Blend) (5:39)
Jazzed Thang (5:28)
Perfect Love (instrumental) (5:01)
Review: We all need a little joy in our life and that's just what the opening gambit of this new Phazer brings. 'Perfect Love' captures the unbridled giddiness of falling for someone - the skipping beats like your skipping heart as the warm chords add further loved up vibes. 'Nothing Is The Same' is then a disco fired stomper with old school funk intent and 'Jazzed Thang' sinks into a late night shuffle with some fresh melodies and darting chords keeping things nice and smooth. An instrumental of the A-side closes a lovely EP.
Review: Razor-N-Tape is like catnip to disco and funk lovers - the label seems to serve up endless amounts of dance floor gems and now it is a couple of sick remixes of Phenomenal Handclap Band which have got us all ready for the weekend. First up is a sublime and deep Prince Thomas Diskomiks of 'Burning Bridges' which has gloopy bass and leggy nu-disco drums all overlaid with some funky guitar work and ethereal vocals. The more slow and lumpy original is included while on the flip is 'It Was The Summer' (Each Other remix) which is laced up with restless acid tweaks and slapping hits that mark for a much darker vibe than the hazy and laidback original.
Elia Y Elizabeth - "Fue Una Lagrima" (Phenomenal Handclap Band 7" edit remix) (4:54)
Elia Y Elizabeth - "Descripcion" (Buscabulla Beatless remix) (3:23)
Review: The Phenomenal Handclap Band combine forces with Buscabulla on this new split 7" for the new Relatin project, a New York-based initiative to reimagine Latin music for a new generation of music listeners. Touted as "sweet sixties soft pop meets funk and club culture", this three tracker comes to us with all the style of a low key Americana acetate found in a thrift store, but surreptitiously works modern sonics into the mix; 'Descripcion' is a beatless meander through mellow Latin vocals and whistles, while more energetic cuts adorn the A.
Review: New Zealander via Berlin Philippa's passion for house music, tireless commitment to her craft and ear for what makes a dancefloor tick is slowly but surely starting to pay off. With her recent release, 'Rainy Nights', on Slothboogie and 'Things I'd Like To Be' for Razor n Tape getting a lot of love, Philippa continues to deliver the goods, further lending remixes for Fat Freddy's Drop (The Drop) and Roach Motel (Faith). Here on the 'Latent Magic' EP we're treated to three new tracks highlighting Philippa's deft touch and musical approach to making interesting and leftfield house. Opener 'Hold' sets the tone with lush orchestral strings, crunchy drums and a bouncing analog synth bassline, while 'There It Is' umums hints of Mr Scruff with looping horn stabs, live drum grooves and rolling basslines. All in all, another mighty fine Philippa release recalling the early days of Freerange when artists such as Square One, Shur-i-kan and Jimpster were melding live musicians with electronics, for a refreshing, UK-centric take on house music.
Review: Originally released in 1983 as a B-side, 'Bad Luck' gets a fresh perspective thanks to seasoned producer and musician Eric Kupper, who refines this hidden gem with clean edits that amplify its timeless charm. The vocal edit on Side-1 bursts with energy, blending soulful vocals, funky guitar licks and sweeping disco strings. The arrangement perfectly balances soul, funk and pop influences, creating a groove designed to hook listeners in and remind them of the good disco nights. It's the kind of track that commands attention and keeps feet moving effortlessly. The instrumental edit on Side-2 lets the lush instrumentation take centre stage. With a focus on rhythm and melody, this version highlights the song's finely tuned balance of disco and funk, making it equally suited for dancefloors or late-night listening sessions and the horn section in the chorus really takes flight here.
Review: London based Sosure Records releases their next house music 12". The 'Sweet Talk' EP by Physical Education carries four prime cuts of deep house business on one sweet piece of wax. Fans of Chicago house that are on the jazzy tip are sure to like the title track and 'Work On That Soon' for their ability to move people yet still be deep enough for the discerning house music heads. Our favourite of the lot just might be the ender 'Dreamsville' for its super cool bassline and catchy piano use. This is a strong four tracker that can do some dancefloor damage. A great find.
Review: Larry Heard offers up a mesmerising history lesson on this collaboration with spoken word artists Piccolo JT and Rio Love, from Sharpsburg, North Carolina and Chicago respectively. There's an educational, empowering purpose to these four tracks, as our hosts guide us through reflections on important Southern social gatherings and overall social observations accompanied by some of Heard's inimitable productions. There's variety to the music as it flows from mellow deep house to bugging melodic techno and back again - as vital as any Alleviated record you care to mention, but with an added message.
Review: The third outing from the Do It Now Recordings crew looks to Pigsie's 'Haunted'. It's a perfectly zoned-out slice dreamy and organic deep house for open-air dancing under the sun - the sort of thing that you'd hear at an All Day I Dream party. After that sublime original comes three remixes starting with DJ Jauche who adds some distinctive Afro-house flavours before J. Axel keeps the airy, light melodies and supple drums in place but brings some extra twinkling keys. Last of all is Mattias Vogt whose version is a hypnotic roller with pads smeared across the face of the tune and delightfully innocent melodies floating about the mix.
Review: dO iT nOw Recordings makes its debut in the world of vinyl with a various artists' sampler that shows just what they are all about. First up is Pigsie's wonderful 'Silk' which sets a fine tone with lush jazz-inspired keys, dreamy pads and intricate drum work that make it well suited to those late-night sessions. Wearing Shoes then offers 'Finding Your Words' with buttery Rhodes licks and looped vocals over fat bass, and the B-side begins with Michael Oberling and his deep jazz grooves, trumpet solos and swinging drums. Massive R closes with the lovely, jazzy house of 'This Feeling' complete with snappy drums and a catchy piano hook.
Review: Edit labels never seem handier than when the sun is out and the dancing moves outdoors. There is something about a beefed-up classic or tweaked disco cut that just works when we are all at our most fun-loving. Te Pina label is here to help on that front with a tenth EP of exquisite edits. 'Morrison Hotel' is low-slung house with samples of The Doors and skewed leads all powered by a fulsome bassline. 'Crab' is a funky disco number with chunky drums and claps.
Review: Mark Knight's mighty Toolroom has ascended from being an underground label into a globally recognised brand with a world-wide following. Its sampler series is always a good indication of where it is at during any given season and now the tenth installment brings more party ready fun. Piero Pirupa kicks off with some big disco-fried loops and cooing vocals, Tini Gessler gets more gritty with a bumping tech house cut in the form of 'Do What You Want', CASSIMM and Bruno Blanc combine for the florid strong loops and edgy house beats of 'House Affair' and Tony Romera's 'House Y'a' is a sleazy throwback with real attitude.
Review: Violet Series is looking back to the tech house heyday for this second in its new series. That is where they find Z. Pisu's 1995 EP Electric Voyage for the Mater Mediterranean Records label he headed. It's an EP that has grown ever more revered over time and will cost you not far off three figures for an original copy. All four of the original tracks feature here from the low-key, piano-laced depths of 'Electric Voyage' to the more edgy and amped up, crisp and driving tech of 'Count Again.' Things get more dark, heads down and twisted on 'Sunrise' then it's heads up and arms in the air for the joyous closer 'Fuckin' All Music.'
Review: Marcellus Pittman is one of the forefathers of the raw, gritty, lo-fi house sound that we so strongly associate with the Motor City. This EP for FXHE is a perfect case in point. It manages to be abstract and odd but also exude a human warmth and soul that is unlike anything you can get anywhere else. 'Nyrobi Knight' is a rickety drum workout infused with synth glows, 'Dirty' is depraved and dark and delicious and 'Cherry Lee' is dusty deep house with eerie vocals.
Review: Marcellus Pittman's #2 EP on FXHE is one of the legendary labels very many early classics. It's originally from 2006 but if this one were to drop now you wouldn't suspect it was almost 20 years old. As always with Pittman, everything is muted and low-key as well as lo-fi. The pad drums on 'Obsession (Datsallivdatsalliv~'^**!!)' are suggestive rather than in your face, and the depths of his bass are bottomless as natty, barely-there synth patterns unfold up top. 'Skylark (Late Morning mix Foool!!)' is similar with swirling dub pads and a skeletal rhythm but this time it's a little more defined with rusty hi-hats. Two absolutely stone-cold classics.
Review: Marcellus Pittman is one of our favourite Motor City mavericks. He crafts raw as you like drum tracks and layers them up with weird and wonderful sonic details. For opener 'Bumpin Squwow???' here the beats are paddy, dusty and warm, while the synths up top are twitchy and sharp but doused on more heartfelt chord work. It's a beguiling mix, then 'Faze Out' gets all wonky with prickly hits and vamping digital chords speaking of a future world. 'November Peoples' is deep and sleazy house with a more human sense of heartbroken soul.
Hieroglyphic Being - "An Astronomical Object" (6:29)
Review: Mother Tongue's 'Yellow Jackets' series is wilfully eclectic, meaning second-guessing what will be on the next release is nigh-on impossible, but undeniably essential. Put simply, each EP in the series so far has been nigh on essential. Happily, volume five is superb too. On side A, Detroit scene stalwart Marcellus Pittman does a superb job of reworking a cult classic - Belgian outfit Arbeit Adelt's 1983 post-punk masterpiece 'Death Disco'. His resultant re-edit emphasises the track's weighty, low-slung groove, mind-mangling electronics and weirdo noises, extending the intro and outro to allow DJs to ride the mix. Over on side B, Chicagoan genius Jamal Moss dons the Hieroglyphic Being guise and offers up a sublime slab of intergalactic excellence, peppering a deep, shuffling, distorted rhythm track with spacey electronics and shimmering, star-gazing melodies.
Review: Pixelife is no stranger to the Tusk Wax family, having appeared on the Horn Wax label some five years ago, alongside intermittent releases on Throne Of Blood and more recently Samo Records. Now Pixelife is back with a gutsy release in the Tusk Wax style that matches warm, analogue power with bombast and drama in abundance, not least on EP opener "Radial Velocity." "Digital Silhouette" is equally epic in its construction, but sports a leaner club focus in between the surges of full-bodied synth swells. LA-4A is in a vicious mood on his remix of "Radial Velocity," uses some snarling low end acid tones to devastating effect, and then "Virtual Light Institute" finishes the EP off with a swooning, emotive cut that capitalises on Pixelife's bright and bold sound.
Review: Black Key return from a four year hiatus in style, with 4 sublime tracks from Australian ultra deep house don, Planisphere, aka David Swatten. Following an incredibly well received LP on reissue label, For Those That Knoe, Swatten returns here with more expansive, smokey and utterly consuming deep house cuts, stamped with his unique sound but offering a different flavour from his Definitive Transmission LP - one which immediately stands out from the crowd. Being only his third release in 20 years, there's an understandable sense of anticipation around Swatten's output. This release undoubtedly puts Black Key firmly back on the map, picking up their deserved reputation for releasing only the very best deep house, aimed well and truly at the heads.
Review: Star Creature is very much leading from the front right now if you like cosmic disco. Tim Zawada's label is back with another delicious dose of the stuff here as Plastic Bamboo heads out on a crime jazz exploration of the outer reaches of our galaxy. His lithe beats and rugged drums are laced up with marvellous synths that are ever on the move. They shine bright and bring real sugary rushes of joy as curious narratives and intergalactic intrigue come thick and fast. Amongst the big bright cuts are some more mellow moments like the wonderful 'A Scene At The Sea' with its hints of Afro percussion. Delightful.
Review: Parisian producer Leo Pol is back after a great release on Velvet back in 2014 that showed his potential to create some deep, dusty and totally tripped out house for the afterhours, particularly on the Le Chat Qui Danse EP. He now inaugurates local label IILE (a sublabel of Uniile) with some more hypnotic subtlety; even if it is tougher and faster than his previous effort. There's the opener "2 La Deep De Bretagne" which really rolls deep. "Korben Dallas" gets its swing on in infectious fashion, much like local homeboy Varhat can. On the flip, he teams up with Marc on "21" for a bumpy and minimal jam while closing out the EP is the absolutely sublime "Parking" which is sexy and summery and has a certain DJ Gregory flavour about it.
The Light (Jesse Bru's Sea Of Change remix) (5:00)
Touch Me (4:14)
Review: Yann Polewka is the man in charge of the GLBDOM label's fifth outing and a fine one it is too. He brings plenty of timeless house vibes to the opener 'Keep On' with its Kerri Chandler style bumping kicks and feel-good piano chords next to subtle vocal chops packed with soul. 'Oblivion' is another upbeat, uplifting house cut with a classic underbelly and rich chords to get those hands in the air. 'The Light' once again layers up well-crafted chords, irresistible drum funk and nice analogue percussion. Last of all, Jesse Bru's Sea Of Change remix of the same tune brings a more deep and late night feel to close out a top EP.
Review: The all-star team of the instrumental world, Polyplus, release a cover of 'Hi-Tech Jazz', a classic electronic jazz track and representative work of the project Galaxy 2 Galaxy, first put forth by Mad Mike's Underground Resistance. As for the choice of cover, the Tokyo jazzdance quartet have chosen well; while they've only gone and done it - reinterpreted Mike's timeless club masterpiece with a full band sound - they refuse to sacrifice any danceability or DJ mixability, doing full justice to the term "hi-tech" despite the freehanded naturalism. Also coming backed by the original B-sider 'Wake Me Up', 'Hi-Tech Jazz' heralds Polyplus' upcoming tenth anniversary album, Cosmic, as well as a jet-setting tour spanning Tokyo, Nagoya, Osaka and Fukuoka.
Review: Before relocating to New York City last year, Pontchartrain invited the legendary Javonntte over to record some material at his east-side Detroit studio. The result was the deep, down and dirty late night groove of 'Keep Dancing' (Detroit mix) while the NYC mix is a more pumping, heads-down affair on an old school electronic disco vibe with a nice dose of 303 acid for good measure. Over on the flip, 'Cirrus' is a deeper, cloudy and synth-heavy house track, which is backed by Delano Smith's dubby and hypnotic Motor City Re-Rub.
Review: When Gregory Porter first released "1960 What?" back in 2012, he'd yet to become the soul superstar we know and love today. The single was released in limited numbers first time round and, thanks to his elevation to star status, has become an in-demand collector's item - hence this timely reissue. It's every bit as classic-sounding as the majority of Porter's work, with the main man providing an impassioned delivery of conscious lyrics over a wonderful soul-jazz backing track. Serious contemporary dancefloor thrills are provided by Opolopo's superb flipside revision, which re-imagines the track as a bass-heavy chunk of jazz-house brilliance that rivals St Germain's "Rose Rouge" in its ability to send dancefloors wild.
Souled Out (Joe Claussell The Cosmic Arts interpretation mix) (8:10)
Souled Out (Joe Claussell Joaquin Sacred Rhythm version) (13:59)
Souled Out (Joe Claussell Joaquin Deep version FNL) (8:20)
Feed The Fire (Atjazz remix) (5:28)
Feed The Fire (Musclecars Dream dub) (9:05)
Review: Audrey Powne's eagerly anticipated debut album already had us all 'Souled Out', and now we find ourselves served more soul food than our dharmas can handle, with this new remix bundle from Atjazz, Joe Claussell and Musclecars. First comes Claussell with three exquisite and spiritual remixes, each highlighting unique elements of Audrey's original production. Joaquin's Deep Version is quintessential Claussell, merging the bassy textures of a vintage King Tubby dub with vibrant percussion and entraining beats. The 'Sacred Rhythm Mix' is especially apical and peaktime, weaving a threnody of layers that culminate in a boogied-out crescendo. Then come two new versions of Powne's album cut 'Feed The Fire', first by jazzdance maven Atjazz, then by the New York duo Musclecars.
Review: Belgium outfit Premier Regard drop the club-ready house jam 'Tu one' here alongside a versatile array of remixes that mean you are pretty sure to find something that works no matter what spot you found yourself in. The Classic mix has raw analogue drums sounds and wooden hits with a libidinous vocal and warped bass. Audio Soul Project remixes with more heft and urgency, the Coma Du Nord remix is pared-back and allows the elastic groove to hook you in and the Steve Sibra remix is more spaced out and late night, thanks to the tender pads.
Review: Mint Condition, as you probably know if you are reading this, deals in reissuing classic tech house cuts. It has raced ahead in its mission and is now up to a 55th EP. This one brings back Presence's White Powder EP. 'Heart' opens up with dark but well swung drums overlaid with diva vocals while '$10' is a frazzled, slapping cut with bubbling basslines from the 90s. 'Power Chords' is a loved up dee house cut with echoing pads and cavernous grooves and 'Giving Love' is a jumbled of tribal hits and woodpecker bass.
Review: John Digweed remains a hugely influential figure in the dance music world. He was amongst the first to champion The Pressure on his iconic Transitions radio show and now along with Nick Muir they all come together on this new single from Undisputed Music. 'Counting Down The Days' (extended mix) is a far sighted, cosmic progressive house tune that builds in sweeping layers with lush arps and prickly tech edged beats. There is a dub for more dreamy moments and a Strings dub that ups the latent sophistication of the original.
… Read more
in stock$13.83
Artikel 101 bis 150 von 213 auf Seite 3 von 5 anzeigen
We use cookies to personalise content and ads, to provide social media features and to analyse our traffic. We also share information about your use of our site with our social media, advertising and analytics partners who may combine it with other information that you've provided to them or that they've collected from your use of their services.