Badia Onirica (feat Rhys Ifans - Welsh version) (6:21)
Badia Onirica (feat Rhys Ifans - English version) (6:21)
Un Adeu (feat Pep Tosar - instrumental version) (2:37)
Un Adeu (feat Pep Tosar - Catalan version) (2:42)
Un Adeu (feat Pep Tosar - Spanish version) (2:41)
Badia Onirica (feat Rhys Ifans- instrumental version) (6:19)
Review: With over 50 years of experience dating way back to the early 70s with the progressive outfit Zebra, Joan has left quite a discography that is still being discovered and enjoyed. This EP - Joan Bibloni's second appearance on the label in total - features three versions of 'Badia Onirica', two of them being language versions and then the instrumental. Overall, the song is a track fitting for the Cafe Del Mar sound - a mix of folk, electronica, house with a Latin and folk influence and versions in Spanish and Catalan. An EP for watching the sunsets, dreaming on the beach and remembering life's great time with friends and family. NuNorthernSoul continues to honor the chill out legacy.
Review: They don't call him the Stevie Wonder of house music for nothing: Kerri Chandler brings musicality and unbridled joy to everything he does. For this one, there is even more of a celebratory and raptors feeling than normal because of the appearance of Rev F. L. Brown. His impassioned, gravelly toned sermons are cut up and dropped into one of Kerri's timeless house beats, and the results are exceptional. HIs famous kicks punk as heavily as always, the chords are simple but effective, and the whole thing is sure to become a classic that can always be reached for to make a dance floor erupt. Take your pick of the different versions, because they all hit home.
Review: DJ Plead & rRoxymore make for a fascinating duo and take aim squarely at the floor on this new outing, Read Round City, for Smalltown Supersound. Opener 'Celestial' is a loose-limbed rhythmic jumble with hand claps, trippy xylophone patterns and deep bass that lulls you into a trance while 'Read Wrong' is a more reggaeton-inspired sound with snappy snares and warped synth sounds. It's gluey and gloopy and subtly colourful. 'Round Echoes' is a third and final cross blend of techno, dub and house that picks up the pace and heads off into the cosmos but retains an organic feel thanks to the marvellous wet hand claps.
When We Dance (Move My Feet) (DJ Spinna Galactic Soul remix) (7:13)
When We Dance (Move My Feet) (DJ Spinna Galactic Soul dub) (8:11)
When We Dance (Move My Feet) (DJ Spinna Deep mix) (7:17)
When We Dance (Move My Feet) (DJ Spinna Deep dub) (7:19)
Review: "Bloody hell" inducing house swing from DJ Spinna (Vincent Williams) and Roland Clark, two absolute historic units of house music hailing from Brooklyn and Newark respectively. Though it's a fresh collaboration, 'When We Dance (Move Your Feet)' has the airs of a classic, informed by joint decades in the game. An unusually high dose of swing parlays a profound propulsion on the matinee special 'Galactic Soul Mix' by Spinna, laden throughout by a rousing narration by Clark himself. The track's electric piano is EQed to flashing, premium glossy heaven; this is the kind of effort we look out for in our house music: no sound cliched, all sounds clinched.
Dr Packer & Elektrik Disko - "My Lovin'" (extended mix) (6:04)
Dr Packer & Elektrik Disko - "My Lovin'" (Elektrik Disko extended mix) (5:14)
Mattei & Omich & Re Tide - "Give Me Your Love" (feat Katy Alex - extended mix) (5:27)
Re Tide & Lukas Setto - "Me & You" (Dr Packer remix) (7:07)
Review: Next up on the Fool's Paradise vinyl sampler is a four-tracker of glitzy and emphatic proportions. Vol. 3 opens with Dr. Packer and Elektrik Disko's 'My Lovin', which vexes us of our infidelities in the promise of being lent "all our love tonight", a vocal motif that swirls endlessly around its discoic mix. Mattei and Omich follow up with exactly the same theme, though it would seem that the former promise has been foreclosed upon, since the central vox is now asking the listener to "just give me your love", with an added dash of urgency to boot, and not the other way round. The B-side, not purely coincidentally, we think, dominated by the producer known as Re-tide, moves much more profligately, abandoning much of the A-side's glamour for the more immediate appetites that drive, but do not temper, disco's soul.
Review: The Two Houses is a musical project memorialising prominent members of New York's House of LaBeija and House of Xtravaganza, many of whom have passed away since their founding in 1977 and 1982 respectively. Initially the song was a personal tribute to Simone LaBeija, who tragically died in 2023 but it subsequently evolved into a broader ballroom memorial project when Grammy nominee Rush Davis from Xtravaganza became involved as vocalist and co-writer.
The track is a roll call, an homage and a dedication to the original founders of New York's ballroom community. Those lesser-known heroes who paved the way for the now fully exploited global phenomena we know today.
As Queer, and more specifically Trans human rights come under increasing attack, The Two Houses remembers, underscores and reveres those pioneering artists responsible for the birth of ballroom culture and more broadly, their place in the history of House Music itself.
Review: Belgian-born producer Gratts and pioneering Chicago vocalist Robert Owens first collaborated on 'Brighter Future' back in 2021 after meeting in the streets of Kreuzberg years before. The pair now join forces again for follow up 'Today', a powerful and emotive, 90s inspired deep house cut with layered backings and Owens' lilting affirmations soaring above. The extended club version takes you straight to house music's ecstatic heydays, while the twelve also includes an acapella tool for those singalong moments. On the flip, Mark Hand's slower, soulful rendition takes things into sideroom territory. Finally, 'Mount Olympus', home to the Greek deities, fuses a rattling drum machine, arpeggiated synth lines and a potent analogue bassline - with added bonus beats to bang the box and get weird!
Mark Knight & James Hurr - "You Take Me Higher" (6:12)
Friend Within - "Chain" (5:43)
Martin Ikin & Winnie Ama - "Control It" (4:51)
Flashmob & Raumakustik - "Club Talk" (5:45)
Review: Toolroom's 'sampler' series, which rounds up previously digital-only releases and sticks them out on action-packed 12" EPs, reaches its sixteenth instalment. Given the format, you'll be unsurprised to discover that there's plenty of bona-fide peak-time heat on show, starting with Mark Knight and James Hurr's excitable, filter-heavy, string-laden disco-house bomb 'You Take Me Higher'. Friend Within offers a scintillating blend of heavy acid bass, glassy-eyed female vocal samples, weighty beats and subtle disco samples on the superb 'Chain', while Martin Ikin and Winnie Ama opt for even heavier drums, warped bass, creepy electronics and dead-eyed spoken word vocals on the sweat-soaked 'Control It'. To round things off, we're treated to the tech-tinged funky house bounce of Flashmob and Raumakustik's percussion -rich 'Club Talk'.
Lex, Dennis Liber, Rosa - "Una Sera D'Estate" (feat Max Giovara) (7:02)
Lex, Dennis Liber - "End Of The Line" (5:56)
Dennis Liber - "Playa Eden" (feat Sariela Camargo) (8:32)
Dennis Liber - "Hidden Island" (feat Ricardo Benitez) (4:17)
Review: Rocksteady Disco welcomes Dennis Liber & Lex for a standout debut here. Their four-tracker captures the magic of musical nights spent down in Mexican hotspot Tulum with organic and airy grooves aplenty. 'Una Sera D'Estate' (feat Max Giovara) exodus late-night warmth and loved-up vibes with its melodic bassline and disco-tinged house drums. 'End Of The Line' is more lively but is no less direct with its big drums and pointed bass phrasings. Liber then goes solo for the dreamy, Italo-tinged yet tropical 'Playa Eden' and wonderfully escapist closer 'Hidden Island' complete with Balearic beats and the sound of singing dolphins.
Review: To celebrate its tenth anniversary, Archeo Recordings breaks tradition with the release of a new series of exquisite EPs honoring past masters. This collection features reimagined tracks from the label's cherished catalog, showcasing the talents of contemporary artists. Among these, Pepe Maina's 'The Infinite', enhanced by Manu's tribal percussion and electronics, transforms a classic into a celestial slow dance. Roberto Aglieri's 'Danza N. 1' receives a vibrant reinterpretation from Daniele Tomassini, merging proto-techno rhythms with psychedelic flute melodies, perfect for day raves and moonlit gatherings. The EP also revisits Radio Band's Italo-boogie classic 'Radio Rap', given a contemporary twist by the enigmatic Radiomarc. Finally, Mushrooms Project breathes new life into Futuro Antico's 'Pan Tuning', creating a transcendent dance journey that blends ancient sounds with modern beats. This collection not only honors the label's history but also promises exciting future endeavors, making it a great time to reflect on the past.
Review: Fresh from delivering the excellent El U Vee EP, Make a Dance welcome North-East titan Geoff Kirkwood AKA Man Power to M.A.D Records for the first time. This time round, Kirkwood has company: Kenyan singer, songwriter and multi-instrumentalist Rapasa Nyatrapasa. The pair set their stall out on opener 'Lou Land', where Nyatrapasa's Kenyan vocals and percussion slowly rise above a deep, drowsy and trippy deep house groove, before opting for an Amapiano-influenced Afro-tech-meets-Afro-House vibe on the more electronic 'Battle Hill'. Make a Dance deliver two takes on the latter on side B: a proto-house style vocal 'Remix' rich in vintage synth sounds, undulating acid bass, drum machine fills and echo-laden drum hits and a 'Dub Mix' that re-invents the track as a hazy, immersive slab of dub house/deep house fusion.
Micky More & Andy Tee, Reverendos Of Soul, Anduze - "Devoted" (6:23)
Serge Funk - "Can't Get Enough" (6:30)
Danny Losito - "All I Want" (Micky More & Andy Tee mix) (6:11)
Micky More & Andy Tee - "Philly Sensation" (6:55)
Review: There is an immediately loveable vibe to the carefree and breezy house music that the Italian label Groove Culture deals in. This is the 15th such offering - a third volume of its Jam series - and again the good times flow from the off. 'Devoted' is a four-way collab between Micky More, Andy Tee, Reverendos Of Soul and Anduze that layers up the soulful drums and disco percussion with buttery smooth soul vocals. Serge Funk's 'Can't Get Enough' is all swirling strings and sunny trumpet motifs over funk house beats and then Micky More & Andy Tee appear to remix 'All I Want' into another future Body & Soul classic. The duo's own 'Philly Sensation" is a disco-tinged, string-heavy house dream to close.
Jamma D - "Don't Wanna Leave The Couch Today" (4:20)
Roche - "House Shuffle Boogie" (6:13)
Darone Sassounian - "Arms" (6:18)
Review: This deep, jazzy and lo-fi house 12" is perfect for escaping at this time of year as the hustle and bustle of the holiday season and the general weight of modern life can get all too much. It comes from an array of standout producers from around the world including Darone Sassounian, Jamma D and Jarren from Los Angeles, Roche from Portland and Morris Mobley from Nancy, France. Between them, they offer the cuddly, cloudy depths of 'Drippin'' (Sauce dub), humid and jazzy heat of the sumptuous 'Don't Wanna Leave The Couch Today', playful rhythms of 'House Shuffle Boogie' and more besides.
Fleur De Mur - "Ease My Mind" (Micky More & Andy Tee mix) (5:48)
Derrick McKenzie & Angela Johnson - "On My Way Out" (7:02)
Ron Carroll - "My Prayer" (Micky More & Andy Tee mix) (6:21)
House Freakers - "Tease Me" (feat MO) (5:34)
Review: Sultry purist disco house moods from Groove Culture Italy, welcoming four standalone originals to the first edition of their 'Groove Is In The Heart' series, three out of four of which are remixes of tunes that have already been released on the label. True to their form, this record welds the ways of classic disco and disco-house, opening with the melismatic vocal tones of 'Ease My Mind' by Fleur De Mur before moving into the slightly slower chic-funk of Derrick McKenzie and Angela Johnson's 'On My Way Out'. Things turn housier - as the outdoor shindig moves indoors at first sign of the crepuscular tide - with 'My Prayer', while House Freakers' 'Tease Me' rounds things off on a well-sidechained womper.
The Deepshakerz & Turntables Night Fever - "Oh Phunk!" (6:32)
Richard Earnshaw - "Touch Me" (6:21)
Sebb Jumor - "Makes Me Feel" (5:47)
Review: Toolroom's house imprint keeps the party pumping with another diverse selection of floor-filling weapons. Grant Nelson & Mark Knight lead the charge with 'Do It Y'all', a track that's been tearing up charts and dancefloors with its raw energy and irresistible rhythm for a while now. But this sampler doesn't simply rest on its laurels; it takes us on a winding path through the multifaceted sounds of house music. The Deepshakerz & Turntables Night Fever follow up with 'Oh Phunk!', a high-energy stomper fueled by a relentless rhythm section and soulful vocal samples that hark back to the golden age of house music. Richard Earnshaw, however, opts for a different approach, reimagining Fonda Rae's classic 'Touch Me' with a touch of soulful depth and emotion. Sebb Junior closes out the sampler with 'Makes Me Feel', a track brimming with bright melodies and feel-good vibes, showcasing the playful side of house music. This sampler is a showcase for the label's dedication to quality house music that offers listeners a diverse range of beats that are both good for the dancefloor and any discerning DJs.
Odopt - "11000 Versions Of A Simple Track" (Berlin mix) (5:37)
Remotif - "HAJKSD15" (6:39)
N Tropic - "One Night Stand" (Full Circle & Kris Baha remix) (7:45)
53X - "Simulaatio" (5:38)
Review: Avidya is back with a third EP to build on the head-turning success of the first two and it is another trip to the outer edges of the dancefloor. Odopt from Born Free and 777 Recordings kicks off with a snappy cut that is deceptively simple but devastatingly effective with its gurgling and acidic bass. Remotif is a fast-rising talent who impresses with the heavy techno sludge of 'HAJKSD15' and Full Circle aka Alexis Le Tan and Joakim link with Kris Baha to offer a remix that is all twitchy electrons, busted drum loops and fizzing pads before 53X's 'Simulaatio' is another brilliantly loose jumbled of wiry electronics, sci-fi effects and techno chug for a fantastic closing beatdown.
Review: Happiest of birthdays to Super Spicy who celebrate half a decade in the game with an EP of irresistible tunes. Phunque kicks the party off with an old school vibe that pairs a superb male vocal with crisp, effective drums. Bob Musella brings sample magic on 'Baby Hot Stuff' and Ysheso, Ralo keep the disco-tinged house feels flowing with a percussive monster. After the smoother sounds of Ghosts Of Venice, the flip side brings a trio of funked-up and guitar-laced house grooves that take it back to the glory days of New York.
Review: Legendary Finnish label Sahko returns with a curveball on its sub-label Puu, meaning wood or tree. While the three artists featured on this EP may seem like unlikely bedfellows, American minimal producer Bruno Pronsato, French fourth world explorer Romeo Poirier & British ambient producer Memotone, their sounds are united in a quest for the organic, the tropical & the gaps between genres. Bruno Pronsato's 'Above The Laundrette (Manieres Bizarres mix)' is an exploration of organic percussion, treading similar paths to percussionist Eli Keszler. The second track is a welcome extended version of 'Thalassocratie' from Poirier's excellent Hotel Naga LP. The pick of the three goes to Memotone's 'The Way In(side)' which sounds like a lost balearic cut from Jon Hassell's seminal Dream Theory In Malaya.
Review: Radio Cargo's Like You Move EP pulses with energy, fusing groovy breaks and deep, warming basslines. Each track effortlessly merges rhythmic complexity with atmospheric synths, drawing listeners into a sound that's as nostalgic as it is innovative. There's a playful balance between old-school dance vibes and fresh, forward-thinking production, capturing the essence of French house while pushing the genre's boundaries. It's a release that will resonate with fans of classic dancefloor sounds, while still feeling entirely contemporary in its execution.
Marc Brauner - "The Feeling" (Tilmans Atmospheric mix) (6:35)
Max Telaer - "Running" (Soela & Module One remix) (6:32)
Sebastian Gummersbach - "Heads Up High" (Eddie C remix) (7:48)
Shaka - "Overminded" (Denyl Brook remix) (7:08)
Review: Inhale Exhale Records return with their seance virus artists EP and it is one that will appeal to anyone who has any love whatsoever for house music. Raoul's 'Vae Victis' is first up to get a remix and that is from Luvless who brings modern power with old school dreaminess. Tilman is next up with an Atmospheric Mix of Marc Brauner's 'The Feeling' which has potent 90s vibes and Soela teams up with her partner in crime Module One for a super chunky groove to close the a-side in style. Eddie C is the standout on the flip side with a suer funky rework of 'Heads Up High' while Denyl Brook brings some peak time power to his interpretation of Shaka's 'Overminded.'
Middle Point - "Round & Round" (Space Talk remix) (7:15)
DJ Norizm - "Keep It Together" (Polepole remix) (6:11)
Review: Long time deep house master Recloose breaks cover for this new EP on Interspecies and as ever it operates in its own unique sound world. Opener 'Round & Round' is a high speed house cut with squelchy bass and balmy vocals full of love and soul next to a pitched up r&b hook. It's a real joy. 'Keep It Together' flips the script and is a downbeat house workout with live drum and perc and humid chords. A Space Talk remix of 'Round & Round' then gets more cosmic and far sighted over dusty drums and a Polepole remix of 'Keep It Together' then layers up the percussion into something warm, jazzy and humid.
Review: Prelude is the don when it comes to the dubbier end of disco in the 80s. So many of its releases were staples of the key New York City scene at the time and they have kept their charm over the decades. 'Beat The Street' from Sharon Redd is one of them - a track doused on echo and reverb with dancing synths layered up over analogue drums, cold claps and with her fine vocals soaring high and bright. The vocal is where it's at but the paired back instrumental is also a fine groove for some retro feels.
Review: Back in the mid-90s, Rednex dropped their global smash 'Cotton Eye Joe' as part of their album Sex & Violins and it topped plenty of charts. It was also a school disco favourite that paired euro-dance beats with country melodies and redneck vocals as well as the very singable chorus. Now it comes with a series of edits, instrumentals and remixes by the likes of Madcow on this new 12" from the ZYX label who have pressed it up to limited orange vinyl. It is still silly but lots of fun so why not cop this ultimate edition.
Review: With a storied history stretching right back to the mid-1990s, Reggae Disco Rockers are one of Japan's longest-serving reggae and rocksteady bands. While they're best-known for their original songs, they've delivered some killer cover versions over the years - including 2021's sun-splashed reggae re-imagining of Frankie Knuckles' classic house track 'The Whistle Song'. This seven-inch features another: the band's immersive, loved-up, super-sweet lover's rock-meets-Balearic reggae take on Neil Young classic 'Harvest Moon', featuring some suitably weary, emotive lead vocals from Marter. Flower Records regulars Slowly provide a dreamy and dubbed out take on the flip, as you'd expect given their output in recent times.
Review: Rekid is the alter-ego of Matt Edwards. With numerous recording projects (Rekid, Radio Slave, Quiet Village, Mathew E, Sea Devils) Matt Edwards’ music breaks down the traditional barriers of dance music and exposes influences from Walter Gibbons to Andy Weatherall to DJ Harvey to create a truly unique sound. "85 Space/Retrospective" are two more amazing slabs of tech/disco/slowed down house, his trademark sound as a taster for his forthcoming album "Made In Menorca".
Piano For The People (Calm Mellow Acid dub remix) (6:05)
Piano For The People (Double Geography remix) (5:21)
Review: Always fun house craftsman Ali Renault secured another big tune with his 'Piano For The People' which is a chuggy groover that locks you in with its rich atmospheres. Now it gets offered up with remixes from, firstly, Aikhi, who flip it with laidback downtempo drums and some classic and well known chords. Calm then brings his Mellow Acid Dub to sink you in even further and last of all Double Geography bring some more crunchy drum textures and psyched-out synth sounds with echoing vocals and dark, late night sense of mischief.
Review: Lips & Rhythm cruises into Summer 2024 with a new EP by Residentes Balearicos. Based in Ibiza, Alessandro Doretto and Luca Averna craft sun-drenched dance music from their island studio. The title track, 'Paraiso,' merges slowed-down Acid and Flamenco guitar with claps, creating a timeless vibe. 'Polvo Mineral' offers mystery with ethereal pads, robust drum fills, and chanting. 'I Wanna Dance' pays homage to the Italian Dream House era with lush chimes, driving synth lines, and pitched-down vocals. Gaspar Muniz, with roots in Brazil and New York, remixes 'Paraiso' into a breaky electro track perfect for late nights in Rio De Janeiro...or whoever you are so long as you shut your eyes and dream.
Sundown (Chris Coco Sueno Mediterraneo remix) (7:08)
Sundown (Chris Coco To The Bone dub) (7:08)
Sundown (SIRS remix) (8:39)
Review: If you've ever wondered how much Balearic you can get on one 12" then this one might answer the question. Arriving on Cala Tarida Musica, it finds Residentes Balearicos pair up with bonafide Ibizan legend DJ Alfredo for a sizzling summer anthem. 'Sundown' is pure Ibiza house bliss with wavy grooves and majestic jazzy keys that bring the joyful good times. Balearic boss man Chris Coco then steps up with his wavy and elegant Sueno Mediterraneo remix as well as a To The Bone dub that is even deeper and more smooth and last of all is a SIRS mix with a more raw edge and urban atmosphere.
Review: Fresh disco edits outing Respect have essentially named themselves after just the right attitude they expect of their rave-goers. Continuing to embody virtues of respect and respectability with another limited edition white label release, this sixth addition to the pile hears whimsical collieries, chicken-pickin' rhythms, and lurching remixes, with the B-side doing especially well to re-ingest the essential War cut 'The World Is A Ghetto' and its DJ Spinna nu-disco rendition. The breakdown is especially performative and brilliant, with scatting mimicries of guitar heard expertly interleaved.
Review: This is a mega rare 12" version of a classic tune which will never not get big reactions. 'Get Ready For This' is a proper Philly disco soul delight with stirring vocals that are deep and powerful over fine instrumentals and funky bass effects. On the reverse is a flip by the one and only Paradis garage legend Ron Hardy. He upped the drums and allowed the vocal plenty of room to shine while tweaking the synths and melodies to sit not so loud in the mix and allow horns room to shine. A real gem from the glory days of early club culture.
Reverendos Of Soul - "Love Will Set You Free" (Micky More & Andy Tee mix) (6:06)
Right To Life - "Give It Up" (Micky More & Andy Tee mix) (6:04)
Soulista - "Love & Life" (feat Karmina Dai - Micky More & Andy Tee mix) (6:28)
Serge Funk - "Disco Hustle" (6:11)
Review: Groove Culture's ongoing 'Jams' series continues to deliver disco-house excellence with its fourth edition. This high-quality compilation features standout tracks from Micky More & Andy Tee, Reverendos Of Soul, Soulista, Serge Funk, and Right To Life. Highlights include: Reverendos Of Soul - 'Love Will Set You Free'(Micky More & Andy Tee mix): An all-night disco spirit track verging on Hi-NRG style, bringing big energy and a lively atmosphere to any dance floor. Another great one is Soulista's 'Love & Life" (feat. Karmina Dai - Micky More & Andy Tee mix): A perfect blend of piano disco and house, featuring a heavy beat and great horn sounds that create an infectious groove. Closing things out on a classic leeven is Serge Funk's heater 'Disco Hustle'. This fantastic edit of the classic disco track is a filtered gem that is sure to knock the roof off the discotech. Groove Culture once again proves its reliability as a source of top-tier disco-house with this stellar collection.
Don't You Worry Baby The Best Is Yet To Come (part 1)
Don't You Worry Baby The Best Is Yet To Come (part 2)
Review: Eight years ago, Super Weird Substance unveiled a cover of Bessie Banks' classic 'Don't You Worry Baby The Best Is Yet To Come' - a hybrid nu-disco/classic soul interpretation that was credited to The Reynolds (twin sisters according to press releases circulated at the time), but produced and mixed by Greg Wilson and regular studio buddy Peza. This timely reissue marks the first time the track has appeared on a 45. Just like many classic soul sevens, it features 'Part 1' and 'Part 2' versions, which seem to be edits of the near nine-minute 'club mix' that appeared on the original 12" release. Both are great, with the Reynolds' gorgeous vocals being joined by rubbery synth-bass, simmering synth-strings, tasteful synth-horns and unfussy, floor-friendly drums.
Review: Reznik & Mikesh's latest offering on Keinemusik detail the best of their recent collaborative travails, now appearing in the form of a sensitively composed melodic minimal upsurge, 'One & Only'. The original version could be their most sincere work to date, with a classical song structure enhanced by string and piano slurs, with Mikesh's front-and-centre, nearly nu-metallic vocals. Whereas the patently success-bringing "anthemic" format is shot for on the A, the B's 'Club Mix' darkens the hue slightly, favouring a mystical progressive experiment with fewer words. Both versions have been thoroughly tested on the road by the Keinemusik crew, verifiably sparking numerous ID requests already (we wonder if the IOM crew are still about and on this one).
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