Michal Martyniuk - "New Things" (feat Yanika - Eric Kupper remix) (6:18)
Review: As the title suggests, Eric Kupper has indeed spent a lifetime in dance. This vast 24 track collection celebrates that worthy career in sound and does a fine job of laying bare his influxes, and influences. His fine studio skills are on show across the music which also shows his skills as a remixer. This is a second volume but is one no less superb than the first with top class originals next to his own spins on bona-fide greats such as Whitney Houston, Earth, Wind and Fire, Curtis Mayfield and Moloko.
Solu Music - "Fade" (feat Kimblee - Eric Kupper remix) (9:19)
Eric Kupper Presents K-Scope - "Electrikiss" (8:50)
Review: While not as celebrated as many of those he has worked with over the years (most notably his late friend Frankie Knuckles), Eric Kupper has built up a mighty discography, with untold production, remix and engineering credits to his name. A Lifetime in Dance Music celebrates this, picking out eight highlights (with more to come on subsequent volumes) from the New York house great's long and successful career. There's plenty to set the pulse racing throughout, from a fine revision of Depeche Mode's 'Wrong' and the classics organ-and-piano-heavy US garage flex of Degrees of Motion's 'Shine On', to a soaring house makeover of Diana Ross disco classic 'The Boss', a delicious tribal house take on Fuminori Kagajo's 'The Blue', and the immersive, loved-up deep house lusciousness of 'Electrikiss', a cut originally released under his occasional K-Scope alias.
Review: Nigerian Afrobeat composer, bandleader, and multi-instrumentalist Fela Kuti has a vast catalogue that dates back over half a century. Roforofo Fight is one of the many standouts and it was recorded in Lagos in 1972 on the Jofabro label with the legendary Tony Allen on drums as well as Christopher Uwaifor on tenor, Lekan Animashaun on baritone and many other key players alongside the main man. The lyrics convey Fela's frustration at intolerant and violent behaviour as told through the story of a street fight.
Review: There are a bunch of reissues of classic Fela Kuti albums dropping right now which is always going to be good news for collectors and Afrobeat lovers a like. As was often the case with his music, this album Kalakuta Show from 1976 was a way of him taking revenge on the military regime that attacked and brutalized him two years prior when the police mounted a large scale raid on Kalakuta Republic incoming Fela's own heavily guarded compound. They were the second raids in eight months and left Fela with scalp wounds and a broken arm, and us with this most remarkable musical retort.
African Message (Don't Worry About My Mouth O) (15:40)
Fela Kuti & Roy Ayers - "2000 Blacks Got To Be Free" (LP4: music Of Many Colours) (18:36)
Fela Kuti & Roy Ayers - "Africa - Centre Of The World" (17:35)
MOP (Movement Of The People): Political Statement Number 1 (part 1 - LP5: live In Amsterdam) (19:05)
MOP (Movement Of The People): Political Statement Number 1 (part 2) (18:21)
Customs Check Point (LP6: live In Amsterdam - Continued) (16:12)
Gimme Shit I Give You Shit (part 1) (6:01)
Gimme Shit I Give You Shit (part 2) (19:14)
I Go Shout Plenty (LP7: I Go Shout Plenty) (13:02)
Why Black Man Dey Suffer? (14:57)
Review: Knitting Factory and Partisan Records share the sixth instalment of the much-anticipated vinyl reissue box-sets from the Fela Kuti catalog. Box #6 is curated by actor, producer, DJ, rapper and singer, Idris Elba (aka. DJ Big Driis). Limited to an edition of 5,000 worldwide, this one includes a 24-page booklet with lyrics, commentaries by Afrobeat historian Chris May, together with some never-before-seen photos, not to mention a 16x24" poster designed by Lemi Ghariokwu, the creative force behind many of Fela's greatest album covers. Previous curators include Chris Martin, Erykah Badu, Ginger Baker, Brian Eno, and Questlove.
Review: Why Black Man Dey Suffer was a major turning point early in Fela Kuti's career. On his first tour of the US the Afrobeat pioneer was turned to a more political, critical mindset thanks to the guidance of Black-rights activist Sandra Izsadore. When he returned home, he took aim at the injustice and inequality he saw throughout post-colonial Africa, and wrote and recorded this mightily potent album as a result. In some ways it's more measured than he would grow to become, but the power of the music is undeniable. Recorded in 1970, when Tony Allen was still being joined by unlikely collaborator Ginger Baker on the drums, this is a landmark part of a true musical legend, now repressed on translucent yellow vinyl courtesy of Knitting Factory.
Review: Like so much of his often faultless work, Original Sufferhead by Fela Kuti is a powerful and politically charged album that embodies the essence of Afrobeat. For that reason, it is well deserving of this reissue as it remains relevant in more ways than one all these years after its original release in 1981 with its signature blend of funk, jazz, and traditional African rhythms, coupled with biting social commentary. The album confronts issues of oppression, corruption, and inequality, with Fela's impassioned vocals leading the charge. Each track is a call to action, urging listeners to rise against injustice and oppression. With its infectious grooves and thought-provoking lyrics, this is a timeless listen that continues to inspire and resonate with audiences around the world.
Review: 'Afrodisiac' was the renowned Afrobeat pioneer and infamous polygamist Fela Kuti's sexual mating call in album form. At the very prime of his career - which saw to the man marrying and sheltering over ten wives (while also engaging in anti-colonial political activism) - the album came about as a defining statement of Kuti's practice. Its best known song, 'Jeun Ko Ku', is listed by its Pidgin title 'Chop and Quench' on this 50th Anniversary edition. It's a satire about gluttony - "eat and die" in Standard English.
Review: Destination Nigeria, 1975, Fela and Africa 70 are indelibly locked into a hugely prolific groove with well over 10 albums behind them. Then they release this, an LP comprised solely of two wondrously extended work outs from the troupe. "Expensive Shit" famously tells the tale of Fela's brush with the jaded law while "Water No Get Enemy" speaks - or rather sings - for itself. One of Fela's many notable and hugely influential releases; your collection isn't complete without it.
Review: Regarded by many as Fela and The Africa 70's zenith, Confusion is 26 minutes of total Afrofunk immersion delivered over two sides. Gradually building - thanks largely to Tony Allen's dynamic drum work that's as delicate as it is powerful, Fela's dreamy, almost jazz-like keys and a rigid, spine-like rhythm guitar - the groove and narrative is developed with a natural sense of well-instrumented drama. A genuine classic, if your collection isn't blessed with this now is most certainly the time.
Review: Fela Kuti's Alagbon Close, released in 1974, stands as one of his most powerful Afrobeat statements, criticising police brutality in Nigeria. The title track was inspired by two raids on Fela's home, where police searched for marijuana. After swallowing a planted joint, Fela was detained at Alagbon Close, the headquarters of Nigeria's Criminal Investigation Department, for three days while police waited for evidence. His cellmates, in what became known as the Kalakuta Republic, helped Fela escape prosecution. Fela's lyrics denounce the arrogance of the police, declaring that wearing a uniform doesn't place one above the law. The album also marked the beginning of his collaboration with artist Ghariokwu Lemi, whose iconic cover art became synonymous with Afrobeat. Recorded at the A.R.C. Studios, the album is fueled by tight polyrhythms and fiery organ and horn sections, with Fela's sharp political commentary at the forefront. On Side-2, 'I No Get Eye For Back', offers a more groove-driven, mostly instrumental track, showing the collective talents of Africa 70. Together, these tracks solidify Alagbon Close as a timeless work of rebellion and musical innovation.
Review: Originally released in 1972, Shakara is a shining example of Fela Kuti & The Africa 70 in full flight. Made up of two 13-minute long pieces, the definitive Afrobeat sound is laid out in undulating, impossibly funky form. Tony Allen holds it down on the drums and the brass section from Tony Njoku, Igo Chico, Lekan Animashaun and Kuti himself punches out with urgency. This 50th anniversary release does things a little differently by inviting the excellent Ezra Collective to deliver their own versions of each track, each getting their side to lay down expansive reflections on the trailblazing groundwork laid by Kuti and his bandmates half a century ago.
Review: Fela Kuti lives on! This is the 10th Anniversary reissue of the classic tribute album Red Hot & Fela, pressed on opaque banana yellow and opaque red vinyl, with proceeds benefiting the Red Hot organization. Since his death in 1997 from complications related to AIDS, Fela Kuti has grown from a West African household name and musician's musician in Europe and the Americas, to a worldwide musical icon. This album hears thirteen collaborative supergroups - made up of stars including Childish Gambino, Kronos Quartet, Spoek Mathambo, Sinkane, Tune-Yards and Baloji & L'orchestre De La Katuba - pay tribute to the Nigerian musician and activist, taking after him in style and cover. Successful, they translate the Afrobeatific sound of Kuti, Africa 70 and Egypt 80 towards an electrified present and future.
Review: Journey Through Life witnesses Afrobeat pioneer, pallbearer and powerhouse Femi Kuti's very latest transformation in sound, as we witness the artist turn vividly, self-reflectively inward. The LP proposes a rare self-produced window into Femi's personal evolution, spanning childhood memories to fatherhood and, of course, the unshakable presence of family. As he puts it: "At the end of the day for me family is all that matters. The essence is to manage such events and let love prevail." Long celebrated for his uncompromising political voice, Femi leans evermore into an already evident vulnerability, revisiting earlier material through several, pylonic stylistic anchors: his signature horn-laced grooves, not to mention themes of personal legacy and posterity.
Review: Seun Kuti is set to release his highly anticipated album Heavier Yet (Lays The Crownless Head) with Executive produced by Lenny Kravitz and Fela Kuti's original engineer Sodi Marciszewer, promises to redefine contemporary afrobeat while honoring its roots. The album features six powerful tracks, including collaborations with Damian Marley on 'Dey' and Sampa The Great on 'Emi Aluta.' Each song embodies themes of resistance, resilience, and revolution, addressing societal issues and personal struggles. Seun Kuti describes the project as special, highlighting the support and guidance from Kravitz and Sodi. This album not only showcases Seun's growth as an artist but also his unwavering commitment to social change and empowerment. Heavier Yet (Lays The Crownless Head) is poised to entertain, inspire and ignite a spirit of activism and liberation.
Review: Four Seasons in Kyoto marks the final chapter in Argentina-based electronica group The Kyoto Connection's ambient trilogy following Postcards and The Flower, The Bird and The Mountain. The series is inspired by the ambient and environmental music of 1980s-90s Japan and this final piece of the puzzle paints another delightful musical portrait of rural life that has long been shaped by nature and tradition. Across 14 delicate, transportive compositions, producer Facundo Arena captures the emotional rhythm of Japan's changing seasons with whimsical melodies and gentle percussive patter, soothing vocal coos and more eerie and autumnal pieces. With contributions from Japanese friends and fans, this record feels personal and heartfelt and is a brilliant farewell to a project rooted in beauty and nostalgia.
Review: Evergreen jazzers Shuya and Yoshihiro Okino mark an impressive 30 years performing and recording as Kyoto Jazz Massive with this superb selection of favourite covers the brothers have enjoyed playing across their storied careers. Embellished with the vocal prowess of Vanessa Freeman and Bembe Segue, the immaculately presented collection blends elements of Latin, jazz, disco and funk over a typically fusionist set. Opening with the gentle waves of 'Black Renaissance', the record bursts into life with the samba flex of 'Kowree Sambazzi'. The soul-heavy thrust of 'No Cross No Crown' stirs the senses, before the nocturnal energy of 'Karmapa Chenno' veers ever so slightly off-piste with its jagged rhythms and grooves. Finally, the hands-in-the-air positivity of 'Love Is Everywhere' ends on a joyously uplifting note.
Review: Shuya Okino is a DJ, club owner, writer and producer as well as being a part of the Kyoto Jazz Massive, and has been a vital figure in the Japanese club scene for over three decades. He is involved in a wide range of projects from Cosmic Village to Root Soul to Mondo Grosso, but his work with brother Yoshihiro as Kyoto Jazz Massive might be his best. This new album is another standout fusion of synth, broken beat and nu-jazz styles. Some of the tunes are pure dance floor heaters such as the prickly vibes of 'Get Up' while others gaze off to a cosmic future such as the gorgeous synths of 'Visions Of Tomorrow'. Essential.
Review: Kyoto Jazz Massive returns with a new era of sound. It has been 20 years since Eclipse and 19 years since Spirit of the Sun but now their highly anticipated second album, Message From A New Dawn, is finally here. This record marks an evolution of the line-up into a full band and blend of techno, jazz, house, boogie, soul, broken beats, fusion, Afrobeat, and more as Kyoto Jazz Massive presents their vision of the ultimate crossover electric jazz fusion, and featuring none other than the legendary Roy Ayers. It all adds up to a fresh take on their iconic sound, crafted to push boundaries and inspire the future of jazz.
We use cookies to personalise content and ads, to provide social media features and to analyse our traffic. We also share information about your use of our site with our social media, advertising and analytics partners who may combine it with other information that you've provided to them or that they've collected from your use of their services.