All genres charts

Review: Karsten Pflum's album Liars explores the underground sound of techno and creates a captivating and energetic soundscape. Pflum's album is a journey through the dark and enigmatic underbelly of electronic music. He skillfully blends elements of techno, electro, and acid to create a unique and immersive experience. The album's jittery rhythms and moody soundscapes are perfect for late-night listening or for energizing a dancefloor. Tracks like 'Mousfolk Acid' are raw, intense, and uncompromising. Tracks like Lola' are sure to get comparisons to AFX and Squarepusher and that's not a bad thing at all. But for those who are willing to delve into its depths, Liars offers a rewarding and transformative experience.

Review: Following on from her latest Fenella project The Metallic Index, genreless folktronica oddity Jane Weaver, returns from the land of muted synth lines and hypnagogic instrumentals to deliver the first full-length baring her name since 2021's exceptional Flock. Her 12th album overall, Love In Constant Spectacle offers up Weaver's most succinct, direct and straightforward compositions in well over a decade, with the the beauty of these cuts lying in their simplicity. Motorik synth patterns, fuzzed out neo-psychedelic guitar lines and lush bubbles of digital fizz bounce around Weaver's melancholic musings on the trials and tribulations, big and small, of everyday life and love.

Review: Here's a proper genre fusion for the dancehall heads. On his latest reissue, Robert 'Dubwise' Browne testifies to over 20 years of hitmaking with a standalone 7" edition of his remix of Ramsey Lewis' 'Sun Goddess', first released on Vortex in 2023. Whereas Lewis' original 70s funk version is a sweet and sunkissed headboard-licker with a simple backbeat, Browne prefers to cant things dubwise, swapping the aforementioned out for a phat dotted stomp. Clock the new pairing with Browne's version of Grover Washington's jazz-funk classic 'Mister Magic'.

Review: Everyone likes a good mystery, don't they? Well, this artist is new to us and so is this label. Thankfully, the style isn't. Balearic music has taken off in the last half-decade. The style can be a hodge podge of genres like Latin, house, dub, folk, ambient, funk, jazz and more. Jezebell - Jezebellearic Beats Volume 1 is a great example of this style but more importantly, honoring the vibe of the culture where this music would play. Many of these honor original songs but turn them into a mix of Balearic remixes mixed with original elements too. Like the Lionel Richie sample of 'All Night Long' in the smoothed out sounds of 'Jezebellearic" (feat Alfredo)' or the Michael Jackson 'Thriller' parts in 'Thrill Me'. A few of these inject some electronic music into them like the acid line 'Re-Birth' and the beautiful melody touches in the Dizzy Heights dub of Pedestal. 'Hush Hush' is a spaced-out remix of Kajagoogoo's 'Too Shy'. Overall, you a creative and unique album that we think you will like very much.

Review: Acclaimed UK duo Jungle bring to Volcano the same sense of free-spirited energy that made their previous album Loving In Stereo such a hit. Much of this one was written while the duo was on tour, staying in an airbnb in Los Angeles, before they head to record it back in London at their favourite Studio B in Metropolis Studios. There is a wider variety of voices on this record with Erick the Architect as well as a reunion with Bas for 'Pretty Little Thing' who was last heard on the single 'Romeo.' As well as that, Roots Manuva, Channel Tres and Jnr Wiilliams also feature.

Review: The brand new Hyperdrive label kicks off with a mix of the old and the new - some tracks made recently, some that date back to the 90s, all of them top quality. Liquid Earth opens up with the spaced-out synths and electronic house sounds of '1_HP_D' then Art Of The State gets a little more tranced out and cosmic on '2_HP_D'. Dan Piu's '3_HP_D' is a tech house exploration with wispy sci-fi leads and a playful rhythm then Luis Malon & Seb G combine for the turbo-charged tech of '4_HP_D.' The legendary Freddy Fresh closes down with a high-speed sound on '5_HP_D.' Says the label, "Hyperdrive is dedicated to preserving the rich history of electronic music," and on this evidence, it will do so expertly.

Notes: The elegance and luxury feel of real American hardwood that cannot be matched. GrooveWasher's handcrafted Walnut Record Cleaning Kit cleans your vinyl records with beauty, style and ease.

This bundle includes:

Solid milled 5 inch American Walnut handle with a hand rubbed waterproof oil polyurethane finish
Replaceable Microfiber Cleaning Pad. Easy removal for cleaning or replacement.
G2 Record Cleaning Fluid Mist Spray (4 oz)
Record Label Protector Mask

"I have been using this cleaner since it was released...the results are amazing! This is a must for any record collector and would recommend this to anyone looking for the best way to clean their vinyl records! GrooveWasher...or nothing for me!" Christopher Burns

"Hands down, the best record cleaner on the market." Levi E.

"If you enjoy music from a physical medium, you must take care of it." Alex Chase

GrooveWasher Solid Walnut Wood Handle Design

The GrooveWasher walnut handle is milled from a single solid piece of midwest premium American Black Walnut, hand finished by wood artisans with waterproof oil polyurethane in Groovewasher's plant in Kansas City, Missouri, USA. Feel the woodgrain!

NOTE: Every one of Groovewasher's walnut products is unique. Some may have small surface cracks, splits or knots. This is the character of the wood, not a craftsman's mistake.

G2 Record Cleaning Fluid

The GrooveWasher G2 Record Cleaning Fluid is the result of years of research and testing. The selection of ingredients was guided by the formulations of the D series fluids of the 1970s. G2 Fluid is designed for maximum cleaning effectiveness of the delicate vinyl surface and microgroove, without the need for rinsing. Anti-static action on contact. Honest cleaning to release the honest sound of the recording.

High Tech G2 Fluid Contains:

Surfactants: State of the art detergents dissolve and suspend fingerprints and other oily grime.
Super wetting agent: A specialty chemical that reduces the G2 Fluid's surface tension to reach the bottom of the groove. When you spray G2 Fluid on a record you can see it spread down the grooves.
Emulsifiers: Holds the oils, dirt, mildew and microdust particles in suspension. Then the microfiber fabric cleaning pad wipes and pulls the dirt-filled solution from the record surface.
Laboratory grade, double deionized, carbon filtered & UV treated water: Carrier for the active cleaning ingredients. Eliminates static electric charges on the record's surface on contact.

Replaceable Cleaning Pad Design

The GrooveWasher replaceable microfiber cleaning pad features a super absorbent black terry style split microfiber cover. (Other replacement pad styles are available for separate purchase.) This fabric is effective in removing the contaminants borne in the G2 Fluid from the record's microgroove.

The pad is secured to the walnut handle with low profile hook & loop velcro. This allows the pad to be removed from the walnut handle to be washed or replaced. These cleaning pads are hand made by Groovewasher's textile artists in Kansas City.

Notes: The Groovewasher Mondo Record & Stylus Care System

Groovewasher's top-of-the-line record and stylus care system. Elegant and effective.

Groovewasher's walnut products are solid chunks of 40 year old Black Walnut trees. Every one is unique. Some may have small surface cracks, splits or knots. This is the character of the wood, not a craftsman's mistake.

Review: REPRESS ALERT!: Nenor returns to Fossils after some big releases on the mighty fine likes of Moodymann's Mahogani, Defected and Strictly Rhythm. And another fine 12" it is too, crafted from his array of vintage samplers, odd bits of music-making gear, a coveted synth collection and a mix of samples and live instrumentation. There is a mix of dusty house drums and soulful sampling to the raw opener '17 Daze', 'It's A Deep Tune' is just that with its distant bird class, jungle toms and warped bass and 'Tough Decision' brings an epic soul sample over more stripped back but compelling house drums. 'Just The Way' closes with an r&b vocal or minimal yet warm drums. The variety on this EP makes it all the more standout.

Review: Two brothers recently reunited by their love of music, the Hermanos Gutierrez make beautiful instrumental Latin and Americana, tempered by the aesthetic of atmospheric Western movie soundtracks a-la Ennio Morricone and/or film director Sergio Leone. On their new album El Bueno Y El Malo, a give-and-take, equitable atmsphere - shared lovingly between two chordophonal kin - is established on every track. Soft, spatious and tinged with the analogous, skippy texture of the vinyl record, even the album's forays into pop structures ('La Verdad', 'Tres Hermanos') don't waver from their warmth, nor do they sacrifice an ounce of sweet listenability.

Review: Steve Bug is going on 30+ years of writing electronic music and travelling the world as a top DJ with no signs of letting up. It Just Happened is his latest and finds its way to the legendary and iconic Nu Groove records. It must be daunting to release music on such an amazing label. 'It Just Happened' has all the makings of a classic worthy enough for the Nu Groove logo. Veteran Cle who has worked on many projects with Steve is featured here as well. For those that really know Steve Bug's background, they know he is equally involved in house music as he is with techno. Tracks like 'Crew Thing' show his ability to make a standout house track while 'House Music Transcends' closes things out with your hands in the air. We respect Steve Bug so much for his work over the years. When he is old skool mode like he is on this EP, you just have to say respect to the man. Respect!

Review: Hot on the heels of Blue Note's 2024 lineup announcement of their esteemed Tone Poet series - which reissues classic jazz albums for a contemporary audience hungry for audiophile quality editions - comes this eagerly-awaited new version of Anthony Williams' Life Time. A five-piece north star of free jazz and debut record by the expansive drummer, the album held a crucial repute throughout Williams' career as the inspirational namesake of his later band with John McLaughlin, the Tony Williams Lifetime Band. This one, however, pre-empts this movement and instead hears contributions from such greats as Richard Davis, Herbie Hancock and Ron Carter, riding high on the wave of divine-genius-by-proxy after already having performed with Miles Davis at the age of 18. Blast back to 1964 with this ideal free jazz intro.

Review: Strap yourselves in for the return of Missile Vintage with a fifth transmission and this one is a track from the boss himself. Missile Records founder Tim Taylor crafted this banger back in 1992 and released it on the legendary FFRR imprint. It soon made its mark on the rave scene of the time and has remained influential to generations of DJs, dancers and producers ever since. Now it comes back to vinyl in original form, as well as next to a huge Foghorn mix from Micky Finn and a more physical and breaks-lead remix from Blade. A great package that joins the dots between then and now.

Review: Pleasure of Love reissue imprint, New Islands, launches with a quiet stormy, soulful Balearic stunner. Kim Yaffa's 'Once Bitten' was recorded in LA and released on a 1989 private press 7", only to be buried in American record bins for decades after. A re-emergence of Yaffa's music on the internet in the last couple years has reached a fever pitch, with collectors thirsting after copies of the record. Now, New Islands has worked directly with the artist to deliver an official reissue, professionally transferred from the mixdown reels, carefully restored, and remastered. The track is an effortless class-act pop tune, with 80s blue eyed soul / Sade inspired sounds, and unknowingly Balearic production that renders it timeless (it's reminiscent of Linda Di Franco, Edie Brickell or 80s Fleetwood Mac). The 12" is rounded out by new mixes from Michael David (Classixx) and Nick the Record & Dan Tyler (Record Mission).

Review: Thomas Blanchot aka Mato's love for reggae runs deep. His love for soul music is just as equal. So, what should a producer do who enjoys making original music but also enjoys the art of sampling? Use both! Known for creating reggae/dub versions and then using popular lyrics sung by a guest vocalist over the top of them, giving the original versions a new life and sometimes, a completely different feeling, in some ways working even better than the original. Here, Mato takes the 1981 hit by Sylvia Striplin 'You Can't Turn Me Away' and a super laid back reggae rhythm underneath as a base. And it works so well. Complete with the dub version for the DJs. Sit back and relax to these interesting examples of a stylish way to take mashups to a different higher level.

Review: DIY pop titans the Reds, Pinks & Purples take aim at the threads of hope with untethered abandon on their new album Unwishing Well. With the project helmed up by songwriter and musician Glenn Donaldson and backed up by collaborators Thomas Rubenstein, Lewis Gallardo, Daniel Pearce and Kati Mashikian, the new LP is a romantic sadcore memory-dive, fleshing out a 90s leftfield pop quintessence and lending it a contemporary production edge. Touchstones like The Go-Betweens, The Smiths, Magnetic Fields and Felt lend well to a terrific outpouring of emotion over ten tracks, which is remarkably frank in its admission of the worst foibles of the music industry and the metaphor for life evoked in this (read: 'Your Worst Song Is Your Greatest Hit').

Review: Yet one more classic eight-tracker to now be reissued via Creation Rebel's home label On-U Sound, Rebel Vibrations was their third album for Hitrun and followed up 1978's Close Encounters Of The Third World and Dub From Creation. Similarly lackadaisical and spaced-out to its predecessors, Rebel Vibrations nonetheless charted a slight upping of the weighty ante - with bass parts becoming more prominent and starker - and a refining of the delays and FX as they sit in the mix.

Review: The reissue of Step On by Junior Dell & The D-Lites is here only three short years after its initial run of 300 copies. 'Step On' is a reggae and ska version of the song 'He's Gonna Step on You Again' by John Kongos, made famous by Happy Mondays, who shortened its title to 'Step On'. For the B-side comes an original song done by the band called 'Meanwhile On The 15th Floor' which is a classic sounding ska instrumental from the 70s. This second pressing is a mere 250 copies - so act fast.

Review: Shabaka Hutchings' Perceive Its Beauty is a profound and meditative musical journey that celebrates the richness and grace of African culture. Through a diverse ensemble of renowned musicians, Hutchings invites us to immerse ourselves in a sonic landscape that evokes the beauty and bounty of the Motherland. The album's meditative quality stems from the restraint and collective nature of its creation. The instruments seem to float effortlessly, creating a sonic cloud that carries echoes of Afro-Asian music and the tranquil sounds of nature. Yet, within this understated atmosphere, individual brilliance shines through. The artistry of Jason Moran on the piano and the ethereal voices of Moses Sumney and Eska add layers of nuance and emotional depth. In an era often marked by division and disharmony, Perceive Its Beauty offers a refuge of unity and peace. It invites us to transcend superficial boundaries and embrace the beauty and grace that resides within and around us.

Review: Contemporary vocal jazz favourite Jose James makes a staunch return after a long hiatus, following up 2008's The Dreamer with a brand new album, 1978. Combining James' deep love of jazz and hip-hop with songwriting and production nods to R&B heroes Quincy Jones, Michael Jackson and Leon Ware, 1978 is a suavely smooth operation of handclapping funk and organic bossa nova; it's sonically a meeting of the cosmopolitan collective minds New York to Brazil, bringing Afro-Latin sensibilities to the lyrical and productive form that is gritty hip-hop.

Review: Texas-based trio Khruangbin returns with their highly anticipated album, A La Sala, blending Thai funk, psychedelic rock and world music influences. Laura Lee's funky basslines, Mark Speer's intricate guitar work, and Donald "DJ" Johnson's precise drumming define each hypnotic groove. Tracks like 'Farolim De Felgueiras' and 'A Love International' emit a laid-back aura, ideal for lazy summer days, while 'Juegos Y Nubes' adds Latin rhythms with a psychedelic twist. 'A La Sala' offers a rich journey through diverse musical landscapes, solidifying Khruangbin's mastery of genre fusion and their ability to create sonic euphoria.

Review: As part of a new looking back on German art rocker Nico's esteemed career by the indie label Domino, Desertshore chronologically follows The Marble Index, and is her third album, following the prior project's establishing her as an avant-garde artist with one foot in the mainstream, in stark defiance of the the prejudiced poo-poohs that followed her first (baroque pop) album, Chelsea Girl. Desertshore is more of a reconciliation of her prior two projects, bringing back the initial western pop sensibility while now firmly basking in a newfound weirdness-and-she-knows-it. From the opening dark waves of 'Janitor Of Lunacy' to the piano-balladic injection of sadness that is 'Afraid', this is another avant-garde masterpiece by the musician, never justifiably passed over.

Notes: Gatefold Record Sleeves

Enjoy True Gatefold Protection Without Restriction

Make sure your collection of prized gatefold albums is set up for long-term enjoyment with gatefold record sleeves. These archival-quality and acid-free vinyl gatefold sleeves protect your records with the same level of quality as traditional and premium record sleeves but have been designed to store your gatefolds. Designed for ease of use in accessing your albums, there is no need to get caught up in the packaging. Stop fumbling around with other outer sleeves and go full gatefold! You'll enjoy a sleek and streamlined design with crystal-clear covers, keeping your collection looking stunning for years to come. Album artwork shines through with zero frosting.

Preserve Your Collectible Albums with Big Fudge

Gatefold records are known to have some of the most appreciated artwork with their additional space. These were designed for you to be able to keep this artwork intact and display these favourites with pride. Big Fudge's gatefold record sleeves are sized with care and designed with record display in mind with non-crimping materials and 3mil of crystal clear polyethylene that keeps your gatefold records' artwork popping and the records looking brand new. As record collectors with the goal of helping other record collectors, these gatefold record sleeves will be just the thing to take your gatefold records to the next level and keep them pristine.

Product Information:

25.5" unfolded, with 2 pockets 12.75in square
25 Crystal Clear Outer Sleeves
Fits all standard and oversized 12" gatefold albums

Review: UKJ keeps the flame of old-school breaks and jungle afire with its latest four-track V/A 12", with contributions from label co-boss Junglord, Supa Ape, Sully, OmniRhythm and Simply Dread all in tow for the inflammatory sacrifice. Unlike your usual jungle, these four cuts verge on the insane, thanks to this label's commemorative grounding in the earliest days of jungle in its hardcore breaks and graff-adjacent days. We wager that back then, there was more room for experimentation before the "sound" got standardised and fetishised. Here's a cogent recollection of that time - a time of vocal one-shots, dramatic classical music samples and rave stabs, sure - but above all, just a generally wilder and more rapacious indulging of the promise of what was once called breakscience; Junglord's 'Ready For Retaliation' and Dread's 'Hard To Tell' tend towards UK hardcore on this front, ultrafast breaks-drilling and buzzsawing away, with glee.

Review: Mantronix declared themselves 'King of The Beats' back in 1988 and managed to live up to the title across a fine career. The tune is of course widely credited with being the first track to ever sample the amen break so many art forms owe it a real debt of gratitude. Its blend of old school hip-hop, electro and club music is topped off with rapper MC Tee in fine form. This reissue on Lil Static comes in limited quantities and is backed with 'Get Stupid Fresh' (part 1), another classic joint from back in the day.

Review: Italian dance producer Gianni Bini debuts on Groove Culture with the House Of Glass LP, topping up his impressive discography with a solo studio effort, and bolstering the already massive stock of production credits attached to his bulging, insatiable name. Though his various monikers over the years have indeed propelled him in a many-a-direction, Bini's latest here centres on epic disco, and rewinds the tape to an earlier sound first explored in his formative days as a producer; retroactively, we hear a livelier, more contemporary take on the stabbing strings, bristling bass and bubblegum beats - all live-recorded - that first put him on the map.

Review: Critically acclaimed British jazz pianist, composer and arranger, Greg Foat has been making quite a bit of waves in the jazz scene as well as his groundbreaking albums that feature artists in other genres. His latest album 'Live At Can Rudayla Ibiza ', is an homage to the magical sound of the Mediterranean. Ibiza has long been known for its night life but perhaps not known as well outside the chill out scene sound, that the area has a sound all to itself. Inspired by his highly regarded and recent album with Gigi Masin, Greg Foat explores the themes further. Pool Side parts 1 and 2 shimmer with beautiful soundscapes that set the mood wonderfully. 'Dining Table Grooves' gives a hint at the late-night sounds to come in Ibiza while the sunset tracks close the album out with an almost chill wave sound that we absolutely adore. If you are looking for an album to put on as guests arrive to your beach home, this is the album you want to play. Greg Foat is a beacon of light for the future of jazz fusion.

Review: UK DJ and producer Justin Robertson is back with his latest 12" record 'Deadstock 33s', the fourth release on the up-and-coming Pamela Records label. This record is filled with groovy little tracks that blend various genres into one. 'In Minus Shadows' has a nice psychedelic campfire funk to it, with the dub-like 'Cup Of Silence' and the electro sounds of 'Of Ghosts' completing the package. Eclectic and unique dance music - very cool tunes here.

Review: Conan Gray has spoken openly about the catalyst for Found Heaven - an ill-fated toe-step into the murky world of relationships and, then, love, followed by painful heartbreak. The American singer-songwriter was still processing the fallout when the first promo interviews for this record hit the presses. That he says the trauma was worth it speaks volumes about who he is, and the mindset that feeds into his music. It might also be due to the fact Found Heaven is a glorious beast. A thoughtful curveball thrown by a man whose reputation for melancholia is well-known, this is almost like the musical version of what happens to us all after an intense emotional experience - transformation. So, think power balladry, synth-soaked anthems and a kind of 1980s nostalgic experimentation. It's weird and wonderful.

Review: On its 20th anniversary comes a reissue of No Doubt's 1992-2003 singles collection, which brings together the very best of the ska and pop rockers' contributions to music at large over their first decade of stardom. Known as the alt-rock group fronted by Gwen Stefani, No Doubt were a formative act for the spreading of a distinctly American, pop-oriented form of ska punk. With Gwen's brother Eric on keys, and with bassist Tony Kanal and drummer Adrian Young also in tow, No Doubt's career was a slow-burning exponential curve skywards, which saw a successful takeoff despite some early flops. A huge team backed their recordings; notable on this compilation is two production features by Sly & Robbie, 'Underneath It All' and 'Hey Baby'.

Review: Drumcode supremo Adam Beyer has become increasingly more prolific in recent years, signalling a creative renaissance that recalls the undoubted quality of his work in the late 1990s and early 2000s. His first outing of 2024, which follows a quartet of EPs last year, is predictably strong and packed to the rafters with future Drumcode anthems. Fittingly, he starts with 'Let's Begin', where mutilated vocal loops, mind-mangling rave noises and unsettling melodic motifs dance atop a typically thunderous and breathless big room techno groove, before opting for a dirtier, acid-flecked groove, metallic noises and sped-up hip-hop vocal samples on 'Computerized' (hip-techno anyone?). To round things off, he goes darker and denser still on the loopy techno power of 'Red Room', which pleasingly also boasts the same Aisha vocal sample as the Orb's 'Blue Room'.

Review: Cool Million featuring Kenny Thomas on vocals is a refreshing return to the soulful sounds of yesteryear. With Without Your Love, the duo, Rob Hardt and Frank Ryle, once again showcase their talent for crafting infectious grooves that harken back to a more musically satisfying era. Thomas's soulful delivery shines on this track, serving as the perfect complement to the funky rhythm and melody. The song exudes a timeless quality, reminiscent of classic soul and R&B from the 80s, with its boogie-inspired feel and soulful synths reminiscent of artists like Paul Laurence and Kashif. Originally released in 2012, this track now get's its own 7" for DJs and collectors to highlight the standout track.

Review: Merci Yaya Bongo: Female Animation Groups In Gabon 1982-1989 offers a spellbinding glimpse into Gabon's vibrant music scene of the 1980s. The compilation showcases the talent and creativity of several female groups and presents a diverse range of styles from Afrobeat to funk and disco. Tracks like 'Abaga Mbouga' and 'Yaya Omar Bongo' exude infectious rhythms and soulful melodies and highlight the unique sound of Gabonese music during this era. With its rare and obscure selections, this compilation serves as a valuable homage to the overlooked contributions of female artists in shaping the country's musical heritage.

Notes: An upgraded replacement for the 'Splash Landing' Towel.

Soft and thick two-ply cleaning mat to place your record for cleaning off the turntable. Cushions and protects the record while cleaning with your GrooveWasher Kit.

16" Diameter Round
Thick, two-ply microfiber
Top layer is very fine soft suede style microfiber fabric
Bottom layer is thick split-fiber microfiber fabric
Hand or machine washable

Review: Jalen Ngonda is a hotly tipped soul artist who finally unveils his long awaited debut album. Come Around and Love Me was written at Hive Mind Studios in Brooklyn, NY with musicians form the wider Daptone family and producer and arrangers Mike Buckley and Vincent Chiarito from Charles Bradley's Extraordinaires. The result is a modern soul sound tinged with r&b, the harmonies of The Beach Boys and hooks of the Beatles, but all with a timelessness and classic edge that is sure to make it a lasting pleasure.

Review: Over the past 15 years Christopher Rau has been featured on some excellent labels within techno and house. From Smallville, Giegling, Mule Musiq, Pampa and more. Now, Phonogramme adds this talented producer to their impressive roster. The Blade EP showcases Rau's amazing talents at making great sounding electronic music. The production is clean, polished and catchy. 'Alfred' is a deep house gem that hits all your senses - a track you can play day or night. The title track, meanwhile, has all the makings of a Detroit masterpiece that reminds us of works by Ian O'Brien, Envoy or Dan Curtin. Do not sleep on the two cuts on the B-side either, they're deep groovers to round out this EP well.

Review: The soul, funk and disco 7" community is a strong one. Besides garage rock and psychedelic rock, there might not be another genre that is so beloved on the small but mighty 45rpm format. So, it completely makes sense if you are a newer producer releasing music in these genres then definitely know your fan base. Cool Million is a Danish and German duo doing just that. Their track 'Stronger' is the track and the title of their sixth full length album from 2019. The album has gained such strong reviews that they put it now as a single along with the Dub version on the reverse side. 'Stronger' is a positive and upbeat anthem that is sure reign in the innocent bystanders to party. The Dub is a super-cool alternative version that reminds of us classic roller-skating funk track from Midnight Star or Kool & The Gang. Need a party starter? Get this!

Review: Alleviated's Larry Heard reissue series has previously brought us the rough and tough acid of Gherkin Jerks and, more recently, the intergalactic downtempo grooves of his largely overlooked Alien LP. Here, they revisit one of Heard's later aliases, Loosefingers, dusting down and reissuing tracks from 2003's Glancing at the Moon EP. All three tracks are deep, warm and melodious in typical Heard fashion, with the title track delivering a sultry blend of wide-eyed chords, darting electronics, Latin-influenced percussion and tactile keys. "Deep Inside" delivers a hazy, sun-kissed take on soulful house - all jazz bass, sensual chords and gentle vocals. Best of all, though, is the tougher, synth-heavy "Lamentation", which rolls along at a near techno-tempo and is blessed with thrilling bleep melodies.

Review: SZA's last album Ctrl in 2017 took the American vocalist into the stratosphere and so a follow up was always going to be a big challenge. But she rises to it and then some as the GRAMMY award-winning Top Dawg artist calls upon a top draw list of collaborators including Jeff Bhasker, Rodney Jerkins, DJ Dahi, Ant Clemons and Lizzo. The album went straight in at number one on the Billboard chart and was widely acclaimed by critics for its vocal performances and mix of r&b, pop and hip-hop styles. Plenty fo SZA's own innermost feelings are fully translated into this record, making it another absurdist, ambitious work.

Review: Mad About Records officially reissues super rare private press Quintessence's 1981 LP. Surprisingly for the level of talent and production / recording wit that it flaunts, Quintessence was one of many original jazz LPs to remain in private circulation and thus completely wanting of the public ear. Led by Ron Ancrum, with George Sovak, David Gaedeke, Winston Johnson and Steve Muse, the band nonetheless recorded an exceptional slice of artistic pie here, bringing Rhodesy, tritoning sundowners to the then already well-fleshed milieu of 80s jazz, an unmistakably bulbous and gaudy sound to which Quintessence do much justice; our favourite here by far is 'In My Apartment', a tssking blue-jazz suite for boughed double bass and noir piano.

Review: Following his impressive debut on Submersive's VA Osmotic Particles in 2021, Toki Fuko returns with his inaugural solo release on the label. His Hues of Movement EP comprises three original tracks and remixes by Anthony Linell and Artefakt, all of which embody Submersive's ethos of deep, hypnotic techno. Fuko impresses as always with his well crafted soundscapes blending electrical pulses with catchy drum sequences. Linell's Train remix fuses his style with Fuko's to make for a dub-influenced journey while Artefakt's 'Warble' remix takes things into darker worlds filled with unrelenting tension.

Review: Matt and Lee join forces with Grammy Award-winning Terry Hunter to unleash a soulful house masterpiece here on Sonic Wax. Their superb collaboration results in a track that exudes pure musical bliss and captivates heart, body and mind with its irresistible grooves and smooth synths. Additionally, Matt and Lee showcase their prowess with a killer Masters At Work-inspired soulful house mix which adds their own unique touch to the genre. Jazz Apple contributes a remarkable Mario Biondi-style jazz mix, perfectly tailored for the jazz and Northern Soul market, and together, these artists deliver a diverse collection of mixes that will undoubtedly make their mark.

Notes: 'Pamela's PRO Workout' is a compact programmable clocked modulation source for your Eurorack modular system. It provides 8 highly editable outputs producing various control voltage signals correlated and synced to a BPM based master clock.

Each output can provide everything from simple clocked triggers, complex rhythmic waveforms, quantised melodic patterns to random chaos with direct and assignable CV control over numerous parameters. These features together with a quick and easy to use interface provide almost limitless synced modulation possibilities in a tiny space.

Building on the original 'Pamela's Workout' & 'Pamela's NEW Workout' the evolved 'PRO' Pam maintains the precursor's form factor and intuitive workflow but improves and adds many new features with upgraded hardware, more CV inputs, a new full colour hi res display and rewritten software adding many new enhancements like micro grid timings and cross output modulations.

Through optional expander modules more CV input and outputs can be added with support for external non euro equipment through Midi and Din Sync outputs. Please enjoy your next generation PRO workout!

Size: 8HP
Power: +12v 60ma / -12v 10ma
Depth: 32mm (approx with power header)
Outputs: 0-5v buffered low impedance. 12 bit res. 3.8khz max update freq.
Inputs: CV 0v-5v / Clock, Run - rising edge 700mV min.