Back catalogue: All genres

Notes: ***B-STOCK: Box damaged, but product is in excellent condition and in perfect working order***


Updated version of Akai's excellent MPC One features increased storage, WiFi, Bluetooth and a striking new colour scheme. Full standalone beat creation masterpiece.

*** Introducing MPC Stems- March 2024 ***

Akai Professional now introduces the next chapter of sampling innovation and production powered by the groundbreaking MPC Stems bringing sampling into a new chapter.

With MPC Stems, you can access the raw building blocks of any sample or vinyl record, isolating the DNA of any record. Producers can now manipulate the Drums, Bass, Music, and Vocals, opening new creative possibilities.

Akai Professional introduces the ultimate creative workflow with Stems Separation seamlessly integrated into the leading MPC series, powered by MPC 2 Desktop Software.

With MPC Stems, producers and beat-makers can now unlock unmatched sampling creativity by easily isolating drums, bass, music, and vocals from any audio, vinyl recording, or sample revolutionizing the art of sampling.
Experience lightning-fast workflow with superior sound quality, keeping you inspired throughout the creative process.

Slice and isolate samples while maintaining chop regions across each of the four stem layers.

Take complete control with direct manipulation of stem layers from the pads, adjusting volume, pitch, pan, start, and end points with instant responsiveness.

MPC Stems requires MPC 2 Desktop Software running 2.14 or higher, compatible with MPC Live, MPC Live 2, MPC One, MPC One +, MPC X, MPC XSE, MPC Key 37, MPC Key 61, MPC Studio Mk 2 in Controller Mode.

Supplier's Notes:
MPC One +

Standalone MPC with 7" touchscreen / WiFi & Bluetooth

Supercharge your beats

Standalone supercharged

The new MPC One+ brings a jolt of energy to the standalone workflow to enhance creative speed and efficiency. With MPC One+, beatmakers producers to live performers can enjoy the creative journey like never before.

Pure standalone power in your hands

At the heart of MPC One+ is the powerful multi-core processor, the same featured in the flagship MPC X. This isn't a scaled down little brother, but a production unit built with the same DNA for high-level music creation. Instruments, audio, MIDI, and effects processing to bring the music to life. With an upgraded 16GB of internal storage, create and store more of your inspired moments right in MPC One+ for immediate access and recall.

Wireless for the future

New Wi-Fi and Bluetooth connectivity opens a new world of possibilities for your creative workflow. With Wi-Fi, you now have access to Ableton Link 3 to wirelessly connect and sync all your capable devices. Lock patterns and grooves for a mega creation without any cables or connections. Grab your Bluetooth enabled MIDI controller to lay down synths and melodies while your infectious rhythms have you vibing to the beat. Pair with a wireless QWERTY keyboard to search through folders and libraries accurately. With Wi-Fi and Bluetooth, your MPC One+ may be untethered but you are locked right into the music.

The centre of your creativity

MPC One+ is meant to be the focal point of your creative workspace. Whether you need compact, efficient beat-making or expanded interconnected production and composition, MPC One+ is versatile enough to accommodate any need. Connect your studio speakers to Stereo Outputs for accurate monitoring. A pair of Line Level Inputs are ready for keyboards, synths, instruments, hardware processors, and more. Expand your I/O with support for ClassCompliant Devices via a USB A host port. Connect your favorite plug-and-play USB MIDI Controllers, Audio Interface Devices, or removable storage drives, and take your production up another level with ease.

The workflow that sparks inspiration

MPC is the premier platform for all pattern-based music from EDM to Electro, Hip-Hop to House, and beyond. With 128 MIDI and 8 Audio Tracks per project, MPC One can capture any idea just as fast as you can think it. Browse thousands of MPC Plugin Instrument Presets to find that perfect sound to build melodies or shape harmonic phrases with massive sonics. Lay down serious drums and percussion with the signature MPC groove and precision. 16 Levels, Note Repeat, and Time Correct have defined the rhythmic feel for generations and continue to be the foundation for hit song after hit song. Use the pads in combination with Notes and Chords modes to unlock a completely new world of pad performance using the 16 velocity-sensitive RGB backlit pads.

One place for your sounds, samples, and songs

MPC One+ grows with you as you evolve on your music production journey. Update features, sounds, and samples wirelessly thanks to built-in Wi-Fi. When new MPC plugin instruments are available, you'll enjoy instant notifications as well as downloads and software authorizations right from your MPC One+. Browse and sync your curated Splice loops and samples and give your productions a breath of fresh inspiration whenever you need it. Keep all your sounds and instruments right within reach to instantly capture the most inspired moments anytime.

The next step of your MPC journey

MPC One+ is here for the producers and beatmakers ready to take the next step in the journey. Upgrade to MPC One+ from MPC Beats and load your old projects seamlessly on MPC One+. Your MPK mini or other class-compliant controller connects for powerful keyboard control of popular MPC plugin instruments like Hype, Mellotron, or Odyssey. For a limited time, receive a voucher for a free MPC Plugin instrument download from the MPC Store with the purchase and registration of a new MPC One+. MPC One+ has arrived and the musical possibilities ahead of you are endless with the power of its supercharged standalone workflow.

Technical Specifications

Pads
(16) velocity- and pressure-sensitive pads, RGB-backlit
(8) banks accessible via 4 Pad Bank buttons

Knobs
(4) 360- touch-sensitive Q-Link knobs for parameter adjustment
(1) data encoder for value adjustment and selection via push

Buttons
(31) dedicated-function buttons

Display
7.0" / 177 mm (diagonal)
5.9" x 3.7" / 151 x 94 mm (width x height)
Full-colour LED-backlit display with touch interface

Memory
Processor: Quad-core ARMr processor
RAM: 2 GB
Storage: 16 GB (over 7.8 GB available for user storage)

Power via power adapter (12 V, 3.0 A, center-positive, included)

Connections
(2) 1/4" (6.35 mm) TRS inputs (1 stereo pair)
(2) 1/4" (6.35 mm) TRS outputs (1 stereo pair)
(1) 1/8" (3.5 mm) stereo headphone output
(1) 5-pin MIDI inputs
(1) 5-pin MIDI output
(4) 4 TRS CV/Gate Jacks, 8 Outputs Total
(1) USB Type-A port
(1) USB Type-B port
(1) SD Card slot
(1) Power Adapter input

Dimensions (width x depth x height)
10.7" x 10.7" x 2.1"
272 x 272 x 53 mm

Weight
4.7 lbs / 2.1 kg

Notes: Third-generation version of Arturia's exceptional KeyLab controller is presented here in a white, 88-key format. Top quality, expressive performance and Arturia's famed reliability.

Supplier's Notes:
Building on the success of their recent rev3. releases (Minilab 3, Keylab Essential 3 and Keylab MK3) Arturia are delighted to share their next gen 88 note controller keyboard, the Keylab 88 MK3.

With a full-size hammer-action aftertouch keybed and next-level software integration encased in hard wearing high-quality materials and hard-wood panelling - KeyLab mk3 88 not only looks the part but will stand the test of time on stage and in the studio.

Keylab 88 MK3 features all of the refinements found in the other MK3 keyboards, but it sports a massive upgrade to it's keybed over previous models, now equipped with a FATAR TP/110 the Keylab 88 MK3 delivers a stunning playing experience, unlike any other 88 note controller on the market.

With a stunning visual display that shows a range of contextual information on-screen alongside touch-sensitive controls and advanced creative features; it enhances every aspect of the music-making process. From integrating effortlessly with Analog Lab Pro and all major DAWs to supporting musical ideation, keyboardists, producers and composers alike can take full command of their setup like never before.

From customizable MIDI settings and intuitive controls to advanced creative features that support musical ideation - KeyLab mk3 is a powerful ally both in the studio and on stage

KeyLab mk3 offers advanced connectivity with all major DAWs including MCU/ HUI protocols, allowing you to view contextual information on-screen, create user programs and have complete control of your music making software and instruments.

With Analog Lab Pro, Ableton Live Lite and a range of timeless instruments from the world-renowned V Collection, discover a suite of pro-grade software to start making music right away.

Notes: ***B-STOCK: Box opened, product in perfect working order***


Arturia's new KeyLab Essential 3 offers a new level of accessible, enjoyable, and creative music making, redefining the essence of a modern universal keyboard controller.

From its refreshing new design, to its vastly upgraded creative workflow, to an expanded software package, it promises to shake up the affordable controller market by empowering modern musicians and sound explorers looking to expand their setup without breaking the bank.

Main selling points

Fit for any style and any setup

For DAW producers, musicians with hybrid setups, or performers using hardware; enhance any creative setup or musical style with MIDI out & USB power, deep DAW compatibility, and premium software.

The new standard for affordable keyboard controllers

A keyboard controller that doesn't need tons of controls, menu diving, or complex configuration to operate. KeyLab Essential 3 looks modern, feels great, and removes creative barriers for next-level music making.

Directly-linked with Arturia's industry-leading software ranges

Many musicians and producers will be familiar with Arturia's award-winning software; KeyLab Essential 3 is part of the same range, seamlessly integrating with Analog Lab V, Pigments, and V Collection.

New Features:
New creative features: Scale Mode, Chord Mode, and Arpeggiator, making composition, songwriting, and beat-making more intuitive than ever.
Custom DAW integration: KeyLab Essential 3 features custom scripts for deeper control over DAWs, including Ableton Live Logic Pro X, FL Studio, and more.
More versatile presets: The 2000 presets included with Analog Lab V are no longer limited to vintage sounds; users can enjoy unique hybrids, modern synths, orchestral sounds, and more.
Easier controls & interface: RGB-backlit pads with velocity and pressure sensitivity, contextual button, and a bright new 2.5" LCD screen for real-time feedback.
Expanded software package for beginners & pros: Now includes Analog Lab V, 2 pianos (UVI Model D, NI's The Gentleman), plus subscriptions to Loopcloud and Melodics.

Notes: ***B-STOCK: Box opened, product in perfect working order***


Upgraded second-generation version of the high-end DT 1990 features improved sound, increased comfort and top quality sound, all based around the new generation Tesla 45mm driver.

Supplier's Notes:
DT 1990 PRO MKII - the evolution of a studio legend

The DT 1990 PRO MKII open-back studio headphones are the second generation of the popular premium model. They boast improved sound, increased comfort and industry-leading workmanship made in Germany. At the heart is the newly developed TESLA.45 driver technology. Suitable for mixing, mastering and editing, they are the perfect choice for discerning users who want to take their tracks to the next level.

The open-back reference

Thanks to their open-back design, the DT 1990 PRO MKII offers a natural, spatial sound pattern, which makes them ideal for professional mixing, mastering and editing.

The new generation of TESLA technology

TESLA.45

The DT 1990 PRO MKII feature the latest generation of TESLA driver technology TESLA.45. Redesigned from the ground up, the 45mm driver system boasts an excellent resolution, extremely low distortion and outstanding impulse behaviour. The TESLA.45 provides signal fidelity even at high volumes. Beyerdynamic's engineers have managed to combine studio-sound and flexibility thanks to weight-optimized materials. The DT 1990 PRO MKII has an impedance of 30 ohms, which means that the studio headphones can be used with a variety of end devices.

When it comes to sound, the reference headphones boast precise bass response right down to the lowest octaves. The slightly reduced highs compared to the previous model offer a high amount of information and help to avoid wrong decisions when mixing. Thanks to the wide soundstage, instruments and voices can be precisely pinpointed.

The sound transducers are manufactured at the company headquarters in Heilbronn, Germany. Each DT 1990 PRO MKII contains two TESLA.45 sound transducers, which are measured several times during the various production steps.

Maximum comfort

The DT 1990 PRO MKII is designed for several hours of use in the studio and offers outstanding comfort. The robust, flexible spring steel headband design ensures optimum contact pressure. Thanks to the skin-friendly velour ear pads, the headphones are comfortable to wear even during long sessions. The headband, consisting of soft memory foam and durable leatherette, adapts perfectly to the shape of the head. And thanks to the fontanelle recess, potentially pain-sensitive areas on the head are avoided. Both the headband and the ear pads can be replaced if necessary.

Two sound signatures

Designed to maximise flexibility, the DT 1990 PRO MKII is supplied with two different types of ear pads. The 'Producing Velours' fitted as standard deliver a full sound thanks to a slight bass boost. The 'Mixing & Mastering Velours' offer a more analytical sound. Two cables are also included: a 3m straight cable and a 5m coiled cable. Both cables have a lockable 3-pin mini-XLR plug. Everything is safely stored in a high-quality hard case.

Industry-leading workmanship

Thanks to German manufacturing expertise, the DT 1990 PRO MKII sets the benchmark in workmanship and durability. The TESLA.45 driver systems are measured within tight tolerances several times during production. High-quality materials such as anodised metal and hard-wearing plastics make the DT 1990 PRO MKII a long-term investment. In the interest of sustainability, almost every part of the premium headphones can be replaced.

Notes: Introducing the new Buchla Auxiliary Oscillator Card, a brand new revision of the BEMI era AUX Card, designed to perfectly compliment 208c series / Easel instruments.

Buchla Music Easel users remember fondly the BEMI-Era Easel Aux Expander Card, which added an auxiliary modulation source which could also be used as an audio rate oscillator and more!

Now, the Aux Card returns as the Aux Osc Card - A new Auxiliary Oscillator Card which perfectly compliments the current generation Music Easel Modern, Retro, Easel Command, and Anniversary Edition.

The new AUX Card unlocks an incredible range of features, dramatically expanding the Easel's capabilities and taking your creative potential to the next level.

Notes: The Chroma USB Drive is a 128GB dual USB-A and USB-C drive designed specifically for DJs.

This drive has especially-chosen USB 3.2 memory, enabling fast library syncing on Rekordbox and Engine (sync in seconds, not painful hours).

Optimized for pro use, the Chroma Drive went through rigorous testing across Pioneer DJ and Denon DJ gear.

It's incredibly reliable for long gigs and harsh conditions. Sync faster, perform smoother, and never worry about adapters again!

Sync in seconds, not hours

Have you ever waited an hour for just 100 songs to upload to your USB from Rekordbox? It's not optimized for DJing. Rarely advertised on USB drives are the actual read and write speeds for DJ-style transfers. Most USB drives have memory not designed to update lots of little files quickly (metadata, cues, songs, analysis data, etc), but better at single/big files (i.e: a large single video file). DJs libraries aren't single files - they're lots of different files that have to be checked, updated, and then added to - all done concurrently.

Tested by DJs for thousands of hours

We've tested these with 350+ hour (two week) marathon DJ sets, using drives on all Pioneer DJ and Denon DJ all-in-ones and media players (CDJs), heavy media recording (DJ sets, 4k ProRes video), Stressdisk testing to ensure the memory has a long use life, high dust / high heat environments in the middle of the Black Rock Desert, heavy repeated plugging/unplugging (500+ times) to simulate long-term wear on the connectors.

Maximum DJ gear compatibility

The drive comes pre-formatted as FAT32. Yes, some newer DJ gear can work with ExFAT and HFS drive formats, but for maximum compatibility with all DJ gear, even just 3-4 year old units, FAT32 makes the most sense. For best results, this means you should leave 10-15% of the drive free to avoid library corruption.

Works with as many pieces of DJ gear as possible out of the box:

The drive comes pre-formatted as FAT32. Yes, some newer DJ gear can work with ExFAT and HFS drive formats, but for maximum compatibility with all DJ gear, even just 3-4 year old units, FAT32 makes the most sense. The only major limitation is that you cannot copy over files larger than 4 GB onto these drives. So if you want to have a very long lossless set stored on your drive, or use it to copy other types of media, you can reformat it easily. We recommend keeping all of your DJ drives FAT32 to make sure that older firmwares and gear all work seamlessly for your future.

Works with:

XDJ-AZ
XDJ-XZ
XDJ-RX, RX2, RX3, RR
Opus QUAD, OMNIS Duo
CDJ-3000, CDJ-2000/NXS/NXS2
XDJ-1000/MK2
Prime GO, Prime 2, Prime 4, plus the plus models
SC5000, SC6000, plus the M models
Honestly, pretty much any DJ device made in the last two decades that uses a USB port on it and can accept FAT32 formatted drives

Tech Specs
High speed USB flash memory designed for rapid-transfer of many smaller files
USB 3.2 Gen 1 (with memory that performs well at lots of rapid small file updates and read/writes like in Rekordbox syncing)
Quality metal alloy build
Engraved with DJ TechTools logo on one side. The other side is blank, but can be customized
Dual USB connectors in USB-A and USB-C
Rotatable cover (with satisfying mechanical action) to protect connector not being used
1 year limited warranty for mechanical issues (water, accidental, or intentional damage not covered, please buy an Extend warranty if you want all issues covered).
Support from DJ Techtools staff for all drive issues

Drive Specs:

Size: 128gb
Connector Type: USB-A + USB-C
Read Speed: 160-180MB/s
Write Speed: 240-260MB/s
Material: Zinc Alloy

Notes: The Chroma USB Drive is a 128GB dual USB-A and USB-C drive designed specifically for DJs.

This drive has especially-chosen USB 3.2 memory, enabling fast library syncing on Rekordbox and Engine (sync in seconds, not painful hours).

Optimized for pro use, the Chroma Drive went through rigorous testing across Pioneer DJ and Denon DJ gear.

It's incredibly reliable for long gigs and harsh conditions. Sync faster, perform smoother, and never worry about adapters again!

Sync in seconds, not hours

Have you ever waited an hour for just 100 songs to upload to your USB from Rekordbox? It's not optimized for DJing. Rarely advertised on USB drives are the actual read and write speeds for DJ-style transfers. Most USB drives have memory not designed to update lots of little files quickly (metadata, cues, songs, analysis data, etc), but better at single/big files (i.e: a large single video file). DJs libraries aren't single files - they're lots of different files that have to be checked, updated, and then added to - all done concurrently.

Tested by DJs for thousands of hours

We've tested these with 350+ hour (two week) marathon DJ sets, using drives on all Pioneer DJ and Denon DJ all-in-ones and media players (CDJs), heavy media recording (DJ sets, 4k ProRes video), Stressdisk testing to ensure the memory has a long use life, high dust / high heat environments in the middle of the Black Rock Desert, heavy repeated plugging/unplugging (500+ times) to simulate long-term wear on the connectors.

Maximum DJ gear compatibility

The drive comes pre-formatted as FAT32. Yes, some newer DJ gear can work with ExFAT and HFS drive formats, but for maximum compatibility with all DJ gear, even just 3-4 year old units, FAT32 makes the most sense. For best results, this means you should leave 10-15% of the drive free to avoid library corruption.

Works with as many pieces of DJ gear as possible out of the box:

The drive comes pre-formatted as FAT32. Yes, some newer DJ gear can work with ExFAT and HFS drive formats, but for maximum compatibility with all DJ gear, even just 3-4 year old units, FAT32 makes the most sense. The only major limitation is that you cannot copy over files larger than 4 GB onto these drives. So if you want to have a very long lossless set stored on your drive, or use it to copy other types of media, you can reformat it easily. We recommend keeping all of your DJ drives FAT32 to make sure that older firmwares and gear all work seamlessly for your future.

Works with:

XDJ-AZ
XDJ-XZ
XDJ-RX, RX2, RX3, RR
Opus QUAD, OMNIS Duo
CDJ-3000, CDJ-2000/NXS/NXS2
XDJ-1000/MK2
Prime GO, Prime 2, Prime 4, plus the plus models
SC5000, SC6000, plus the M models
Honestly, pretty much any DJ device made in the last two decades that uses a USB port on it and can accept FAT32 formatted drives

Tech Specs
High speed USB flash memory designed for rapid-transfer of many smaller files
USB 3.2 Gen 1 (with memory that performs well at lots of rapid small file updates and read/writes like in Rekordbox syncing)
Quality metal alloy build
Engraved with DJ TechTools logo on one side. The other side is blank, but can be customized
Dual USB connectors in USB-A and USB-C
Rotatable cover (with satisfying mechanical action) to protect connector not being used
1 year limited warranty for mechanical issues (water, accidental, or intentional damage not covered, please buy an Extend warranty if you want all issues covered).
Support from DJ Techtools staff for all drive issues

Drive Specs:

Size: 128gb
Connector Type: USB-A + USB-C
Read Speed: 160-180MB/s
Write Speed: 240-260MB/s
Material: Zinc Alloy

Notes: The Chroma USB Drive is a 128GB dual USB-A and USB-C drive designed specifically for DJs.

This drive has especially-chosen USB 3.2 memory, enabling fast library syncing on Rekordbox and Engine (sync in seconds, not painful hours).

Optimized for pro use, the Chroma Drive went through rigorous testing across Pioneer DJ and Denon DJ gear.

It's incredibly reliable for long gigs and harsh conditions. Sync faster, perform smoother, and never worry about adapters again!

Sync in seconds, not hours

Have you ever waited an hour for just 100 songs to upload to your USB from Rekordbox? It's not optimized for DJing. Rarely advertised on USB drives are the actual read and write speeds for DJ-style transfers. Most USB drives have memory not designed to update lots of little files quickly (metadata, cues, songs, analysis data, etc), but better at single/big files (i.e: a large single video file). DJs libraries aren't single files - they're lots of different files that have to be checked, updated, and then added to - all done concurrently.

Tested by DJs for thousands of hours

We've tested these with 350+ hour (two week) marathon DJ sets, using drives on all Pioneer DJ and Denon DJ all-in-ones and media players (CDJs), heavy media recording (DJ sets, 4k ProRes video), Stressdisk testing to ensure the memory has a long use life, high dust / high heat environments in the middle of the Black Rock Desert, heavy repeated plugging/unplugging (500+ times) to simulate long-term wear on the connectors.

Maximum DJ gear compatibility

The drive comes pre-formatted as FAT32. Yes, some newer DJ gear can work with ExFAT and HFS drive formats, but for maximum compatibility with all DJ gear, even just 3-4 year old units, FAT32 makes the most sense. For best results, this means you should leave 10-15% of the drive free to avoid library corruption.

Works with as many pieces of DJ gear as possible out of the box:

The drive comes pre-formatted as FAT32. Yes, some newer DJ gear can work with ExFAT and HFS drive formats, but for maximum compatibility with all DJ gear, even just 3-4 year old units, FAT32 makes the most sense. The only major limitation is that you cannot copy over files larger than 4 GB onto these drives. So if you want to have a very long lossless set stored on your drive, or use it to copy other types of media, you can reformat it easily. We recommend keeping all of your DJ drives FAT32 to make sure that older firmwares and gear all work seamlessly for your future.

Works with:

XDJ-AZ
XDJ-XZ
XDJ-RX, RX2, RX3, RR
Opus QUAD, OMNIS Duo
CDJ-3000, CDJ-2000/NXS/NXS2
XDJ-1000/MK2
Prime GO, Prime 2, Prime 4, plus the plus models
SC5000, SC6000, plus the M models
Honestly, pretty much any DJ device made in the last two decades that uses a USB port on it and can accept FAT32 formatted drives

Tech Specs
High speed USB flash memory designed for rapid-transfer of many smaller files
USB 3.2 Gen 1 (with memory that performs well at lots of rapid small file updates and read/writes like in Rekordbox syncing)
Quality metal alloy build
Engraved with DJ TechTools logo on one side. The other side is blank, but can be customized
Dual USB connectors in USB-A and USB-C
Rotatable cover (with satisfying mechanical action) to protect connector not being used
1 year limited warranty for mechanical issues (water, accidental, or intentional damage not covered, please buy an Extend warranty if you want all issues covered).
Support from DJ Techtools staff for all drive issues

Drive Specs:

Size: 128gb
Connector Type: USB-A + USB-C
Read Speed: 160-180MB/s
Write Speed: 240-260MB/s
Material: Zinc Alloy

Notes: Space grey version of the specially designed Chroma USB drive from DJ Tech Tools. Optimised for DJ use, the Chroma offers USB-C and USB-A connections to ensure fast performance and compatibility with both Denon and Pioneer players.

Supplier's Notes:
The Chroma USB Drive is a 128GB dual USB-A and USB-C drive designed specifically for DJs.

This drive has especially-chosen USB 3.2 memory, enabling fast library syncing on Rekordbox and Engine (sync in seconds, not painful hours).

Optimized for pro use, the Chroma Drive went through rigorous testing across Pioneer DJ and Denon DJ gear.

It's incredibly reliable for long gigs and harsh conditions. Sync faster, perform smoother, and never worry about adapters again!

Sync in seconds, not hours

Have you ever waited an hour for just 100 songs to upload to your USB from Rekordbox? It's not optimized for DJing. Rarely advertised on USB drives are the actual read and write speeds for DJ-style transfers. Most USB drives have memory not designed to update lots of little files quickly (metadata, cues, songs, analysis data, etc), but better at single/big files (i.e: a large single video file). DJs libraries aren't single files - they're lots of different files that have to be checked, updated, and then added to - all done concurrently.

Tested by DJs for thousands of hours

We've tested these with 350+ hour (two week) marathon DJ sets, using drives on all Pioneer DJ and Denon DJ all-in-ones and media players (CDJs), heavy media recording (DJ sets, 4k ProRes video), Stressdisk testing to ensure the memory has a long use life, high dust / high heat environments in the middle of the Black Rock Desert, heavy repeated plugging/unplugging (500+ times) to simulate long-term wear on the connectors.

Maximum DJ gear compatibility

The drive comes pre-formatted as FAT32. Yes, some newer DJ gear can work with ExFAT and HFS drive formats, but for maximum compatibility with all DJ gear, even just 3-4 year old units, FAT32 makes the most sense. For best results, this means you should leave 10-15% of the drive free to avoid library corruption.

Works with as many pieces of DJ gear as possible out of the box:

The drive comes pre-formatted as FAT32. Yes, some newer DJ gear can work with ExFAT and HFS drive formats, but for maximum compatibility with all DJ gear, even just 3-4 year old units, FAT32 makes the most sense. The only major limitation is that you cannot copy over files larger than 4 GB onto these drives. So if you want to have a very long lossless set stored on your drive, or use it to copy other types of media, you can reformat it easily. We recommend keeping all of your DJ drives FAT32 to make sure that older firmwares and gear all work seamlessly for your future.

Works with:

XDJ-AZ
XDJ-XZ
XDJ-RX, RX2, RX3, RR
Opus QUAD, OMNIS Duo
CDJ-3000, CDJ-2000/NXS/NXS2
XDJ-1000/MK2
Prime GO, Prime 2, Prime 4, plus the plus models
SC5000, SC6000, plus the M models
Honestly, pretty much any DJ device made in the last two decades that uses a USB port on it and can accept FAT32 formatted drives

Tech Specs
High speed USB flash memory designed for rapid-transfer of many smaller files
USB 3.2 Gen 1 (with memory that performs well at lots of rapid small file updates and read/writes like in Rekordbox syncing)
Quality metal alloy build
Engraved with DJ TechTools logo on one side. The other side is blank, but can be customized
Dual USB connectors in USB-A and USB-C
Rotatable cover (with satisfying mechanical action) to protect connector not being used
1 year limited warranty for mechanical issues (water, accidental, or intentional damage not covered, please buy an Extend warranty if you want all issues covered).
Support from DJ Techtools staff for all drive issues

Drive Specs:

Size: 128gb
Connector Type: USB-A + USB-C
Read Speed: 160-180MB/s
Write Speed: 240-260MB/s
Material: Zinc Alloy

Notes: The Chroma USB Drive is a 256GB dual USB-A and USB-C drive designed specifically for DJs. This drive is has specially-chosen USB 3.2 memory, enabling fast library syncing on Rekordbox and Engine (sync in seconds, not painful hours). Optimized for pro use, the Chroma Drive went through rigorous testing across Pioneer DJ and Denon DJ gear. It's incredibly reliable for long gigs and harsh conditions. Sync faster, perform smoother, and never worry about adapters again!

Notes: Enhance your recording and listening experience by absorbing and controlling unwanted reflected noises. Each panel features a 2 inch thick, 12x12" pyramid design for maximum absorption.

Notes: Blue version of the DJ Control Inpulse 200 MK2, a superb option for beginners and anyone looking for an ultra-portable DJ controller. Great value.

Supplier's Notes:
Elevate your DJing journey with the Hercules DJControl Inpulse 200 MK2 Blue Edition. This sleekcontroller comes packed with powerful features, including Serato DJ Lite and DJUCED software,designed to inspire creativity and unlock your full potential. The groundbreaking Stems feature lets youeffortlessly blend instrumentals from one track with vocals from another, opening endless possibilities for unique mixes.

Master the art of beatmatching with the intuitive Beatmatch Guide, featuring built-in light indicators below each jog wheel and beside each tempo fader, making track syncing a breeze. With 4 performance pads and 4 versatile modes (Hot Cue, Stems, FX, Sampler), you'll have everything you need to craftseamless, professional-level transitions that will captivate any crowd.

Whether you're a beginner or looking to refine your skills, the DJ Academy video tutorials offer step-by-step guidance, expert tips, and tricks to help you perfect your mixing techniques and take your sets to the next level. Let your creativity shine with the DJControl Inpulse 200 MK2 Blue Edition

Notes: No-nonsense analogue business here from JMT. Square wave VCO and sub-oscillators can be morphed and wave folded to create unique timbres.

Supplier's Notes:
The JMT Synth EWG is a desktop analog synthesiser with a wide-ranging VCO and two reconfigurable sub-oscillators that emit square waves, ideal for thick bass tones. Two adjacent knobs can control the pulse of the square waves, allowing for a wide range of tones and timbres. Two reduce knobs govern the leve of each sub-oscillator, allowing the user to blend the tones to their taste. The EWG-1 is powered by a DC9V center negative adapter or a single 9V battery.

Notes: This model consists of two VCOs (oscillators), SAMPLE & HOLD, noise generator, low-pass filter, LFO, VCA, and envelope generator to create a powerful sound.

By itself, a wide range of sounds can be created, including random and regular intermittent sounds, mute timing, and fine-tuning of levels.

If you input sounds from other equipment through the A IN, you can apply a variety of filters, LFOs that oscillate the filters, and mutes to the input sounds in parallel with the built-in oscillator.

The variable range is wide enough to produce a variety of sounds. The filter is a 4-pole filter that works very smoothly, and external audio can be input via A IN.

You can also use it with a sequencer to create even more sounds.

CV INPUTs can accept - + 9V. Do not exceed this voltage.

The adapter is not included.

Please use centre negative 9V POWER SUPPLY or A 9V battery.

Notes: One of the most trusted names in audio, MOTU deliver as always with the 16A, offering a whopping 32-in/34-out configuration over Thunderbolt or USB, all with pristine audio quality.

Supplier's Notes:
The 16A Thunderbolt audio interface provides industry-leading dynamic range and large console style mixing. With 64 channels of audio I/O (32 ins and 32 outs), the 16A also supports USB 2.0 audio class compliant connectivity that is USB 3.0 compatible.

As an interface, standalone mixer or patchbay, the 16A provides 32 separate inputs and 32 separate outputs, including sixteen balanced TRS analog inputs, sixteen balanced TRS analog outputs, and two 8-channel banks of ADAT optical digital I/O. Powerful DSP delivers large console style mixing with 48 channels, 12 stereo busses, and 32-bit floating point effects processing, including modeled analog EQ, vintage compression and classic reverb. The unit's extensive routing grid patches ins to outs, or splits inputs to multiple destinations.

Use the 16A as a stand-alone mixer and control everything from the 16A's innovative web app running on your iPad, iPhone, tablet, smart phone, and laptop. Connect a second MOTU AVB interface (1248, 8M or 16A) with a simple Ethernet cable. Add more I/O with the MOTU AVB Switch (sold separately). Build an AVB audio network with multiple switches and sub-millisecond latency, even over long cable runs. Stream hundreds of channels among devices and computers on the network. From initial tracking to final mastering, the 16A delivers superb sound quality, state-of-the-art operation, and reliable performance.

This box contains everything you need to turn your computer into a powerful 24-bit/192 kHz digital audio workstation. As a "hybrid" audio interface, the 16A offers flexible connectivity to your computer via ultra-fast Thunderbolt technology or class compliant, hi-speed USB 2.0, with 32 channels of pristine analog I/O, combined with 32 channels of digital I/O, for a total of 64 simultaneous audio channels.

Connect all of your studio gear, including synths, keyboards, drum machines and even effects processors. Record, monitor, route and process all of these live inputs using the professional on-board digital mixer - with no latency and no processor strain on your computer. Apply hardware DSP-driven effects processing to inputs, outputs, and busses independent of your host computer. Add Classic Reverb with lengths up to 60 seconds. Further sculpt your sound with gating, 4-band parametric EQ, and vintage compression modeled after the legendary LA-2A leveling amplifier.

Add more MOTU interfaces as your needs grow, connected to a state-of-the-art audio network using standard AVB Ethernet switches and CAT-5e cabling, with near-zero network latency, even over long cable runs (several hundred meters). Record and monitor up to 128 audio channels in and out, simultaneously, to a host computer through Thunderbolt. Route hundreds of audio channels among multiple devices and computers on the network.

Control all DSP-based mixing and effects, device settings, and network audio routing using your favorite web browser running on your laptop, tablet or smart phone connected wirelessly or locally to the 16A audio network.

From initial tracking to final mastering, the 16A delivers superb sound quality, state-of-the-art operation, and reliable performance.

Notes: Discover Biotron, the musical instrument that transforms plants into sound.

Play with your favourite plant and let nature compose your music. As the plant's natural electrical properties change, the sound evolves, creating a unique musical experience every time.

Ready to get started? Connect Biotron to a computer, tablet, or smartphone, and play with our online synth or your favourite music software/hardware. With no noticeable latency, Biotron responds just like any other MIDI controller.

What you can do

- Play using plants as your instrument
- Change the sound based on the plant's natural responses
- Interact with nature to create music
- No musical skill needed

How to use

- Connect Biotron to your PC, phone, or tablet using the provided USB cable.
- Attach the electrodes to your plant. Ensure they are securely connected to the stems or leaves for optimal conductivity.

- Open Google Chrome and navigate to synth.playtronica.com, then choose any synth you like. Alternatively, use your preferred music software or hardware that accepts MIDI input.

- Interact with your plant by moving your hands near it, touching its leaves, or adjusting environmental factors like light and moisture to influence the sound.

- Experience the unique music generated by your plant's natural electrical activity translated into MIDI signals

Kit includes

- Biotron MIDI-controller and packaging
- USB-C cable is sold separately to reduce waste in case you have one already
- Alligator clips and patches are also not included, make sure you add whichever you need

Notes: Shik's 32-knob MIDI controller offers customisable, rock solid performance. Set up macros, program knobs to control your key parameters and develop your own hands-on performance interface.

Supplier's Notes:
A Versatile Macro MIDI Controller

Simplify Your Workflow, Manage Multiple Parameters with a Single Knob

Juggling complex controls can disrupt your creativity. The N32B Slim, with 32 programmable knobs and up to 4 macros per knob, makes managing multiple instruments seamless and intuitive.

Customize each macro to send MIDI messages, define ranges, invert directions, assign channels, and select output ports - offering unmatched flexibility for your setup.

Versatile MIDI Message Support

The N32B Slim is built to handle a wide range of MIDI messages, offering precision and adaptability for any musical setup. Supported message types include:

Control Change
Program Change
RPN
NRPN
Aftertouch
High-Resolution MIDI
System Exclusive (SysEx)

MIDI Thru & Outputs

The N32B Slim offers MIDI Thru functionality and flexible output options, including MIDI-USB, TRS, or both simultaneously. Each macro can be individually configured to send messages to a specific output, giving you precise control and seamless integration with any setup.

High-Resolution Mode

With 4095 steps, the N32B Slim delivers exceptional precision compared to the standard 127 steps of most controllers. Fine-tune your sound with unparalleled detail for truly expressive adjustments.

Compact and Portable

The N32B Slim measures just 20.8 cm x 13.5 cm (8.19" x 5.31") with a sleek 1.9 cm (0.74") enclosure. Lightweight and travel-friendly, it fits effortlessly into your bag, making it an ideal companion for studio and on-the-go production.

Stylish and Strong

Designed with a sturdy metal frame, the N32B Slim is built to perform and look great in any setup. Its sleek design and durable construction make it a reliable, long-lasting addition to your gear.

Easy Customization

Fine-tuning your workflow is simple with the N32B Slim's intuitive web editor. Configure each macro to send any MIDI message type, define ranges, and adjust parameters with precision - all in just a few clicks.

Specs

Midi Message Types: Control Change, RPN, NRPN, Program Change, Aftertouch, SysEx
Resolution: High resolution - up to 4095 steps
Channels: 16 Global channels. Supports custom channel assignment for each macro
Presets: 10 quick presets, easily managed via our web editor with the ability to import/export unlimited presets.
Macros: Up to 4 macros for each knob
MIDI I/O: IN, OUT, THRU - TRS 3.5mm (1/8"), MIDI USB
Power: 1 x USB Type C
Compatibility: Mac, Windows

Scope of delivery:

N32B Slim MIDI Controller

1 x USB C to USB A cable

1 x TRS to MIDI DIN5 Adapter

Notes: A bundle from Teenage Engineering consisting of their OP-1 Field synthesiser and EP-133 KO II sampler/sequencer.

OP-1 FIELD SYNTHESISER

Injected with more than a decade of ideas, refinements and improvements. Just to mention a few: stereo throughout the whole signal chain, Bluetooth MIDI, USB type-C, a new speaker system with a passive driver for detailed, fat and loud sound, a massive 24 hour battery life, multiple tapes and recording formats, new great sounding reverb and the 'dimension' synth engine, an all glass, flush, high resolution display. The graphics have also been meticulously reworked, screen by screen.
.
Think of OP-1 field as the natural continuation of its predecessor. Updated with the latest technology, improved design and finely tuned with professional musicians, recording artists and sound designers in mind. Higher quality in all aspects, from its circuitry to connectivity and flexibility, it's tailor made for professionals in the field. The new stereo sample engine is just one of the features that takes the OP-1 field to a higher level. With increased sampling time up to 20 seconds and dual layer mode for instant mixing of the a and b channels or via an assigned LFO.

Four new recording formats: Studio 4-track, vintage 4-track, porta and disc mini. All with their own unique characteristics and graphics. Now with multiple tapes or discs, up to 8 in total.

If it feels thinner, it is. By lowering the aluminium body around the keyboard, the new OP-1 field feels lighter, thinner and more precise. with 2k moulding Teenage Engineering have also managed to fit a dual 2.4 GHz antenna system inside the aluminium body.

The back is warm, velcro and bass. Two soft velcro rings have been added on the back for fastening covers and accessories. Perhaps you want to stick your op-1 field on top of your full size keyboard, or slap it on a guitar? Use the included adhesive looped back and start experimenting. On the right you'll find an additional passive loudspeaker for hugely improved bass. And for a 'no-more-cold-metal-on-your-lap' experience, the aluminium body has been folded in a warm, soft touch, hard cover.

The first accessory out using the velcro rings is the Bill Amberg leather wrap that attaches to the back and wraps around the op-1 field and locks around the encoders.

EP-133 KO II AUDIO SAMPLER/SEQUENCER/COMPOSER

Meet the next evolution of the world's most sold sampler. Based on the legendary PO-33 K.O!, the new EP-133 K.O. II adds more power, more sampling capabilities, a fully reworked sequencer and brand new punch-in 2.0 effects. Introducing a workflow that lets you go from idea to track faster than ever. It's pocket operators gone pro. A versatile machine with an impressive set of features, K.O. II is the new champion in and outside the studio. Unrivaled by anything in its class, this is the sampler you've always wanted.

Record sounds around you, sample your voice, favorite synths, vinyl records or whatever audio that you've got on your phone. Sequence your samples and loops. Make use of the curated selection of drums, bass and keys that come pre-loaded on your K.O. II. Tweak and automate things like filter, pitch and more... add stereo effects, compressor and next generation punch-in effects.

The sequencer engine of the K.O. II provides an intuitive, fast way of building up beats and variations using 4 groups x 12 patterns. Like most DAWs, you can instantly swap patterns per group, experiment with different combos to find what beat and bass lines work together. The commit button helps you freeze a point in time and move on, adding a verse or a break. It all happens in real time while playing.

Notes: Are you a digital DJ/producer looking for a professional, durable case solution for your Ableton Move? UDG has developed a super lightweight EVA hardcase designed for life on the road. Constructed from durable, lightweight compression-molded EVA material with a laminated durable fabric exterior, this case provides protection against drops, scratches & liquids. Skillfully designed & molded to fit the Ableton Move, this case is perfect for the traveling DJ/producer who needs to protect their equipment.

Colour: Black
Weight: 0.43 kg / 0.95 lb
Outer Dimensions (W x H x D): 39.3 x 16.0 x 6.3 cm | 15.5 x 6.3 x 2.5 inch
Material: Durashock molded EVA foam

Protection

Cover main material 600D polyester with 5 mm EVA durashock molded body
Water repellent durable fabric exterior
Black soft fleece interior
Protective egg-crate foam prevent damage from vibrations & shocks

Extras

Removable divider for extra cables or power adapter
Convenient carry handles
Easy grip zipper pulls

Fits

Ableton Move

Notes: Are you a digital creator looking for a professional, durable case solution for your Rodecaster Pro II / Duo, microphone and power adapter? Then look no further, UDG has developed a super lightweight EVA hard case designed for life on the road. Constructed from durable, lightweight compression-molded EVA material with a laminated durable fabric exterior, this case provides protection against drops, scratches & liquids. Skillfully designed & molded to fit the Rodecaster Pro II / Duo, microphone and power adapter, this case is perfect for the traveling digital creator who needs to protect their equipment.

Colour: Black
Weight: 1.15 kg / 2.54 lb
Outer Dimensions (W x H x D): 41.0 x 30.7 x 13.9 cm | 16.1 x 12.1 x 5.5 inch
Material: Durashock molded EVA foam

Protection

Cover main material 600D polyester with 5 mm EVA durashock molded body
Water repellent durable fabric exterior
Black soft fleece interior
Protective egg-crate foam prevent damage from vibrations & shocks
Interior foam is made of pearl cotton foam

Extras

Removable foam compartment for Rodecaster Duo
Separate compartment for 1x microphone and power adapter, cables and accessories
Extra space for cables
Convenient carry handles
Easy grip zipper pulls

Fits
Rodecaster Pro II or Duo, microphone, power adapter, cables & accessories

Notes: Experience ultimate flexibility with the UDG DIGI Laptop Stand, designed for mobile DJs and music producers. Its fully adjustable height, angle, and 360-degree swivel tray accommodate laptops, tablets, or small controllers up to 18 inches. Featuring an anti-slip mat and rubberized edges, it ensures your gear stays secure and scratch-free. The tray's design promotes optimal airflow to prevent overheating, while the removable sub-tray offers additional space for essential accessories like USB hubs, external hard drives, or sound cards. Portable and easy to set up in either the C or Z configuration, it folds flat for effortless transport and comes with a protective cover making it the perfect companion for your gigs.

Specifications

Colour: Black
Weight: 1.9 kg / 4.19 lb
Outer Dimensions (W x H x D)
Folded: 36.0 x 27.0 x 4.0 cm | 14.1 x 10.6 x 1.6 inch
Fully Extended: 36.0 x 27.0 x 40.0 cm | 14.1 x 10.6 x 15.7 inch
Laptop Shelf: 20.0 x 24.0 cm | 7.9 x 9.4 inch
Material: Sturdy powder-coated steel

Protection
Solid and easy to assemble, the perfect laptop stand for DJs/producers
Airflow designed tray prevents overheating of equipment
Tray features non-slip mat and rubberized edges to prevent equipment from sliding out and scratching
Well-designed knobs, locking clips and adjustment sleeve to improve grip comfort

Extras
Adjustable height and tilt
Rotating tray
Removable sub-tray
Protective sleeve included

Fits
Fits 13" - 18" laptops, tablets or small controllers
Maximum load: 12 kg / 26.46 lbs

Review: NY breakbeat craftsman 88 Katanas gets explorative on Silent Force with four outstanding jungle adventures. The brilliantly titled 'The Standard Of The Archipelago' ignites the EP with a brisk drumfunk type of flavour that's comparable to Seba. From there we move inland to brutalist terrains... 'Radiant Energy' is a halftime march through thick swamps and woodland, and 'Bit Rot' takes us onto elevated fields where the air is fresher but the ground is very slippery underfoot. 'Subconscious Emotions', meanwhile, takes us back to a much calmer shore where a good looking ship awaits for voyage home.

Review: After spending the majority of his 20-plus-year career flitting between the Kompakt and Coneme labels, Matias Aguayo makes a rare outing on another label - a delayed debut for Matt 'Radio Slave' Edwards' REKIDS imprint. In its' original form (side A), 'El Internet' is a typically off-kilter affair in which his own poetic, spoken word vocals (in Chilean, of course) and fuzzy, elongated synth sounds ride a beefy but wonky bassline and the long-serving producer's usual South American-tinged, hand percussion-enhanced hybrid house/techno grooves. It comes accompanied by a vocal-free instrumental mix, where the full breadth and depth of Aguayo's production can be heard, and a useful acapella DJ tool.

Review: Phoenix man Eddie Amador is synonymous with one track more than any other artist in the game. He wrote 'House Music' in 1997 and it soon became a club anthem that has endured over the years. Now, decades on, he is back with a follow-up of sorts in the form of 'House Music Dos (Doin' It House Style.' The lyrics from the original, "not everyone understands house music, it's a spiritual thing, a body thing, a soul thing," still hold true and fragments of that tune appear here next to fresh funky drums and gritty chords. 'Househeads In Full Effect' has a darker vocal that infuses low-slung drums and a funny bassline with real menace.

Review: Chiwax welcomes Andrew Red Hand here for his third outing on the revered house label. We're told it is one of his most intimate and personal releases and there sure is plenty of deep and pensive energy to 'In The Cemetery (part III)' with its snappy electro rhythms but long-sustained and introspective chords. 'Summer Nostalgia' is raw, punchy techno and 'Autumn Nostalgia' gets more banging with a brazen bassline and celestial synth glow. 'Sorrowful Joy' closes down with a celebratory air in the happy chords but the betas remain heady.

Review: The fifth slice of wax from Nothing But Nice's 12"s series comes from James Andrew. His new one consequents 2020's 'Thinking Backwards' EP, which established Andrew as both a sonic and titular rib-tickler, with titles like 'Stereomaster 3000' and 'Billy & The Clonosaurus' indicating a fantastic imagination and a complementary jocosity. 'Surfin The Buzz', however, gets relatively serious, at least on the A side. Not pure jovials, this title track and its counterpart 'Definitive Groove' serve wave-riding sureties with a garage house feel. Laser-guided descents and "I wanna" samples fetishise the groove much further; we cannot simply laugh them off. Only the B-side lifts the veil, with 'Fruit Shoot Fandango' and 'Galactic Dubtastic' connoting confectionary E-numbers and sour tannins, though the sound is equally as accomplished: the B2 especially recalls the amazing psycho-dub of Children Of The Bong or Tradition.

Review: Last spotted raising hell and taking names with Jon 1st on Defrostatica, Arcane (who is also known as one half of the more mainstream-sounding d&b act Kleu) goes full nelson on the breaks with these two choppy choppy bangers on Foxy Jangle. Both cuts focussing on the drums, subs, samples and FX, these are fully timeless trips and sculpted strictly for the heads. Great for losing yourself inside at 3am and even better to mix. Just like concrete.

Review: Hard Times taps Alex Arnout's Black Logic for a release that feels like a natural extension of the label's deep house legacy. Having spent his formative years on Hard Times the club's dancefloor, Arnout channels that history into four tracks that blend jazz-flecked grooves with rich, soulful textures. The opener is a crisp, funk-laced roller, its bassline locked into a groove that nods to the genre's 90s heyday. 'Back 2 Where We Were' takes a more introspective turn, its warm melodies and fluid percussion creating a late-night haze. 'Blackman' sees Beckford deliver a stirring vocal, weaving conscious lyricism into intricate instrumentation, while 'Jazz Mess' closes the set with free-flowing drums and improvisational energy.

Review: After the roaring success of his last outing here, the '3 Woman EP,' Art Of Tones is back on GAMM with a 12" that brings male ovals to the fore. They are all very different in style but all highly effective. 'International Truth' opens with strident and funky disco drums and noodling guitar lines with soulful tones lighting up the beats. 'Don's Expensive Afro' is a rework of a rare Afro-disco track with more expressive vocals instructing the floor to move. Last of all is a stunning reimagining of an overlooked Stevie Wonder gem, 'Stevland's Run', which is off-balance and unusual funk madness laden with psyched-out guitar work.

Review: Both of these funk gems are taken from a cult compilation Trans Groove Express, which explored the sounds of Express Records and was assembled by MURO. Fourth Wave now serve them up on a superb 7", starting with Maki Asakawa. 'Hohi Hitotsu' is a delightfully gentle and subtle dub with funky guitars adding movement while the sultry vocal soars. Yasuhiro Abe's 'Night Fish' is a brighter and more retro 80s soul and boogie sound with glowing chords and snappy hits. The Japanese language vocal is emotive enough to mean plenty without understanding the meaning of the words.

Review: The ASHPPE series has been nothing if not unhurried. It started several years ago but always results in essential outings when they do come. The fourth transmission from the techno talent emerges from subterranean shadows with three tracks aimed squarely at the club. 'Judge' is tightly looped and edgy without letting you settle and 'Deeper' then brings muscular broken beat patterns, glitchy textures and raw hits into a futuristic techno soundscape. 'The Box' brings bright and shimmering synth smears to more contorted and twisted drum patterns that demand your more inventive moves.

Review: Andrew Azara makes an electrifying return to Cecille with his 'Cosmic Girl' EP, delivering five exceptional originals alluding to French house, disco edits and minimal techno. Hailing from Dublin and now thriving in Barcelona, Azara has majored in force since 2019, with audiences across Europe and South America, and former releases on Djebali. 'Cosmic Girl' opens the EP with pounding drums, dubby stabs, and hypnotic, fluttering textures, setting the stage for an intermediary shuffle, 'Mattika', in turn bringing headier blends of organic percussion and transitional "whoops". 'The Jam' strips things back to a minimal, raw groove, while 'Obsession' closes with a bass-heavy, swung garage house extension. You won't find the digital bonus, 'Doing It,' here, but we can also vouch for its mesmerising hold over us dance-zombies.

Review: Danish artists B From E lands on the increasingly impressive French label Happiness Therapy with a trio of new EPS that delve into spirituality and pay home to the transformative power of dancing. 'Siphonophore' gets underway with a trance-laced melodic edge and high-speed drums then hypnotic neo-trance layers wash over you on the speedy 'Storm' and 'Dreams Of Sasabone' taps in the hard house revival with bouncy but funky kicks and glowing neon pads. 'Love & Joy '97 has an old-school feel with euro dance beats and warped basslines and 'Planet Love' completes the trip with a blend of psychedelic synth colours, filtered vocals and optimism in the uplifting grooves.

Review: B From E is a Danish artist who has a trio of new EPs all coming on the French label Happiness Therapy. The concept is to explore spirituality while paying homage to the transformative power of dancing. 'Sa?s?ra Cycles' soon showcases his exceptional artistic and technical skill as it weaves through an ethereal dream house, uplifting garage and piano house and hypnotic neo-trance while highlighting his remarkable versatility. 'Diamonds' is a catchy and rubbery tech opener with Balearic chords and 'Mushrooms' has a more dubby and driving low end with lovely synth arcs way up in the heavens. These are some of the freshest cuts we've heard in a minute.

Review: Plenty of neologistic fun can be had with the work "break", but we must admit that "breakflow" is a new one on us. Lisboa produtor b0n impresses such sonic and titular genii with a new, green-goo-hued four-track EP on Portgal's fantastical Magic Carpet label, spanning clean future progressive and garage-acid tempos. The title track and 'Sasha Palomal' only tease the unortho-breaks with tricky garage beats and straighter but admittedly still formative breaksteps; it's only by the point of the B-siders 'Positive Morph' and 'Fractures' that any such fluvial breakbeat is properly put back together and course-corrected. Be warned, the latter track moves through the nicely rare variants of freestyle and "electrance"; careful not to dance yourself to breakdown.

Review: Get yourself geared up for festival season with some fierce party starters certified with the Glitterbox stamp. Melvo Baptiste leads the charge with 'Sweat', a sizzling disco house stomper with Dames Brown giving the biggest diva energy on her show-stopping vocal. Lovebirds bring unbridled joy on the Philly string swoon and slinky b-line funk of 'Burn It Down', while Art Of Tones & Inaya Day keep it peak time on the sassy strutter 'Give My Love'. Young Pulse & Fleur De Mur complete the set with 'Smooth Sweet Talker', another bright and bold vocal cut par excellence.

Review: Prolific Italian producer Black Loops continues his explorations of deep, groove-led house with the Experience EP. The release serves as a teaser for his forthcoming debut album, both of which arrive courtesy of the always on-point Freerange, and its label boss Jimpster kicks things off here with a rolling, Italo-tinged dub of Electrical, blending modular synth lines with dubbed-out vocals. Black Loops then flips the same track into a funk-fuelled workout, layering guitar licks and a weighty Moog bassline. On the reverse, Experience channels early 90s house with a sultry, Vogue-era feel, while Black Loops' Dancefloor Dub strips it back to a punchy, minimal groove built for late-night floors. Rounding things out is Inmasoul, a jazzy, deep house gem not found on the album.

Review: Blackwater Holylight sacrifice their latest EP 'If You Only Knew' to the Suicide Squeeze gods, providing an intermezzo of cosmos and sludge. A chthonic dark psych explosion if we've ever heard one, we hear metal, shoegaze, and psychedelia culminate to an iconoclastic crunch point, as strange auraic statues of Cthulhu shatter before our eyes, evoking the god beast in actuality, not just representation. Lead track 'Wandering Lost' hears the band tear up constellate skies, as producer Sonni DiPerri shapes the track's many shifting structural tides, evoking the many emotional turmoils and stretching-thins of life; Sunny Faris (vocals, guitar, bass) further emphasises its point, that is, to embrace the inequitable unknown.

Review: ***B-STOCK: Slight surface marks ***


West London label Slip 'N' Slide continues to refresh the classics, as Seth Troxler and Franck Roger deliver remixes of the 1997 Blaze favourite 'Lovelee Dae'. An artist who needs little introduction, Seth Troxler's name is synonymous with American house and techno of the last two decades, with his formative years in Detroit shaping his sound before moving to the techno capital of the world Berlin. His ventures as a label boss, and club owner of Night Tales, further cemented the talent as an underground hero, and he now joins the likes of Carl Craig, Roman Flugel, and Isolee in giving 'Lovelee Dae' an expertly crafted remix, building from minimal grooves to a grand and immersive wash of sound. Also stepping up on remix duties comes Parisian producer, crate digger and label boss of Real Tone Records, Franck Roger, adding his signature beat focussed approach to the iconic track.

Review: We shall never apologise for our love for the work of Steve O'Sullivan. His contributions to the world of dub techno are second to none. They are also mad consistent both in style and quality which means they never age. Here he steps up to Lempuyang with his Blue Channel alias alongside Jonas Schachner aka Another Channel for more silky smooth fusions of authentic dub culture and Maurizo-style techno deepness. Watery synths, hissing hi-hats with long trails and dub musings all colour these dynamic grooves. They're cavernous and immersive and frankly irresistible and the sort of tracks that need to be played loud in a dark space. In that context, you'll never want them to end.

Review: The legendary UK acid-jazz innovators Brand New Heavies dropped many a classic sounds and none more so than their iconic album 'Heavy Rhyme Experience Vol. 1. More than three decades after first release it remains an influential work that blends UK club jazz with US hip-hop. Featuring collaborations with artists like Main Source, The Pharcyde, Gang Starr, and Black Sheep, the album marked a groundbreaking fusion of genres back in its heyday and now two standout tracks from the album, 'Soul Flower' featuring The Pharcyde and 'It's Gettin' Hectic' featuring Gang Starr make their way to 7" for the first time and sounds as good as ever.

Review: Analogue pressure from Bufobufo, who stops over in Japan for Cabaret Recordings after earlier international stints with Art Of Dark, Partout and Furthur Electronix. His second single for the label, founded by So Inagawa and DJ Masda, proffers a hypnotic blend, binarising the mood with the sliding melodes of 'Watercourse' and 'Armour Plated' with comparatively sparse and gritty perc-slaps of 'Wood Ant' and 'Cinnabar'. That strange but difficult-to-nail split between of hypnotic intrigue and immediacy is well and truly nailed.

Review: A reissued 7" single, pressed on standard black vinyl, shows Carmen's unique fusion of soul, country and r&b, recorded in New York City with legendary producer Bob Morgan. Carmen's smooth, emotive vocals are perfectly complemented by the rich, soulful instrumentation of The New Frontier, harnessing the beauty of the early '70s music scene. Both songs highlight Carmen's ability to blend heartfelt lyricism with groovy, soulful melodies, creating a sound that resonates with fans of both northern soul and roots music. Despite not achieving mainstream fame, Carmen developed a dedicated following, and these songs provide a snapshot of his talent as a songwriter and performer. Housed in a full-color jacket with an insert, this release is perfect for fans of classic soul, funk, country and the crossroads of these genres. It's a remarkable opportunity to experience the timeless, evocative music of Kip Carmen in all its warmth and authenticity.

Review: Since making her production debut last year, Courtney Clarke AKA CC: Disco has released a handful of inspired and colourful singles which the boundaries between styles. The Lisbon-based Aussie is at it again here. She begins with the sun-soaked ambient shimmer of intro track 'Feel The Peak', where decidedly Balearic classical guitar flourishes catch the ear, before heading towards peak-time dancefloors on the wide-eyed dancefloor synth-pop flex of 'Touch The Vibe', which sounds Pet Shop Boys' Chris Lowe after a fistful of happy pills. She lays down another atmospheric interlude before going darker and moodier on the psychedelic nu-disco throb of 'Me Gusta Is Dead (Period Pain Mix). The new beat-meets-proto-trance throb of 'Yes Papi (Miami Daddy Theme)' completes a fine EP.

Review: Evergreen house master Kerri Chandler digs back into the vault for 'Lost & Found Vol. 4', the latest instalment in his archive series on Kaoz Theory. A genuine house pioneer, he continues to shape the genre while staying mighty true to the scene's roots. And it's fair to say there aren't many out there making more authentic house music than this veteran US producer. Vol. 4 unearths more hidden gems, including 'Since I Met You' featuring the late Michael Watford, the piano-laced joyride of 'Grandiose Garden' by Alopeke, and the brooding soul of 'Circles' featuring Natalia. Closing things out is 'The Dark One', a deep and driving cut built for the floor, with its dramatic string stabs and searing synths.

Review: Menacing EBM and dark synth billows from a Netherlands hinterland; our heralds speak of an esoteric encampment by the name of Espectro Oculto, said to be the remote incantators of an unstoppable curse in sound. Six shadowy emissaries have been sent to spread the pestilence; Trenton Chase, Martial Canterel, DJ Nephil, Exhausted Modern, Fragedis and Happy707. Clearly, the faction have recruited only the best, trusted and yet most nefarious of spies from as far-flung regions as Czechia and Argentina in the administering of such a sordid sonic plague. We're left most quivery at the centrifugal doom drones of Exhausted Modern's 'Fear Of Focus', across whose breakdown banshees are heard wailing and snarling, and Fragedis' 'Landing In Reality', a lo-fi techno freakout and sonochemical anomaly, channeling militant two-way radio samples and hellish FM synthesis.

Review: A Berlin native with Ukrainian heritage, Chontane returns with his third release on his own TANE label. This four-tracker showcases his favoured sense of rhythmic intensity and intricate groove work, all imbued with raw percussion, hypnotic basslines and evolving textures that make for subtle but impactful techno weapons. 'Magallanes' opens with chunky drums and builds into a dense rhythmic crescendo, 'Turn the Tables' amplifies things with more hurried drum patterns and deep bass that twists and turns to keep things moving then 'Cycle Break' explores tribal grooves and metallic textures. 'Set A Dot' delivers a relentless forward motion with skittering percussion and sharp synths for those moments when you're utterly lost in the rave.

Review: Blending hi-NRG and Latin cumbia, Combo Chimbita present a brand new single for Wonderwheel Recordings, 'Dimelo'. Described as an internal dialogue - a sonic representation of what it feels and sounds like to choose yourself - the refrain "Cuando por fin yo me elegi" is heard repeatedly throughout the track, as self-selection is maximised, contra the impossibility of saving others before oneself. The band's Carolina Oliveros says of the song, "however much you love someone, you can't force them to love yourself in the same way - that is love you have to give yourself." The Busy Twist remixes the idea, self-caring through salvos of oily guitar and toe-tapping woodblock shot, hitting like a health kick.

Review: Guy J's new alias Cornucopia experiments quite readily with progressive house and techno, veering atmospheric and immersive. Made up of two tracks which fans have been eagerly awaiting for years, 'Remember Me' spans an array of melodic plucks and even warmer grooves, crafting a super-hypnotic haunter. 'Early Morning' evokes the tranquility of sunrise, with Guy J's signature groove and dextrous production proving meticulous, though still easy on the ears. Both tracks exude extra warmth, as do most sonic hugs.

Review: The latest from the Joe Gibbs label features a powerful roots rockers reinterpretation of The Sensations' classic rocksteady tune 'Everyday Is Like a Holiday.' The new version from Ruddy Thomas brings a different kind of energy while honouring the soulful essence of the original. It's packed with plenty of mad mixing desk effects and endless echo while warm vocals and deep basslines lock in a steady, hypnotic rhythm. On the B-side, Joe Gibbs & The Professionals deliver 'Holiday Style' which has happy horns and melodies that sparkle in the hot summer sun. Real roots authenticity and dub mastery make this another vital 7".