Back catalogue: Techno (Alles)

Review: Furthur Electronix's first two Furthur Journeys Into compilations tune plenty of heads and shift plenty of copies. The third one keeps the quality levels high with more explorations around the periphery of underground electronics. Chris Coco opens with a soothing synth sound before Jake Slazenger brings crystalline synths and abstract modulations to the mid-tempo '168B.' There is more pace and twisted acid energy to Global Goon's untitled contribution and then old school jungle comes to the fore on the super stylish and atmospheric Gavin Masih cut. Monika Subrtova's 'Alata' is a serene and widescreen ambient synthscape that brings things to a suitably poignant close.

Review: The Orbe label keeps it super deep with this new one from Elias Garcia. This is techno for the late-night hours when you're happy to sink way down below the surface and get lost in the magic of hypnotic rhythm. 'Elton' is a perfect opener that soon locks you in and then '8S5H' brings unsettling synth tones that speak of upcoming danger. 'Targeting' is another heady one with minimal elements but maximum cerebral impact and 'Atonement' closes with an eerie kick.

Review: To mark the passing of three decades since he established the now iconic Environ imprint, Morgan Geist has decided to reissue the label's long-deleted debut 12" - a solo EP that was just his second release. At the time, Geist had yet to develop the disco-leaning but naturally synth-heavy trademark sound he's become renowned for. Instead, he was investigating the stargazing potential of Detroit-influenced techno and jacking-but-spacey house. Check first the lightly bleep techno influenced excellence of 'Sands' and the more driving, upbeat and jacking 'Airpour', before diving deeply into the percussively rich deep techno wonder of 'Smear'. To complete the package, we get a suitably cosmic, pitched down ambient techno revision of the same track by The Connection Machine - back then a duo who had just released a fine EP on Planet E.

Review: Internal Dialogue Records kicks off with Ginno as the artist leading the charge on its debut EP. This release "embodies the label's commitment to diversity and quality" with Ginno dropping two techno-driven tracks designed for the dancefloor and packed with synth-pop vocals with deep, immersive bass and dark, mystical melodic work. LVCA's remix brings a nostalgic Electroclash vibe from the late 90s, while 'Log In' closes the 12" with a remix tailored for the most intense and electrifying late-night moments. It's a presuming start from all.

Review: Layton Giordani reigns as one of the thing-pins of "techno's new school", and his latest collab with Tiga and Audion is a neat testament to this fact. 'Let's Go Dancing' indeed does make clever use of breathy effects and rising reeses, but the track's main message - its exhortation to go dancing with us - is best conveyed by its vocal message, which, by the sheer power of repetitiousness alone, grabs us by the arm and corrals us into the dance whether we like it or not. A rabble-rousing, slick new techno rumpus, you won't be allowed out of the nightclub for as long as this one plays back.

Review: This EP arrives with a confident, polished sound that positions itself at the cutting edge of experimental electronica. Opening with 'Empire Rising,' the track strikes an immediate balance between precision and mood, with tight percussion and shimmering synths that pulse through the mix, pushing the track forward without ever feeling rushed. 'Neon Horizons' adds a darker layer, its brooding atmosphere enhanced by off-kilter rhythms and an almost cinematic scope. The production throughout is intricate and layered, showcasing GNMR's attention to detail. The EP's strength lies in its ability to sound both futuristic and grounded, offering a glimpse of what's to come, while feeling timeless in its composition.

Review: A dynamic fusion of ghetto electro, trance and techno, this record is a fresh spin on familiar sounds. The title track, 'Booty Trance (feat Detroit's Filthiest)', is sure to stand out with crisp production that blends high-energy trance melodies with the raw edge of ghetto electro, creating an electrifying single. 'Another Time' shifts gears, drawing on 90s influences to craft an electro-techno hybrid that feels both nostalgic and forward-thinking. Its futuristic vibe and driving rhythm make it a standout for fans of classic electro with a modern twist. On Side-2, the Rawtakes Refix of 'Booty Trance' strips back the trance elements, leaning deeper into electro with a nod to Cybotron's iconic 'Clear'. The result is a grittier, street-smart version that feels grounded yet innovative. Closing the EP, the remix by Aura T-09 and Wheez-ie transforms the track into a hardcore techno anthem. The stomping beat and reimagined trance melodies elevate the energy, blending celestial tones with raw intensity. This EP is creative within the techno genre with diverse interpretations that will resonate across dancefloors and playlists alike.

Review: After a superb outing on the Ninja Tools compilation, Gogo Gadgeto now steps out with a first ever full solo EP and it comes on the Lumbago label. These sounds are chock full of personality and a little spookiness. 'Gadgeto Theme' has snappy, silvery drums setting the tone under twisted synths and vocals. 'Electric Spliff' gets more warped and wonky with its bold leads and snappy old school tech beats. 'Spooky Adventure' is just that with its rugged drum funk and haunting pads and 'Weird Science (Gadgeto edit)' brings a twisted mix of rock riffs, snappy beats and electronic cool.

Review: Following the success of last year's Walks, Group Listening returns with a new 12" for PRAH Recordings. The title and artwork both explore themes of decay, expiration and musical renewal and the music was in part inspired by a small DIY festival in Bristol. Paul Jones explains the title represents a radical, open call for change while 'Tell Everyone Everything' is a layered, intense synth soundscape with destined pads and nimble chords that lock you in the here and now. The release also features remixes by Ancient Plastix and Loggsplitter who bring sub-aquatic dub and mind-melting rhythmic intricacies.

Review: A record that explores deep, hypnotic rhythms with a strong tribal and mystical undercurrent, the latest Siamese Twins records pushes the boundaries of what is possibly in eastern influences underground techno. Side-1 opens with 'The Golden Triangle', an atmospheric introduction that feels cinematic, setting the stage with ambient textures before giving way to movement. 'Lens of Time' follows, locking into a deep, primal groove where rolling percussion and rich low-end create an entrancing effect. On Side-2 'Mekong' leans into tribal mysticism, blending ancient rhythmic patterns with a modern pulse. The production is detailed yet raw, drawing from rich percussive layers. 'Ruak' closes the EP with pulsating bass and deep, rolling rhythms, channeling Eastern influences into a hypnotic techno flow. A powerful release from Siamese Twins Records, driven by Sunju Hargun's distinct vision.

Review: Finnish label Vuo kicks off its year with a second instalment in the Ruutana City Mood Series. Once again it brings four vital dubbed out grooves to a lovely green marbled vinyl starting with Ohm & Kvadrant's 'Borsen' which is a smoky, grainy roller with icy drums. Armin Bender's 'All Or Nothing' brings a little extra light and optimism in the airy pads and Tm Shuffle pairs things right back for 'Efficient Answers' which is a gritty basement jam. Gonzalo Villarreal's 'Curanto' shits down with tons of lovely echo and reverb on a raw percussive cut.

Review: Vuo returns with another entry into his ongoing Ruutana City Mood Series, with this one being on eco black wax but a green vinyl version is also available. Ohm & Kvadrant open with a smoky, textured roller driven by icy drums. Armin Bender follows with 'All Or Nothing' which offers a lighter, more optimistic vibe with airy pads. Tm Shuffle strips things back on 'Efficient Answers' to deliver a gritty, minimalist basement groove. Closing the EP, Gonzalo Villarreal presents 'Curanto', a raw, percussive cut bathed in rich echo and reverb for a captivating close.

Review: Thomas Schumacher's latest project brings together a vibrant mix of artists, channeling the raw energy of contemporary techno. The first track strikes with unrelenting force, its driving rhythms and layered atmospherics creating a powerful opening statement. Franco Smith and TimiR take a slightly different approach, crafting a hypnotic blend of pulsing basslines and tight, percussive details that hit with surgical precision. On the flip, Mark Porter's contribution strips things back to their bare essentials, letting subtle, looping melodies glide over crisp, metronomic beats. Gonzalo Cavalli rounds off the collection with something more emotive, layering shimmering synths over a steady, groove-laden foundation. This release is as much about showcasing individual artistry as it is about exploring techno's evolving formsia versatile and deeply considered collection.

Review: Spooky Wooky return with a newly nourished Pandora's box worth of tunes, welcoming four new producers each for their own scare, as well as an opening fourfold fright. Joining forces only under the name Spooky Wooky, 'Cauchemard Ambulant' puns on the French term for "waking nightmare" terming it a "walking nightmare", with fidgety, motile synth snaps and pops aligned alongside bow can scrape samples and strange monstrous gurgles. Our faves among the solo cuts have to be Lazer Man's 'Fuck The Bass' and Gogo Gadgeto's 'FREAK', both of which seem to convey a sort of crazed elvish otherworld.