Back catalogue: Techno (Alles)

Review: Pure Cajual gold as Another Day release Spencer Kincy's one of four Gemini EPs on Relief. As with most of these early EPs (and his legendary sets) Kincy kicks off with a warm, deep number (the Nina Simone sampling beauty "U Know How I Feel") before feeding us to the Chicago lions... "Festival" is a relentless loopy jacker laced with carnival vocals, "Your Place Or Mine" plays tempo tricks with the mind before "For Love" closes with a hypnotic stomp that pays homage to the icy futurist charms of electro but with added concrete drums. Grab this before they all disappear!

Review: The most sought-after release from the entire Sounds catalogue, Gemini and Unit T's 1995 release, 'Sideburns', finally gets a much-needed reissue. A1 track, 'Trip', is a prime example of deep house if there ever was one. An infectious, encircling melody meets the deep groove of the bassline to create a finished product that is in equal measure sun-soaked and cosmic. 'B Trip', the A2 track, is a gloriously shifted, off-beat reimagining of A1, pummeling percussion reverberates across the track, left alone to enjoy moments where everything is stripped back, before the body of the track returns. On the B-side, 'Mystery Tones' arrives with the kind of groove that instantly makes its way across dancefloors - a unifying track that feels precise in its simplicity, whilst still retaining exactly the right degree of looseness to get a crowd moving. This is a must-have record for any deep house aficionados, and you can now save yourself the hefty Discogs price tag!

Review: Spencer "Gemini" Kincy has long been regarded as one of Chicago's true heroes; a scarily prolific producer who disappeared from view around the turn of the millennium, leaving behind a decade's worth of brilliant house productions for the likes of Relief/Casjual, Peacefrog, Planet E, Distance and Classic. Here, arguably his greatest single work, the in-demand 1997 full-length Imagine-A-Nation, finally gets a re-release via RAMP's archival arm Another Day. It remains a brilliant piece of work, joining the dots between Cajmere style loop-funk, French touch, disco-house, Derrick Carter-esque "boompty" and techno in a unique way. Highlights are naturally plentiful, from the relentless loops, drum machine handclaps and cut-up drops of "Don't Look Back", to the undulating, jackin' deep house goodness of "How Can I Chill?".