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Back catalogue: Techno (Alles)
Juno's full catalogue of Techno (Alles)
Singles
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Review: Utter wildness ensues, and the dancefloor is left tarnished. After the success of their last release together, 'Mirazh', Thomas Schumacher and A.D.H.S. reunite for a potent follow-up, both bottling and jarring the essence of Berlin techno. Simplicity abounds on 'Ex Machina' - perhaps alluding to the portentous Alex Garland film of the same name whose artificially intelligent omens will never leave us - as repetitious carnival drums blend madly with a semaphoric, high-octave melody. 'Umbra' and 'Morbida' are of course wicked techno accompaniments to boot, but in our view, it's really the A that risks most for the biscuit; we're sure you'll love it.
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Review: Smiling Phases returns with its second outing and hands it over to Parisian producer Arve, who clearly has a deep understanding of many different genres as the two tunes he serves up go way beyond the predictable. Opener 'Pyroclast' is a fast and physical one that blends radiant house grooves with deep, disruptive rhythms and myriad cosmic synth lines that swirl around the mix. 'Tephra' is another busy workout with pumping drums and an array of different synth textures spraying around the groove. On the B-side, 'Pyroclast' gets a remix by Belgian producer DC Salas, who takes it into retro-future 90s trance-techno territory and Italy's Paolo Mosca, who injects warmth and depth as well as a little cosmic mystery.
… Read more in stock $17.25
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in stock $15.57
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One Hundred & Fifty Steps (sampler) (12" limited to 100 copies)
Cat: BAIT 15. Rel: 06 May 25
Review: This is a four-track sampler taken from parts one and two of the One Hundred and Fifty Steps VEP series which is all about exploring the rise of 150 bpm dubstep, a sound that characterised by fast basslines, broken rhythms and heavy halftime pulses. From VEP pt. 1, L.A.'s Carre delivers pacey wobblers and then Berlin's Formella debuts with playful breaks and more wobbly bass on 'Dripstep'. VEP pt. 2 features Leipzig's Old Man Crane with their intricate, syncopated style shinning through on 'Grey' and Valencia's Andrae Durden then shows class with a Kryptic Minds-inspired low-end powerhouse.
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Review: Originally released in 2023, this record quietly turned heads with its singular blend of UK-rooted rhythms and forward-leaning sound design. Now reissued, it finally gets a second life and the wider attention it deserves. The producer, a longtime figure in the scene with more than twenty releases under different monikers, brings a depth and precision that only comes with years behind the boards. 'Fathom' opens with a fast broken beat that feels equal parts urgent and submerged. The textures are mechanical and murky, like a deep techno transmission beamed up from under the floor. 'The Cusp' follows with a completely different angle. This one leans into the IDM side of things. It's spare and skeletal, filled with deep bass swells and a structure that feels more like a shifting sculpture than a club track. On Side-B, 'Markers' blends fast dub mechanics with intricate programming. There's a trace of Autechre here, but filtered through a system more grounded in soundsystem culture. It rolls and unravels in unexpected ways. 'Trooper' closes it out with cinematic flair. Strange melodies stretch through space, evoking science fiction landscapes and distant worlds. It's not just club music. It's sound architecture for curious minds and adventurous ears.
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Review: Bogota's DDE Signature Tracks is the imprint run by the Discos del Espacio Record Shop crew and now it unveils its second outing in the form of 'Force Control', a four-tracker from the UK's Tom Carruthers. Carruthers brings his signature raw, no-frills take on vintage house music and channels the early spirit of acid house with a fresh yet faithful twist. The EP serves up rugged, late-night rhythms steeped in tension and groove as skeletal drum patterns arrive with an industrial edge. Though a stripped-down, floor-focused journey that nods to the genre's origins, this is also a fresh take on the classics that is packed with high class machine soul for underground heads.
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in stock $17.25
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in stock $15.57
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in stock $18.64
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Review: Dashiell has been road testing these two tunes in his sets for a while, and they have always done a job. They finally arrive on wax courtesy of Foul Play and are sure to get dropped all over the place this summer. 'dfuse all the tension' is the right mix of driving tech but wonky minimal. The bassline is drunk and all over the place while the lead synth has a retro video game feel, and some crisp melodies and refracted vocals finish it well. On the flip, 'da nastiest' is faster and more direct with some turbocharged and bass-driven tech house characterised by another sleazy vocal and phased synth lines that bring a playful twist.
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Review: Techno titans Charlotte de Witte and Amelie Lens unite for One Mind, a powerhouse EP that comes hot on the heels of their back-to-back sets at Ghent's 20,000-capacity Flanders Expo. Both Belgian artists have defined the sound of modern techno in the last decade with dark, fast sounds and elements of soft ambient, rave, dance and hard house all folded in. His one opens with the thunderous title track which pairs acid lines with strobe-lit synths, while 'Where Do We Go' delivers trance-infused techno at breakneck speed. To go with the unified concept of the EP, both Amelie and Charlotte's voices are layered into the music in subtle fashion.
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Deep Mysteries (reissue) (12" Nachpressung)
Cat: OCD 007. Rel: 15 May 25
Review: Derral is a young and exciting producer based just outside Barcelona. But if you didn't know that and were to judge purely off his music then you would assume he was some Italian producer from the 90s who had been digging in his archives for some unreleased material. These are lo-fi, dreamy house tracks with a real sense of bang but also quality emotional depth. 'Tree Man' is particularly glorious with its neon details and old school piano chords while 'State of Mind' brings a touch of acid to a jacked up Chicago house beat.
… Read moreGespielt von: SY
in stock $17.53
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Review: Italian turbo talent Earwax brings his techno perspective to this new one from the Dolly TS series. 'Upstairs Downstairs' soon sweeps you up with its buoyant and bouncy techno drums and wavy cosmic synth lines. 'Protection' then gets more dark and heads down with a menacing low-end throb and increasingly edgy percussive through-line. There is comic tension and turbulence to 'Key Of Life' with its unsettling and eerie synths and banging drums, and last of all is 'At The Door', which races on with hints of original 90s techno rawness. Very useful, high-functioning techno.
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Review: Oscar Escapa continues to carve out his space in the techno scene with his latest offering, a pair of tracks that are as compelling as they are inexorable. Hailing from Barcelona, Escapa has made a name for himself with productions that blend hard-hitting rhythms with atmospheric intricacy. On 'Enemy Returns', he delivers an unremitting onslaught of hyperactive techno, driven by a pounding kick drum, a gnarly bass riff and dissonant industrial stabs that dart in and out with menacing precision. The track's chaotic energy is held together by subtle shifts in texture, creating an almost hypnotic effect despite its aggression. Flip-side, Escapa teams up once again with Joanna Dark for 'It's My Life', a track that balances industrial intensity with an odd sense of melody. Dark's robotic vocal, repeating the track's title like a mantra, contrasts sharply with the swirling percussive layers and fuzzy bass arp. The track's unsettling atmosphere is heightened by unexpected guitar notes, which provide a brief respite from the techno madness. Escapa once again proves his mastery of balancing fierce, implacable energy with nuanced, finely-tuned composition, solidifying his role as a rising star in the genre.
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Review: Len Faki, the Germanic driving-force behind the label Figure, makes a succinct, steely return with four lean weapons built for peak-time deployment. 'Zig Zag' is pure propulsionicrisp, heads-down techno with enough groove to keep things supple. 'Loop 10', a triple collaboration with Jeroen Search and UBX127, loops harder, tightening into a hypnotic grip that shifts subtly with each passitrace elements of each producer flicker beneath the surface. 'Morgana', co-produced with Jancen, pulls deeper, its dubby drift slowly gathering mass until it bursts with smoked-out grandeur. 'Zig Zag (Version)' offers a warped mirror of the opener, splintering the original's focus into ghostly voices, broken percussion, and a woozy, ominous undertow.
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Review: Corsican label Isula Science drop a fresh brooder of previously unknown electro knowns, this time from label founder Flash FM alongside HDV, Sweely and Man/ipulate. Spanning vertiginous dark acid, then moving on through to dreamatic neon breakbeat and expedient Italo - 'Vol de nuit' especially makes signature use of a classic slap bass synth - they've got us entirely covered here. Enticing bumps in the night from the exquisitors.
… Read moreGespielt von: DJ Mau Mau
in stock $18.08
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Review: Grenoble DJ and producer The Hacker, known for his dataphile dark trance excursions, teams up with newcomer Endrik Schroeder for a full-blown creative grand slam, 'Puissance 4', betraying decades' worth learnedness in the knob-twiddling manual arts. The title track here builds from a classic beat into a euphoric hoover-rave crescendo - luring dancers in with hypnotic acid textural decoys - but then finds mercy on said prey, giving the dance what it needs: a rave riff on loan from heaven. 'The Voyagers' contrasts with an 808 soul slapper, its sensuality and understated heavenliness recalling obscure 7th Plain releases.
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in stock $16.13
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Review: Made famous for their mammoth mammary Brainiak-issued sophomore record Blow (1996), The Infinite Wheel came in 1996 as the North London based ambient trance collab of James Johnson and Mark Smith. Many a psychedelically tinged downtempo record would just as easily sporulate across the likes of Nu Groove and R&S, but it was this Brainiak exclusive from 1994 that really took the edible. 'Java Dub' is a psychic dub breakthrough, with its steamtrain bells and eighth note expansions making for a proper tonal tunnelling. 'Enviro', just as it was, has us puckers our lips to its ambient acidic sours, as cascades of percussive pulsion rain down like disembodied parts of a collective self.
… Read moreGespielt von: Lexx, Piers Harrison
in stock $16.13
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Review: Inner City's time on Network Records produced a run of timeless recordings that merged their signature vocal soul with the underground grooves of Detroit. This reissue of 'Ahnonghay' highlights that early golden era and finds the legendary Kevin Saunderson return to his techno roots in some style. The tune was originally released under his seminal Reese alias and marries that raw Motor City energy with sleek electronica that embodies the early techno blueprint. This 12" pressing includes the original mix alongside two standout remixes: Carl Craig's atmospheric reimagining and Dave Clarke's gritty UK techno take. All in all, a vital snapshot of techno's early evolution.
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Review: Jordan GCZ, who you may remember as half of JuJu & Jordash, brings a jazz sensibility to his take on techno. It's crafted on an array of outboard gear and dusty of synths, which lends it such a lovely, lived-in quality. His melodies are always meaningful, too, whether futuristic or nostalgic. There is a hint of the latter to the opener which has a whimsical charm over dusty house beats. 'Timbit Acid' is a wonkier workout with warped 303s, 'Beaver Tail' showcases masterful synth patterns and glisten pads that soften the speedy beats and 'All Dressed' is a nice twist on early Detroit techno with more freeform leads.
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Review: Argentinian hotshot, Juaan, lands on Art Of Dark with his debut release on the label, holding to the ominous position, "man has reason to fear". Over five tried and tested dancefloor cuts, this is one of those EPs that marks and projects a foreboding sense-state in the listener. Of course, to dance is to be, in a sense, "unsettled". Inauspicious long-release 909s and indecipherably tubed vocals (heard on 'El Primer Dia Del Resto De Mi Vida') account for a barely held-together but turbulent future, in which music is moribund and bands don't play no more.
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in stock $19.74
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Review: Youssef Benjelloun aka Kosh may run Convergence out of his own Morocco studio, but this time he lends his talents to fellow patrons Syncrophone, for close to 20 minutes' worth of deep techno prowess. With its Ibizan chords and subtly varied sections, 'Lost In Change' proves the lability of techno over time; that slow phrasal evolution need not conflict with in-the-zone flow states. 'No Exit', our favourite track otherwise, brings absurdist Sartrean machinery to a sequenced hell on Earth, going relentless on the 909 toms and claps.
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Review: Island Beats welcome the return of Dani Labb for his second release 'Inclementia', converging sonic memory and dystopian fiction: the DJ and producer from Rio Negra culls his inspirations from the the many grim realms glimpsed in the video games that defined his youth, daubing a claustrophobic, hard-acid breaks pixel painting. Though the game realms aren't named, we're hearing hellish sonic level design in this one, be that in the Half Life security breach voices of 'Locked Away' or the dungeon crawling Doom acid of 'Hijack'.
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Review: DJ Nobu's avant-garde Bitta label looks to fellow Japanese great in Osaka-based Erik Luebs for its next trick. As always with this fine imprint, the sounds are about balancing transcendental synths with deep tech rhythms. They are masterclasses in economical arrangement and on the surface don't do much, but when you tune in properly, they are mind-melting trips, starting with the mystery of 'Granite Monolith'. 'Irradiated Body' has loopy synth sequences unfolding at great pace with pristine accuracy and 'Coming Up For Air' gets a little more extroverted with dubby kicks and the sound of overloaded AI machines getting ever more frenzied. 'Facing The Horizon' is a flickering, optimistic and mildly euphoric sound for dropping when the sun peaks through the blinds and you celebrate getting through another night of darkness.
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Review: The Martian's 'The Long Winter Of Mars' marks a triumphant return, celebrating 30 years since Red Planet 5's original release. This reissue spotlights two iconic tracks, each occupying a side of the EP, and serves as a potent reminder of Detroit's techno legacy. Side-1 features 'Skypainter,' a track that transports the listener to uncharted sonic territories. It's beautifully layered, with an emotional depth that keeps the energy constant from start to finish - Detroit techno at its most expressive. On Side-2, 'Season Of The Solar Wind' delivers a powerful punch. This track is a prime example of dynamic Detroit-style techno, with a rhythm that captures the raw energy and innovation that defined the genre. This reissue from Red Planet, Underground Resistance's legendary sublabel, is an essential piece for anyone who reveres the Detroit sound.
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Review: The Martian's Ghostdancer, reissued by the iconic Red Planet label, is a true gem in the world of Detroit techno. This record radiates a warm, soulful funk, blending vintage Detroit sounds with a unique twist. Side-1 kicks off with 'Medicine Man,' a track steeped in classic Detroit vibes, followed by 'The Vanishing Race,' both tracks reflecting The Martian's mastery in crafting timeless techno. Side-2 brings an intriguing contrast. 'Windwalker' is an uplifting, jazzy piece that exudes happiness, while 'The Talking Rocks Of Mars' ventures into darker, rougher territory, offering a captivating divergence from the other tracks. This contrast on Side-2 highlights The Martian's exceptional production skills, showcasing both depth and versatility. As Red Planet begins reissuing its catalogue for the first time, Ghostdancer is set to be in high demand. For any Detroit techno enthusiast, this release is essential, a standout from one of the genre's most influential artists.
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Review: Italian duo Mathame return with a new single, which they wrote to embody the essence of summer through its energetic melodies and uplifting vibe. It was created during their 2024 tours across Mexico and Asia and was refined through live performances in New York City and Ibiza. It has all the hallmarks of a summer anthem, frankly - the sentimental dance-pop vocals, the big synth waves, the happy melodies and the big, bold, accessible drums. It's well produced, bright and shiny and is easy to sing back when dropped on vast festival stages.
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Review: Copenhagen's finest duo deliver deep, hypnotic dub techno, straight from the source. 'Wind' strikes us zephyrously with tizzy stabs and harder grooves, whilst 'Stylus' impresses with a relatively minimal flick of the pen, making for a quick and effective intra-vention. 'Viper' and 'Garth' run with this sense of freedom, unburdening themselves with gaseous headrooms, ample spaces in which to let the reverse hits and tonal whacks breathe. A worthy debut for the French fabulists over at Syncrophone, though Merv are hardly new to the game.
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Review: The French duo Minimum Syndicat land on Dutch label Zodiak Commune with a double-barrelled dose of mind-altering machine funk. 'Knowing That We Know Nothing' opens with a cold-blooded electro crawl, all dystopian pads and twitchy circuitry, while the G303 remix rips it wide open with slamming kicks and acid phrases that slither like live wires. On the flip, 'Disclosures' ups the BPMs in collaboration with fellow Parisian Voiron, its militant acid techno groove sharpened into a peak-time burner. G303 returns to mutate that track too, saturating it in overdriven 303 squelch and off-grid snare flurries. Raw, unrelenting and brilliantly engineered i this is the kind of record that weaponises philosophy for the dancefloor.
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Review: Cultured dub technician and minimal man Sebastian Mullaert returns with K-Files, a vinyl-only label launched in collaboration with longtime ally Ulf Eriksson of Kontra Musik. He says that each release centres on one track reimagined through multiple distinct versions, thereby offering DJs and deep listeners tools for exploration, mood and transformation. The debut is a spacious, dub-infused trip that demands patience and full immersion, from the gauzy chord texture of 'Track 1', to the loud, smeared leads of 'Track 2' via the more propulsive drum rumbles and tumbling percussion of 'Track 3'. The final interpretation is a heavy ambient soundscape dense with melancholy.
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Clergy 10 Years (12)
Cat: CRGX 4. Rel: 15 May 25
Review: The Clergy Ten Year anniversary celebrations continue with a fourth special instalment of their various artists series. It's packed again with the sort of high-functioning techno that DJs always need to construct powerful sets, and that dancers will respond well to thanks to its detailing. Norbak opens with the moody minimalism of 'Sinto', Sciahri explore a more uptempo sound with grainy, gritty loops on 'Antartide' and Phara's 'Faint' gets more twisted with hellish effects and caustic textures all getting you on edge while the pummelling drums bounce out their muscular rhythm. These are evocative cuts for techno storytelling.
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Review: "Are You in Heaven?" Is a phrase immortalised by Roxy DJ Eddy de Clercq during one of Amsterdam's earliest house parties and it captures the spirit of what was a transformative era. Arnoud Winkler and Jochem Peteri (later known as Newworldaquarium) dropped this EP back in 1991, and it explored a then-new mix of euphoric energy with youthful, clever charm. Drawing inspiration from the booming European dance scene of the time, it's a passionate Dutch interpretation of American house music that very much stands up. Featuring blissed-out pads, dub textures and peak-time vibes, the reissue includes a new Gerd Janson edit of 'Ulysses Horizon' that brings it right up to date, plus the dreamy melodies of 'Flowerdale Beach' and the title track, and all three are timeless cuts that still radiate magic and meaning.
… Read more in stock $17.25
