Back in stock: Studio Equipment

Notes: ***B-STOCK: Box opened, product in perfect working order***


The MetaModule Audio Expander (MetaAIO) adds an additional 6 CV/Audio inputs and 8 CV/Audio outputs to your MetaModule patches, via a ribbon cable connected to the main MetaModule. The MetaAIO provides the same high-quality as the MetaModule's Audio/CV jacks (24-bit, 48kHz default, up to 96kHz).

Notes: Ornament & Crime for 1U Intellijel format

This is functionally identical to the 3U version, just re-oriented to fit in 1U racks. Ornament & Crime is designed by mxmxmx.

The apps currently available in Ornament & Crime:

CopierMaschine is an enhanced version of the original quantising digital emulation of a four stage analogue shift register (ASR).

Harrington 1200 provides basic neo-Riemannian Tonnetz transformations of triadic chords, triggered by the digital (gate/trigger) inputs.

Automatonnetz combines Tonnetz transforms with a "vector" sequencer - it can be both a chord sequencer and a melody sequencer, but not of the usual kind.

Quantermain is a quad pitch quantiser for external voltages, with editable scales; it can do clocked (trigger-driven) quantising, or continuous quantising, with a latency of under 100 microseconds; it also features quad Turing Machines, May-Verhulst logistic maps or byte beats as optional, semi-random, internally generated CV sources.

Meta-Q is a dual-channel quantiser, similar to Quantermain, but also offering scale and note mask sequencing.

Quadraturia is a wavetable quadrature LFO, based on the "Easter egg" in the Mutable Instruments Frames module.

Low-rents is a dual Lorenz and Rossler (strange attractor) modulation generator, partially based on the "Easter egg" in the Mutable Instruments Streams module.

Piqued is a quad voltage-controlled envelope generator, based on envelope generator code from the Mutable Instruments Peaks module, but extending it with voltage control, additional envelope types, including re-triggering (looping) envelopes, additional segment shapes, adjustable trigger delays, and a unique Euclidean "trigger filter" which turns the app into a Euclidean rhythm generator which can output envelopes, not just gate or trigger pulses.

Sequins is a dual-channel step sequencer offering 4 "tracks" of up to 16 steps each; tracks can themselves be sequenced.

Dialectic Ping Pong is a quad bouncing ball envelope generator, based on a hidden mode of the Mutable Instruments Peaks module.

Viznutcracker, sweet! is a quad "byte beat" equation generator, which can be used as an audio source to generate curious but often interesting 8-bit noises and tunes, or which can be clocked by an external source to produce "byte beat" control voltage sequences. "Byte beats" were first described in 2011 by viznut (aka Ville-Matias Heikkila).

Acid Curds is both a chord quantiser (sometimes called a "harmonic quantiser" for external pitch voltages), and a chord progression sequencer.

References is an utility app that outputs specific reference voltages on each channel to help tune or calibrate VCOs and other modules. It also includes a high-precision frequency meter and note tuner, a high-precision BPM (beats per minute) tempo meter, and a closed-loop calibration mode.

Width: 30hp
12V: 85mA
-12V: 10mA

Notes: THE SBG-PRO supports mono, stereo, balanced, and unbalanced input and output via 6.35mm jacks with level matching controls with clipping indication. The module features both direct and voltagecontrolled equal power crossfading between wet and dry sources.

Additionally, an expression input, along with the included 'floating ring' cable and conditioned output, ensures safe, voltage-limited CV control of external devices from your modular system.

The module extends its sibling, the original S.B.G, by adding full size stereo balanced jack connections and voltage control focusing more on connectivity with not just pedals but also pro audio equipment including rack effects, 500 Series modules and mixing consoles.

Notes: ***B-STOCK: Box damaged, product in perfect working order***


Great value from this compact eight-channel mixer featuring built-in Alesis effects. Bluetooth and USB in/out give added versatility, allowing you to mix just about any sound source.

Supplier's Notes:
Easy-to-Use Analogue Audio Mixing with Built-in Effects from Alesis

The Alto Professional TrueMix 800 FX is a portable audio mixer with built-in DSP effects that delivers all the essential features you need for home recording, livestreaming, podcasting, or performing. The TrueMix 800 FX features 16 effects including chorus, flange and an assortment of high-quality delays and reverbs. There's also a convenient Bluetooth channel for easily streaming from your personal devices. A unique feature to the TrueMix Series, the Bluetooth channel also supports feedback-free phone pairing by utilizing mix-minus technology. There are eight analogue inputs with high-headroom circuitry for minimal noise and clipping in your signal. The four Mic Input Channels offer XLR inputs that are great for connecting dynamic mics or condenser mics with 48v phantom power. These channels also have balanced 14" line inputs for connecting instruments and other line-level signals. There are also two Stereo Input Channels, each with dual balanced 14" TRS inputs. These inputs are perfect for your line level audio sources. All channels feature a two-band EQ with colour coded knobs that make it easy to dial in your perfect sound while operating in low-light situations. There are even extra knob caps included so you can fully customize the look of your TrueMix 800 FX. Connecting the TrueMix 800 FX to your computer is also lightning fast, with plug and play connectivity on Windows and macOS. The TrueMix 800 FX is a feature-packed compact audio mixer that's perfect for using on-the-go.

Flexible Output Routing

Whether you're recording a podcast, livestreaming online, or making music at home, being able to hear yourself and easily route audio is essential. The TrueMix 800 FX features a variety of output and routing options to handle any scenario. There are four headphone outputs, each with their own volume control knob. If you need to send your audio signals to another destination like an external monitor or effects unit, each channel is equipped with a send knob so you can always dial in the perfect mix. For recording, the USB output sends a copy of the main outputs to your computer, or you can connect the 2-Track in/out to an external recorder which can also be sent directly to the headphones. The TrueMix 800 FX delivers everything you need to take full control of your audio routing in any situation.

Product Features:

TrueMix 800 FX Features
USB I/O for audio playback and stereo recording
Dedicated bluetooth channel with mix-minus return for feedback-free phone pairing
Four headphone outputs with independent volume control
16 built-in Alesis multi-fx with dedicated return channel
1/4" Main, Tape, and AUX outputs
Four mic input channels with phantom power and balanced line inputs
Two stereo input channels with balanced 1/4" TRS jacks
Two-band EQ on all channels
2-track inputs w/ assignable routing: main mix or headphone out
Eight-segment LED VU meter for precise level monitoring
Extra knob caps included in the box for added customization

Technical Specifications

Frequency Response All inputs: 20 Hz - 22 kHz (i1 dB)

THD+N (Total Harmonic Distortion)
All inputs: < 0.005% (@ 4 dBu, 1 kHz)

Gain Range Mic inputs (Channels 1-2): 0 - 50 dB Line inputs (Channels 1-2): 15 dBu - 35 dBu Line inputs (Channels 3-6): -20 dBu - +20 dBu

Max Voltage Gain
70 dB (MIC INPUT to MAIN MIX OUTPUT)
80 dB (MIC INPUT to CTRL ROOM / PHONES OUPTUT)
60 dB (MIC INPUT to MON SEND)

SNR (Signal-to-Noise ratio)
All inputs: > 110 dBu

Crossover Frequency
Adjacent inputs: < -80 dB @ 1 kHz
Inputs to outputs: < -75 dB @ 1 kHz (stereo L/R, Channels 1-2, panned hard left or right)

Phantom Power: +45 ~ +49V with switch control

Impedance
Mic inputs: 3.9 kO
All other inputs: > 10 kO
Aux outputs: 1 kO
All outputs: 120 O

Equalization High:
+/-15 dB @ 12 kHz
Low: +/-15 dB @ 80 Hz

Bluetooth
Profile: A2DP
Module: Bluetooth 5.0
Operating Frequency: 2402 MHz - 2480 MHz
Range: 100 ft. / 30.5 m

Connectors
(6) 1/4" (6.35 mm) TRS outputs
(6) 1/4" (6.35 mm) TRS stereo L/R inputs
(4) 1/4" (6.35 mm) TRS headphone outputs
(4) 1/4" (6.35 mm) TRS mono inputs
(1) Standard RCA L/R input
(1) Standard RCA L/R output
(4) XLR inputs
(1) USB type-B input
(1) DC power input

Controls
(1) Power switch
(15) volume control knobs (1 per input, 1 return, 1 EFX return, 1 2-track/USB in, 4 headphone outs, 1 Bluetooth, 1 main)
(6) Stereo pan control knobs (1 per input)

(6) Mon volume control knobs (1 per input)
(6) EQ Low control knobs (1 per input)
(6) EQ Hi control knobs (1 per input)
(6) Gain control knobs (1 per input)
(4) Buttons (1-EFX mute, 1 Bluetooth, 2 Source Select)
(1) Horizontal sliding switch

Indicators
(1) Power LE
(6) Peak LEDs
(1) Phantom LED
(16) Main Out Meter LEDs
(1) Bluetooth LED

Power Connection: DC Voltage: 18V, 1.2A Consumption: 18W

Notes: ***B-STOCK: Box opened, product in perfect working order***


Hands-on hardware synth goodness in a boutique desktop format, feauting an eight-voice digital supersaw engine and four-pole filter. Built-in delay, reverb, chorus and freeze effects can be used to process external signals.

Supplier's Notes:
Design philosophy

Knob-For-Knob Functionality:

Artium Instruments are committed to knob-for-knob functionality. Every feature of The Swarm is directly mapped to a knob, button, switch, or jack, ensuring effortless control. There's no need for menu-diving or complicated sequences of button presses to access features; everything is conveniently accessible at your fingertips.

Curated, Onboard Effects:

With over a decade of experience in the effects industry, Artium have carefully curated a selection of effects that seamlessly complement the synth core. Unique to The Swarm is its capability to use the onboard effects with other equipment, allowing you to route external audio through the inputs on the back.

Plug and Play Functionality:

The Swarm utilizes a USB-C MIDI host for simplicity and ease of use. Most modern class-compliant MIDI controllers with USB functionality should plug in and work immediately with zero setup. Additionally, The Swarm provides power to your controller, streamlining your setup process. For older controllers that only have DIN connections, a USB to DIN converter can be used to ensure compatibility. (These converters typically cost $10-20)

Quality Craftsmanship, Intentional Design:

Artium have invested considerable thought into crafting the overall feel of the instrument. From the layout of the knobs to the choice of colours, artwork, and the weight of the enclosure, every detail has been considered. These details matter because the connection a user forms with a piece of gear is almost as crucial in the creative process as the sounds it produces. A lot of love and passion has been poured into every aspect of The Swarm, from its sonic capabilities to its design aesthetics.

Open Source Platform:

Artium desktop synths use an open source platform known as Axoloti or Ksoloti for development and implementation of its products.

Synth core

Oscillator:

The Swarm features a SuperSaw oscillator with 8-note polyphony. This oscillator is composed of seven individual saw waves stacked on top of each other. The magic unfolds when you detune the waveforms by applying a frequency offset, resulting in one of the most massive synth sounds available.

Control Modes:

The Swarm employs this massive sound through two distinct control modes: Polyphonic Mode and Arpeggiator Mode. In Polyphonic Mode, you can play up to eight notes simultaneously, exploring the full range of polyphony. Arpeggiator Mode offers a comprehensive monophonic arpeggiator, automatically sequencing held notes in a variety of patterns, enhancing your creative possibilities.

More Features & Controls:

To shape the sound further The Swarm has a 4 Pole Low Pass Filter with a subtle resonance as well as a simple attack and release envelope.

Onboard effects

All onboard effects can be used with other music equipment. Simply plug an external audio source into the rear input jacks, and The Swarm will seamlessly mix the external audio with its synth core, allowing for simultaneous processing of both signals.

Freeze:

By pressing the touchpad on the right, The Swarm records a 1000ms sample of the current audio. It then layers, and smears the sample, creating an infinite drone frozen in time-a perfect foundation for layering additional notes. The freeze effect facilitates overdubbing, and pressing the touchpad with the freeze knob at its minimum setting erases the memory, allowing the device to capture a fresh sample.

Delay:

The Swarm's delay is a digital delay with a subtle touch of warmth. The delay length synchronizes with the arpeggiator clock, which can be adjusted manually using the clock knob or via the tap tempo touchpad on the left. Additionally, the delay features a multiplier knob, offering a range of unique subdivisions that complement the synced arpeggiator, including quarter notes, dotted eighths, eighths, and triplets.

Reverb:

The reverb effect in The Swarm strives to enhance the natural body and ambience of the synth core without overshadowing it. Its stereo reverb algorithm is controlled by a single knob, which adjusts both the mix and decay simultaneously. This versatile control allows you to seamlessly transition from realistic room or hall effects to expansive cathedral-like soundscapes, offering a wide range of atmospheric possibilities.

Chorus:

The SuperSaw oscillator practically demands to be paired with a chorus effect. The Swarm employs a stereo 4-voice chorus effect alongside a gradually shifting LFO, aiming to craft dimensionality without becoming nauseating.

Controls

Synth core:

Detune - Detunes SuperSaw oscillator
Filter - Cutoff frequency of the filter
Attack - Rising edge of envelope
Release - Falling edge of envelope

Arpeggiator:

"ARP" Toggle - Activates Arpeggiator Mode
"HOLD" Toggle - Stores all notes played in memory
Direction - Selects the direction of arpeggiator (UP, DOWN, SEESAW, RANDOM, ORDER PLAYED)
Octaves - Selects the number of octaves played by the arpeggiator
Clock - Speed of the arpeggiator and delay clock
Clock Toggle - Switches between manual clock knob and tap tempo.
Tap Tempo (Yellow Pad) - Tap tempo for arpeggiator and delay clock

Effects:

Freeze (Yellow Pad) - Press to record. Pressing with Freeze Knob at minimum will erase sample
Freeze (Knob) - Sets the level of the frozen, infinite drone
D.Level - Delay signal level
D.Feedback - Number of delay repeats
D.Multiplier - Sets delay multiplier (quarter note, dotted eighth, eighth, triplets)
Reverb - Mix and Decay of reverb increase simultaneously
Chorus - Sets chorus level

Rear panel

Out(L) - Left Output (stereo headphone jack/TRS when Out(R) is unconnected)
Out(R) - Right Output
In(L) - Audio input to send external audio through onboard effects (If source is Mono, use In(L))
In(R) - Audio input to send external audio through onboard
Oct+: Shifts the entire synth up one octave for every press
Oct-: Shifts the entire synth down one octave for every press
MIDI HOST INPUT - Provides power and communication with your USB Midi Controller
USB POWER SUPPLY - USB-C plug to power synth

Notes: ***B-STOCK: Box opened, product in perfect working order***


KeyLab mk3 is a fully-featured MIDI controller that offers unparalleled control of software and hardware instruments.

Engineered for intermediate and advanced producers and experienced music makers alike, it fits perfectly into any setup with comprehensive DAW integration, advanced performance features and an enhanced keybed and interface; all integrated seamlessly within a robust wood and aluminum casing.

Whether sculpting a studio masterpiece or channeling the raw energy of a live performance, KeyLab mk3 removes every creative obstacle and offers intuitive, comprehensive controls that ensure musicians can find their expression.

Deep integration

The most advanced DAW integration of any controller. KeyLab mk3 can use MCU and HUI protocols as well as smart mapping technology. This, coupled with the seamless integration with Arturia software, and advanced user programs, makes KeyLab mk3 a must have tool for demanding musicians and producers.

Superior playability and finish

KeyLab mk3 combines excellent design with high-quality wood and aluminium components. The enhanced keyboard and robust construction ensures reliability and durability - meeting the demands of professional use.

Full creative control

Alongside its high quality, touch-sensitive controls, KeyLab mk3 is also fully customizable and easy to navigate with its full colour display. Adjust settings directly on the unit, or via the included software, for a personalized experience that adapts to all creative processes and performance styles.

Advanced creative features

KeyLab mk3 includes innovative tools like Scale, Arpeggiator, and Chord modes, enhancing your creative capabilities. These features allow musicians to explore new musical ideas and create advanced compositions effortlessly, making it a powerful ally in both the studio and live performances.

NEW enhanced keybed - Have greater control of synth and piano sounds with a full rework of keyboard balance, weighting and spring tension.

NEW visual interface - Have full control of settings, parameters and custom mappings with a 480x320px screen controllable with 8 contextual buttons.

NEW touch-sensitive potentiometers and faders - Have a greater degree of control with nine 360- rotary potentiometers and nine faders.

NEW creative features - Take your expression further with inspiring creative tools including a new Scale, Arpeggiator and Chord mode.

NEW pad capabilities - You can now harness a total of 4 Pad Banks of 12 pads for finger drumming, clip launching and endless mapping possibilities.

NEW software bundle - Kick-start your creative journey with pro software included: Analog Lab Pro, Mini V, Piano V, Augmented Strings, Rev PLATE-140, Ableton Live Lite, NI The Gentleman, Loopcloud & Melodics.

Included Software

Analog Lab Pro (2000+ sounds)
Mini V
Piano V
Augmented Strings
Rev PLATE-140
Ableton Live Lite
NI The Gentleman
2-month Loopcloud subscription
Melodics subscription with dozens of lessons

Box content

Quick Start
Registration card
USB Cable (C/A)

KeyLab 61 mk3

Dimensions

Weight/Size

Gift Box: 8.5 kg / 17.41lb
968 x 369 x 148 mm / 38.11x14.52x5.8 in

Product: 6.8 kg / 14.99 lb

873x278x74 mm
34.37x10.94x2.91 in

Notes: Desktop version of the mega Hydrasynth. The same amazing synth engine, paired with polyphonic, pressure-sensitive touchpads, making it an interesting creative alternative to the keyboard version.

*** New 2.0 Firmware update for all Hydrasynth models - March 2023 ***

This is a free of charge update for all current and new users of Hydrasynth. The biggest news in this update includes:
Expanded memory to 8 banks (Keyboard, Desktop, and Explorer only)
NEW modulation source: VOICE MODULATOR
OSC Bit reducer
LFO quantizer
ENV quantizer
LFO Step Advance
Global FX bypass
Increased Vibrato resolution
New Sustain pedal options including Sostenuto
More LED options
Glissando in glide options
Arp Range goes to 6 octaves
Arp Step Offset parameter
More Rand/Init shortcuts (all STEP LFO steps, Wavescan waves, Voice mod offsets)
Local On/Off saved
......And more!
This is the first major update to the Hydrasynth family in a little, which adds a tonne of new features.


Supplier's notes:
The HYDRASYNTH Desktop / Rack has the same great sound engine as the HYDRASYNTH Keyboard. The sound engine is a sound designers dream synth as well as a performing musicians ideal. The sound engine is designed for maximum flexibility. At the same time, we designed the user interface in a way to allow you to edit the patch quickly with a minimal amount of paging and many workflow shortcuts.

Utilizing an advanced wavetable synthesis engine, 3 Oscillators, dual Wave Mutators and 2 filters that can be configured in series or parallel, the tone generating capabilities are unmatched.

As for the performance capabilities, The Hydrasynth Desktop / Rack has 24 polyphonic pressure touch pads so that you can play the unit without needing to connect a keyboard or other controller. Using multiple pad layout modes as well as quick to access scale modes, the Hydrasynth Desktop / Rack is easy to make music on.

The Hydrasynth Desktop / Rack comes with rack ears so that you can mount it in a standard 19" rack.

Notes: Voltage-Controlled Voltage Processor

A*B+C is the ultimate utility for audio and control voltage. It performs multiplication, addition, and attenuation, providing a simple way to create complex signal interactions and timbres.

It is formed by two channels, each of which takes two input signals (A and B), multiplies them (A × B), and then adds a third signal (C) to the result.It is formed by two channels, each of which takes two input signals (A and B), multiplies them (A × B), and then adds a third signal (C) to the result.

By combining different blocks, many functions can be achieved:

Audio Processing:

Four-quadrant amplitude modulation (ring modulation)
Linear VCA
Signal mixer
2x gain amplifier
Phase inverter
Attenuator

CV Processing:

Voltage-controlled attenuator
CV mixer
Attenuator
Inverter
VCA
DC generator

Features

DC Coupled
Signal LED Indicators
B and C INs normalled to 5

Specs

Current Draw: +12V: 50mA, -12V: 50mA +5v : 0mA
Width: 6HP
Depth: Assembled version 25 mm
Depth: DIY version 35 mm
Designed, kits prepared and assembled in Barcelona.

Notes: In collaboration with 4ms Befaco have designed this custom pod to achieve the perfect match of your Oneiroi with your desktop synthesizers, effects pedals, modular synthesizer or any kind of music gear.

A small and portable modular system to exploit the full potential of Oneiroi.

Notes: The Tiptop Audio Buchla Model 296t is a 16 band spectral resonator & vocoder based on the original Buchla 296.

The 296 was first introduced in 1978 and very few were ever made. Making a module of such complexity at a time when electronic schematics were drawn with pencils, with 48 filters that were most likely hand-calculated is just incredible.

The 70's were a great era of exploration and proof of audio electronics scientific theories, but for Don Buchla it seems like it was always something beyond theory.

The 296 might at first look like an equalizer, but Don Buchla had totally different ideas for it. He managed to pack into it a 16-band analogue modular spectral processor, a cross-band vocoder, plus a massive amount of patch points to work with his synthesizer system.

Notes: Tiptop bring the iconic low-pass gate to their range of Buchla reissues. The 292t offers four channels which can be mixed or treated individually, with adjustable modes for low-pass filtering, VCA or the classic low-pass gate combo.

Supplier's Notes:
The 292t is a reissue of Don Buchla's low-pass gate from the 1970s, adapted for the Eurorack modular format. The module consists of four independent low-pass gates (LPGs) and retains the natural, percussive sounds of the original, all of which can be manipulated in real time using control voltages. The 292t allows you to mix up to four sounds from their individual outputs or through a summed output, functioning as a mixdown. Each channel can operate in one of three modes: a low-pass filter with a variable cutoff, a VCA with controllable gain, or a combination of both, producing Buchla's classic low-pass gate effect.

Notes: ***B-STOCK: Box opened, product in perfect working order***


Bring the rhythm of your dreams to life with the 2HP wide Eurorack compatible Clock Divider. This compact but powerful module has been carefully designed to control your rhythmic arrangements with precision and flexibility. Whether you want to create complex rhythmic patterns or just sync your Eurorack modules, our Clock Divider is the perfect solution for any synth lover.

Space-saving design

With its narrow width of only 2HP, this clock divider fits seamlessly into any Eurorack setup without taking up a lot of space.

Versatile partial ratios

Equipped with four outputs for 1:2, 1:4, 1:8 and 1:16 ratios, this module offers you a wide range of rhythmic possibilities. From simple halvings to complex rhythmic structures, you can structure your sounds exactly the way you want them to.

Intuitive visualization

Each of the four outputs, as well as the input clock, are equipped with an LED that gives you immediate visual feedback. This feature makes it easier for you to grasp and adjust the rhythmic structure of your performance or track at a glance.

Reset Input

The handy reset input allows you to reset the divider cycle at any time. This is especially useful for controlling your rhythmic patterns in real-time and ensuring that your setup is always in sync, no matter how complex your arrangements are.

Notes: Double X-braced keyboard stand with textured end caps to aid grip and prevent the keyboard sliding forwards. Pull and lock ball mechanism enables quick setup and secure multi-point positioning.

- Easy to reach pull and spring lock ball mechanism to adjust height
- Height adjustment from 170 - 970 mm
- Anti-slip feet

Notes: Dual-purpose 1-in-1-out USB-C-to-MIDI cable with filter/mapper/router.

Notes: This is the world's most versatile MIDI Interface compatible with all major operating systems via USB. Easily configure MIDI split/thru, merge, reassign and filter out any MIDI message via the free UxMIDI Tools software (Win/Mac).

Notes: Introducing the Ergonomic Studio Stand for Ableton Push 3: a game-changer in the world of music production. Designed with your comfort and productivity in mind, this stand is the ultimate solution for those seeking a more immersive and ergonomic music-making experience.

Crafted with precision, the stand offers a sleek and sturdy design that seamlessly integrates with your Ableton Push 3 controller. By elevating your controller to an optimal height and angle, it eliminates the strain on your wrists and neck, allowing you to focus on your creativity without any discomfort.

One of the standout features of this stand is its ability to enhance your visual experience. With a specially designed screen mount, it brings the Ableton Push 3's display closer to your line of sight, ensuring crystal-clear visibility of every detail. No more squinting or straining your eyes to read parameters or follow your music-making process. The screen becomes an extension of your creativity, effortlessly accessible at all times.

The stand's ergonomic design also promotes a more organized and efficient workspace. Its integrated cable management system keeps your cables neat and tangle-free, reducing clutter and allowing you to concentrate fully on your music production. Additionally, the stand's robust construction ensures stability, even during intense sessions, guaranteeing a secure and reliable platform for your Ableton Push 3.

Whether you're a professional music producer or an aspiring artist, the Ergonomic Studio Stand for Ableton Push 3 offers unparalleled comfort and convenience. It enhances your workflow, minimizes physical strain, and maximizes your creative potential. Take your music production to new heights with this exceptional accessory that is both stylish and functional.

Upgrade your studio setup today and revolutionize the way you create music with the Ergonomic Studio Stand for Ableton Push 3. Experience comfort, visual clarity, and an improved working environment that will elevate your musical journey to new levels of excellence.

Notes: Bracket for mounting two DIGI machines

It allows it to be used in a comfortable and ergonomic position, which in turn saves space.

Specially designed with the need for space for wiring and connectors in mind.

On the support faces, each bracket has a recess to place silicone feet and prevent the equipment from slipping or scratching.

Notes: This stand was specially designed to mount one Digi and one Elektron MK2 synthesizers (Analog Four and Analog Rytm).

It also allows you to combine other equipment of similar dimensions.

Each side is made up of two pieces that are firmly held together by a screw.

The versatility of the design allows it to be used as a double support or as two simple supports, separating the front from the back.

Its shape is designed so that it does not interfere with the rear connectors of the equipment.

Notes: This stand has the peculiarity that depending on the side that each foot is placed, 3 different work positions can be achieved.

Each foot adjusts to the equipment and allows it to be used in a much more comfortable and ergonomic position.

It is designed in such a way that all its forms are copied by the support and the fit is perfect.

In its lower part, each leg has a recess to place silicone legs and prevent the equipment from slipping.

Includes stand and silicone legs.

For up to three Make Noise desktop units
Suitable for 0-Coast, 0-Ctrl and Strega
Made of biocompatible PLA plastic
Connection of the side parts via wooden rods
Dimensions (WxHxD): 290 x 285 x 200 mm
Colour: Black

Notes: For two Make Noise desktop units

Suitable for 0-Coast, 0-Ctrl and Strega

Made of biocompatible PLA plastic

Connection of the side parts via wooden rods

Colour: Black

Notes: The well-known Pocket Operators are essentially bare electronic boards, with the components visible.

To protect your Pocket Operator and make its use more comfortable, CoverUp offer this case, which includes a front part, a back cover, and the buttons.

This case is compatible with the entire Pocket Operator series, and its assembly is very simple.

Notes: ***B-STOCK: Box opened, product unused & in perfect condition***


Venus is a real tube overdrive that brings the magic of a legendary tube-driven circuit into a modern, compact format. Inspired by the most iconic tube overdrive pedal in history, Venus delivers everything from smooth, bluesy breakup to fully saturated distortion.

Equipped with a high-quality ECC832 tube, Venus offers exceptional dynamic response and tonal flexibility. The three-band EQ provides precise frequency control, while the tube bias knob allows users to shape the compression and saturation of the overdrive. Whether used as a transparent boost or a full-bodied drive, Venus delivers the warmth and harmonic complexity only a real tube circuit can provide.

A switchable line driver/buffer ensures a strong, clear signal throughout the chain, making Venus a reliable choice for both live performances and studio applications. The power-up preset function for the footswitch lets users set their preferred bypass/engage state when powering on the pedal.

Designed for players who crave the richness of a tube-driven circuit without the bulk, Venus is the perfect companion for any setup from vintage amps to modern pedalboards.

Notes: The MASTER18 is a very flexible generic CV processor.

You can think of the MASTER18 as a smaller and cheaper version of the DROID MASTER without CV inputs and LEDs, but with an integrated USB and MIDI, six additional gate jacks, two of which are inputs and four are outputs.

Details:

It has 8 CV output jacks with a voltage range from -10 V to +10 V, driven by highly accurate low jitter 16 bit DA converters:
2 gate inputs switching at 0.1 V
4 gate outputs switching between 0 V and 5 V
2 MIDI interfaces via MIDI standard B (mini jack)
MicroSD card reader and a button for reloading the MicroSD card
USB C to access the SD card from your computer or to send/receive MIDI MASTER18 comes with two interesting bonus features:
It can be connected to the Sinfonion as a follower of the Harmonic Sync.
It has an integrated tuning device for VCOs (can measure their frequency).

The MASTER18 is a good choice if you intend to just create CVs and don't need to process incoming CVs. It's perfect for building sequencers and MIDI to CV converters. MASTER18 can do almost any CV task you can imagine, such as sequencing, melody generation, slew limiting, quantizing, switching, mixing, working on clocks and triggers, creating envelopes and LFO or other fancy voltages, or any combination of these at the same time. While doing this, is very precise both in voltage and in timing.

You can attach several different DROID controller modules, such as the E4, the P2B8, the P10, the B32, the P4B2 or the M4 in order to get direct hands on access to all parameters and values of these patches.

Easily create your desired DROID patch utilizing our simple and easy-to-use editor with built in tutorials - the DROID Forge. It is available for Windows and Mac (both Apple Silicon and Intel).

The file created with the DROID Forge is a simple text file named "droid.ini" and needs to be loaded on the micro SD card that goes into the MASTER18.

Notes: E4 Encoder Controller

The E4 is a controller with four rotary encoders.

The encoders look like normal potentiometers, but you can turn them endlessly in either direction. (Don't be fooled by the knobs, which do have a pointer).

This allows for a wide range of applications and great flexibility.

Each encoder is surrounded by a square of 32 multicolor LEDs. This LED ring is used to indicate the current value of the encoder. And it looks really great! The LEDs help you to give you an orientation by displaying the current value.

Each encoder contains a push button, which can be used just like those on the P2B8 or on the B32.

The E4 is perfect for mapping many different functions or presets to one encoder and then switch with the buttons of a P2B8 or B32 to some other context. Because of the LED rings you instantly see the current value after switching. And other than with pots, no "picking up" of the value is needed.

Furthermore, the nature of the encoders allows for some useful features, for example:

Create a "multi turn" pot, that needs to be turned several rounds for going through the total range (which allows for a finer selection).
Enable a mode where a slow movement of the encoder changes the value even slower, so it allows for instant fine tuning.
Use an encoder as a switch with a fixed number of positions (the LEDs visualise that)
Select a bipolar value with proper visualisation by the LEDs.
Use an encoder for "strumming", where you get triggers when it is turned.
As a bonus, there is a circuit called encoquencer, that allows you to build a melody sequencer based on the encoders and LEDs of the E4. It has the same features as the sequencer that is based on the motor faders of the M4 (motoquencer).

Power consumption:

+12V: 220 mA when all LEDs are white, 53 mA during normal use case
-12V: 0 mA
5V: 0 mA

Hint: The LEDs only shine fully white when you set them up to do so in your DROID patch. As long as you use the encoders in a normal way, the LEDs display colored light which is not as bright, so the power consumption is much less under normal circumstances.

Dimensions
6 HP
23 mm deep

Current Draw
53 mA +12V
0 mA -12V
0 mA 5V

Notes: The P8S8 controller is for those who love those little sliders. The sliders behave like regular pots, so we named the module P8S8 (the "S" stands for the switches).

The P8S8 has eight Alpha sliders with a range of 20 mm. As a speciality the sliders contain LEDs. Their brightness can be controlled and used for any purpose. As long as you don't use the LED registers, the brightness of the LEDs reflect the current slider positions.

At the bottom the P8S8 has eight 3-way toggle switches.

As always in the DROID universe, it can be patched as whatever comes to mind, but looking at this module, it's almost imposing to be used as modulation sequencer or ADSR controller.

Shipping includes a short ribbon cable for connecting the controller to the master or to the previous controller. If you want to place the controller further away from the master, you can purchaser longer ribbon cables here in the shop.

Current Draw: 20 mA +12V, 0 mA -12V, 0 mA 5V
Width: 8 HP
Depth: 25 mm

Notes: Analogue VCO with range from 16Hz up to 32.000Hz.

Variable Voltage Controlled Wave Shaper.

Advanced pitch control with Voltage Controlled Quantizer, so it is always in tune.

Hard Sync Input.

Separate Pulse Output, for use as a clock or to sync other oscillators
.
Power Consumption: 114mA @ +12V , 46mA @ -12V.

35mm depth.

Notes: Typhon has been developed with ultimate care and love, so as to be a great-sounding, portable and affordable synthesizer. It has a complex modulation routing, 256 preset memory, a 32 note sequencer, and powerful stereo effects developed by Sinevibes.

Since it is packed in a compact USB powered box, it can be carried everywhere you go!

Specifications & Connections:

USB powered (at least 500mA)
60 Playing hours with 20,000mA portable power bank
MIDI Din IN and OUT
1/4 in Stereo Out
1/8 in Headphone Out
1/8 in Mono Audio In (for routing via Typhon FX)

Dimensions: 23 x 13 x 6 cm
Weight: 1kg

Notes: Giant ambience from this cleverly designed reverb pedal. Straightforward, intuitive approach with a clever 'drag' control to spread out and separate the individual digital delay lines.

Supplier notes:
The Afterneath sounds a lot like it looks - a wizard bursting forth from ethereal cave and ready for the ambient battle.

Once inside the cave, a reflection of light from an unknown source catches your eye, and you notice a bizarre sheen on the walls of the cave. You timidly inch closer to the walls of the cave. Placing your hand gently on the cavern wall, you feel the rock move. The cave is alive! Alarmed, you emit a loud gasp, which reverberates throughout the subterranean landscape. Upon further listening, it appears as though the reverberations of your voice are in fact a swarm of short digital delays which may be used to create wild and cavernous reverbs, or scattered, short, rhythmic delays with bizarre characteristics.

Take a moment to consider your Intelligence and Wisdom scores, as well as your spell inventory before proceeding further. You have seven spells at your disposal.

Will you cast "Length," which controls the decay length of the reverb?
What about "Diffuse," which adjusts the spread of the reverb? With your wand (or just the knob) turned counterclockwise, the reverb is sharper with more attack, resulting in a stuttering sputter of individual early reflections. Clockwise casts a washy, more ambient-sounding hex.

Overwhelmed by fear, you hastily cast "Dampen!" As you shout the incantation, you notice that a counterclockwise variation of this spell results in brighter tones, while as you rotate your wand clockwise; you hear darker tones with a mellower top-end. It's almost as if your magic changes the hardness of the cavern walls, and thus the tonal characteristics of the reverb!

Elsewhere in your book of magic is "Drag," which separates the individual digital delay lines, literally dragging them through the very fabric of time and space towards an unknown event horizon from which they may never return. Clockwise "Drag" positions will gather the delay lines close together for a more reverb-like effect. Turn the "Drag" counterclockwise, and the delay lines will begin to pull apart for a scattered ping-pong delay effect.

The Drag can be put under voltage or expression control using the "EXP" jack located on the side and operates in 9 different modes which are selected by the small "Mode" control. These modes are: Unquantized, Unquantized with slew, Unquantized volt/octave,
Chromatic scale, Major scale, Minor scale, Pentatonic scale, Octaves & fifths and Octaves. These modes drastically change the way the Drag control functions, especially while using an expression control or CV.

The "Reflect" alters the depth of the cave, and with it the regeneration of the reverb. This acts as a feedback control and will self-oscillate if cast by a high-level user. Turn clockwise for more wash and echoes, counterclockwise for less.

Finally, the "Mix" alters the alchemical balance between the input signal and the effect. The Afterneath does not go fully wet but does lower the level of the input signal as you raise this control to create the appearance of a fully wet reverb.

Modes
The Modes control changes the way the Drag control functions. The LED will change colors indicating which mode you are in.

1. Unquantized: Smooth, unquantized response over the operating range

2. Unquantized with Slew: Smooth, unquantized response over the entire operating range, but with a musical slew that is reminiscent of turning the varispeed knob on a vintage British tape delay. The "Drag" will lag behind the knob or cv changes, but then quickly catch up.

3. Unquantized Volt/Octave: Smooth and unquantized, yet scaled to align with the 1v/octave curve to allow melodic modulation of audio in the buffer, or control the frequency of self-oscillation like a voltage controlled oscillator.?

4. Chromatic Scale: Quantized 1v/octave to the chromatic scale?

5. Minor Scale: Quantized 1v/octave to the minor scale?

6. Major Scale (Lydian): Quantized 1v/octave to the major scale (Lydian)?

7. Pentatonic Scale: Quantized 1v/octave to the pentatonic scale?

8. Octaves & Fifths: Quantized 1v/octave to omit all but octaves and fifths?

9. Octaves: Quantized 1v/octave to omit all but octaves

Specifications:

Dimensions: 4.75 x 2.50 x 2.25 in. (121 x 64 x 57 mm) with knobs

Current Draw: 100 mA

Input Impedance: 1 MO

Output Impedance: 500 O

Notes: The Arrows is an all-discrete tone sculpting preamp booster. It was designed with the intention of adding an additional channel of gain to all your dirt pedals as well as brightening up neck pickups. It boosts midrange, tightens up the low end and makes the top end shine while adding some push to drive your dirt into blooming sustain with excellent harmonics. Its simple interface is no nonsense; a single control that will either boost or cut your signal. Use the Arrows to remove the muck from bass heavy fuzz pedals, push light overdrives into higher gains than you thought possible or even on its own to make your signal really pop with more pizazz. All analog, true bypass and handmade one at a time in the weird pit of Akron, Ohio.

Level: Adjusts Arrows output level. Clockwise is loud, counterclockwise is quiet.

This device is true bypass and uses electronic relay-based switching. Audio will not pass without power.

This device can be powered by a 9v battery or a standard 9-volt DC power supply with a 2.1mm negative center barrel. Pedal-specific, transformer-isolated wall-wart power supplies or multiple isolated-output supplies are generally receommended. Pedals will make extra noise if there is ripple or unclean power. Switching-type power supplies, daisy chains and non-pedal specific power supplies do not filter dirty power as well and let through unwanted noise. DO NOT RUN AT HIGHER VOLTAGES!

Dimensions: 4.75 x 2.50 x 2.25 in. (121 x 64 x 57 mm) with knobs

Current Draw: 8 mA
Input Impedance: 10 MO
Output Impedance: <10 kO

Notes: The Avalanche Run is a dreamy stereosonic exploratory multi-tool that includes up to 2 seconds of delay time, reverse delay, tap tempo with subdivision control, switchable true bypass or buffered bypass with 5 different tail lengths (including a sound-on-sound style lo-fi looping mode) and an assignable expression control that maps the expression jack to a control of your choice, including the toggle! The delay section allows tweaking from tape emulation to bucket brigade styles with a twist of the wide-range Tone control. The cavernous, plate-style reverb has just a touch of modulation similar to the one found in our precious Dispatch Master only more lush with an adjustable Decay. Otherworldly reverse delay and dynamic swelling reverb settings are accessible through a 3-way toggle switch. And that's just the beginning...

1. Time: This controls the delay time and goes from 0ms to just under 2000ms.

2. Repeats: Controls the regeneration of the delay, from zero repeats to near infinite.

3. Tone: Controls the tone for the delay line only. Roll off highs to the left, roll off lows to the right and get a flat response in the middle.

4. Mix: The is the volume control for the delay line. This blends in the wet with dry until 1 o'clock, 1 o'clock to 3 o'clock boosts the wet signal over the dry and 3 o'clock up brings down dry until it is fully wet when all the way up.

5. Expression Jack Assign Switch: Use this switch to map the expression jack to one of the assigned controls.

Decay: Controls the reverb decay length

R Mix: Controls the reverb mix

Time: This takes over for the delay time control and is DRASTICALLY different than the interface control. Using the expression pedal to control the time will give you all kinds of wild effects that can not be achieved by turning the knob.

Repeats: Controls the delay repeats

D Mix: Controls the delay mix

Toggle: This takes over for the toggle switch and will cross fade from forward delay in heel down position to reverse delay in toe down position.

6. Ratio Selector Switch: Selects delay subdivisions when time is set by the "Tap" switch.

1/1: Quarter Note

3/4: Dotted 8th

2/3: Quarter Note Triplet

1/2: 8th Note

1/3: 8th Note Triplet

1/4: 16th Note

7. Decay: Controls the decay length of the reverb, short decay counterclockwise, long cavernous decay clockwise.

8. Toggle Switch (Mode Selector)

Normal: This is the standard delay and reverb mode

Reverse: This is reverse delay mode with standard reverb

Swell: This is the volume swell mode

9. Mix: This is the volume control for the reverb. Blends in the wet with dry until 1 O'clock, 1 O'clock to 3 O'clock boosts the wet signal over the dry and 3 O'clock up brings down dry until it is fully wet when all the way up.

The expression jack is located on the west side of the pedal. It is a TRS jack with the tip acting as the wiper.

Using a Moog expression pedal, with the output adjustment knob all the way up, is recommended. Any other expression pedal is not guaranteed to work with the Avalanche Run.

This device features Flexi-Switchr Technology! This relay-based, true bypass switching style allows you to simultaneously use momentary and latching style switching.

For standard latching operation, tap the footswitch once to activate the effect and then tap again to bypass.

For momentary operation, hold the footswitch down for as long as you'd like to use the effect. Once you release the switch the effect will be bypassed.

Since the switching is relay based, it requires power to pass signal.

For best results, please use the included 9v center-negative 1-amp DC power supply.

Dimensions: 4.65 x 4.15 x 2.25 in. (118 x 105 x 57 mm) with knobs
Current Draw: 410 mA
Input Impedance: 1 MO
Output Impedance: 100 O

Notes: The Data Corrupter is a monophonic analog harmonizing PLL with modulation. It takes your input signal and brutally amplifies it into a crushing square wave fuzz tone that is then multiplied, divided and modulated to create a wild, yet repeatable, three-voice guitar synthesizer.

The Master Oscillator is the central nervous system at the heart of the Data Corrupter's cyberpunk hive mind. It feeds your input to the signal harvester in its original octave (Unison), one octave down (-1) or two octaves down (-2) for maximum compatibility with your preferred instrument and frequency register. Once you've chosen your input octave, then the Data Corrupter will perform its calculations and spit out an analog synthesized frequency, which can be pitch-bent for portamento or vibrato sounds by the Frequency Modulator! From there, you can blend in one of eight Subharmonic intervals up to three octaves below the input and mix in a square wave fuzz tone for maximum data corruption.

The Master Oscillator (1) is the central nervous system at the heart of the Data Corrupter's cyberpunk hive mind. The three-position switch on the Master Oscillator control panel labeled Root (2) feeds your input to the signal harvester in its original octave (Unison), one octave down (-1) or two octaves down (-2). Use the Master Oscillator's Root Switch to fine tune the Data Corrupter's tracking response for maximum compatibility with your preferred instrument and frequency register. Once you've chosen your input octave, the Data Corrupter will perform its calculations and spit out a synthesized frequency, the octave and/or interval of which may be selected via the Master Oscillator's eight-position rotary switch.

The Voice Mixer's Oscillator Control (3) adjusts the Master Oscillator blend.

The Frequency Modulator (4) applies pitch-bend modulation to the Master Oscillator. In Glide mode, you'll hear a smooth portamento as each note slides into the next. In Vibrato mode the pitch modulates up and down for a retro sci-fi laser effect.

The Subharmonic (5) assimilates the input signal into one of eight lower octave programs between one and three octaves below the original. For a more stable lower octave, set the Subharmonic's Root Switch to the Unison position, which divides the Square Wave input signal, and removes the Frequency Modulator from the Subharmonic signal path.

To unleash the cracked machine lurking within the mainframe, set the Subharmonic Root Switch to Oscillator and try not to look away as the sonic malware you just installed mangles your input signal into the sum and difference of both the Master Oscillator and Subharmonic with the Frequency Modulator applied to the upper and lower octaves.

If you think you're brave enough, set the Subharmonic Root Switch to Oscillator and try experimenting with different Master Oscillator and Subharmonic programs to wind up the doomsday clock and inch ever closer to the Singularity. Adjust the Voice Mixer's Subharmonic Control to set the lower octave volume.

Finally, (or is it?) the Square (6) control located top-left on the Voice Mixer blends in a fuzzed-out square-wave take of your input in its original octave.

The heart of this pedal is based around a CMOS Phase Locked Loop (PLL) IC. In a nutshell, the PLL takes your input signal and compares its phase and frequency against an oscillator, generates an output proportional to their difference then feeds it back to the oscillator. This then causes the oscillator to lock onto the input signal and generate a synthesized frequency. Pretty cool, right? This synthesized frequency is referred to as the Master Oscillator on the Data Corrupter.

This device takes its inspiration from the Electrax Synthax and the "Basic Frequency Synthesizer" by Ray Marston. Neither of these were really intended to be guitar effect pedals and a lot of work went into creating the Data Corrupter to provide excellent tracking and long sustain. We think you'll find it more expressive and accurate than pretty much any other PLL based effect pedal around.

This device features Flexi-Switchr Technology! This relay-based, true bypass switching style allows you to simultaneously use momentary and latching style switching.

For standard latching operation, tap the footswitch once to activate the effect and then tap again to bypass.

For momentary operation, hold the footswitch down for as long as you'd like to use the effect. Once you release the switch the effect will be bypassed.

Since the switching is relay based, it requires power to pass signal.

Dimensions: 5.65 x 4.75 x 2.25 in. (144 x 121 x 57 mm) with knobs

Notes: The Dispatch Master is a hi-fi digital Delay & Reverb Device that combines independent delay and reverb effects into one space-saving enclosure, so you can keep deep ambient echoes (or just a quick slapback) on speed-dial.

The best-selling EarthQuaker Devices pedal just got better with new Flexi-Switchr Technology. Want to dip into ambient delay and reverb sounds for just one note? Press and hold the footswitch for as long as you use the effect, release it when you're finished, and resume your regularly scheduled dry sound. To use the Dispatch Master as a normal effects pedal, press the switch once to activate and again to bypass.

To Use Both Effects at the Same Time, Simply Adjust all Controls to Taste:

The Mix (1) control is a wet/dry blend that adjusts the overall level of the affected signal.

Time (2) sets the delay time from 0ms to 1500ms (1.5 seconds).

Reverb (3) controls the amount of reverb. Counterclockwise is less reverb, clockwise is more reverb.

Repeats (4) controls the regeneration of the delay signal. When the Repeats control is set to maximum, you'll get infinite repeats without runaway self-oscillation, which makes it great for creating drones, dialing in the ultimate post-rock guitar sound without feedback, or just having fun.

To Use the Dispatch Master as a Delay Only:

Turn the Reverb control all the way down.

Adjust the Time, Repeats, and Mix controls to taste:

To Use the Dispatch Master as a Reverb Only:

Turn the Time and Repeats controls all the way down

Adjust the Reverb and Mix controls to taste

THIS IS IMPORTANT! In Reverb-only mode, the Repeats control has a secondary function. It can be used to adjust the decay, depth, and tonal quality of the reverb! Turn it up for more dynamics and a thicker tone.

This device features Flexi-Switchr Technology! This relay-based, true bypass switching style allows you to simultaneously use momentary and latching style switching.

For standard latching operation, tap the footswitch once to activate the effect and then tap again to bypass.

For momentary operation, hold the footswitch down for as long as you'd like to use the effect. Once you release the switch the effect will be bypassed.

Since the switching is relay based, it requires power to pass signal.

This device takes a standard 9 volt DC power supply with a 2.1mm negative center barrel. We always recommend pedal-specific, transformer-isolated wall-wart power supplies or multiple isolated-output supplies. Pedals will make extra noise if there is ripple or unclean power. Switching-type power supplies, daisy chains and non-pedal specific power supplies do not filter dirty power as well and let through unwanted noise. Do not run at higher voltages!

Dimensions: 4.75 x 2.50 x 2.25 in. (121 x 64 x 57 mm) with knobs
Current Draw: 78 mA
Input Impedance: 1 MO
Output Impedance: <1 kO

Notes: Grand Orbiter is a 4 stage OTA-based phaser with a diverse feature set that can go from stationary and resonant to slow and mellow and on through fast and swirly. It has three way toggle switch to select between the ranges of modulation. The master Rate control fine tunes the speed of the LFO in each of these modes and the flashing red LED acts as a visual indicator, even when the effect is in bypass mode. The Depth control blends the shifted signal in with the dry signal and controls the intensity of the effect. The Sweep control governs the peak frequency of the phased signal's tone, turned full clockwise the sweep is lively and intense, whereas turning counter clockwise yields a darker, more laid back peak. The Resonance provides a wide range of control over regeneration and at higher settings adds a more pronounced and resonant tone. You can also use the Grand Orbiter as a true pitch vibrato with the "Phase/Vibrato" switch. When in "Vibrato" mode, the dry signal is removed and the Depth controls acts as a volume control. This pedal is 100% analog, true bypass and built by entirely by hand in beachy Akron, Ohio.

1. Sweep: Controls the frequency peak of the sweep. Higher peak clockwise, lower peak counter clockwise.

2. Rate 1,2,3: Changes the range of the speed control. Rate 1 is slow mode, Rate 2 is LFO kill to use the Orbiter as a fixed resonant filter, Rate 3 is fast mode.

3. Rate: Controls the speed of the LFO. Faster clockwise, slower counterclockwise.

4. Depth: Controls the amount of phase effect mixed with dry signal. Clockwise for more intense phasing, counterclockwise for less. In "Vibrato" mode, this acts as a volume control.

5. Phase/Vibrato: Cuts the dry signal to create a vibe/vibrato effect depending on the setting of the other controls. Vibrato is created by turning the resonance down low.

6. Resonance: Controls the regeneration of the phased signal. More resonant clockwise, more subtle counterclockwise.

Tech Specs:

This device takes a standard 9 volt DC power supply with a 2.1mm negative center barrel. Pedal-specific transformer-isolated wall-wart power supplies, or multiple isolated-output supplies, are always recommended. Pedals will make extra noise if there is ripple or unclean power. Switching-type power supplies, daisy chains and non-pedal specific power supplies do not filter dirty power as well and let through unwanted noise. DO NOT RUN AT HIGHER VOLTAGES!

Dimensions: 4.75 x 2.50 x 2.25 in. (121 x 64 x 57 mm) with knobs
Current Draw: 15 mA
Input Impedance: 1 MO
Output Impedance: <1 kO

Notes: Ledges is a three-mode reverb with the ability to save and recall six presets and user-assignable expression control with loads of customizable options. From classic, standard reverb tones to undiscovered sonic reaches, it's everything you've ever wanted and needed out of a reverb.

The three switchable modes each deliver a unique blend of reverb, but are connected through a spectrum where the Room (R) reverb's longest setting is the Hall (H) reverb's shortest setting, the Hall reverb's longest setting is the Plate's (P) shortest setting, and the Plate's longest setting just keeps on going. The Room setting at its shortest achieves a small, boxy room sound that gradually gets bigger as you turn it up. As you increase the Hall setting, it morphs into a Cathedrals-style reverb that becomes really big, boomy and echoey with distant reflections. Turn up the Plate setting to get bouncy reflections that recycle and reverberate forever.

Ledges can go from an '80s slapback reverb mix to a bigger room spring reverb with the twist of the dials. The Mix knob lets you control how much your signal is affected, while the Length knob controls the size of the reverb. The Damping knob subtly mutes the high-frequency reflections of the reverb, which you'll hear clearly by adjusting your gain.

In addition to all of the features, there are six Presets available. Simply select a number with the switchable knob and then engage the Save on the center button and dial in your perfect sound. A quick Recall on the same button and you have all of your personalized reverb sounds with a single tap. You can assign an expression pedal to each of the three controls and then save it all in the presets.

Dimensions: 4.75 x 2.50 x 2.25 in. (121 x 64 x 57 mm) with knobs
Current Draw: 80 mA
Input Impedance: 1M O
Output Impedance: 100 O
TRS expression pedal wiring:
Tip: Wiper
Ring: +3.3V
Sleeve: Ground

Flexi-Switchr Technology

This device features Flexi-Switchr Technology! This relay-based, true bypass switching style allows you to simultaneously use momentary and latching style switching.

For standard latching operation, tap the footswitch once to activate the effect and then tap again to bypass.

For momentary operation, hold the footswitch down for as long as you'd like to use the effect. Once you release the switch the effect will be bypassed.

Ledges is buffered bypass with tails. Power is required to pass signal.

Power

This device takes a standard 9 volt DC power supply with a 2.1mm negative center barrel. It is always recommend you use pedal-specific, transformer-isolated wall-wart power supplies or multiple isolated-output supplies. Pedals will make extra noise if there is ripple or unclean power. Switching-type power supplies, daisy chains and non-pedal specific power supplies do not filter dirty power as well and let through unwanted noise. DO NOT RUN AT HIGHER VOLTAGES!

Notes: Pyramids is a Stereo Flanging Device with five presets, eight flanger modes, tap tempo, tap subdivision, a multifunction Modify control, positive and negative Feedback, and a variable Mix control, which is something you don't see on a flanger every day.

Built upon the same proprietary DSP architecture as the Avalanche Run™, Pyramids delivers convincing jet-engine roar, authentic through-zero tape-style warble, infinite barber pole sweeps, flexible I/O routing, and the ability to re-trigger the LFO cycle via footswitch opens up a fourth dimension of rhythmic possibilities that's sure to tickle your third ear.

Controls:
1. Manual: Controls the delay time of the modulated signal. Manual can also be controlled via expression pedal.

2. Rate: Controls the speed of the LFO as well as the rise time in Trigger Up mode and fall time in Trigger Down mode. The Rate control has three ranges of operation: Slow, Normal and Fast. These modes are selected by the Rate & Tap toggle switch.

3. Width: Controls the frequency range of the LFO sweep. You might also think of it as a depth control for the LFO.

4. Mix: This is the volume control for the modulated signal. The modulated signal gets louder when you turn it clockwise and quieter when you turn it counterclockwise.

5. Activate Footswitch: The activate switch features our Flexi-Switch technology! This relay-based true-bypass switch allows for momentary or latching operation.

6. Feedback: Regeneration control for the modulated signal.

7. Rate & Tap Toggle Switch: Normal (center position) is 1:1. The tempo you tap in is the tempo Pyramids will spit out. When set to Slow (left position), the tempo you tap is divided for a slower sweep. When set to Fast (right position), the tempo you tap is multiplied and delivers a faster sweep.

8. Modify: The behavior of this control depends upon which mode you're using:

Classic: Tone control for the modulated signal. Clockwise cuts the low end and allows the high frequencies to pass through. Counterclockwise cuts the high end and allows bass frequencies to pass through.

Through-Zero: Delay time for the unmodulated dry signal. This controls where in the LFO cycle the through-zero point occurs, which is where you'll hear the most drastic cancellation.

Barber Pole Up: Tone control for the modulated signal. Clockwise from center is a high pass filter. Counterclockwise from center is a low pass filter.

Barber Pole Down: Tone control for the modulated signal. Clockwise from center is a high pass filter. Counterclockwise from center is a low pass filter.

Trigger Up: Sensitivity control for the sweep. This controls how quickly the re-triggering reacts to your pick attack.

Trigger Down: Sensitivity control for the sweep. This controls how quickly the re-triggering reacts to your pick attack.

Step: Adjusts the glide between steps. Low Modify settings produce sharp, stair-stepped transitions between steps. Higher Modify settings introduce a smoother glissando effect.

Random: Adjusts the glide between steps. Low Modify settings produce sharp, stair-stepped transitions between steps. Higher Modify settings introduce a smoother glissando effect.

9. Tap / Trigger Footswitch: In Classic, Through-Zero, Barber Pole Up, Barber Pole Down, Step, and Random modes, this footswitch is a tap tempo control. In Trigger Up and Trigger Down modes, this footswitch triggers the effect whenever it is pressed.

10. Presets Rotary Switch: Selects between Live mode and one of five presets. Pyramids comes with our favorites programmed in, but you're allowed to re-write them if you want. We don't mind.

11. Mode Rotary Switch: Selects between Pyramids' eight flanger modes

Tech Specs:
Flexi-Switchr Technology
This device features Flexi-Switchr Technology! This relay-based, true bypass switching style allows you to simultaneously use momentary and latching style switching.

For standard latching operation, tap the footswitch once to activate the effect and then tap again to bypass.

For momentary operation, hold the footswitch down for as long as you'd like to use the effect. Once you release the switch the effect will be bypassed.

Since the switching is relay based, it requires power to pass signal.

For best results, please use the included 9v center-negative 1-amp DC power supply.

To use with multiple output transformer-balanced isolated pedal-specific power supplies, Pyramids' may be powered from two outlets combined using a current-doubling cable. DO NOT USE A VOLTAGE-DOUBLING CABLE BECAUSE THAT WILL SEND 18V TO PYRAMIDS AND FRY IT LIKE AN OVEREASY EGG AT A GREAZY SPOON DINER.

Dimensions: 4.65 x 4.15 x 2.25 in. (118 x 105 x 57 mm) with knobs
Current Draw: 460 mA
Input Impedance: 1 MO
Output Impedance: 100 O

Notes: Welcome to the Rainbow Machine, in all its synthetic glory! This one is for experimenters, adventurists, and noisemakers. Totally not for purists and/or tone hounds. There are no natural sounds that come from this box. It takes modern DSP and uses it as a tool of future past to create real-time pitch shifting using digital oscillators.

Controls:
The Rainbow Machine has been completely re-imagineered from the pixie dust-covered ground up to be more versatile, twice as loud as the original, with an extended delay time, deeper chorus tones, silent flexiswitch footswitches on both the Activate (1) and Magic (2) functions, and most of all, more Magic.

The Rainbow Machine is built around a DSP pitch warping engine that's designed to be slightly imperfect; colored with digital remnants of the cosmic dust we've picked up across the multiverse. That is to say it's a cold digital beast made to pretend it has feelings.

The Pitch (3) control adjusts the frequency of the polyphonic pitch-warped harmony from a fourth below your input, to a third above, and every atonal pitch in-between. Noon is the unison position. Pitch may also be controlled via expression pedal. Use the Primary (4) function control to adjust the volume of the polyphonic harmony.

[Pro Tip: With the Pitch control set to noon, the Rainbow Machine acts as a chorus. Use the Primary control to adjust the wet signal volume and select the delay time with the Tracking control. The tracking improves as this control is increased, so turn it up for tighter tracking with a shorter delay time or turn it down for longer delays and more ambience.]

The Tracking (5) control adjusts the lag time between the wet and dry signals. Tone (6) rolls off some treble for a darker, vintage sound. Clockwise Tone settings are bright, counterclockwise is dark.

The Secondary (7) control adds an octave of the Primary harmony. When the Pitch control is above noon, Secondary adds an octave above the harmony. When the Pitch control is below noon, the Secondary control will add one octave below the harmony. With the Pitch set to noon, the Secondary control adds an additional chorus voice for modulated, triple-tracked tones. Use this control to blend in faux-shimmer sounds or a low-frequency rumble. It's up to you. From there, it's only a matter of how weird you wanna get.

And you can choose how weird you get with the Magic (8) control. This is a regeneration control that creates aliasing (among other things) by feeding the Primary and Secondary signals back on themselves and each other, and a bunch of other stuff no one understands.

With the Magic engaged and the control set low, you can squeeze a few extra repeats out of whatever setting you happen to be using. As you increase the Magic control, you'll start noticing increased ambience, resonant, edge-of-oscillation pitch-shifting delays, chorus, metallic digi-flanging, ascending (or descending) pixie trails, controllable self-oscillation, squalls of synthetic noise, whale song, and finally, distortion. It'll take you way beyond and open up your third eye, trust us. In conjunction with the Tracking control, the Magic creates wild pitch take offs and descends, chaos chorusing, shrieks, groans, gurgles, wizard-blessed wizardry, signal transformation, imminent destruction, and other general mayhem.

Maybe you only wanna get weird for a second? Okay, with the Rainbow Machine engaged, hold down the Magic footswitch, get weird, and then let go to return to your boring, old Magic-less guitar tone. Or, press the switch like normal, and the Magic remains engaged until you press the switch again. Ditto for the Activate switch. Press and hold to use the Rainbow Machine as a momentary effect, then let go to bypass; or feel free to press the switch like normal and use the Rainbow Machine like you would any other effects pedal.

This device takes a standard 9 volt DC power supply with a 2.1mm negative center barrel. Pedal-specific, transformer-isolated wall-wart power supplies, or multiple isolated-output supplies, are always recommended. Pedals will make extra noise if there is ripple or unclean power. Switching-type power supplies, daisy chains and non-pedal specific power supplies do not filter dirty power as well and let through unwanted noise. DO NOT RUN AT HIGHER VOLTAGES!

Dimensions: 4.65 x 3.65 x 2.25 in. (118 x 93 x 57 mm) with knobs
Current Draw: 68 mA
Input Impedance: 1 MO
Output Impedance: <1 kO

Notes: EarthQuaker Devices proudly present to you the new and improved Spatial Delivery V3 Envelope Filter!

EarthQuaker Devices took the already cosmic, original Spatial Delivery and added six available preset slots for you to store your preferred settings - whether they be dissonant sweeps, rhythmic auto wah frequencies, oscillating robot gibberish or honestly whatever filtered frequency fun you want.

Even the expression jack assignment can be saved and recalled in any of the slots so that the signature sounds you dial in are readily available with a quick tap of the switch.

Save your settings confidently on the go thanks to the two modes indicated by the LED Save/Recall switch. Green means you're in Live Mode so what you see is what you get; current control settings will be what you hear. Red means you are in Preset Mode, where your selected pre-saved setting will be what's taking the journey through your amp.

You didn't think this pedal could get any better, and then, bam!

And of course, for all of you Spatial Delivery diehards, all the familiar features of the original are still in place. This baby has three modes with the switchable Up Sweep, Down Sweep, and Sample and Hold functions, along with Range, Resonance and Filter controls.

Get some wild filter sweeps with the Up and Down modes and adjust the Range to control the sensitivity and reaction time of the envelope, which alters the width of the frequency sweep. The higher the Range and harder the attack equals a faster reaction time and higher frequency sweep and vice versa. But again, you're a smart player, you get this stuff.

In the Sample and Hold mode, the filter is controlled by random voltage and the Range controls the speed. The filter can be crossfaded between high pass (counterclockwise), band pass (center) and low pass (clockwise) for a wide variety of voices. The Resonance control goes from zero to the brink of oscillation and adds more body and ring to the filter voice.

Due to its envelope control, it is recommend that you place the Spatial Delivery first in your signal chain, however, experimenting with pairing and signal chain placement can take the potential of the Spatial Delivery even further. How far will you take it? Only time will tell.

Each Spatial Delivery pedal is handmade in Akron, Ohio, USA and is hand delivered... espatially for you.

Notes: This compact Boost & EQ device is based around the tone-shaping options available in old audiophile-grade stereo preamps, making it a great addition to your pedalboard, no matter what instrument you play.

So what does that mean, exactly? It means that you'll hear full frequency response from your Tone Job everywhere you plug it in - guitar, bass, drum machine, synthesizers, steel drums, harpsichord, kazoo, car stereo, or wherever!

The Tone Job has active EQ controls for Bass, Mid and Treble, with up to 20 dB of cut or boost, which is handy for pairing up with other pedals in your chain to breathe new life into old dirt. Unlike boring old graphic EQs, the Tone Job's EQ controls are interactive, so you can experiment with different settings to alter the response and overall feel of the device, getting your tone out of the lunchroom and back on the clock.

Place the Tone Job at the beginning of your chain to alter the overall character of your guitar, or use it at the end to boost output at the end of a long cable run and fine-tune your tone. The Level control on the Tone Job can boost your signal up to 5x the original input level, so you'll always be heard, and makes for a fantastic solo and/or clean boost!

Controls:
1. Level: Post EQ volume control. Can boost the signal up to 5x the input. Unity is around 10 o'clock.

2. Treble: The center position is flat and marked with a center detent in the potentiometer. All settings above this point boost the treble and all settings below cut treble.

3. Bass: The center position is flat and marked with a center detent in the potentiometer. All settings above this point boost the bass and all settings below cut bass.

4. Middle: The center position is flat and marked with a center detent in the potentiometer. All settings above this point boost the middle and all settings below cut middle.

Tech Specs:
Switching
This device is true bypass and uses electronic relay-based switching. Audio will not pass without power.

Power
This device takes a standard 9-18 volt DC power supply with a 2.1mm negative center barrel. Pedals will make extra noise if there is ripple or unclean power. Pedal-specific, transformer-isolated wall-wart power supplies, or multiple isolated-output supplies, are always recommended. Switching-type power supplies, daisy chains and non-pedal specific power supplies do not filter dirty power as well and let through unwanted noise. DO NOT RUN AT HIGHER VOLTAGES!

Dimensions: 4.75 x 2.50 x 2.25 in. (121 x 64 x 57 mm) with knobs
Current Draw: 21 mA
Input Impedance: 1 MO
Output Impedance: <1 kO

Notes: Stereo cable with 2 narrow angular 6.3 mm plugs.

Notes: SOLAR 42F is a unique experimental electro-music instrument, an analogue microtonal ambient drone machine. It will inspire you to find a new and spontaneous approach to composing music. It gives you the ability to create a multi-layered, massive sound. The instrument is oriented for live performances, creating film soundtracks, theatre soundtracks, atmospheric sounds, microtonal and background music.

It is an improved version of the older SOLAR 50 model. The instrument was inspired by early electronic musical instruments of the 1920s and 1950s, notably Leo Theremin's "Harmonium" instrument, as well as science fiction film soundtracks.

The new version of the Solar 42F has added a LIN/EXP CV switch, sub oscillators in volt octave voices and a band pass and stereo distortion mode to the filter. Other quality of life improvements include modified graphics - inputs have been labeled in black and outputs in red for convenience - bypasses for each channel of the effector and a LED indication in the joystick unit.

Notes: SOLAR 42F is a unique experimental electro-music instrument, an analogue microtonal ambient drone machine. It will inspire you to find a new and spontaneous approach to composing music. It gives you the ability to create a multi-layered, massive sound. The instrument is oriented for live performances, creating film soundtracks, theatre soundtracks, atmospheric sounds, microtonal and background music.

It is an improved version of the older SOLAR 50 model. The instrument was inspired by early electronic musical instruments of the 1920s and 1950s, notably Leo Theremin's "Harmonium" instrument, as well as science fiction film soundtracks.

The new version of the Solar 42F has added a LIN/EXP CV switch, sub oscillators in volt octave voices and a band pass and stereo distortion mode to the filter. Other quality of life improvements include modified graphics - inputs have been labeled in black and outputs in red for convenience - bypasses for each channel of the effector and a LED indication in the joystick unit.

Notes: ***B-STOCK: Product with some signs of usage but in perfect working order***


Pico DSP is a small brother of the popular stereo effects processor Black Hole DSP. It contains eight algorithms, in detail four delays, two types of reverb, Leslie speaker emulation and an Overdrive/Bitcrusher. Each effect is editable in two parameters. One of them can be modulated using the CV input. Pico DSP features clear, high-resolution sound. Alongside the established standards, it is also possible to generate lots of freaky special effects.

Notes: ***B-STOCK: Box damaged, product in perfect working order***


Classy stuff from the London label's debut collab with one of our favourite synth brands. Classy stereo delay with analogue filtering and creamy valve distortion. Perfect for studio or live use.

Supplier's Notes:
Ninja Tune - an English independent record label based in London and Erica Synths have teamed up to create a custom dub delay effects unit, the Zen Delay.

Features
Controls: delay time, feedback, delay mod (5 presets), tap button, dry/wet, bypass switch, filter cutoff, resonance, drive, input level, filter mode

Inputs
Stereo In: 2x standard jack

MIDI In: standard MIDI socket

CV In: standard jack

Outputs

Stereo Out: 2 x standard jack

Delay times: 1-5000ms with 1/8...x8 of clock/tap rate in beat mode

Inspired by a trip to Berlin's trailblazing music hardware trade show Superbooth, Coldcut's Matt Black and longtime friend Dr Walker (Liquid Sky artist collective / Air Liquide) envisaged the exciting possibilities of a custom hardware effects unit. The result is the creation of the Zen Delay i the first-ever hardware effects unit produced in collaboration with an electronic music label.

Bringing together the best of the digital and analogue worlds, the Zen Delay is a BPM-synced stereo delay line, combining extreme feedback ranges for dub and experimental lo-fi effects with a multi-mode 24 dB synth filter and valve overdrive.

Created and manufactured by Erica Synths, the unit is housed in a metal case with Erica Synths' signature bakelite knobs and a valve circuit for extra analogue warmth. While sonically versatile, it is incredibly easy to use each function has a physical knob that you can play around with without diving into manuals or scrolling through menus on a tiny screen.

Crafted in close collaboration with DJs and producers, the Zen Delay was uniquely developed with both live and studio use in mind and is suitable for many different performance situations, musical styles and instruments. While most delay devices are designed as 'stomp boxes' for guitarists, the device is equally powerful in the hands of electronic music producers, artists and DJs, adding a unique, warm and powerful sonic character to drum machines, loops, vocals, synths, samples or any other source. Even full tracks or a live stereo mix can be enhanced by the combination of analogue and digital circuitry, breathing new life into iPad performances and giving traditional digital synths and drum machines a huge kick.

The Zen Delay is a product of our expertise on vacuum tube designs, our powerful, custom DSP platform and the great sound of our filter ICs made and developed in Latvia. It by far exceeded expectations in terms of how it sounds and feels when played. - Girts Ozolin

The Zen Delay is the analogue delay unit I've been waiting for. Stereo warmth, tone and texture. Perfect for live abusage, and studio madness love it - The Bug

The Zen excels at the sort of extreme dub possibilities Coldcut love. Feed it back! - Matt Black

For years I have dreamed of a state-of-the-art stereo valve dub delay for my MPC that perfectly masters all sound aesthetics from "badass" to "psychedelic hypnotically trashed" and now, have a look! There it is... the Zen Delay! - Dr Walker

Power: 12v (power supply for worldwide use is included)
In/Out levels: 3.2v peak to peak
DAC
114 dB dynamic range

-100dB THD+N

ADC
108 dB dynamic range

-98 dB THD+N

Dimensions: 21 x 15 x 5 cm
Weight: 870g

Notes: This professional 24-bit/192kHz USB-C audio interface boasts 2 inputs and 2 outputs with excellent quality, making it the ideal choice for anyone seeking exceptional audio quality and versatility. Positioned right inbetween the Amber i1 and the larger Amber i4, the Amber i2 offers a balanced blend of performance and affordability without quality compromises.

Flexible Monitoring with ADM (Advanced Direct Monitoring): Tailor your monitoring experience to your needs with various configurations and enjoy real-time, zero-latency monitoring for flawless recording sessions.

Professional Mixer: Easily mix the input sources and playback signals directly on the interface.

Bidirectional MIDI Ports: Connect your MIDI devices seamlessly and use the 2 ports as either inputs or outputs.

Modern, Eye-Catching Design: Featuring a sleek look with a functional LCD display and an amber-colored volume knob that stands out against the green sand main body color.

Ultra Low Latency Drivers: Experience high-performance audio with exceptional stability.

The Amber i2 combines top-notch features with an unbeatable price, delivering above-average quality and performance. Whether you're a seasoned professional or just starting your audio journey, the Amber i2 is your go-to interface for creating stunning audio.

Notes: The stylish and very powerful M8U eX is a modern USB 3.0 MIDI interface with a total of 16 MIDI ports in one single device.

Featuring the popular MIDI auto detection technology that was pioneered by ESI, each of these 16 ports can either be used as a MIDI input or as a MIDI output, replacing not only regular MIDI interfaces like our previous popular legacy multi port MIDI interfaces with 8 inputs and 8 outputs, but providing also other possible configurations: for instance, you can use up to 16 outputs at a time or up to 16 inputs, or any other combination, like 12 outputs and 4 inputs. Each automatic input / output configuration is displayed via colored LEDs on the front panel.

If the number of ports is not enough, you can hook up multiple M8U eX to the same computer - a feature that is made easy also via the integrated fast USB 3.0 hub that allows you to connect other USB equipment like software dongles or USB keyboards and others to your computer. This literally turns M8U eX into the central hub for the MIDI and USB devices in your studio or live performance setup.

The 100% fully class compliant device can even be bus powered (or if needed for other USB devices, it is powered via the included 5V DC power supply) and it works out of the box without the installation of additional drivers on Windows 7, Windows 8.1, Windows 10, Windows 11 and macOS systems (both 32-bit and 64-bit). Yet, there is more: it also works as a standalone Thru and Merge solution for your MIDI devices. Selected via a push button on the front panel, M8U eX provides various configurations allowing you to merge multiple MIDI signals and send them out to a single port or to send out signals through multiple ports that are coming in from just one - all based on your individual needs.

All this makes our M8U eX easily the most powerful USB MIDI interface existing on the market today.

If 16 ports are more than what you need, there is also the smaller M4U eX available, with 8 ports.

Features/specifications

USB 3.0 MIDI interface
100% class compliant, works without the installation of a driver
USB bus powered
16 MIDI ports, 8 on the front and 8 on the back
Automatic input and output detection, each port works as a MIDI input or MIDI output
Standalone operation possible
Can be used as MIDI Thru box in standalone mode to send one MIDI signal to 15 outputs
Can be used as MIDI merger in standalone mode to merge 15 MIDI signals to a single output
3-port USB 3.0 hub with external 5V DC power supply to power USB devices (power supply included)
Multiple units can be used with one computer at a time
Downwards compatible to USB 2.0 with a USB 2.0 legacy mode
Optional ESI MIDI Port driver for multi device / multi client operation under Windows available
Dimensions roughly 32.5cm x 14.5cm x 4.5cm

Notes: MAYA44 USB+ is a powerful, affordable and very stylish USB audio solution for home recording - a perfect solution for mobile live and recording applications!

Beside standard recording and playback functionality, MAYA44 USB+ provides everything that is needed for professional music production. In its compact aluminium case MAYA44 USB+ provides 4 analog input and 4 analog output channels with RCA connectors and a combined optical S/PDIF digital output / stereo headphone output. The headphone output provides a separate stereo output signal, making it perfect for DJs.

With support for ASIO 2.0, CoreAudio and MME / WDM, MAYA44 USB+ is compatible to all major music and DJ applications like Cubase, Logic, Sonar, Reason, Reaktor, MixVibes, Traktor DJ Studio, BPM Studio and much more.

Features
4 input channels and 4 output channels with RCA connectors
-10dBV input / output level (unbalanced) with improved performance
optical S/PDIF digital output with Miniplug connector
headphone output (1/8" connector) with 60mW amplifier, sends out signal from channel 1 / 2 only
MME, WDM, ASIO 2.0 and CoreAudio support
EWDM driver with DirectWIRE support under Windows
standard USB connection to PC or Mac
compatible with Windows XP, Vista, 7, 8.1, 10, 11 (32-bit / 64-bit) and Mac OS X
compatible with all important DJ software applications
compatible with all important professional audio applications
compact and portable design with around 12 cm x 7 cm x 2 cm

Notes: Whether you're about to become a content streamer or beat maker or anything beyond - with Neva Uno you're ready to go instantly.

Coming at a super affordable price, Neva Uno offers superior audio quality, elegant design and an extensive software package while retaining a compact form. Equipped with professional pre-amplified microphone and guitar inputs as well as two line inputs, it offers everything you need to get started right away. The USB-C port makes it easy to connect to your computer or mobile device. Neva Uno comes with professional ASIO drivers including DirectWIRE loopback function and more, so you can focus on your creativity.

Features

2 input / 2 output 24-bit / 192kHz USB 3.1 audio interface with USB-C connector
XLR combo microphone preamp with +48V phantom power support
Hi-Z instrument input with 1/4" connector
USB bus powered (no additional power adapter needed)
line output with unbalanced RCA connectors
headphone output with 1/4" connector
ADC with 97dB(a) dynamic range
DAC with 107dB(a) dynamic range
Zero latency hardware direct input monitoring activated by switch
Master output volume control
Supports Windows 10, Windows 11 with ASIO 2.0, MME, WDM and DirectSound
Supports macOS via the native CoreAudio USB audio driver from Apple
Stereo hardware loopback channel for internal recording
Includes Bitwig Studio 8-Track DAW
Includes Steinberg WaveLab LE audio editor license
Works with Cubasis LE from Steinberg for iPhone / iPad
Includes 3 month (up to 9000 minute) subscription to JackTrip Virtual Studio
Dimensions: 10.5cm x 9cm x 4cm


Connectors & Functions

+48V PHANTOM POWER SWITCH to provide power for a condenser microphone.

LINE HI-Z SWITCH for input 2 to switch between Line level and Hi-Z guitar signals.

DIRECT MONITORING SWITCH to enable or disable input monitoring to listen to the input signals.

GAIN KNOB 1 to change the input gain / input level for input 1. The LED ring indicates the signal level.

GAIN KNOB 2 to change the gain / input level for input 2. The LED ring indicates the signal level.

VOLUME KNOB to change the main output volume for connected headphones and speakers.

XLR / TRS COMBO INPUT 1 to connect a microphone via XLR cable or a line signal via 1/4" TRS connector.

TRS INPUT 2 to connect a line via 1/4" TS connector.

HEADPHONE OUTPUT to connect headphones.

LINE OUTPUT 1/2 to connect the stereo master line level output signal via RCA cables for left and right channels.

USB-C CONNECTOR to connect the audio interface to a PC, Mac, tablet or mobile phone.

Small, portable and perfect for your podcasting or live streaming applications

This stylish 24-bit / 192 kHz USB-C audio interface is so small, it will instantly become your new companion on the go and in your studio. Neva Uno is USB bus powered and Plug & Play, just plug it in and start working! It works with any modern Mac (Intel or M1 CPU or better), PC (Windows 10 and higher) and with many portable devices (iPhone, iPad, etc.). One XLR/jack combo input will take either your microphone or line signal, while the second 1/4" jack input accepts line or Hi-Z guitar signals. The inputs feature a mic preamp with up to 50dB gain and 48V phantom power support and the analog-to-digital converter provides 97db(a) dynamic range. On the output side, there is an integrated headphone amplifier and stereo line RCA outputs with a digital-to-analog converter with 107dB(a) dynamic range, allowing you to connect a mixer, amplifier or active speakers. You can monitor incoming audio signals with zero latency, just push the direct monitor button.

Neva Uno is compatible with virtually all common audio software thanks to the professional low latency ASIO 2.0 driver for Windows and CoreAudio compatibility on the Mac. There is even a DirectWIRE hardware loopback function that allows you to route and mix different sound sources internally: perfect for podcasting or live streaming applications.

All this turns Neva Uno into an ideal device to get started in the world of digital audio recording, no matter if you create your own music, if you want to mix and edit audio, if you work on your podcast or even for live streaming. And yet there is more: Bitwig Studio 8-Track and Steinberg WaveLab LE are included. On the iPhone and iPad, you can use Cubasis LE from Steinberg.

An alternative to Neva Uno is ESI's larger model Neva Duo with two microphone preamps.

Notes: Heavy duty synthesiser stand that can hold 2 synthesisers, features rubberized feet to prevent slipping during use.

Notes: ***B-STOCK: Box opened, product in perfect working order***


Unassuming looks conceal the excellent EaganMatrix sound engine, offering USB-powered synth creativity perfectly matched to Haken's own Warbl Wind Controller but also compatible with MIDI and MPE.

Supplier's Notes:
EaganMatrix Micro

The power of EaganMatrix Sound Technology in Haken's smallest product ever! The EaganMatrix Micro is a full-featured EaganMatrix sound engine in a small self-contained form factor, and is powered and controlled via USB.

The EaganMatrix Micro provides a truly versatile framework for both studio and live performance, with a robust implementation of MPE and MPE+ Midi.

The EaganMatrix Micro is a perfect companion to the amazing Warbl Wind Controller.

The fingering holes on the Warbl are not just switches. You can hear that the pitch starts off a bit as the finger gets close to the hole (like it would on an acoustic wind instrument) and hits the final pitch once the hole is covered. It's a subtle effect but important. The following video shows 15 Presets from the Micro's demo assortment that Edmund Eagan skillfully customized to take advantage of the Warbl's specific sensing technology. In the future there may be demo assortments customized for the sensing technologies of other devices.

Hundreds of System Presets are included with the EaganMatrix Micro. An external cross-platform (Mac and PC) Haken Editor may be connected to modify and customize the supplied EaganMatrix System Presets, or create completely new presets from scratch.

The EaganMatrix Sound Technology, originally created for the highly sensitive Continuum, is now available to you in this compact form factor.

EaganMatrix Micro Connections
1. USB Power and Midi (shown connected).
2. Foot Pedal or Haken Audio CVC communication.
3. Stereo Audio Out.

Haken Audio's EaganMatrix Micro offers:
Polyphony: Nominal 1-3, Maximum 8
Stereo Audio Output: 3.5 mm TRS
EXT Connection: 3.5 mm TRS

Can be used as a pedal input (Yamaha FC3A with HOSA MHE-100.5 is recommended),
or it can be configured for a Control Voltage Converter.

Seven Segment Display: Preset navigation and settings
USB Power: 500 mA (190 mA average actual usage), via Mini USB connector
USB Midi: via Mini USB connector (USB-A to Mini USB cable included with purchase)
Allows bidirectional MPE and MPE+ connection to other devices; allows connection to the Haken Editor for editing and archiving EaganMatrix presets
Dimensions: 11.3 x 5.8 x 1.9 cm (4.4 x 2.3 x 0.75 inches)
Weight: 0.075 kg (2.6 oz)

Notes: 3xMIA is a 6-channel attenuverting mixer/offset/scale/polarizer

3 blocks of 2-channel attenuverting mixers, using dual concentric pots. Each channel can be switched to mix with the subsequent channel, allowing for 2-2-2, 4-2, 6 mix configurations.

With nothing plugged into an input, an offset is normalled to that channel. The inner knobs control the A inputs, while the outer knobs control the B inputs.

DC coupled, so it can be used for audio, CV, or both at the same time.

80 mA +12V
80 mA -12V
35 mm Depth
24HP wide