Back catalogue: Reggae

Review: Matthieu Chedid and Seu Jorge's long-running collaboration reaches a new peak with this latest release. A-side, the track 'Parioca' brings together the duo's signature stylesiChedid's French flair and Jorge's Brazilian rhythms, resulting in a seamless fusion of groove and melody that invites listeners into a warm, joyful world where their distinct musical identities meet. The B-side's dub mix of 'Parioca' takes things in a deeper direction, layering hypnotic rhythms and atmospheric textures that open up the track, creating an expansive, dubby atmosphere. It's a perfect companion to the original, showing the depth and versatility of their musical partnership, which continues to evolve after more than a decade of collaboration.

Review: Emotional Response facilitate a new, prickly post-punk come dub fascinator by Shelter aka multi-instrumentalist Alan Briand. Helping redefine the term "digidub" to muted but compelling effect, this wry, checkered release themes each of its track titles after chessboard pieces, perhaps reflecting many of the power moves (rook castlings, last-minute pawn queenings) that have defined Briand's career so far: he's already demonstrated a dexterity in straddling several styles, from ambient, Balearic, improv and even acid Indian raga. All recorded live, this new, fuzz-packed release betrays an undying love for a particular dub sound: 'Kings, Knights & Rooks' fleshes hugely cosmic synth swells out of initially wan beginnings, whilst 'The Queen's Sacrifice' goes on to upend minimality entirely for maximal cavern-verb and 'Shutting Out Bishops' stars as the B-side's wackiest mumble-toasting; all tracks pay homage to a long, territorialising and power-hungry digidub tradition, with Prince Jammy, Alpha & Omega, Bush Chemist and Jonah Dan all namechecked as influences.

Review: Anyone who has followed Emotional Rescue knows it has always does a fine job of documenting pock punk and UK punk dub's early years, in this case showcasing the previously unheralded work of Skinbat Scramble, who emerged from the mundanity of the Home Counties to converge on London during the early 80s. Core members Mark Eason and Fergus Crockford were simultaneously inspired by the speedy punk thills of the Roxy Club and the Two Tone scene of ska and reggae which ran alongside it, as well as counter cultural heroes of the generation before like Gong and Velvet Underground. They got to work distilliing slow tempos, experimental sounds, dub and much more into leftfield rhythms, and while the likes of 'Basement Voltaire' - all echoing electronics, high frequency blips and merciless drum machines - or the Clash-in-dub workout 'North By Northwest' are rooted very much in the Cold War/Thatcher years, their individuality and experimental vibe mean they've endured remarkably well. Scramble to get yourself a copy.

Review: Slowly teams up with Swish Jaguar to deliver a stunning cover of Wee's mellow soul classic 'You Can Fly On My Aeroplane.' This dreamy lovers' soul track beautifully blends vintage vibes with modern flair, featuring the talkbox talents of Swish Jaguar (aka Sam Wish), known for his work with Tuxedo. The collaboration shines with Yusuke Hirado's smooth Fender Rhodes and Tsuyoshi Kosuga's versatile guitar and bass work, creating a lush, nostalgic soundscape.Side-1's vocal track exudes warmth and elegance, perfect for setting the mood at any soul or funk set. On Side-2, the instrumental version offers DJs a versatile tool to weave into their mixes. With its impeccable musicianship and timeless appeal, this 7" bridges the gap between classic soul and contemporary groove.

Review: That the musical backlog of Hopeton Overton Brown took on a clinical name in the popular imaginary was not an accident. Before becoming known as Scientist, he was also known as the "Dub Chemist", owing to his technicality, incisiveness and exactingness in the studio. This is not, however, licence for us to prescribe, daresay dub, a too-rigid image of or name for the sound-doctor-as-artist; and it's releases like 'Direct To Dub' that prove this intractability, this willingness to break from the main. In sharp contrast to Scientist's albums - which are more or less studio opuses, and bear the marks of grand concept and perfectionism - 'Direct To Dub' is a much rawer direct-to-dubplate - and thus direct-to-dome - set of tracks. In the release's preceding sessions, Brown was joined by Amsterdam-based trombonist Salvoandrea Lucifora and backing vocalists Alyssa Harrigan and Peace Oluwatobi; prior to their arrival, he went about taking the studio apart and reassembling it to his specifications. The result was a liver take on Brown's talents; playing less the cold trepidation of a pharmacist, and more the carpal quickness of a spin-doctor. Brown, of course, knew that even the apparently 'cold' attitude of removal connoted with mixing and engineering was in itself a performance: "In dub mixing, the engineer now becomes the artist and it's a performance that the engineer do," he himself said in the run-up to this Night Dreamer reissue.

Review: This is the first reissue of Scientists' groundbreaking 1983 LP The People's Choice, which was the debut album created on King Tubby's then-new and soon-to-be legendary 16-track mixing desk. Featuring ten powerful dubs from the dubmaster himself, it opens with the masterful 'Everlasting Version' which is a fierce take on the iconic You Know A Rude Boy/Survival rhythm. The tracks were produced by Roy Cousins and recorded with the Roots Radics at Channel One and then taken to Tubby's studio for final dubbing perfection. This release really is a cornerstone of dub that very much captures the vital era's sonic innovations and Tubby's unmatched production skill.

Review: Janett Silvera's When I Need You is a remarkable 1977 album that originally came on Federal. It's a vocal-laced and mellow reggae delight that features covers of classics by Patti Austin, Albert Hammond, Bob Marley, and more. The album also includes backing vocals by the legendary Marcia Griffiths. From the opening moments of the super smooth 'Oh If I Should Lose Your Love' to the more upbeat and funk fuelled workout that is 'Dancing To My Own Heartbeart' via the sentimental and super deep soul of 'When I Need You' this is an escapist classic.

Review: Youthman Skanking, a classic roots reggae album from 1982, produced by Prince Jammy at Channel One and King Tubby's, gets a reissue on vinyl for 2024. This album includes the hit singles 'Isim,' 'Skism,' and 'Ain't No Me Without You,' alongside the authentic title track. This albym stands as a sterling addition to the Roots-based 'Waterhouse Sound,' a movement spearheaded by Black Uhuru. This album marks the beginning of Smith and Jammy's influential journey, which would later revolutionise music with their genre-defying hit 'Under Me Sleng Teng.'This rare album, finally reissued with a beautiful German pressing, showcases Smith's early style, reminiscent of Linval Thompson. Youthman Skanking offers excellent rhythms and is a true treat for reggae enthusiasts.

Review: The 40th Anniversary edition of In The Studio by The Special AKA celebrates one of the most unique and politically charged albums of the 1980s. Originally released in 1984, the album fused an eclectic mix of reggae, jazz, soul, and Arabic rhythms, with Jerry Dammers leading the band's bold shift in sound. Despite its modest commercial performance, In The Studio has since gained recognition as an underappreciated classic, thanks to its deeply reflective lyrics and innovative arrangements. The album's standout tracks, 'Free Nelson Mandela' and 'What I Like Most About You Is Your Girlfriend', blended infectious energy with serious political messages. This newly remastered, half-speed mastered edition, overseen by Dammers, gives the album the sonic depth it deserves. With its themes of social unrest and global awareness, In The Studio feels as relevant today as it did four decades ago, a testament to its enduring power.