Review: Japan meets Jamaica in Tokyo Riddim Band's latest single where illustrious keyboardist Izumi 'Mimi' Kobayashi joins forces with Jamaican singer Ras Tavaris. This track revives Kobayashi's 1981 hit, 'Lazy Love,' originally from her sought-after Coconuts High LP recorded in LA. Featured on Time Capsule's 2024 Japanese reggae compilation Tokyo Riddim 1976-1985, the song now transforms from soulful pop to a deep dub cut. The Tokyo Riddim Band brilliantly blends Japanese and London sounds and infuses the track with big energy, reggae rhythms, funky bass lines, and smooth City Pop guitar, all enhanced by Prince Fatty's studio magic.
Review: Kodama & The Dub Station Band is fronted by the talented dub trumpeter Kazufumi Kodama and together they recently presented their new cover album, COVER Song Collection featuring a selection of their versions of popular songs that they often call upon in their live performances. They have all been meticulously recorded in the studio and now one of them, inspired by Bob Marley's masterpiece 'Is This Love,' gets cut to 7". It finds Kodama transforming the classic into a vibrant instrumental rendition that captures Marley's positive vibes while offering a fresh take on the rhythms.
Review: Fresh off the back of a whole album of majestic covers, Kodama aka talented dub trumpeter Kazufumi Kodama and The Dub Station Band are serving up a selection of them on 7" singles. After Bob Marley's 'Is This Love' comes a fresh rendition of 'You've Got A Friend' which is another lovely blend of dub and reggae. With vibrant instrumentation and real rhythmic depth, the group breathes new life into the beloved Carole King song and emphasises a warm, uplifting atmosphere that invites listeners to connect with its heartfelt message of friendship and support. Bliss.
Review: Workshop is one of those labels that has always operated at the fringes of genre. Deep house and techno are the loose starting points in many cases, but artists never fail to veer off into the shadowy nether worlds that surround those basic forms. Kolorit does that here with two intriguing cuts all with the same name. The first has lumpy scattered drums, scraping sounds, ticking hi-hats and freaky noise samples all peppering them. The second has haunting chords sequences over a ticking sound that is coated in hiss and crackle. It's late night and mysterious. The third has clattering percussion and shimmering synths that rise and fall and build in tension and intensity.
Review: New 7" from Jamaican roots vocal harmony group Kushart, with France's Sons Of Africa on rhythm and production. 'Foundation' brings up the A, presenting to the listener a foundational affirmation of the "gift of life", which resounds in the song's chorus, and complements an overall opining of love, heraldry and freedom. On the B, there's a beautifully noir closing instrumental; end credits music for a righteous celebration, of the return to the land of the Lamb.
Review: This is one of a pair of new slabs of wax from Amsterdam's Sound System and label of the same name, King Shiloh. It features an array of modern dub and reggae talents and first up, Lavvosti & Black Omolo offer the modern sheen of 'Red Gold Green'. Kare's 'Better Days' rides the same rhythm but with more stylised and soulful vocal turns that empower with every bar. Jah Works dubs things out with a ton of effects and Tiger Simeon & Brada Jahziel layer in storytelling bars. Brasspect brings a fresh horn-led sound that is romantic and hypnotic and Roots Mechanic pairs things right back to an 80s sounding Jamaica dub vibe.
Review: Australian bass collective Echo Chamber get busy with this supreme VA featuring a range of talented friends old and new. LQ takes the lead with the sublime 'Way Down' that bubbles and flexes in two system-primed forms: the spacious heavyweight Dubkasm mix and LQ and MSHCode's own breakbeat-heavier shakedown. Flip for more LQ goodies as he links up with Kloke for the fittingly titled groove-up 'Computer Bubblers' while Duburban and Galvatron finish the EP with the furious drum funk up 'Let Off The Music'. The only echo here is the reload.
Review: After his silky-smooth vocal feature on Eva Lazarus' Light As Feather, it was inevitable that Mungo's Hi Fi would pursue a project with London-based pure sing-jay Kiko Bun. Ms. Burnett is an ode to a lady friend of distinction, atop a dreamy major key rhythm whose bass-heavy clarity could have come out of Jamaica's Channel One studio in its glory days.
Review: Du men don't come much more legendary or iconic than King Tubby and Horace Andy, so having them together on one album was always going to result in straight fire. And so it proves on The King Tubby Tapes, a double album of deeply affecting roots and lovers rock first issued on Jet Star Records' 'Charm' imprint. It showcases Dubby's audio skills and Andy's distinctive vocal style while including selections from his 1979 album Pure Ranking and a second album of dub remixes. Session men Robbie Shakespeare, Carlton "Santa" Davis, Tony Chin and Bernard "Touter" Harvey all feature this one.
Review: For the fifth volume of The Encyclopedia of Civilizations, Abstrakce's collection of split LPs - in which selected artists offer insight into fascinating ancient cultures - hears them focus this time on the enigmatic Babylon, visited by two of the label's favourite electronic bands currently active. Berlin-based duo Driftmachine take us on a journey between the ancient cities of Akkad, Uruk and Ashur. Bringing together astonishing electronics with a superb and precise sound - floating somewhere between modular ambient, leftfield, abstract dub - every detail has been carefully crafted to produce a complex architecture. Unconventional tribal rhythms recall obscure rituals, while warm, dynamic pulses contract and expand, interacting on their journey along the sandy roads of the Mesopotamian basin. Afterwards, Glasgow-based project Komodo Kolektif delves into the Babylonian vision of magic through the figures of the Kassaptu (witches and wizards), and the use of Mandragora. A blend of both tribal primitivism and a futuristic vision is provided by their vast arsenal of vintage synths and effects units, Eastern metallophones and traditional hand percussion. This is deep, psychedelic electronics that capture the spirit of ancient Babylonian sacred ceremonies and their vision of the cosmos.
Review: King Jammy's Unites The Nation With Dub is a timely and powerful return to his Dub laboratory, offering a sonic message of healing and unity amidst the chaos of the world. This album brings together Jammy's 21st-century A-team, including musicians Andre Dennis, I Sax and Brandon Harris, to craft ten fresh, vibrant boomshots. These tracks radiate positivity and precision, with a sense of urgency to unite the world through Dub. Jammy also nods to his illustrious past, pulling vintage samples from Sly & Robbie and the High Times Band to enrich two standout deep dives: 'Climate Action Dub' and 'Ceasefire Dub'. The production is flawless, with Jammy's signature engineering skills on full display, aided by Romeo 'Shemmo' Facey and John John. The result is a collection of Dubs that transcend their original versions, creating a sense of unity and peace that is both immediate and lasting. An essential listen, offering a sonic salve for troubled times.
Review: The legendary producer King Jammy rounded up 32 of his most masterful tunes for the CD version of this collection, Cries From the Youth, while nine of them make the cut on this vinyl version. His revolutionary super power sound reinvigorated reggae with fresh energy and charged up 80s dancehalls with all new vibes. He managed to shine a light on the new generation coming through on the shoulders of the 70s originators while also reminding the world about those early talents - Dennis Brown, Junior Delgado and Junior Murvin plus Admiral Tibet, Kentucky and Johnny Osbourne all feature.
Review: There is frankly an endless amount of dub music from the one and only King Tubby to explore, with both solo albums and collabs all offering bottomless depths in which to get lost. Dub From The Roots was actually the legendary dub technician's first ever exploration of the long-player format and it proved to be one of his best. It is crafted from 14 rhythms by Bunny Striker Lee and then transformed and translated on the mixing desk by Tubby who took it into futuristic and heady new sound worlds with endless chambers of echo.
Girl I Want To Dub You (feat Cornell Campbell) (2:16)
Dub My World (feat Johnny Clarke) (3:27)
African Roots In Dub (feat Johnny Clarke) (3:08)
Pure Dubbing (feat Horace Andy) (4:28)
Straight To Phil Pratt Head (feat David Isaacs) (2:45)
Mining (feat Delroy Wilson) (2:30)
Dub Too Much (feat Delroy Wilson) (2:51)
Step It Up In Dub (feat Barry Brown) (3:55)
In The Morning (feat Tinga Stewart) (2:53)
Stop (feat Delroy Wilson) (3:26)
Lingering (feat Delroy Wilson) (2:33)
Blessed Dub (feat David Issacs & Dillinger) (2:29)
Review: One person who surely never dubbed too much was the prolific and pioneering King Tubby, but that hasn't stopped Patate Records from putting together a third volume of his work with that sub-title. All of the 12 tracks on this release are classic, rare and/or unreleased and they were ll produced by the man himself in the late 70s during the gold age of the genre. Rodguel Sinclair aka Blackbeard is the producer of the material and his backing band The Ring Craft Posse, which included noted reggae heads like Sly & Robbie, Family Man and Carlton Barrett, all feature next to some of the era's finest vocalists - Delroy Wilson, Horace Andy and Johnny Clarke amongst them. Basically, this is as authentic and essential a collection of 70s reggae as you can get.
Want Fi Goh Rave (12" extended single version) (7:23)
Funny (dub) (3:27)
Iron Bar (dub) (3:42)
Brain Smashing (dub) (3:30)
Reality Poem (12" extended single version) (8:09)
Victorious (dub) (3:30)
Review: Double vinyl LP reissue of Linton Kwesi Johnson's smash, underground reggae hit from 1978, 'Forces Of Victory', in celebration of Black History Month by parent label UMC. Produced by Dennis Bovell and LKJ, this is a staunchly British dub poetry classic, with every track, from 'Want Fi Goh Rave' through to 'Time Come' charting Johnson's lifelong grapple with meaning, resistance and revolution in his distinctive reality-checking patois.
Review: It's the record that defined it all: King Tubby Meets Rockers Uptown, the defining collaborative album by Augustus Pablo and King Tubby, released in 1976. Not only a seminal record in terms of spreading the missionary message of dub, KTMRU is also a favourite of even contemporary deejays for its outsized, mature sound, one marked by eccentrically high-feedbacked, pop-eye delay effects, not to mention a driven percussion section. Now released in Canada by Clocktower Records, Canucks (and citizens of all other beneficiary nations of international postage systems) can enjoy the multi-instrumental blitz of Earl Smith, Ashton Barrett, Carlton Barrett, Robbie Shakespeare in collaboration with Tubby, the protomartyr of dub himself, on one of the quintessentially best dub reggae albums of all time.
Review: For the first time, experimental saxophonist and composer Jimi Tenor finds Norweigan dance powerhouse DJ Sotofett, both teaming up for a collaboration: 'No Warranty Dubs'. Completing the trifecta is Berlin ensemble Kabukabu, the five-piece Afro-jazz-funkers whose original recordings - many of which were overseen expertly by Tenor himself - now come redistilled through a dubwise filter paper. The loose-limbed, lackadaisical energy of Kabukabu's live instrumentation merge fully with Tenor's genre-blurring composites, as Sotofett recasts fifteen tracks into rhythm-driven, bass-heavy versions. The original free jazz and Afro-influenced elements remain present, but they here serve as rawer material for layered studio treatments, channelling echo-drenched edit work and hypnotic repetition, where nothing ever rests to the point of complacency.
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