Today Only: Funk Soul & Jazz sale vinyl

Review: Nine years after volume one landed in stores, Italian twosome G&D return with a fifth instalment in their occasional edit series. This time they've got company, too. Fellow Italian producer LTJ contributes a brilliant EP-opening edit - the languid, disco-meets-jazz-funk shuffle of 'The Rain Machine', where elastic bass and electric piano solos catch the ear - while Star Creature signees First Touch provide a smoother, chunkier and more synth-heavy rework of the very same track on side B. G&D fill in the gaps, first tweaking a sweaty disco-funk jam ('Ziddy'), before reworking a surging, techno-tempo disco stomper (the wonderfully camp 'Gusto').

Review: This mini album from Saul, a collaboration-loving duo comprised of Jack Stephenson-Oliver (keys player with Vels Trio) and producer Barney Whittaker AKA Footshooter, could well be one of the most summery-sounding releases of 2022. A gorgeously warm, dreamy and tactile affair that effortlessly joins the dots between classy dancefloor dynamics, laidback electronics, freewheeling jazz musicianship and soulful vocal flavours, it's a genuinely brilliant and highly entertaining affair. Our picks of an extremely strong bunch include the broken beat/electro-boogie fusion of 'Coalesce (featuring Natty Wylah)', the gently two-step influenced deep house soul of Allysha Joy hook-up 'The Light' and the Balearic ambient meets post-dubstep bass music flex of 'Lifted'.

Review: This is the sort of album that we record nerds always fall for. The title alone is exciting - who wouldn't want to take a Sonic Expedition into the Peruvian Amazon between 1972-1986? It is a classy collection that brings together vintage cumbia sounds and all its many famously lopsided rhythms and scratch sounds. The tunes come from all over the place but most notably the shores of the Amazon where hundreds of tiny villages all fomented their own subtly different takes on the tried and tested template. This is a rather modern take on cambia too with electric guitars, squeaky Farfisa organs and proto-synths all making the sounds instead of early styles with a big band feel and plenty of accordions.