Four Flies Italy Schallplatten & CDs

Review: .The last full length we had from Federico Amorosi and Valerio Lombardozzi, AKA Dressel Amorosi, was a pretty scary place to spend time. Themed around late-mid-20th Century Italian horror movies (see: Dario Argento), the record paid homage to the iconic sounds of that culture, but also refused to simply rehash the past. An atmospheric, spine-tingling collection of suspenseful synth-first stuff, it also benefited from landing around the same time as a new Stranger Things series. A year on and things are now on a slightly less tense route. Spectrum is still looking to offer thanks to the Italian film industry as was a few decades back - specifically for gifting us so many amazing soundtracks. But this time round we're much closer to the glam and glitz of a Roma Italo party than anything like the Upside Down, while still packing depth and atmosphere.

Review: Hailing from Salerno in Southern Italy, Bando Maje present their debut album on Four Flies Records. UFO Bar paints a picture of the pair's interests and experiences such as the local landscape, Neapolitan music, Italian soundtracks from the 70s, as well as B-movies, a passion for vinyl and cassette mixtapes, and afternoons spent watching third-division football. Peppe Maiellano (composer and keyboards) and Tonico Settanta (producer, rapper and DJ) head up the collective, featuring a revolving cast of members, all of whom are a bit like the lively port city they are from.

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Review: Larry Manteca's Zombie Mandingo album arrived back in 2013 and in the danced plus has only ever been available digitally. Now it makes its debut on wax and remains a bold listen that was devised as a soundtrack to a non-existent exploitation film. It fuses funk, jazz, and Afrobeat influences with plenty of niche cinematic references such as the zombies in Lucio Fulci's horrors and Umberto Lenzi's cannibalistic adventures. The resulting mash up is beguiling to say the least with horror-tinged exotica next to Fela Kuti rhythms and elements of Italian Library music and colourful psychedelia. A boundary pushing work to say the least.

Review: Translated into English, The Novice is a 1975 Italian movie about a young chap returning to his provincial hometown to visit his dying uncle, who is being cared for by a night nurse who also happens to be a novice nun, played by the remarkably beautiful and seductive Gloria Guida. An erotic comedy, you can guess where the plot goes, but the casting of Lionel Stander as ageing relative is interesting.

The US actor was memorialised in Eric Bentley's play Are You Now Or Have You Ever Been after his famously uncooperative testimony before the House of Un-American Activities, responsible for exposing communists in the early days of the Cold War. Subsequently blacklisted from TV, film, and radio in his homeland, he eventually moved to Europe, first setting up shop in London, where he would make flicks for decades, often pretty obscure ones. This is one, and the music is wonderfully kitsch, Wurlitzer-packed elevator stuff, so if that's your bag so is this.

Review: Not to be confused with 80s synth-poppers or an early Carl Craig alias, Psyche is in fact a crack team of players from Naples who have been active for some two decades. In more recent times you might have heard Marcello Giannini, Andrea De Fazio and Paolo Petrella playing as part of Nu Genea's touring band, but after their first tour in 2018 they formed this project as a means of exploring a more minimal, flowing approach to playing their chosen instruments. If Psyche is in some ways a back to basics record, it's also a showcase for their incredible talent at weaving gently psychedelic grooves from simple ingredients. The sound has a perfect treatment, with plenty of reverb and analogue warmth in the mix, all the better to savour the laconic instrumental pieces the band perform.

Review: Four Flies are dab hands at digging out the finest curios from the hidden depths of Italian music culture, and this is surely one of their proudest proclamations. Guiliano Sorgini recorded the soundtrack to Riccardo Fellini's TV movie Zoo Folle in 1974, and the soundtrack came out the same year. Far more than a set of modest instrumentals or functional library music, this is raging, heavy psych funk of the highest order, with raunchy riffs, bugged-out flute, intense percussive beatdowns and so much more besides. Whichever plucky diggers originally unearthed this holy grail must have lost their tiny minds, because even framed with the significance it deserves, this is an out-of-this world record we're very fortunate to have back in our reach.

Review: One of Giuliano Sorgini's finest and most sought-after titles, Scappo Per Cantare, is finally available as an official LP reissue, and the first ever to be remastered from the original tapes. Originally released in 1971 on the small library music imprint FAMA - which operated as a sub-label of RCA Italy - the record contains the original music written for Scappo Per Cantare, a small, pseudo-psychedelic 'musicarello' (musical comedy film) broadcast on RAI television. Despite this seemingly innocuous commission, the music - though he's uncredited, it was made in collaboration close confidant Alessandro Alessandroni - is incredibly surreal, and a psychedelic treat for anyone seeking crisp, chordophonal-compositional mastery distilled on record.

Review: Piero Umiliani is a cult electronic musician who released his greatest album 20 years ago on Easy Tempo. On it, Umiliani experimented in his Sound Work Shop studio on all sorts of analogue machines and now, decades later, his legacy lives on with this new record, L'Uomo Elettronico. It is made up of three previously unreleased tracks, plus rarities and hidden gems, all composed between 1972 and 1983 and remastered from the original analogue tapes. They show a lighter, more playful side to the artist with singing synths, hissing hi hats and snaking rhythms that make for fascinating listening.

Review: Continuing Four Flies' dedication to delving into lesser-explored periods of Italian music, Africamore: The Afro-Funk Side of Italy (1973-1978) takes us on a captivating carpet-ride into the intersection of Afro-funk and the Italian soundscape prevalent in the six years between 1973 and 1978 - a time when disco was still in its nascence, and the nightclub market was rapidly expanding. Bottling the critical moment at which DJs such as Dave Mancuso discovered Manu Dibango's 'Soul Makossa' - with classics such like Jean Paul & Angelique's 'Africa Sound' and Nat King Cole's 'Calypso Blues' following as floor-bound hits - all these productions pushed the boundaries of dance music at a time when disco had not yet taken over.