Far Out Schallplatten & CDs

Review: The evergreen Far Out Recordings here serve up, for the first time ever on vinyl, Mora! II, alongside the previously released Mora! Mexican-American percussionist and former member of the Sun Ra Arkestra, Francisco Mora Catlett recorded the first of these albums as private presses in 1987. The follow up was with an expanded Detroit jazz brass section but was shelved for many years. Both are pan-American melting pots that stir up afro-cuban rhythms, fiery sambas, frenetic batucadas and much more which is why they have become such gold standard Latin jazz classics.

Review: Francisco Mora Catlett is a Mexican drummer, composer and educator. He began his musical career in Mexico City where he worked as a session musician for Capitol Records between 1968-1970. He left with Sun Ra in 1973 and worked with him until 1980. While in Detroit in 1987, he released his first album as a leader, the Pan-Afro project "Mora!". Mora II continues the concept of the first album, with wife Teresa Mora on vocals and trumpet legend Marcus Belgrave, This follow up album has finally been given a high quality vinyl reissue by London's Far Out Recordings.

Review: Although he's probably most associated with the IRMA imprint, nu-jazz mainstay Nicola Conte has also enjoyed a long and prosperous relationship with Joe Davis' Brazilian-focused Far Out Recordings imprint. Umoja, the bandleader/producer/guitarist's latest solo album, naturally features some nods to samba-jazz and bossa-nova (the latter being a style he explored a lot in the 90s and noughties), but also nods aplenty to 70s independent spiritual and free-jazz', cosmic jazz, Afrobeat, jazz-funk and obscure private press soul releases. Laden with fine lead vocals, incredible musicianship and lusciously warming grooves, it's a retro-futurist set that just screams 'proper summer listening'. Don't sleep!

Review: The worldly wide Far Our label turns its attention to some fascinating house sounds from Ivan Mamao Conti. "Katmandu" is all bendy bass and tropical drums, steamy humidity and sensuous synths. Pablo Valentino flips it into warm and jazzy number for cosy basement clubs that harks back to the 90s, and Jazzanova then layer in plenty of the golden instrumentals and key playing that makes the music come alive. The closing remix is all Moodymann vibes with its rough kicks and claps, funk bass and lived-in aesthetic. This is classy house music from front to back.