Akiko & Masayasu Tzboquchi - "Love Theme From Sparticus" (feat Mbanja Ritchy aka B-Bandj - Clear Day mix) (4:34)
Review: Tom Browne's 1980 single 'Funkin' For Jamaica' has long been something of an anthem - a hybrid funk/boogie classic that remains a staple in sets of hip-hop, disco and soul DJs alike. Given its ubiquity, covering the song is fraught with danger, but remarkably Japanese producer Akiko and guest vocalist Mbanja Richy have successfully put a new spin on it. Their take is subtly tougher and more synth-heavy, with bilingual French/English vocals, nods to Zouk music and a bassline so squelchy it could have been lifted from a P-funk record. Over on the flip, the pair go mellow, deep and laidback on a pleasingly skewed hip-hop soul cover of Terry Callier's legendary vocal interpretation of Alex North's 'Love Theme' from 'Spartacus'. Inspired stuff all told.
Review: Big Crown is one of our favourite labels here at HQ. The funk and soul they serve up is perfectly aged yet never overly nostalgic and this new one is another case it point. It's the latest from the Bacao Rhythm & Steel Band and features two singles take from their latest and greatest album Expansions which landed back in June. As always they bring their own unique steel drum sounds and tropical Caribbean vibes to funk music. 'Raise It Up' is a deep cut joint with big horns and rippling steel drums puddles while 'Space' is a more lumpy groove with the drums more front and centre.
Review: Bjorn Wagner's Bacao Rhythm & Steel Band have put out several fresh albums and many great 7"s on Big Crown and 'Hotline Bling' is another one. The mysterious Hamburg outfit brings their famous steel pan sound and reaches new heights here as they again cover songs that span genres and range from mega-hits to album cuts. Their own unique approach is to mix up the traditional sounds of Trinidad and Tobago with the original source material to leave you ready to dance all night long.
Review: Bacao Rhythm & Steel Band is an enigmatic steel pan collective from Hamburg that has a hardcore fan following around the world and a new album on the way that is superb. They are loved for their covers of hip-hop classics and last year served up a version of the Stranger Things theme tune but this time out we get 'Love For The Sake Of Dub' of 45 rpm. It is another pair of funky tunes with the signature brass sounds front and centre as the fat bottom rhythms roll deep and fleshy. Another gem from this leftfield outfit.
Review: The Bacao Rhythm & Steel Band has become the latest jewel in the Big Crown. Lead by Bjorn Wagner, they have stopped several essential recordings not he label, all defined by their famous steel pan sound. Often they turn to covers of the classics such as they did back in March and this time around they take aim at the much loved and low slung hip-hop classic 'Nuthin' But A G Thang' by Dr Dre. In their hands it becomes something else entirely but still delightfully low slung and sleazy. This one is backed with 'How We Do' which is another loveably fresh sound.
Review: Cheb Bakr's latest release reflects the rich interplay of North African tradition and modernity. Rooted in rhythmic Arabic melodies, the tracks blend warm, soulful instrumentation with a contemporary edge. The production draws from Libyan pop's energetic pulse, merging traditional sounds with subtle nods to r&b and hip-hop. This is a striking example of how regional influences can be reinterpreted for new audiences while retaining their cultural depth and vibrancy.
Review: 'My House' was a parting gift from Queen Bey herself following her record-setting 'Renaissance' album cycle, the first in a trilogy she continued with 2024s 'Cowboy Carter'. Landing multiple awards and ten top spots on various 'Best of 2022' lists, the track is a big, brassy, chant-led track featuring the same hallmarks that peppered her 'Homecoming' history-making Coachella performance. Serving as promotion and as the credits sequence, for her theatrical concert film 'Renaissance: A Film by Beyonce'. The track is anthemic and uplifting, a combination of braggadocious flexing and preaching the power of love and healing - it's an infectious hit. On the B-side of this release is an extended intro edit of Beyonce's legendary chart-topping hit 'Single Ladies', celebrating its 16th birthday this year.
Review: The DMV crew presents two Biggie-inspired tracks on a limited 7" vinyl here that drives just in time for you to flip some Christmas party dance floors inside out and back to front. Side A opens with the wonderful and timeless 'Juicy Groove,' which is a funky, brass-infused twist on a classic NYC hit that will connect with a wide array of dancers. Flip to side B and you will find a Caribbean-flavoured mashup that's sure to leave you 'Hypnotized'. Do not excuse the pun.
Nick Bike - "Scratch Sentence / 98 Beat / Skipless / 101 Beat" (6:19)
Review: Private Stock Records serves up a treat for DJs and turntablists with a new 12" packed with beats, scratches, and skipless tracks. Four skilled DJsiBig Once, Cutso, Double A, and Nick Bikeicontribute their skills to this collection, offering a diverse range of flavours for scratching and beat juggling. Each DJ delivers a 'Scratch Sentence' and a selection of beats at various tempos, providing a versatile toolkit for creative routines. The inclusion of skipless tracks adds another dimension, allowing for seamless blends and extended mixes. With its focus on functionality and quality, this release is a must-have for any serious turntablist or DJ looking to expand their arsenal of sounds.
Biggie Smalls - "Sunshine Biggie" (A Don Mash Up) (4:15)
2 Pac - "Thug Stylin" (A Don Mash Up) (4:27)
Review: With the likelihood that these two legendary MCs would have ever shared credits on a release while alive being zero, this 7" A Don mash up is the closest we'll ever get to seeing these East and West coast feuds quelled musically. Featuring a smooth disco-funk reimagining of The Notorious B.I.G.'s 'Juicy' on the A-side, with a jazzy old school boom-bap rendition of Tupac's 'Thug Style' on the flip, this pair of edits traverse decades of musical history, progression, fusion and controversy in under ten minutes, while effortlessly bridging sonic gaps. Limited to just 200 copies, these will fly, so don't sleep.
Review: Having previously re-issued the hard-to-find 45 of Black Sheep's 1991 anthem 'Strobelite Honey', Mr Bongo has now decided to issue the first ever seven-inch pressing of one of the duo's earlier singles, 'Flavor of the Month'. It's a breezy, boom-bap affair in which the duo exchange verses over a beat crafted from choice samples of records by Joe Farrell, Bubble Gum Machine and, most famously, Herb Alpert and his Tijuana Brass. It comes backed with original flipside 'Butt in the Meantime', a slacker, jazzier and more laid-back affair notable for a superb piano hook, hazy bass and a tight electric piano riff.
Review: Mr Bongo is back with more stone cold hip-hop. This one comes from 1991 and is a reissue of a UK only 7" from Black Sheep. The single was always a curio and remained in the shadows of the more catchy and commercially successful 'The Choice is Yours' but it does have a great hook and tumble-down charm to the production. Dres is the MC bringing the character and plenty of carefully dug out samples make this one standout above many of its peers. An original copy of this will set you back a fancy few quid so when you also add in the break fuelled remix on the flip you have an essential little pick up.
Review: There's been plenty of great "golden era" hip-hop reissued on wax lately, mostly via tidy and on-point seven-inch singles. Here's another, as Mr Bongo offers up a replica edition of the increasingly scarce "45" of Black Sheep's 1991 scene anthem "Strobelite Honey" - a playful and fun-packed affair that still gets feet moving 29 years after it first hit clubs. On the A-side you'll find the superior "Maybe We Did Remix", in which Dres's entertaining lyrics about courting a woman at a club ride crunchy drums, scratches, squally high pitched horn sounds and a wealth of killer samples. Turn to the flip for the far funkier original version, which lifts warm, squelchy and groovy elements from early '80s disco cuts by Change and Luther Vandross.
Review: The latest record to be added to Lil Static's catalogue is 'Respiration', a classic track by Mos Def and Talib Kweli under the duo name Black Star - and featuring an uncredited cameo verse from fellow rap stalwart Common - first released in 1998 on their self-titled album. Known for famously sampling a monologue from the hip-hop/graf documentary Style Wars in its intro, the pair exchange authentic rhymes and riffs, contemplating many ideas in the lyrics such as inner city Brooklyn life, personal philosophies, and Pan-Africanist ideas.
Review: One of Armenian-born, London-based Blade's seminal cuts from the early 90s UK rap scene, capturing the gritty realism of the time. 'Dark & Sinister', featuring MC Mell'o', delivers a powerful, hard-hitting vibe akin to LL Cool J's commanding presence, with an instrumental version on the flip side allows the track's intense atmosphere and production to shine. Often seen as the grandfather of UK rap, Blade plays off a gritty persona with a wicked sense of humour, and this release still resonates today.
Review: Bedroom beat producer Blank Check has teamed up with Honolulu's Aloha Got Soul and Tokyo's Grand Gallery for this majestic new six-song EP which comes on tidy 10" vinyl. It's mega limited with only 300 copies produced and it showcases loop-based music that evokes a floating sensation, which is reminiscent, say the accompanying notes, of Tommy Guerrero's world view. The instrumental sound features a dub-like quality that perfectly captures an urban mellow vibe that feels both original and authentic. Essentially it serves as a soundtrack to a short film that immerses you in atmospheric and cinematic soundscapes.
Review: The Bloto quartet recently marked their return with 'Szlam' and 'Scieki,' their first singles in over two years, released on a limited 7" vinyl via Astigmatic Records. These tracks sold out instantly, leaving fans eager for more. The band now continues their musical assault with another 7" release, featuring a remix by modern funk maestro DaM-FunK from Pasadena, California. This release serves as a prelude to their upcoming LP Grzybnia, set for an autumn 2024 release. Bloto's latest single, 'Bakteria,' draws heavily from classic acid house, offering a sinister and primitive sound that's reminiscent of the harsh resilience of bacteria. Recorded during an improvisation session at Studio Pasterka, the band has abandoned acoustic instruments in favour of synthesisers and drums, creating a raw, infectious track. DaM-FunK's remix, 'Bakteria Re-Freak,' transforms the original's dark atmosphere into a vibrant G-Funk track, filled with sunny synths and a drum machine beat. It evokes a biopharmaceutical bacterium leisurely moving through the streets of Los Angeles, blending warmth with a hint of danger. This release not only boasts Bloto's innovative spirit but also highlights DaM-FunK's ability to reimagine and elevate the original material.
Review: 2020’s acclaimed Blue Note Re:imagined project heard London duo Blue Lab Beats - producer NK-OK and multi-instrumentalist Mr DM - usher in 2021 with the EP We Will Rise and its dynamic lead single ‘Blow You Away (Delilah) feat Ghetto Boy'. Now neatly bagged up in a five-tracker EP, with collaborations with Braxton Cook, Kojey Radical, Alex Blake, and DTsoul, this one’s a heartfelt but still breezy project, laying down healing and hope in the face of racism. Reassurance and joy interlace a sound pinching motifs of boom-bap and jazz-funk, with influences from hip-hop pioneers and the African diaspora. A future-focused London bowls headlong into the future, chanting the motto 'We Will Rise’.
Review: Melodiesinfonie, Bluestaeb and S. Fidelity join forces to form a powerful trio, unveiling a rich nonnet of tracks destined for the universal chillout space. Taking shape in a picturesque studio in the South of France - and then completed in centres from Zurich to Berlin - the likes of '365 P', 'Summertime In '92' and 'Just Give Me The Aux' carry on the sparse and material-sonic tradition that has in recent decades inflected the neo-soul and jazz-electronica worlds. Every track here sounds to have been made with what sounds to the most apparently humble means available; rimshot clicks, wooden hits, impassioned hums and coos, Rhodes chords here and there. Loyal to one rule and one rule only - "we need to stay in the room together to make this a record that feels exciting to us" - the result is an evenhanded five-track flirtation with soul-bearing passion, toeing the hobline of cool and hot.
Tougher (live At Hollis Park version - Jorun Bombay remix) (2:38)
Who's House (Iive At Hollis Park version - Jorun Bombay remix) (4:03)
Review: Legendary edit king, scalpel master and studio wizard Jorun Bombay is back with more of his expertly articulated remixes. This time his latest 7" comes on Soundweight and finds him reworking a live at Holls Park version of 'Tougher.' It is super short but sweet with raw, bumping breaks, backspins, sleazy vocals and early-era electro stabs. On the flip is 'Who's House' (Iive At Hollis Park version - Jorun Bombay remix) which is a smoother, deep hip-hop roller with feel-good horns and plenty of characterful scratching. Two different but equally effective new joints from Jorun.
Tougher (live At Hollis Park version - Jorun Bombay remix) (2:39)
Who's House (live At Hollis Park version - Jorun Bombay remix) (4:04)
Review: Jorun Bombay is king of the edit and an expert wielder of his sonic scalpel and now he is back with a couple of new bits of work that are coming on plain wax but also here, on this limited translucent red vinyl 7". The Soundweight release features a reimagined live-at-Hollis Park version of 'Tougher'. It's a brief but potent track with raw, bumping breaks, gritty vocals, and hints of proto-electro. The B-side offers 'Who's House' (Live at Hollis Park version - Jorun Bombay remix), which is less ragged and a little more smooth and deep and detailed with feel-good horns and distinctive scratching. These two diverse yet equally compelling tracks showcase Jorun's expert touch and innovative approach.
Review: Before he signed with Tru Thoughts 21 years ago, and many years before he became one of Ninja Tune's most popular artists, Simon Green AKA Bonobo was merely a bedroom DJ/producer knocking up tracks in his Brighton home. The two tracks showcased on this limited-edition "45" date from that period and have never before seen the light of day. A-side 'Brighton Tapes 01' is warming and hazy, with toasty chords, drowsy flute and female vocal samples and deep bass rising above crunchy, loose-limbed MPC-driven drums. Flipside 'Brighton Tapes 02', which contains the same high level of vintage cassette hiss, is similarly warming, with a sweet female vocal sample, snaking sax samples and rich Rhodes chords wrapping around a head-nodding hip-hop beat.
Review: KRS-One and Boogie Down Productions come together here for Record Store Day 2024 to present their early wonders 'Poetry' and '9mm'. 'Poetry' from 1987, which has a beat famously sampled in MF Doom's 'Doomsday', is an original now valued at L200+. The flip side features the earlier hit 'My 9mm Goes Bang', a precursor to gangster rap with Schooly D and Ice T influences. Remastered for 2024, the original mixes retain their legendary status here and it comes housed in iconic B-Boy labels and sleeves. These tracks represent the essence of early hip-hop and showcase KRS-One's enduring influence and Boogie Down Productions' groundbreaking contributions to the genre's evolution.
Review: Hardcore funk and breaks lovers rejoice - the latest Heat Rock is a real winner. This 7th and final entry into the first series has a pair of world music-influenced bangers on it. The first tune is produced by Bounce Castle from Chicago and is primed for the dance floor with its Bollywood-flavoured vibes and big beats. It's a fresh take on a big tune from QB's Finest. And if you reverse it, fellow Chicagoan Altered Tapes mixes up a Cumbia slash dancehall slash breakbeat version of an iconic song from legendary Wu Tang album 36 Chambers.
Review: Brand New Heavies have long had their legacy assured. They played a vital role in establishing the Brit-funk sounds of the 80s and 90s and are one of the most enduring acts on Acid Jazz. Now, their standout album Heavy Rhyme Experience Vol. 1 has two of its finest cuts singled out and pressed up to this Bonafied Funk reissue on P-Vine Japan. The tunes are a blend of their signature sounds with some top-level featured guests including hip hop royalty Main Source and the one and only Grand Puba. Timeless dance floor delights, for sure.
Review: "Breakbeat" means many different things to many different people; perhaps among Juno's customers, the term signifies hard-edged apocalpytic bangouts against judderingly dark soundscapes, completely missing the trick of the fact that its earliest form was a kind of hip-hop that simply emphasised the funk backbeat as a central part. The Breakbeat Junkie are more than worthy reps of the latter category; they here bring the whopping 14th instalment of their Toxic Funk series to the fore, with two funky cuts from the beat master The Breakbeat Junkie himself.
Review: To bear a name like Breakbeat Lou, you'd have to have earned it. And Louis Flores is indeed arch-digger numero uno: mainly having cut his teeth as a co-creator of the Ultimate Break And Beats compilations on New York's Streetbeat Records, Lou was born anew as a DJ as way back as 1974 (!), amassing a boss pile of vinyl and thus music intel, largely as to where and how to source the best breakbeats out there. With elite producers like DJ Premier, Large Professor, The Bomb Squad, Pete Rock, Dr Dre and Marley Marl all having sampled Lou's wholesale procurements over the years, the man himself now steps back up to flaunt his very own pump-action breaks works. From KRS-One to Loose Ends, the samples on this are electric, and the original beats bombastic.
Review: Ruth Brown came to prominence as a 2012 semi-finalist on The Voice as part of Sir Tom Jones' team, and has since performed across the UK, including multiple appearances at London Fashion Week. She also starred as the alternate Effie White in the London production of the Sonia Friedman Production, Dreamgirls. Her shows often sell out, such is the lushness of her soul sound and now she returns with her highly anticipated EP, A Moment Of Truth, which again offers up her powerful vocals and shows some fine artistic growth across a series of tunes with buttery tones, heart aching hooks and timeless neo-soul, house and funk production.
Review: Erin Buku's standout track 'See You Shine' gets a special remix treatment from Soundway Records' affiliate SAI GALAXY, now available as a limited edition 12". A perfect fusion of styles, this remix infuses the original's soulful charm with SAI GALAXY's vibrant production flair. Fans of Lord Echo, Fat Freddy's Drop and Masters At Work will feel right at home with this.
Review: Through persistent questioning and doubting, Socrates challenged the norms and mores of his local Athens; through persistent flipping and releasing, BusCrates bucks the established trends and staid sounds of his local Pittsburgh. The synth wonder and beatmaker shares two new ones onto breakout translucent vinyl here, enlisting singer Anda for an embodied song on 'Drift', whilst DJ Epik joins on production duties. Meanwhile, 'Serenity' persists on the inverse side as an instrumental Minimoog meditation session.
Review: Busta Rhymes' 7" release on Kickin Kutz features two dynamic tracks from his fifth studio album, Genesis. Side-1 boasts 'Break Ya Neck,' a high-energy hip-hop track produced by Dr Dre, with additional vocals by Truth Hurts, originally released as the album's second single in 2001 and incorporating an interpolation of the Red Hot Chili Peppers' 'Give It Away.' The official remix, featuring Twista and Do or Die, further elevates its appeal. Side-2 presents 'As I Come Back,' featuring Kelis, which showcases Busta Rhymes' rapid-fire delivery and innovative style. Two classics of Busta Rhymes' early 2000s sound.
Review: Byron The Aquarius has the sort of mad skills on a keyboard that evade all too many house producers. He has also spent years making beats for hip-hop artists so has plenty in his arsenal. His fantastic EP 'Gone Today Here Tomorrow' is a still standout collection of cuts on Kyle Hall's Wild Oats label that now gets reissued on limited orange vinyl 12". It is a superb showcase of his skills that traverse lithe deep house, cosmic grooves, plenty of mellifluous melodies and seductive late-night sounds. 'Moments In Life' is a particular favourite here.
BoomBaptist - "Krush On You" (Queen B remix) (4:37)
Review: Heat Rock Records's 124th outing is also the final 45rpm in their 7" series. It packs a real punch with its bad boy sounds from Cutso (from the Bay Area) and Boombaptist (who hails from Texas). Cutso goes first with the filthy dirty and low slung bass bumps of 'LKMBMT' (Yagoditgowinon) and its Afro vocals and jerking rhythms. On the flip things go slow with BoomBaptist's 'Krush' (Queen B remix) layering up heat-damaged chords and warm boogie bass under some smart bars.
Review: Cinematic soul legend El Michels Affair has written a superb album Glorious Game which is due for release later in spring. Before that full-length with Roots co-founder and lyricist Black Thought - which is a meditation on the state of the hip-hop scene in the early 2020s - we get this taster single from it. 'Glorious Game' as you would expect as all the lush instrumentation and dark soul sounds you'd expect from this artist by now with the added extra of some superbly thought-provoking mic work. 'Grateful' is another heart-wrenching and alluring sound that more than gets us excited for the full length.
Review: Street Corner's FliP Sessions is a great source of beats for hip-hop heads and this eighth volume is no different. It's limited to just 200 copies and features five more exquisite little sketches that are loveably rough around the edges and full of laidback and dusty soul. After the busted breaks of GREENMINDZ, Toby Glider zones you out with lo-fi loops and Beaulemaire brings heavier beats. Side 2 has a more jazz cut from Elusive and star gazing cosmic melody from Shri!. All five of these are delightful little pieces.
Review: The Big Payback series hits third volume and again bangs together classic soul and funk artists with hip hop giants. This JB & The Soul Mates take on Busta Rhymes. They layer up jazz-funk drums and synths into lively arrangements that are topped with sick verses from the master and plenty of James Brown ad libs also colour the groove. It's a high energy party starter, but if you need something a little less busy, the instrumental on the flip has you covered with its big horns and sax lines getting hands in the air.
Review: Connie Price & The Keystones team up with one of New York's finest, Apani B. Fly MC (collabs w/ Black Star, MF Doom, DJ Spinna) & Mardi Gras Indian Big Chief Bo Dollis Jr. (The Wild Magnolias). 'Uptown Rulers' is the perfect blend of Mardi Gras Indian funk from New Orleans and the flows and cadence from Hollis, Queens. Apani B. gives you a lesson in the blood, sweat, and tears that go into the masking culture, while Bo Dollis Jr. carries on his father's legacy with chants to the ancestors. For the B-side, Professor Shorthair leans further into the origins of hip-hop with a boom-bap backbone and scratches that give a nod to the OG Big Chief, Bo Dollis. Extended intro and outro for all you DJs out there!
Birdz Fly The Coup (feat Phonte & Keisha Shontelle) (4:26)
U Wonderin (feat Rapper Big Pooh & Sean Price)
Out Of Town (feat LEGACY & Joe Scudda)
I Don't Know Why (feat Keisha Shontelle) (2:11)
Money Makes The World Go Round (feat Starang Wondah) (1:42)
Review: Great hip-hop has often been defined by collaboration and Chemistry by 9th Wonder and Buckshot is a testament to that. The album, released on June 21, 2005 through Duck Down Music as a part of the label's "Triple Threat Campaign", showcases the seamless synergy between 9th Wonder's soulful production and Buckshot's sharp lyricism. Each track shows off their undeniable chemistry, with smooth beats and introspective rhymes that captivate from start to finish as muse on everything from introspective reflections to social commentary, all with precision and depth. With its cohesive sound and thoughtful lyricism, Chemistry is a must-listen for fans of both artists and the genre as a whole.
Review: Aesop Rock x Blockhead's Garbology album was a huge success and so it makes sense that the label now follows it up with a new issue of the instrumentals. It's a tidy package across four sides of coloured vinyl in a nice spot-varnished sleeve. Musically it is a brilliantly mixed bag that takes in myriad niche sounds and styles. The opener is a deep soul cut with pensive chords while 'Jazz Hands' (Instrumental) suspends you in swirling synths and spring-day optimism and 'Wolf Piss' (Instrumental) has heavier, darker beats and more menacing string sounds.
Review: Pink Siifu and Ahwlee are the rap, neo-soul and r&b duo B. Cool-AID and this is their new album on Lex. Leather Blvd is a woozy and lo-fi late-night trip through a range of narcotic atmospheres. The raps range from slurred and drenched in reverb to more crisp and well-defined as tracks range from short and sweet to epic and sprawling. There is a real intimacy to this record as well as a borrowing from jazz as these tracks unfurl and slowly make their way into your affections. It is another great coming together of this contemporary pair.
Review: American rapper and record producer Baby Keem dropped his debut album The Melodic Blue over a year ago but only now is the vinyl landing. Back then it was a rather surprise release and it finds the enigmatic rapper expanding into a wide world of sound that builds on his love of trap and melody. There is plenty of intimate writing and lots of his trademark switching between singing and rapping with fun and propulsive moments next to more playful ad-libs and goofy beats. Kreem is Kendrick Lamar's cousin but has his own distinctive sound as this album proves.
Review: Grammy-nominated singer-songwriter Bay Rose says she makes music for those that are "aimless and heartbroken". Her magnificently rich voice conveys the pain and lament everyone has felt at some point in their life of this new sophomore album Through & Through. There is an honesty to it that has defined all her work to date and a determination to really say something with her music. Unrestricted by genre though couched in hip hop and r&b, lead singles like 'Dance With Me' marry lo-fi beat work with her smoky, raw soul vocals to make for something truly impactful. There is no wonder this one has already had plenty of press praise on both sides of the Atlantic.
Review: Bacao Rhythm & Steel Band, the mysterious steel pan outfit from Hamburg, have amassed a cult following around the globe. With a slew of classic 7"s and three critically acclaimed full length albums, they set a high bar for themselves, one which they clearly intend on pushing to even higher heights with this new offering. On their fourth album BRSB, Bacao return with more of the same, but more of the same with them is of course inherently different. Covering songs that span genres, and range from mega-hits to underground album cuts, they make them their own with their unique approach to the traditional steel pans of Trinidad and Tobago. While part of the allure of a new Bacao Rhythm & Steel Band album is finding out what covers they choose, it is equally intriguing to see what original tunes they've cooked up alongside these, and this record is foul of standout originals. from 'In The Crosshairs' to 'Grilled' to 'Treasure Quest'.
Review: Unfairly labelled as a novel curio when they first emerged, the Bacao Rhythm & Steel Band is a genuine expression of Mighty Mocambos man Bjorn Wagner's love of Trinidadian steel pan music. Their tracks - often, but not always, quirky cover versions - combined authentic funk instrumentation (drums, bass, guitar, horns) with the timeless and distinctive sound of steel drums. BRSB, the combo's fourth album, is another summery and effortlessly entertaining treat. Highlights include the inspired 'Love For The Sake of Dub' (an organic interpretation of Claudja Barry's slo-mo disco classic 'Love For The Sake of Love'), the breaker-friendly cheeriness and heaviness of 'Grilled', a wonderfully woozy and dubbed out stroll through the 'Stranger Things Theme', and the summer sunshine of 'Champion's Walk'.
Whats Yo Phone Number/Telephone (Ghost Of Screw mix)
Dial’Afreaq
I'll Call U Bac
Hello
Review: Erykah Badu tops up her patented purple vinyl reissue series, which she's slowly been building up over the last few years. Taking influence from hip-hop, jazz, R&B and art rock, the album 'But You Caint Use My Phone', originally released in 2015, dealt with the challenges of dealing with quiet-storm emotion in an isolated digital age. Prescient for the post-COVID era, this remaster and reissue is just as well-received for missed Zoom calls as it is for missed Nokia bells.
Review: Erykah Badu remains one of our favourite all-time artists and one of the greatest voices in neo-soul even though these days she never actually releases much music. Along the way from the 90s onwards though she dropped a superb run of albums including the still astonishing debut Baduism and New Amerykah series. This part, part one, subtitled Fourth World War, gets the reissue treatment courtesy of Motown and features plenty of Erykah's dark and trippy vocals, smoky soul sounds, candle-lit atmospheres and thought-provoking lyrics.
Review: Erykah Badu remains an absolute badass but the fact she doesn't release much music anymore is very frustrating. She single-handedly defied the neo-soul sounds of the 90s with a superb run of albums as good as any artist in any genre. This one, New Amerykah Part Two (Return of the Ankh), was her fifth way back in 2010 and as always it has soul to spare and a loose structure that placed you right at the centre. 'Window Seat' is one of the standout singles of many that were produced by various top talents including J Dilla, Madlib, Questlove and more.
Dennis Coffey & The Detroit Guitar Band - "Scorpio" (4:03)
The Jimmy Castor Bunch - "It's Just Begun" (3:41)
BT Express - "Energy Level" (3:46)
James Brown - "Get On The Good Foot" (4:06)
Afrika Bambaataa & The Soul Sonic Force - "Planet Rock" (6:26)
Manu Dibango - "Soul Makossa" (4:24)
Esther Williams - "Last Night Changed It All" (4:23)
The Mohawks - "The Champ" (2:38)
Herman Kelly & Life - "Dance To The Drummer's Beat" (4:13)
Spanky Wilson - "Sunshine Of Your Love" (3:40)
James Brown - "Give It Up Or Turnit A Loose" (6:11)
Candido - "Soulwanco" (4:12)
Arthur Baker - "Breaker's Revenge" (4:53)
Manu Dibango - "The Panther" (2:29)
Abaco Dream - "Life And Death In G & A" (2:19)
The Jackson 5 - "Dancing Machine" (3:29)
Mongo Santamaria - "Cloud Nine" (5:42)
Edwin Starr - "I Just Wanna Do My Thing" (5:18)
Badder Than Evil - "Hot Wheels The Chase" (3:01)
Review: Curated by the legendary producer Arthur Baker, Breakers Revenge is a comprehensive compilation of original funk, soul, Latin, disco and electro tracks from 1970-1984. These tracks, ranging from well-known classics to hidden gems, have become legendary in the world of breakdancing. Featuring seminal tracks like Dennis Coffey's 'Scorpio', The Jimmy Castor Bunch's 'It's Just Begun' and Afrika Bambaataa's groundbreaking 'Planet Rock', this collection embodies the essence of breakdancing culture. The percussive breakdowns and infectious beats of these tracks have not only been the soundtrack to countless block parties and park jams but have also been sampled by numerous hip-hop artists and producers. With extensive liner notes and track-by-track breakdowns, Breakers Revenge is perfect time capsule for fans of breakdancing, hip-hop and music enthusiasts.
Dennis Coffey And The Detroit Guitar Band - "Scorpio"
The Jimmy Castor Bunch - "It's Just Begun"
B.T. Express - "Energy Level"
James Brown - "Get On The Good Foot"
Afrika Bambaataa & The Soul Sonic Force - "Planet Rock"
Manu Dibango - "Soul Makossa"
Esther Williams - "Last Night Changed It All"
The Mohawks - "The Champ"
Herman Kelly & Life - "Dance To The Drummer's Beat"
Spanky Wilson - "Sunshine Of Your Love"
James Brown - "Give It Up Or Turnit A Loose"
Candido - "Soulwanco"
Arthur Baker - "Breaker's Revenge"
Manu Dibango - "The Panther"
Abaco Dream - "Life And Death In G & A"
The Jackson 5 - "Dancing Machine"
Mongo Santamaria - "Cloud Nine"
Edwin Starr - "I Just Wanna Do My Thing"
Badder Than Evil - "Hot Wheels"
Johnny Bristol - "Lusty Lady"
Review: With 'breaking' making its debut in the 2024 Paris Olympics, it seems an apt time to go back to where it all began and showcase some of the music that first made break-dancers move in the early years of hip-hop culture. Soul Jazz Records clearly agrees, hence this two-disc retrospective of early 'breaker' favourites curated by Arthur Baker - a man who's productions and remixes soundtracked many dancefloor battles in the early 80s. It's a suitably strong selection all told, with dusty funk, soul and funk-rock favourites (Johnny Bristol, James Brown, The Jimmy Castor Bunch, Spanky Wilson) being joined by disco-funk jams (Herman Kelly and Life), extra-percussive workouts (Manu Dibango, Mongo Santamaria, Candido) and a smattering of key Baker productions (Afrika Bambaata and Soul Sonic Force's 'Planet Rock' and his own infectious 'Breakers Revenge').
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