Review: There is very little info out there about the Milkcrate Mondays label but we do know that their only other release last year was well hyped and quickly sold out. This second one is likely to follow suit. It comes from Able and is a dusty house cut with an old school feel thanks to the gentle breaks that power it along as a signature smoky soul vocal from Amy Winehouse brings plenty of emotion to a-side cut 'Winehouse Magic'. On the flip is 'Drake Punk' which pairs Daft Punk filter house loops with auto-tuned vocals all sure to bring some fun to the 'floor.
Beautiful You (Danny Krivit 7" edit Of Hex Hector's Lush remix) (5:20)
Beautiful You (4:34)
Review: The revered songstress that is AK is back on Most Excellent Unlimited for another hot and soulful single that comes on the heels of a special 7" release of her seminal 'Say That You Love Me.' This one, 'Beautiful You' is making its vinyl debut here and comes with strong messages of empowerment and affirmation. The lyrics and vocals are uplifting as is the music which comes in the form of a 7" edit by Body & Soul legend Danny Krivit' of GRAMMYr award-winner Hex Hector's Lush remix. It's a perfectly paired back sound with the original on the flip, and both tunes really make their mark. This is a great package that's exclusive to wax.
Review: Apparel Wax on Apparel Music records has recently started a 7" series of which this is the third instalment of. These 45 DJ friendly records are sure to be hits with house music DJs and fans both. The music does the talking as the tracks are simply called 'Track 1' and 'Track 2'. The first blends jazz, funk into a house instrumental frenzy that has all the makings of a classic late night success. The second one is quite unusual and unique, adding a broken almost jungle beat that goes great with the piano. This gives us some real early 90s UK rave flashbacks! This versatile 7" should go over great with those who hear it!
Review: 'My House' was a parting gift from Queen Bey herself following her record-setting 'Renaissance' album cycle, the first in a trilogy she continued with 2024s 'Cowboy Carter'. Landing multiple awards and ten top spots on various 'Best of 2022' lists, the track is a big, brassy, chant-led track featuring the same hallmarks that peppered her 'Homecoming' history-making Coachella performance. Serving as promotion and as the credits sequence, for her theatrical concert film 'Renaissance: A Film by Beyonce'. The track is anthemic and uplifting, a combination of braggadocious flexing and preaching the power of love and healing - it's an infectious hit. On the B-side of this release is an extended intro edit of Beyonce's legendary chart-topping hit 'Single Ladies', celebrating its 16th birthday this year.
Doing Our Own Thing (Dimitri From Paris remix part 1) (5:01)
Doing Our Own Thing (Dimitri From Paris remix part 2) (4:57)
Review: Monsieur Dimitri from Paris works his magic on Casbah 73's organic disco grooves with a remix treatment that surpasses all expectations. Casbah's original track may sound like a band-recorded take with added production sheen, but it's actually a deceptively well-made track recorded by a talented solo artist. Dimitri brings added wompy disco-house heat to the track in two parts, with the first part focusing on the more bangerific elements of the original, and the B (part two) stripping things back to focus on the more minimal, solo dubby parts.
Review: Kendrick Lamar's 'King Kunta' and Kelis' 'Milkshake' hear an unlikely pairing on the perfunctorily named Edits series. The former track - some might agree its dust is still settling, as it was released in 2015 - sounds almost twice as lively here, its "oh, yes, you can, oh, yes you can!" ad-lib sounding about as squeezed as a hand-wrung lime steeped in its own juices and then dried out in Saharan heat. There's a diatonic, electric piano hook added on top too; Kelis' flip has a similar feel, mashing up the noughts teaser hit with a dash of easily identified r&b goodness - we're 99% sure you'll recognise the instrumental, its having also originated somewhere in the familiar fires of pop musical preeminence.
Review: A fresh transmission from the Co-op camp, this two-tracker reframes soulful source material through the prism of West London's broken beat tradition and deep, jazz-inflected house. On 'Smooth Co-Operator', the velvet of Sade's original is reworked with restraint and flairisyncopated drums, funk stabs and hip-hop atmospheres merge in a smoky, low-lit groove. It's classy and confident, a subtle floor-builder that wears its edits lightly. Flip it over and the tempo shifts up: 'Dream Alchemy' dials in from a different zone entirely. A cinematic tech-house excursion, it accelerates with a cold clarityihovering pads, delayed keys and submerged A$AP Rocky vocals moving in step with a bassline that rolls like fog over city streets. J Diggns' ethereal melodic work floats above the pulse, while Whiskey Drop's grounding in UK club DNA gives it teeth. It's the kind of record that finds a home in the middle of a setibridging moods without breaking flow. Both sides manage to feel nostalgic and future-bound. A deft, compelling fusion from start to finish.
Review: Groove Culture enlist Italy's Da Lukas for a stinging string-disco propeller, 'Doin' Me Wrong', backed up on the B by 'Good Man'. Massive pressure-house feels coincide with the trilling afterglow of disco, as rock-bottom breakdowns prefigure high-as-a-kite apexes, word-painting the A track's lyrical focus on manic depressive push-pull relationships ("you tell me don't do this, you tell me don't do that"). The B-side track is weightier by comparison, deploying waterier wahs and an echo of Motown in its otherwise relentless garagey swing.
Double Dee - "Found Love" (feat Dany - Dimitri From Paris remix edit) (3:27)
Jestofunk - "Say It Again" (Micky More & Andy Tee remix edit) (4:29)
Review: For the latest instalment of the label's occasional seven-inch series, Groove Culture has decided to offer up fresh takes on classic Italian house hits. On side A, the legendary Dimitri From Paris gets his mitts on Double Dee's 1990 number 'Found Love', re-imagining it as a colourful blend of rubbery nu-disco and hands-in-the-air piano house that rightly places Dany's recognisable lead vocal front and centre. Flip for label chiefs' Micky More and Andy Tee's take on Jestofunk's 1993 classic 'Say It Again'. Like much of their work, the Italian duo's translation blurs the boundaries between funk-fuelled house and revivalist disco, with flanged, occasionally bluesy guitars, strung-out synth solos and energy-packed sax lines catching the ear.
Review: Amy Douglas is the latest addition to the Razor-N-Tape talent ranks and serves up a mighty fine rough 'n' tumble New York disco double A-side 7" to open her account. The opener is 'Freak At Night' with stiff synth stabs and strident drums that get the party pumping while the belting vocal brings the soulful hook. Absolute dynamite. Things are a little more loose on the flip with 'Bit-O-Honey' having more jangling drums and guitar riffs underpinned by a funky bass riff. The vocal is more florid and expressive making this a different but equally impactful sound.
Review: A 3-inch record of the world-famous floor anthem realised through the collaboration of Duck Sauce x Stokyo.
''Barbra Streisand'', a self-explanatory masterpiece by the producer unit ''Duck Sauce'' consisting of A-Trak and Armand van Helden, which continues to thrill dance floors around the world, has been released as a 3-inch record in a limited edition of 500 copies.
It comes with an adapter that allows you to play it not only on a 3-inch record player, but also on a regular turntable.
Made in collaboration with Stokyo Japan. Pressing on one side only. You've never seen a record quite like this.
Review: Ultra rare 3" colour pressing of the iconic Duck Sauce smash "Barbra Streisand". Box set comes with spindle adapter and Fool's Gold 3" slipmat. Made in collaboration with Stokyo Japan. Pressing on one side only. Collect em quick!
A 3-inch record of the world-famous floor anthem realized through the collaboration of Duck Sauce x Stokyo.
'Barbra Streisand'', a self-explanatory masterpiece by the producer unit ''Duck Sauce'' consisting of A-Trak and Armand van Helden, which continues to thrill dance floors around the world, is now available on a 3-inch record.
It comes with an adapter that allows you to play it not only on a 3-inch record player, but also on a regular turntable.
Also included is a 3-inch Fool's Gold logo slipmat that is only available with this set.
Released in a limited edition of 500 pieces in the original box.
Review: Athens Of The North can usually be found honing their expert craft of unearthing nigh impossible to find disco, and reissuing it in the utmost quality. However, the work of East Coast Love Affair (Euan Fryer and Nick Moore) is deceiving, as it adopts the image of one of said reissues while actually being fully contemporary music. 'Get Down' tops up a slew of master-quality releases for the label, expropriating a vocal line from obscure Minneapolis 'lo-fi' band Quiet Storm and putting it back into an entirely new, drunk-and-high instrumental context (think lasers, whistles, funk basses, an overall hazy sound). 'Can You Deal', on the flip, lends Quiet Storm a similar treatment, albeit for a cleverly hi-lo-fi disco house treatment.
Review: Mushroom Pillow is on a proud and so far successful mission to bring back Latin American music from the 60s-80s via its Relatin project. it's all about mixing up the traditional and the modern and putting fresh spins on what went before. Many of the originals they look to have gone unnoticed the first time round and that's the case here as Franc Moody adds his own twist to Elia & Elizabeth's 'Alegria.' His remix is a sympathetic one that gets the hips swinging over fat and funky disco bass and beneath the sunny Latin vocals. He strips them away on the instrumental version on the flip.
Review: 'Departures' is one of the most renowned singles by the Japanese band Globe, originally released in 1996. The track achieved significant success and became the group's second number-one hit on Oricon's weekly chart and went on to sell a total of a rather astonishing, especially in comparison to these digital times, 2.2 million copies, making it one of Japan's best-selling singles. Now the tune gets reissued on 7" and is a raw, dense pop-rock tune that comes with a bonus cut on the flip.
Review: Contemporary classical seems to be having a bit of a moment in the sun right now a it breaks out of its traditional confines and makes a mark on the wider world. Bartellow, who is one third of the Tambien project and also goes by the name Beni Brachtel in the classical scene, is back on ESP Institute with a second full length. Noosphere brings together parts of some of his theatrical scores for WUT, Odipus and Antigone and Der Zauberberg amongst others. It takes in cues from Baroque and Impressionism with plenty of sweeping drama and moments of intense emotionality across four sides of sound.
Review: 20 years ago now, Michael Gray secured what you can rightly say was a global and monumental crossover dance hit when he dropped 'The Weekend' in 2004. To mark its 20th anniversary and as part of this year's Record Store Day celebrations, it is making its way, for the first time ever, to a limited edition coloured vinyl 7". This one comes with the celebrated original sleeve artwork and that's not all, because it also includes a previously unreleased 7-inch Version from Gray himself: titled the 'Sultra 7' mix, it comes with live strings and a lush ambient feel that makes this even more essential.
Review: Here's something for those looking to fill in the gaps in their classic hip-hop collection: a sizzling seven-inch boasting two of the Jungle Brothers hottest hits. On the A-side you'll find "Because I Got It Like That", a lolloping party hip-hop jam built around an assortment of complimentary samples, most notably a lift from Sly and the Family Stone's killer cut "You Can Make It If You Try". Over on the flip you'll find one of the most recognizable dance anthems of the late '80s, the early hip-house classic that is "I'll House You". Based on Todd Terry's similarly big "Can You Party", the tune is a warehouse-ready bounce-along that sounds as fresh now as it did way back in 1988.
Review: Late Night Tuff Guy has long since proven his credentials as a master of the cheeky edit. He now mints his own new label Tuff Cuts with a first EP of what will surely be many. It features two reworks hand picked by the man himself and then pressed on 12". The first is a dancefloor ready rework of the Bill Withers classic 'Lovely Day' with a nice rolling groove and plenty of the original's charm still in tact. Things get more sultry and seductive on the soul drench and more slow motion sounds of 'Love About' on the flip. It's a real beauty for the end of the night moments when love is in the air.
LF System - "Afraid To Feel" (extended mix with DJ Friendly intro) (4:35)
Silk - "Can't Stop Turning You On" (MM edit) (3:51)
Review: Rising duo LF System is a Scottish production duo consisting of Conor Larkman and Sean Finnigan. They provided the definitive funky house summer anthem last year called 'Afraid To Feel' which samples the 1979 song from American funk group Silk, 'I Can't Stop' (Turning You On). This version is a much appreciated extended mix with a DJ friendly intro. Over on the flip, they pay credit to the original with the MM edit of this absolutely sensual number, that still holds its own to this day some 43 years on.
Review: Whether she likes it or not, Sophie Lloyd will always be known for the unfeasibly uplifting gospel disco-meets-gospel-house anthem 'Calling Out'. That was released five years ago and ever since, she's struggled to embrace it's shadow. With 'Angels By My Side', Lloyd seems to have embraced this, delivering another fine gospel-powered number that inhabits a similar sonic space while being different enough to avoid accusations of treading water. It's genuinely good, too, with Pauline Taylor delivering superb lead vocals over a hybrid gospel disco/stomping gospel sound hybrid full of Hammond organ licks, booming bass guitar, piano house riffs and stirring orchestration. In other words, it's another anthem in waiting.
Montefiori Cocktail - "Gypsy Woman" (Micky More & Andy Tee 7" remix) (4:47)
Jestofunk - "Special Love" (feat Jocelyn Brown - Micky More & Andy Tee 7" Jazz remix) (4:59)
Review: Micky More & Andy Tee's remixes of 'Gypsy Woman' and 'Special Love' by Montefiori Cocktail and Jestofunk respectively are jazz-infused delights that bring new life to these classic tracks. On the A-side, 'Gypsy Woman' exudes Latin disco flair, with infectious rhythms, a stunning horn section and uplifting strings that create an irresistible dancefloor vibe. Meanwhile, the flip features the iconic vocals of Jocelyn Brown on 'Special Love,' seamlessly blending disco and house elements for a soulful and energetic experience. The live instrumentation, including bass and horns, adds depth and authenticity to both remixes, enhancing their appeal to DJs and listeners alike. These remixes are sure to light up any dancefloor with their timeless appeal.
Review: Deep house doesn't often get served up on 7" but that doesn't stop Pond Recordings who do just that here. Mura Masa is behind the two really quite different cuts and shows a real variety of skills. 'Rise' is a dusty house gem with warmth and soul and a great vocal sample. On the reverse is a physical workout that mixes prickly beats, chopped-up vocals and wiry synths into something usually and alluring. Two very different sides then but both equally effective in their own right.
Elia Y Elizabeth - "Fue Una Lagrima" (Phenomenal Handclap Band 7" edit remix) (4:54)
Elia Y Elizabeth - "Descripcion" (Buscabulla Beatless remix) (3:23)
Review: The Phenomenal Handclap Band combine forces with Buscabulla on this new split 7" for the new Relatin project, a New York-based initiative to reimagine Latin music for a new generation of music listeners. Touted as "sweet sixties soft pop meets funk and club culture", this three tracker comes to us with all the style of a low key Americana acetate found in a thrift store, but surreptitiously works modern sonics into the mix; 'Descripcion' is a beatless meander through mellow Latin vocals and whistles, while more energetic cuts adorn the A.
Don't You Worry Baby The Best Is Yet To Come (part 1)
Don't You Worry Baby The Best Is Yet To Come (part 2)
Review: Eight years ago, Super Weird Substance unveiled a cover of Bessie Banks' classic 'Don't You Worry Baby The Best Is Yet To Come' - a hybrid nu-disco/classic soul interpretation that was credited to The Reynolds (twin sisters according to press releases circulated at the time), but produced and mixed by Greg Wilson and regular studio buddy Peza. This timely reissue marks the first time the track has appeared on a 45. Just like many classic soul sevens, it features 'Part 1' and 'Part 2' versions, which seem to be edits of the near nine-minute 'club mix' that appeared on the original 12" release. Both are great, with the Reynolds' gorgeous vocals being joined by rubbery synth-bass, simmering synth-strings, tasteful synth-horns and unfussy, floor-friendly drums.
Review: The third release from Soul In The Horn features tracks from Rockwilder and KingPros, the former's 'Love In Need' proving to be a captivating mid-tempo house rendition of a classic tune by the esteemed hip-hop producer, blending the original melody with the soulful rhythms and textures of mid-tempo house. King Pros' 'You Had to Know' is a powerful mid-tempo rework of a very well respected voice. The result is two stunning tracks that demonstrate the versatility and vitality of the genre.
Review: Roger Sanchez has had many supersized hits in his long and accomplished career. 'Another Chance' is one of the biggest and harks back to the years when he was as well known for his tightly trimmed facial hair and Kangol hat as anything else. It is now 20 years old and so gets an anniversary release on a special limited edition 7" picture disc. The track is a fulsome house affair with big drums and that catchy vocal hook and is sure to still unite plenty of floors all over the world all these years later.
Notice Me (part 1 - Clivilles & Cole club vocal 7" edit) (4:25)
Notice Me (part 2 - Clivilles & Cole club vocal - 7" edit) (3:44)
Review: BBE is the kind of label you can trust with any kind of reissue project, and when they call upon DJ Spinna and Kai Alce to look back over the foundations of house music, you know you're about to get a masterclass. This intermittent series has seen the two US DJ/producers picking through seminal house joints, editing the most crucial mixes to fit on a 7" as a neatly presented series for anyone wanting to point out exactly what house music really is. This time around they've turned to Sandee's 'Notice Me' - a Latin house joint from 1988 which rocked clubs like Tunnel and Palladium in NYC and Riviera in Chicago upon its original release.
Review: Serge Funk from Ancona in Italy, a name increasingly uttered in hushed tones within the disco and funky house edit community, unveils two formidable floor-fillers. 'Groovy Theme' and 'Cherry Bomb' showcase his remarkable dexterity in transforming familiar samples into dancefloor weaponry, expertly prioritising rhythm and groove over tired tropes like vocal hooks and predictable melodies. Funk's edits are laser-focused on DJs and discerning dancers, their stripped-back arrangements and undeniable energy cutting through the noise. 'Groovy Theme' builds with a patient intensity, its intricate percussion and swirling synths creating a palpable sense of anticipation before unleashing a groove of undeniable power. 'Cherry Bomb', on the other hand, is a detonation of pure dancefloor dynamite. Its propulsive bassline and fragmented vocal snippets are deployed with surgical precision, a masterclass in controlled chaos. This release confirms Serge Funk's position as a rising force in the edit scene, his ability to transform familiar sounds into something fresh and exhilarating marking him out as one to watch. Expect to hear these cuts dominating discerning dancefloors for months to come.
Review: Serge Funk lies on the intersection of ironic future funk and straight-up clean disco edits, having made a recent name for himself as a wonderkid for disco- and funky-house versions. A re-editor for the diggers as opposed to the bait heads, 'You & I' and 'Yeah Yeah' are utter bangers devoid of much relation to their originals (indeed, there's no way of telling what the samples are without a record buyers' knowledge), in large part thanks to their working into beat-centric structures that drown out the vocals in favour of kick slappage and gut-punchage. Rhythm over theme; keeping things vibey, felt.
Catch The Beat (Dimitri From Paris & Mousse T's Oldskool edit) (3:56)
Catch The Beat (Special remix instrumental) (5:02)
Review: Slick, plinky-plonky hip disco editry/reissue-tastics from Peppermint Records, who celebrate their 30th anniversary in style with the first in a series of edits and remixes on vinyl. First up is a 7" version of T-Ski Valley's 'Catch The Beat', featuring an edit of Dimitri from Paris & Mousse T's classic Oldskool mix, flipped with the 'Special remix instrumental' on the B. Limited Edition - so act fast!
Review: 'EZ Do Dance' by Japanese band TRF was released on June 21, 1993 as their second single and it proved to be a breakout hit that also helped to make dance music more popular in Japan. The group blended Yellow Magic Orchestra's techno-pop style with rock music and was later inspired by a visit to the UK when he experienced the second summer of love in 1998. Here we get the original 7" mix as well as a more piano-laced and vocal flipside joint 'Track 2'.
Review: Something in the Eastern European house and dance music proclivity has always struck us as enduringly authentic, perhaps due to its interest in folk music fusions; the label Sad Fun have surely played a key part in doling out this impression. Now they offer their latest addition to the fantasy with a label-described "true Estonian lowkey gem" in the form of duo Ajukaja & Edith Karlson, aka. Vana, whose combined efforts frankly, dustily and ironically toy with the pop music cliches native to their homeland. A-and-B-siders 'Vimme Ratsu' and 'Kuu Maa' are said to rework an '80s Estonian coastal folk-pop favourite and perform a "pseudo-reggae" pastiche respectively. Both have that effortless murmured charm on the vocals, recalling a nostalgic time of European make-do, A10-mic-from-the-junk-store, bottle episodic, rickety recorded goodness.
Review: It's been two years since the 2022 release of Young Pulse & Natalie Nova's multi-mix single 'Free', across the digital version of which we were graced with five exclusive mixes. With the 'original' itself and in turn being a cover of the Ultra Nate song from 1997, Pulse and Nova's version is a jubilant, disco-strung version, abandoning Nate's garage house proclivity for an upped sense of swing. This new vinyl edition also brings a fresh mix to the table, totting up the versions to six; first, there's the OG aforementioned 'Disco Tribute mix', as well as a 'Disco Dub' version, the new and never-heard-before highlight.
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