Back catalogue: Funk Soul & Jazz

Review: Originally released in 1979, this is a highly sought-after gem due a reissue to bring its soulful, classic charms back into the spotlight, complete with the original B-side. The opening track, 'Hollywood Dreaming', is a smooth, catchy piece that expertly blends a funky rhythm with a rich horn section and excellent vocals. The infectious melody and creative arrangement make it a standout in the band's catalog. It's a track that embodies the essence of late '70s soul and funk while still feeling fresh and timeless. 'Shine On' delivers a late-night disco groove, heavily influenced by the genre's rise during the era. Its funky bassline and smooth rhythm provide a perfect soundtrack for dancefloors and intimate settings alike. The track oozes with soulful energy, showcasing the band's ability to seamlessly merge funk and disco influences into a cohesive sound. Father's Children, formed in Washington, D.C., originally as a doo-wop group, evolved into a funk and soul powerhouse by the late 70s. It is certainly bittersweet to hold this piece of music in your hand - and especially without having to take out a second mortgage.

Review: Emma Noble, the emerging soul singer from London, delivers a powerful performance on the girl group soul anthem 'Unstoppable'. Her second single, it's poised to become a next-gen floor-filler; catch us playing it on repeat, *in flagranti*, after it premiered on Craig Charles' BBC6 Soul Show in early 2025. 'Going Going Gone' backs it up on the B-side, as the first single from FPE's upcoming album Waves. Hearing rising Australian singer-songwriter and pop genius J Mahon on vocal duties, the track's catchy brass sections combine with J's androgynous soul vocals, and evokes the sounds of young Motown artists in the style's 60s adolescence.

Review: The Freedom Affair's second album lives in the sound of Southern soul. Recorded in four whirlwind days at Memphis' Royal Studios, the Missouri-based band doubles down on grit and grace, bringing their KC-honed fire into the same space that birthed Al Green's classics. Opening with 'With You', the trio of Paula Saunders, Seyko Groves and Shon Ruffin set the tone: unflinching, full-bodied vocal leads that carry across simmering arrangements. 'Picking Up The Pieces' and 'Tell Me I'll Be Yours' offer different shades of heartache and healing, while 'The Water' and 'Don't You Wanna Love Me' show off the band's dynamic range i from sweeping gospel tones to raw, handclap-heavy funk. Horn section veterans Brett Jackson and Pete Carroll deliver tight, melodic lines in a single take, winding through a rhythm section made even more cohesive by Chris Hazelton's switch to Hammond B3. 'Be Who You Are' and 'Anchor' feel like declarations of purpose, soulful and sure-footed, while the closer 'Coming Home' brings it all back to love i and to Royal's vintage tape warmth. Not just revivalist, but reverent and radiant, this is soul with some new stories to tell.