Review: Fresh from delivering killer dancefloor jazz covers of classics cuts by Galaxy 2 Galaxy and Avicii (really), Japanese trio Polyplus deliver a fine sequel to last year's Good Luck Sound Tracks EP. They go for the dancefloor jugular from the off, wrapping snaking sax solos, fuzzy guitar licks and elongated solos around a breathlessly rapid punk-funk groove on 'Massive', before fusing Brit-Funk and sweat-soaked jazz-rock on 'Speedy Gold'. This hybrid jazz-funk/rock sound continues on 'Ranki 2025' (whose heavy beats and memorable piano riffs nods to classic house). Elsewhere, 'Ocean Breeze' re-frames wide-eyed city-pop as jaunty jazz-funk and 'Natural Born' is a drum solo-sporting slab of jazz-rock/jazz-fusion insanity straight from the top drawer.
Nothing Better Than You (feat Anna Fondi & Erika Scherlin)
You Came Along (feat Stevie Biondi)
Touch The Sky (feat Sweet Candies)
Never Give Up (feat Laura Lanzillo)
Summer Madness (feat Anna Fondi)
Review: Prolfic producer Neiro 'Papik' Poggi founded the Soultrend Orchestra almost 15 years ago as a vehicle for his acid jazz, funk, soul, disco and jazz-funk fantasies. The project has been 'on ice' for a while, with Now Imagine, officially the band's second studio set, appearing a decade after its predecessor. It's a typically musically rich affair with a string of guest vocalists joining the expansive 'orchestra' to run through happy, sun-splashed tracks. Highlights come thick and fast throughout, from a lightly Latin-tinged cover of Sister Sledge disco classic 'Lost In Music' and the Jamiroquai-esque warmth and soul of 'Wiser' (featuring Wendy D Lewis), to the vibraphone-wielding smooth grooves of 'Touched By Your Love' and the glossy jazz-funk-goes-house rainbows of 'You Came Along' (featuring Steve Biondi).
Tambores De Enrique Bonne - "Como Arrullos De Palma"
Ricardo Eddy Martinez - "Expresso Ritmico"
Los Papines - "Solo De Tumba Y Bongo"
Grupo Sintesis - "Aqui Estamos"
Los Van Van - "Llegada"
Grupo Raices Nuevas - "Baila Mi Guaguanco"
Luis Carbonell - "La Rumba"
Orquesta Riverside - "En Casa Del Trompo No Bailes"
Juan Formel & Los Van Van - "Llegue, Llegue"
Grupo Los Yoyi - "Tu No Me Puedes Conquistar"
Los Papines - "Para Que Niegas?"
Grupo De Experimentacion Sonora Del ICAIC - "Cuba Va!"
Raul Gomez - "Luces En La Pista"
Los Brito - "El 4-5-6"
Leo Brouwer - "Tema De El Rancheador De La Naturaleza"
Ricardo Eddy Martinez - "La 132"
Los Reyes 73 - "Finalizo Un Amor"
Review: Given that Gilles Peterson and Stuart Baker's Cuba: Music and Revolution - Culture Clash in Havana is one of the standout compilations of 2021, hopes are naturally sky-high for this speedy sequel. Like its predecessor, volume 2 focuses on music and made and released on the Caribbean island between 1975 and '85, this time round largely focusing on rare fusions of salsa, Latin jazz, disco, soul and funk, mostly licensed from records that have never been available outside Cuba. It's another stunning selection all told, with highlights including the heady Cuban disco/salsa fusion of Orquesta Los Van Van, the fiery disco-funk of FA 5, the heavily percussive hedonism of Luis Carobonell and the fuzzy psychedelic rock of Grupo De Experimentacion Sonora Del ICAIC. In a word: essential.
Prince Buster & His All Stars - "Black Soul" (2:54)
Prince Buster - "Dark End Of The Street" (alternate take) (3:10)
Teddy Charmer - "All In My Life" (2:48)
Prince Buster - "Tribute To The Toughest" (4:55)
Lee Perry - "Call On Me" (3:13)
Prince Buster - "Don't You Know I Love You So" (2:47)
Gregory Isaacs - "Dancing Floor" (2:17)
Winston Samuels - "I'm Still Here" (alternate take) (2:53)
Ernest Ranglin - "Come Get Me" (2:35)
Review: Prince Buster, born Cecil Bustamente Campbell in 1938, was a key figure in the birth of ska and rocksteady, and infamously embodied the term "rude boy"; he'd come to enshrine a symbol of rebellious youth culture in Jamaica. A leading conspirator in early soundsystem culture, Buster's story stretches as far back as the days of systems such as Tom The Great Sebastian as well as variou Kingston-bound stacks operated by Coxsone Dodd. Now this eagerly awaited third volume from Rock A Shaka continues to compile Buster's best works, the standouts among them being 'A Tribute to The Toughest' from 1967 - believed to be a precursor to the long-loved 'Ghost Dance' - and his cover of James Carr's 'Dark End of the Street,' Ernest Ranglin's 'Come Get Me,' and Winston Samuels' 'I'm Still Here.'
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