Back catalogue: Dubstep

Review: Peaky Beats is a great name for a label that serves up such irresistible house and garage jams as it has so far over its first eight EPs. This ninth outing is no less desirable, coming from the in house production team in collaboration with Breakfake. 'Life In Stereo' hits a perfect note between kinetic drums and soulful, jazzy chords deigned to melt the heart. 'Rat City' is more filthy - a warped bassline screws about beneath more sleazy broken beats. 'Chapel Town' brings low end dubstep wobble to the party and 'Dub The Acid' is another filthy dirty skanker with echoing hits and mutant bass.

Review: The Vivid label is yet another one from Burnski who also runs Constant Blanc and Instinct. He is s single handed garage hit making machine and he knows how to tap into the next gen, too. Here he calls upon Peaky Beats for a naughty and nasty three track affair that has retro feels but contemporary style. 'Can't Stop' opens up with a 2-step shuffle and steely hits, then 'Get Ready' gets more free and melodic with some boxing little melodic patterns and oscillating bass. Last of all is the most menacing and dark - 'Wildcat' flips into a dub wise swagger mid-way through that is going to blow up the clubs.

Review: TRACKLISTING:
A1: Photek & Kuru - Fountainhead (DJ-KICKS)
B1: Photek - Azymuth
B2: Photek - No Agenda

OVERVIEW:
"There are mavericks out on their own, the fearlesss creators operating on the very fringes of their respective scenes - Photek is just such an artist."- DJ Mag

"Photek has sweated over every little drum sound and fill resulting in a complex and subtle sound that is a million miles away from the nasty sound of commercial dancefloor dubstep."- DrownedInSound.com

"Easily more creative, more experimental and more thought out than his counterparts. A revolutionary musician and composer."- Sputnikmusic.com

Photek stands mercilessly on the edge. A sonic scientist, pushing both his sounds and fans' expectations to the outermost limits since 1994, he floods the footnotes of electronica like MP3s clutter up your hard drive.

2011 saw him drop a series of sounds that reflect the truest perception of him. Driven by his years of studio discipline; sharpened by an acute awareness that he'll be received by the heads that know him well and ears that don't know him at all.

Destination tomorrow: Photek's decorated past and diligent work ethic leads us here. The new music you've heard from Photek in 2011 is yet another chapter in a life spent overdosing on sonic nuances and boundary testing. In the past 12 months his new material has been remixed by the brightest young stars of dance music - Boddika, Falty DL, Addison Groove and Breach to name a few. In turn, Photek has remixed for the likes of Moby, Jess Mills, Distance, Ray Lamontagne and was part of Daft Punk's Tron Remixed package - for which he has been nominated for a Grammy. His newly re-launched label, Photek Productions, has this year released the 'Avalanche EP' which garnered international support from tastemakers such as Benji B, Gilles Peterson, Skream, Annie Mac, Zane Lowe and more, and the 'Aviator EP'. The single 'Closer' was also released on Pinch's pioneering Tectonic Recordings in June, adding to the gathering noise that you can't ignore - Photek is well and truly back and you can be sure that whatever sound he drops next, it won't fail to get the world's attention... Watch out in 2012 for his installment in the highly influential DJ Kicks compilation series on K7 Records and his long awaited new artist album.


PRESS: Album reviews running in Clash, DATA TRANSMMISSION (+ Interview), HYPONIK, FACT, DEFECTED, RESIDENT ADVISOR, MIXMAG (+ Classic Albums feature), MUSIC OMH (+ Interview), SPIN (+ Interview Feature), TRAP MAGAZINE (+ feature), DJ Mag. Updates to follow.