Back catalogue: Disco/Nu-Disco

Review: UK disco sensation Glitterbox light the touch paper on another fizzy summer with four gossamer smooth edits of four seminal house classics. Gliding us through time to soulful house's golden era with a sassy, loose groove shine to each edit; Soulsearcher's 96 anthem "Can't Get Enough!" gets respectfully plumped, Shapeshifter's 2003 sing-along bomb "Lola's Theme" is stripped back to a stark funk groove while Johnny Corporate's 2000 hit "Sunday Shoutin'" gets flipped into slinky bassline wriggler. Finally one of the best covers Stevie Wonder has ever had gets a luxurious rub down as Cleptomaniacs' 2000 swoon-fest enjoys the full Packer treatment. Summer starts here.

Review: The finger-click-clap is a staple of nu-disco, and doesn't Turbotito flaunt it on their latest EP. The artist has been dubbed an electronic-slow-disco artist, never swooning to the indulgent high of a tempo above, say, 120bpm. This approach allows the categoric glitz and sparkle of disco extra time to shine through; 'Time Starts Moving Slow' kicks off the EP as a sort of slow-disco manifesto, seeding ideas of a phonic slow food movement; high-pitched synth plucks and pickled, finger-picked guitars come clearly apiece, as the artist sings, untethered to any effect save for long-tailed reverb, on top. 'Breaking 84' contrasts with a talkboxing groove which soars past the A's establisher tempo, but still, necessarily, goes steady.

Review: Dan Tyler and Nick The Record's third installment in the Mr Bongo Edits series brings a bold twist to Cuban classics with three tracks that are equal parts cosmic and dancefloor-ready. On the A-side, Tyler extends two Juan Pablo Torres tracks from his reissued 1978 'Algo Nuevo' and 1977's 'Super Son.' First, Tyler reimagines 'Cacao,' a standout track from Torres' LP, giving it room to breathe and intensifying the percussive climax with swirling synths and spacey dub effects. It's a track that thrives on a big system, building tension as it goes, and works wonders in the right environmentijust ask anyone who caught it at La Paloma in Barcelona. Next, Tyler dials into 'Pastel En Descarga,' turning the Latin-funk fusion into a punchy, trippy dub with delay and drama, keeping the track's energy while taking it further into spacey, cosmic territory. On the flip, Nick The Record tackles Grupo Los Yoyi's 1977 'Paco La Calle,' taking a 2009 edit and expanding it into a longer, more hypnotic piece. The percussion pushes and pulls as the psychedelic synths swirl, creating a dynamic and ever-building groove. The 2025 version is elevated with new synth lines courtesy of Tyler, deepening the track's psychedelic richness. A cosmic whirlwind of reworks that bridges the gap between '70s Cuban innovation and modern dancefloor sensibilities.

Review: Dimitri has been very generous with his edits this year, having unleashed some of his finest DJ weapons in the form of the "Brooklyn Edits" EP and this refreshed trilogy of classic Salsoul revisions. They need little introduction as we take off with the iconic harmonies and horns of "Ooh I Love It" land with the incredible soul fusion of Love Committee's oft-covered (never bettered) feels odyssey "Just As Long As I Got You". With trips to New York for silky disco with Skyy and a synth boogie freak-out from The Jammers, it's once again another reminder that no one does edits quite like the man from Paris.