Back catalogue:

Review: Following a string of explosive releases on labels like Acid Artists In Action (Triple A), Stay Up Forever, Hydraulix, and Interruption, ACERBIC is raising the stakes with a colossal triple-vinyl, limited-edition LP on the SUF/Hydraulix collaboration label. Packed with nothing but high-energy, dancefloor-destroying cuts, it kicks off with the anthemic 'Acid Way Of Life' and powers through a relentless selection of techno and acid techno bangers that push the boundaries of both genres. No filler, just pure, peaktime fire. Already road-tested by scene legends D.A.V.E. The Drummer and Chris Liberator, this one is sure to rip up rulebooks and dancefloors alike.

Review: Ross Alexander debuts on Yore and brings with him a more tech-leaning sound that you might expect of this traditionally techno-centric outlet. It still calls on plenty of Motor City signifiers, however, such as warm synth soul, machine grooves and a dusty depth. 'Soul Roots' has all that and a cosmic melodic air, 'Cycles' gets more twisted with a pressurised baseline and drums full of rebound while 'All I Need' sets off on freewheeling, psychedelic pads and serene grooves that carry you away in a reverie before 'Reflections' shuts down with twinning cosmic pads and gurgling low ends. A classy and escapist EP of futuristic bliss.

Review: The Alien Edits label and in-house and eponymous production outfit serves up a pair of banging, Summer festival primed house edits. The first is a shuffle, high inapt take on a Wailer's classic with the original vocals left in for maximum bait for dancers. On the flip, it's another stone-cold gem that gets the treatment with 'Abacadabra' reworked into a big, bubbly house sound complete with vocoded Steve Miller vocals coming back from the future to infuse it with irresistibly hooky energy.

Review: Broken beat legends Nautilus return with a futuristic teaser for their upcoming 2026 studio album, and on this evidence, it's going to be superb. The first single reimagines a legendary anime soundtrack with their signature groove and features Japanese singer and sanshin virtuoso Anna Sato, whose vocals elevate the track to a new dimension. The release is completed by Berlin-based DJ and producer Delfonic, a well-known disco and house don and label head, renowned for his deep club remixes and praised by Gilles Peterson. Delfonic adds a magical touch with heavy beats that come with plenty of lavish synth work.

Review: Long Island's Aesop Rock takes listeners deep into the everyday moments that blur the line between the real and the surreal on this, his 11th LP. Self-produced, the album's intricate beats and complex structures provide a perfect canvas for his expansive lyricism. Tracks like 'Movie Night' and 'Send Help' explore this liminal space, mixing reflections on the mundane with eccentric, dreamlike imagery. The production pushes boundaries, channeling a sense of both experimentation and coherence, while tracks such as 'Black Plums' evoke a quiet, wistful nostalgia. Aesop balances cerebral exploration with emotional depth, pulling the listener through his introspective world with both precision and spontaneity. Hailing from New York, his work continues to reflect that city's blend of chaos and contemplation, navigating between complexity and raw instinct. The album's guest featuresiLupe Fiasco, Armand Hammer, Open Mike Eagle, Homeboy Sandman, and Hanni El Khatibiadd distinct layers to the project, each bringing their own energy to the sonic landscape. '1010WINS (feat. Armand Hammer)' and 'Charlie Horse (feat. Lupe Fiasco & Homeboy Sandman)' are highlights where the collaborations are seamless, blending each artist's style with Aesop's own. Throughout, the work showcases his most technically accomplished efforts to date, weaving together complex ideas with an instinctive flow that makes for an album as ambitious as it is enthralling.

Review: Fusion five-piece Aldorande are no fustians when it comes to full-length LPs. These self-styled groove adventurers remain radically open to the sound, thanks to their stylistic touchstone, 70s funk, and its diachronic conduction of future styles. Recorded on tape in a top Parisian studio, their third record Trois brims with trifect textures, bold phrasing, and soaring choral waves. Mathieu Edouard's precise drumming is glued to the spot by Erwan Loeffel's plaited percussion, all the while Laurent Guillet's fingertips and Florian Pellissier's splayed hands make the best uses of Fender Rhodes, axe and Minimoog.

Review: On Club Tounsi, Tunisian producer Sofyann Ben Youssef, aka AMMAR 808, brings the raw rhythmic power of Mezoued-the folk music of Tunisia's working class-into a bold electronic future. Fusing pulsating synths, distorted textures and TR-808 beats with traditional instruments like goatskin bagpipes, hand drums, and the ney, he reimagines iconic Mezoued tunes for a new generation. Vocalists from classical, Sufi and Mezoued backgrounds also feature to add human soul and mean the album captures the genre's emotional depth while transforming it into something cinematic and club-ready. This LP is a bridge between past and future, tradition and innovation and one that makes you want to move.

Review: Swedish composer Ellen Arkbro's Nightclouds is a deeply introspective and romantic turn that collects five solo organ improvisations recorded across Europe in 2023-24. Departing from installation-based compositions, Nightclouds explores slow, chordal improvisations rich in texture and atmosphere while drawing on sacred music, ECM jazz and minimalism. Along the way, Arkbro creates immersive soundscapes that balance austerity and emotional depth while shifting between meditative stillness and modernist tension with standout recordings like 'Morningclouds' and two variations on the title track. Through meticulous mic placement and tonal clarity, Arkbro draws you in with the intimacy and vastness of her sonic world.

Review: On their second release, Atelier Kamikazi continues to deliver raw, collaborative lyrics drawn from their experiences as street kids in Kinshasa, the capital of the Democratic Republic of the Congo. Like their debut on Seismographic Records, the group reflects on the harsh realities and surreal beauty of life in the city as they resist corrupt politics, challenge religious hypocrisy embodied by a figure they call "Priest Cat's Heart", and confront the dangers of "Bomb," a potent street drug. With vivid metaphors and unflinching honesty, they warn against its use while affirming their true tools for survival: words, wisdom and Loketo-the liberating hip-swing of Congolese dance.

Review: Celebrating 25 years of two of the most influential house labels around, this joint double-pack from London's R2 and Osunlade's Yoruba Records is a heavyweight offering that bridges soulful roots and dancefloor depth. Karizma's long-awaited 'Spirit' appears in multiple formsihis original gospel-powered burner, a Josh Milan remix (as Honeycomb), and a dub version featuring Nicholas Ryan Gant, all radiating righteous, late-night warmth. The second R2 cut, 'W!thout !t' is stripped and punchy, full of Karizma's trademark percussive invention. Yoruba's side sees Osunlade light up the system with 'Electricity' and 'Sumpin' Like Dis', both steeped in rhythm and spiritual uplift. Afefe Iku's '823' dives deep into his signature twilight textures, while Karizma's Baltimore remix of Mr. Flip's 'Drippin'' closes the set on a loose and funky high. It's a snapshot of two defining voices in house musicirich in groove, spirit and intention.

Review: Vegyn flips Moon Safari inside out, running Air's 1998 debut through his distinct anoxia of gauzy electronics and fleet rhythm. After tide blurring work with Frank Ocean and Travis Scott, Joe Thornalley approaches the source material not as a sacred object, but as raw clay to reshape, stretching melodies, reframing grooves, twisting moods. It's a full-album rework, track by track, with the French duo's ambient-pop blueprint softened and warped into something ghostlier and unstabler. Visuals get a similar rethink: original Mike Mills artwork is reinterpreted by Vegyn with Noah Baker. This version lands as a limited blue vinyl for Record Store Day - not a nostalgia trip, but a sideways step into a parallel listening experience.