X-Men Doctrine & Declaration: Target=40:40:11N 73:56:38W (1:30)
General P Counterintelligence: Target=37:47:36N 122:33:17W (1:31)
IGet Up, Punk! 0200 Hrs (Joint Special Operations Task Force) (1:01)
Roc Raida: Riot Control Agent/Combat Stress Control (1:48)
Improvised Explosive Device 0300 Hrs (1:51)
IVaqueros Y Indios! (Joint Special Operations Task Force) (2:29)
Precision Guided Needle-Dropping & Larynx Munitions (PGNDLM) (0:54)
Duelling Banjo Marching Drill (1:02)
Battle Hymn Of The Technics Republic (1:54)
IFire In The Hole! 0400 Hrs (Joint Special Operations Task Force) (1:04)
Convulsive Antidote For Nerve Agent Autoinjector (CANAA) (2:57)
Modified Combined Obstacle Overlay (MCOO) Or How I Learned To Stop Worrying & Love The Turntables (2:41)
Surprise Swing Insurgency/Tabla & Tongue Twist Counterattack/Dragon Seeks Path (3:44)
IKamikaze! 0500 Hrs (Take A Piece Of Me) (2:12)
We'll Paint This Town - Throat & Phonograph Fire Support Coordination Measures (TPFSCM) (1:38)
Imitative Electromagnetic Deception (IED)/Digital Nonsecure Voice Terminal (DNVT) (2:00)
AWOL Block Party Brawl 0600 Hrs (1:45)
Eastside Multichannel Tactical Scratch Communications (EMTSC) (2:19)
IPimps Up, Aces High! 0700 Hrs (Westside Swashbuckling Parade) (2:15)
Warcry/Infrared R'n'B Hallucination/Jungle Operations Exfiltration System (2:36)
LOL - ILoser On Line! (Hate The Player, Hate The Game) (1:54)
Low Altitude Vocal Parachute Extraction System (LAVPES) (2:10)
Battle Damage Assessment & Repair/White Flag Surrender/Wake Me Up In Heaven (2:40)
Review: A collaborative album made and released by Mike Patton and NYC's hip-hop DJ trio the X-Ecutioners, General Patton vs. The X-Ecutioners is a landmark album in the big-smoked turntablists' discog, thanks to its then-newfangled embrace of elements of two nascent genres: free jazz and glitch. In fact, the album is themed around a war between the two vastly different styles, which makes it a worthy, but lesser-known contemporary to many other artists fusing the styles at the time, such as Amon Tobin. However, this album is more in the vein of Wu-Tang than future angst; this reissue via Ipecac serves to rejolt its underground infamy.
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